1042:"...the New York Philharmonic, Boston Symphony, Chicago Symphony, the Cleveland Orchestra, the Philadelphia Orchestra, San Francisco Symphony, the Los Angeles Philharmonic, Minnesota Orchestra, St. Louis Symphony Orchestra, National Symphony Orchestra, Detroit Symphony Orchestra, Houston Symphony Orchestra, Atlanta Symphony Orchestra, Dallas Symphony Orchestra, Seattle Symphony Orchestra, Baltimore Symphony Orchestra, San Diego Symphony Orchestra..."
397:, a fellow professor of composition, said "To show the film now, especially without substantial framing, content advisory and a focus on its inherent racism is in itself a racist act, regardless of the professor's intentions", and David Gier, dean of the School of Music, Theatre & Dance, said that Sheng's actions "do not align with our School's commitment to anti-racist action, diversity, equity and inclusion". But according to
1180:. Retrieved 2024-1-14. “One of Sheng's colleagues, Evan Chambers, another professor of composition, sided with the students and accused Sheng of committing a "racist act." "To show the film now, especially without substantial framing, content advisory and a focus on its inherent racism is in itself a racist act, regardless of the professor's intentions," said Chambers. "We need to acknowledge that as a community."
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Chinese music and ‘mainstream’ Western music. As his career continued, he found ways to incorporate traditional
Chinese methods of music with modern music from Western influences. For nearly his whole composing career, Sheng has represented the Chinese culture he came from with the Western culture he
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He was involved in the Silk Road
Project, a music project that stretches across different nations and cultures. It was named after the silk trade because the Silk Road is the oldest trade route between ancient Rome and China. To prepare, he went on a field research trip along the Silk Road regions in
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Sheng's method of incorporating
Chinese and Western methods together has been criticized and questioned. Even he himself had concerns about whether the two musical elements could be put together in a meaningful way. Some of the teachers he had advised him not to mix the two forms and to do one or
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is one of Sheng's greatest influences. Sheng believes that his music fits within two of the ways Bartók believed folk music can be used in composition: imitating the melody in the folkloric style and writing not deliberately in the style of folk music but with its flavor.
252:. Sheng went back to playing a year later, using his school's since he didn't have one at home. Shortly thereafter, he decided to play piano for the rest of his life, although he didn't believe that he could become a musician since his family had no history of music.
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Because Sheng had to teach himself how to play musical instruments and learn music theory to play, Qinghai folk music became and continues to be a strong inspiration in his compositions today. He used
Tibetan folk music from Qinghai as a basis for his opera
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and showing the movie was neither a racist act nor approval of racism. Soave said that the "broader university community" owed Sheng an apology for slandering him, and compared the treatment Sheng received to his earlier experience of surviving the
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China, tracing their musical culture to collect folk songs and historical materials. Sheng had also wanted to write a research article to document the composition, gain the help from a graduate student, as well as lecturing on
American music.
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After the end of the
Cultural Revolution, he got admitted into the Shanghai Conservatory of Music where he learned both Chinese classical and traditional music. There, Sheng earned his Bachelor of Arts degree in music composition.
525:(‘Lacerations’), which premiered with the New York Chamber Symphony in 1988 and was a memorial to the Cultural Revolution in China, was awarded the first runner-up for the 1989 Pulitzer Prize. Two years later in 1991, his piece
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Sheng left China in 1982 and joined his family in the United States, where he had to re-learn different elements of music to adjust to the
Western style of music. In New York, he attended Queens College to earn his
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Most of Sheng's musical career has followed the path of mixing
Western cultures and Asian cultures into his pieces, leading his music to be performed in both Asia and the United States, as well as around the world.
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Sheng admits that his creative process is not constant. Inspiration can come after hearing a couple of notes on the television programs, researching for his next pieces, or dreaming about the music.
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Chang, Peter (2007). "Bright Sheng's music: An expression of cross-cultural experience—illustrated through the motivic, contrapuntal and tonal treatment of the
Chinese folk song The Stream Flows".
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in 2001; he also was a two-time
Pulitzer Prize finalist. His music has been commissioned and performed by virtually every major American symphony orchestra, in addition to the
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442:(‘Lacerations’), Sheng's composition for orchestra, was written as a remembrance of the Cultural Revolution. The piece premiered in 1988 and was performed by the
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Bright Sheng was born in Shanghai, China on December 6, 1955. His mother had been his first piano teacher, having started learning at the age of four. When the
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At the beginning of his musical career, Sheng started out by making simplistic pieces of Chinese-Western mixtures since he had been exposed early on to both
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In October 2021, Sheng stepped down from teaching an undergraduate class, where he says he had intended to show how
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moved to. As a result, Sheng's following has expanded from Asia and the United States to a global one.
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for the Lyric Opera of Chicago from 1989 to 1992, the Seattle Symphony from 1992 to 1995, and as an
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Fellowships (1985, 1988), a Kennedy Center Award (1995), and an ASCAP Concert Music Award (2002).
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While still young in China, Sheng studied the history that made up Chinese music in three forms:
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in 1995, as associate professor of music; in 2003, he has been appointed the Leonard Bernstein
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510:(1990), the Walter W. Naumburg Foundation Award (1990), the Rockefeller Award (1991), the
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In 1996, Sheng traveled back to his home country of China after fourteen years to compose
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393:. Sheng allegedly failed to give students any warning that the film contained blackface.
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among numerous others. His music has been performed by such musicians as the conductors
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1175:"Michigan Students Accuse Celebrated Music Professor of Racism for Screening Othello".
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http://brightsheng.com/Press/full%20bio%202018%20(2280%20wds).pdf
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https://www.wisemusicclassical.com/composer/1436/Bright-Sheng/
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Flute/alto flute, violin, cello, marimba, suspended cymbals
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1192:"Professor Not Teaching After Blackface 'Othello' Showing"
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was also awarded first runner-up for the Pulitzer Prize.
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for a year. He joined the composition department at the
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57:; born December 6, 1955) is a Chinese-born American
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228:. In 1995, he became a part of the faculty at the
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291:degree in 1993. Some of his teachers included
248:began, his home's piano was taken away by the
1411:Columbia University School of the Arts alumni
751:Solo Flute, Harp, Piano, Percussion, Strings
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953:(1996) for soprano, tenor, four-handed piano
371:On September 10, 2021, he showed the class
263:. He also began to compose his own music.
453:It wasn't until speaking with his mentor
220:and went on to continue his education at
997:Weihua, Zhang (2001). "Sheng, Bright ".
951:may I feel, said he 'Opera in 7 minutes'
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1013:10.1093/gmo/9781561592630.article.42546
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327:for the Wet Ink Festival hosted by the
1381:Chinese emigrants to the United States
1190:Flaherty, Colleen (October 11, 2021).
1142:Journal of the International Institute
851:Violin, voice, pipa, sheng, orchestra
1298:, December 1, 1990 & June 7, 2003
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796:String Quartet No. 4 "Silent Temple"
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341:Distinguished University Professor
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1361:American male classical composers
925:Three Poems from the Sung Dynasty
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1296:Two Interviews with Bright Sheng
1173:Soave, Robby (October 8, 2021).
1138:"An Interview with Bright Sheng"
941:(1988) for soprano, viola, piano
508:John Simon Guggenheim Fellowship
329:San Francisco Symphony Orchestra
103:Finnish Radio Symphony Orchestra
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1276:Bright Sheng's Official Website
932:Two Poems from the Sung Dynasty
331:in 1993. He also taught at the
115:Shanghai Philharmonic Orchestra
1416:University of Michigan faculty
927:(1985) for soprano, orchestra
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959:(2004) for soprano, orchestra
527:Four Movements for Piano Trio
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947:(1989) for chorus, orchestra
683:7 Short Yadhtrib Variations
123:Seoul Philharmonic Orchestra
119:Tokyo Philharmonic Orchestra
945:Two Folk Songs from Qinghai
847:The Song and Dance of Tears
521:His orchestral composition
506:Sheng's honors include the
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1093:10.1080/07494460701653044
1081:Contemporary Music Review
725:Voice, Chinese Orchestra
664:Clarinet, string quartet
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107:Sydney Symphony Orchestra
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939:Three Chinese Love Songs
825:Clarinet, violin, piano
562:Dream of the Red Chamber
333:University of Washington
240:Early life and education
205:; and the percussionist
1396:Musicians from Shanghai
1386:Educators from Shanghai
1250:"Bright Sheng - Artist"
1005:Oxford University Press
479:The Hungarian composer
808:Distant Birthday Bells
708:7 Tunes Heard in China
337:University of Michigan
299:at Queens College and
289:Doctor of Musical Arts
230:University of Michigan
87:BBC Symphony Orchestra
921:(1982-1992) for piano
672:String Quartet No. 3
470:Johann Sebastian Bach
321:composer-in-residence
281:Master of Arts degree
218:Shanghai Conservatory
143:Michael Tilson Thomas
1406:Male opera composers
514:Fellowships (2001),
512:MacArthur Foundation
474:Ludwig van Beethoven
135:Christoph Eschenbach
71:MacArthur Fellowship
919:Three Chinese Poems
899:Melodies of a Flute
864:String bass, piano
414:Cultural Revolution
356:William Shakespeare
303:, Jack Beeson, and
285:Columbia University
246:Cultural Revolution
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1000:Grove Music Online
738:Chinese Orchestra
544:The Song of Majnun
491:, commissioned by
434:The Song of Majnun
319:Sheng served as a
269:The Song of Majnun
255:Sheng was sent to
91:London Sinfonietta
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1391:MacArthur Fellows
1148:(1). 1999-10-01.
1022:978-1-56159-263-0
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784:Nanking! Nanking!
764:Piano, Orchestra
455:Leonard Bernstein
432:His first opera,
325:artistic director
309:Leonard Bernstein
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293:George Perle
287:to earn his
283:in 1984 and
277:
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268:
265:
254:
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234:
211:
195:Peter Serkin
179:Lynn Harrell
167:Robert Spano
159:David Zinman
52:
37:Bright Sheng
36:
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28:
21:Chinese name
930:Revised as
661:Concertino
640:Piano trio
636:4 Movements
579:Instrument
481:Béla Bartók
426:traditional
373:John Dexter
163:Neeme Järvi
25:family name
1340:Categories
1259:2024-02-05
1235:2021-10-11
1203:2021-10-12
964:References
886:Hot Pepper
838:Orchestra
747:Flute Moon
699:Orchestra
614:Orchestra
556:Madame Mao
466:theatrical
261:folk music
250:Red Guards
199:Gil Shaham
187:Emanuel Ax
171:Hugh Wolff
131:Kurt Masur
121:, and the
1318:Biography
1254:MacDowell
1154:1558-741X
1101:192023564
598:3 Pieces
587:3 Etudes
462:classical
450:another.
391:blackface
67:conductor
1229:Newsweek
772:3 Songs
686:Bassoon
493:Yo-Yo Ma
381:, where
358:'s play
354:adapted
214:Shanghai
212:Born in
175:Yo-Yo Ma
59:composer
19:In this
1304:Portals
957:Phoenix
734:2 Poems
653:Violin
623:My Song
387:Othello
385:played
378:Othello
361:Othello
63:pianist
41:Chinese
1178:Reason
1152:
1099:
1019:
812:Piano
712:Cello
627:Piano
590:Flute
564:(2016)
558:(2003)
552:(1997)
546:(1992)
538:Operas
502:Honors
404:Reason
367:Otello
315:Career
193:, and
181:, and
51::
49:pinyin
43::
23:, the
1097:S2CID
913:Vocal
906:2011
893:2010
880:2009
867:2007
854:2003
841:2002
828:2001
815:2001
802:2000
791:2000
778:1999
767:1999
754:1999
741:1998
728:1997
715:1995
702:1995
689:1994
678:1993
667:1993
656:1990
643:1990
630:1989
617:1988
610:H'un
604:1986
593:1982
582:Year
533:Works
30:Sheng
1150:ISSN
1038:and
1017:ISBN
523:H’un
472:and
440:H’un
295:and
224:and
201:and
65:and
1089:doi
1009:doi
401:of
389:in
375:'s
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45:盛宗亮
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