Ilya Repin - Knowledge (XXG)

2428: 792: 1493: 1997: 1388:(1863-1914), who became his common-law wife. She was the daughter of an admiral, a writer and feminist, an activist for the improvement of working conditions. She advocated a simple life close to nature. In 1899 he acquired land near a village of Kuokkala, about forty kilometres north of St. Petersburg, and they built a country house, called the Penates, which became his home for the next thirty years. It was located in the Grand Duchy of Finland, then part of the Russian Empire, about an hour by train from St. Petersburg. At first he used it only as a summer house, but after he resigned from the St. Petersburg Academy of Fine Arts in 1907, it became his full-time home and studio. It was a rather eccentric estate, including a studio covered with a pyramidal lantern roof, a landscape garden with a "Pushkin alley" of trees, a multicoloured music kiosk in the Egyptian style, and a telescope overlooking the Gulf of Finland. He hosted vegetarian breakfasts for his guests (a practice he adapted from Tolstoy), and very elaborate receptions on Wednesdays. His Wednesday guests included the opera singer 2106: 1356: 1694: 2413: 577: 771: 1157: 1838: 2133: 962: 556: 977:

country estate at Yasnaya Polyana. He painted a series of portraits of Tolstoy in peasant dress, working and reading under a tree at Yasnaya Polyana. Tolstoy wrote of an 1887 visit by Repin: "Repin came to see me and painted a fine portrait. I appreciate him more and more; he is lively person, approaching the light to which all of us aspire, including us poor sinners." His last trip to see Tolstoy at Yasnaya Polyana was in 1907, when Tolstoy was 79. Despite his age, Tolstoy went horseback riding with Repin, ploughed fields, cleared paths of brush and hiked through the countryside for nine hours, all the while discussing philosophy and morals. Repin's portraits of Tolstoy in country dress were widely exhibited, and helped build Tolstoy's legendary image.

910: 1905: 1981: 1145: 684: 950: 808: 2443: 2045: 1267: 1004: 2299: 248: 654: 1019: 1252: 825: 540: 1218:. The painting depicts an apocryphal event in 1678, when a group of cossacks supposedly amused themselves by drafting a highly insulting letter to the Turkish sultan, addressing him as "The Grand Imbecile". Repin worked on this painting periodically between 1880 and 1891, creating an extraordinary ensemble of expressive faces. Most of the models were faculty members from the Academy of Arts, and had a variety of nationalities, including Russians, Ukrainians, a Cossack student, Greeks, and Poles. The cossack in a blue hat in the center is 2080: 837: 2013: 1333: 989: 443: 593: 1679: 669: 1887: 2380: 2395: 1850: 2121: 1941: 1925: 1460: 1237: 1038: 2458: 1869: 1513: 2365: 2427: 1053: 922: 1663: 1133: 3950:Шишанов, В.А. «Ниспровержение на пьедестал»: Илья Репин в советской печати 1920–1930-х годов / В.А. Шишанов // Архип Куинджи и его роль в развитии художественного процесса в ХХ веке. Илья Репин в контексте русского и европейского искусства. Василий Дмитриевич Поленов и русская художественная культура второй половины XIX – первых десятилетий XX века : материалы научных конференций. – М. : Гос. Третьяковская галерея, 2020. – С. 189–206. 1478: 898:"They Did Not Expect Him". (1884-1888),(Tretyakov Gallery) is a notable and subtle historical work of the period, depicting a young man, a former "narodniki" or revolutionary, emaciated and frail from prison and exile, returning unexpectedly to his family. The story is told by the different expressions on the faces of his family and small details, such as the portraits of Tsar Alexander III and of favourite Russian poets on the wall. 2068: 2029: 1651: 4079: 871:(1883), which was presented at the 12th annual exposition of the Wanderers. It was notable both for its extraordinary crowd of realistic figures, including surly policemen, weary monks, children and beggars, each expressing a vivid personality. He also experimented with outdoor sunlight effects, apparently influenced by the impressionists and his outdoor studies in France. His next major work of this period was 1371: 791: 934: 78: 296: 2319:. He produced works slowly and carefully. They were the result of close and detailed study. He was never satisfied with his works, and often painted multiple versions, years apart. He also changed and adjusted his methods constantly in order to obtain more effective arrangement, grouping and coloristic power. Repin's style of portraiture was unique, but owed something to the influence of 1492: 883:, who had brutally suppressed the opposition after a failed assassination attempt. It was also attacked by the more aesthetic faction of the Wanderers, who considered it overly sensationalist. It was vandalised twice and was finally, at the tsar's request, removed from view. The tsar reconsidered his decision, and the painting was finally put back on view. 1528:

early 20th century inspired Repin, he joined the Constitutional Democratic Party, was offered the rank of Councillor of State, and was invited to take a seat in the Duma, the national assembly. He made a colourful painting of the celebration of the new Russian Constitution of 1905. Later, he painted the portrait of the newly-elected Russian President,

759:, painting landscapes in the open air. In 1874–1876 he contributed to the Salon in Paris. In 1876 he wrote to the secretary of the Russian academy of arts: "You told me not to become "Francified." What are you saying? I dream only of returning to Russia and working seriously. But Paris was of great utility to me, it can't be denied." 1448:, the Russian president before the Bolshevik seizure of power. In addition to his government commissions, he found time for a light work on an entirely different theme; a painting in 1902–1903 called "What Freedom!" depicting two students dancing in the waves at the beach after completing their examinations. 1208:(1881), and others created throughout the decade have become familiar to whole generations of Russians. Each is completely lifelike, conveying the transient, changeable nature of the sitter's state of mind. They give an intense embodiment of both the physical and spiritual life of the people who sat for him. 422:, leading to the full independence of Finland. Following this event, Ilya Repin was unable to travel to St. Petersburg (renamed Leningrad), even for an exhibition of his own works in 1925. Repin died on 29 September 1930, at the age of 86, and was buried at the Penates. His home is now a museum and a UNESCO 1996: 721:. He gave the young heroine a Russian face, surrounded by a strange and exotic setting. He wrote to his friend the civic Stasov: "This idea describes my present situation, and perhaps, the situation of all of our Russian art". In 1876, His Sadko painting won him a place in the Russian Academy of Fine Arts. 1600:. He made sketches depicting government troops opening fire on a peaceful demonstration on 9 December 1905. During 1905 Repin participated in many protests against bloodshed and Tsarist repressions, and tried to convey his impressions of these emotionally and politically charged events in his paintings. 394:

He suffered one setback in 1885 when his history portrait of Ivan the Terrible killing his own son in a rage caused a scandal, resulting in the painting being removed from exhibition. But this was followed by a series of major successes and new commissions. In 1898, with his second wife, he purchased

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No Russian painter of the 19th or 20th century was more skilled at genre painting, portraying scenes of daily life in a sympathetic and perceptive way, giving each character a distinct purpose and personality. His works ranged from domestic scenes to small dramas, such as policemen arresting a young

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After end of the war in 1918, Repin could travel again. In 1923, Repin held a one-man exhibition in Prague. Celebrations were given in 1924 in Kuokkala to mark Repin's 80th birthday, and an exhibition of his works was held in Moscow. In 1925, a jubilee exhibition of his works was held in the Russian

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With some of his paintings, Repin made one hundred or more preliminary sketches. He began his works with sketches in pencil or charcoal, using lines and cross-hatching. Often he would rub the drawing with his finger or an eraser to get the precise shading that he desired. He sometimes used drawings

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In 1890 he was given a government commission to work on the creation of a new statute for the Academy of Arts. In 1891 he resigned from the Wanderers in protest against a new statute that restricted the rights of young artists. An exhibition of works by Repin and Shishkin was held in the Academy of

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In one of his last letters he wrote: "kind, dear compatriots I ask you to believe in the sense of my devotion and endless regret that I can't move to live in a sweet, joyful Ukraine Loving you from the childhood, Ilya Repin". The painter was buried by the "Chuguyev's hill", a place at the end of

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The repression of popular demonstrations in front of the Winter Palace in St. Petersburg in 1905 disillusioned Repin. He called 1905 "the year of disaster and shame". He resigned from his teaching post at the Academy of Fine Arts, and concentrated on painting. The movements toward democracy in the

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Repin's contemporaries often commented on his special ability of capturing peasant life in his works. In an 1876 letter to Stasov, Kramskoi wrote: "Repin is capable of depicting the Russian peasant exactly as he is. I know many artists who have painted peasants, some of them very well, but none of

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came to Repin's small studio on Bolshoi Trubny street in Moscow to introduce himself. This developed into a friendship between the 36-year-old painter and the 52-year-old writer that lasted thirty years until Tolstoy's death in 1910. Repin regularly visited Tolstoy at his Moscow residence, and his

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In an 1872 letter to Stasov, Repin wrote: "Now it is the peasant who is the judge and so it is necessary to represent his interests. (That is just the thing for me, since I am myself, as you know, a peasant, the son of a retired soldier who served twenty-seven hard years in Nicholas I's army.)" In

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in the Russian army, and then sold horses. Repin began painting icons at age sixteen. He failed at his first effort to enter the Imperial Academy of Fine Arts in Saint Petersburg, but went to the city anyway in 1863, audited courses, and won his first prizes in 1869 and 1871. In 1872, after a tour

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He remained in Paris for two years. He described his subjects as "the principal types of Parisians, in the most typical settings." He painted the street markets and boulevards of Paris, and especially the varied faces and costumes of the Parisians of every class. His major Russian work created in

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Waugh, Daniel Clarke (1978). The Great Turkes Defiance: On the History of the Apocryphal Correspondence of Ottoman Sultan in its Muscovite and Russian Variants. Columbus, Ohio: Slavica Publishers. ISBN 9780089357561 an Waugh, Daniel Clarke (1978). The Great Turkes Defiance: On the History of the

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Repin persistently searched for new techniques and content to give his work more fullness and depth. Repin had a set of favorite subjects, and a limited circle of people whose portraits he painted. But he had a deep sense of purpose in his aesthetics, and had the great artistic gift to sense the

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Repin's mother, Tatiana Stepanovna Repina (née Bocharova) (1811—1880), was also the daughter of a soldier. She had family ties to noblemen and officers; the Repins had six children and were moderately well-off. In 1855, at the age of eleven, he was enrolled at the local school where his mother

703:, shown at the Vienna International Exposition, brought him his first International attention. It also earned him a grant from the Academy of Fine Arts which allowed him to make an extended tour of several months to Austria, then Italy, and finally in 1873, to Paris. He rented an apartment in 1704:

The outbreak of the First World War in 1914 brought a series of setbacks and tragedies to Repin. His wife became ill with tuberculosis, and departed for treatment in Locarno, Switzerland. She refused assistance from her family and died in Switzerland in 1914. Then, following the October 1917

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Bolshevik Revolution, Finland, including the Penates, declared its independence from Russia. The border was closed, and Repin refused to return to Russia. He turned to Finland for new clients, painting a large group portrait of notable Finnish leaders and artists, including the architect

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spirit of the age and its reflection in the lives and characters of individuals. Repin's search for truth and for an ideal led him in various directions artistically, influenced by hidden aspects of social and spiritual experiences as well as national culture. Like most Russian

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In 1894 he began teaching a class at the Higher Art School attached to the Academy of Arts, a position he held, off and on, until 1907. In 1895 he painted portraits of Emperor Nicholas II, and Princess Maria Tenisheva. In 1896 he attended the All-Russian Exhibition in

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was shown at the 29th Exhibition of the Wanderers. In 1901 he received from the Tsar one of his largest commissions, portraits of all sixty members of State Council. He proceeded with the help of photographs and the aid of two of his students. One of the subjects was

2339:, radically different from previous Russian paintings, made him the leader of a new movement of critical realism in Russian art. He chose nature and character over academic formalism. The triumph of this work was widespread, and it was praised by contemporaries like 1072:

was particularly famous. The composer suffered from alcoholism and depression. Repin painted him in four sittings, beginning four days before his death. When Moussorgsky died, Repin used the proceeds of the sale of the painting to erect a monument to the composer.

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was shown at the eleventh Itinerants' Society Exhibition. In that year he painted "The wall of Pere Lachaise Cemetery commemorating the Paris Commune". In 1886, he traveled to the Crimea with Arkhip Kuinji, and produced drawings and sketches on Biblical subjects.

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In addition to his portraits of Tolstoy and Russian writers, Repin painted portraits of the major Russian composers of his time, His images, like his paintings of Tolstoy and other writers, became an integral part of the image of these composers. His portrait of

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In 1887 he was separated from his wife Vera. He visited Tolstoy at Yasnaya Polyana, and painted his portrait, and then took a long trip along the Volga and the Don, to the Cossack regions. This trip gave him material for his most famous historical work,

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painter. He restored old icons and painted portraits of local notables. At the age of sixteen, his skill was recognized, and he became a member of an artel, or cooperative of artists, the Society for the Encouragement of Artists, which traveled around

1285:. In 1892 he held a one-man exhibition at the History Museum in Moscow. In 1893 he visited academic art schools in Warsaw, Kraków, Munich, Vienna, and Paris to observe and study teaching methods. He spent the winter in Italy and published his essays 2286:. He was also an honorary member of Literature and Art Union, as well as Union of the Antiquities and Art in Kiev. He supported numerous painters, Murashko's art schools in Kiev, M. Rajevska-Ivanova in Kharkiv, and the Art school in Odessa. 1119:

them ever came close to what Repin does." Leo Tolstoy later stated that Repin "depicts the life of the people much better than any other Russian artist." He was praised for his ability to reproduce human life with powerful and vivid force.

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is one of his most tragic historical works. It depicts The daughter of Tsar Alexis who became regent of Russia after the death of her father, but then was deposed from power in 1689 and locked away in a convent by her half-brother,

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of his times, Repin often based his works on dramatic conflicts, drawn from contemporary life or history. He also used mythological images with a strong sense of purpose; some of his religious paintings are among his greatest.

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961: 555: 1904: 1960:, whose mysticism Repin did not appreciate at all. He preceded each portrait with six or seven sketches. He had to persuade a reluctant Tolstoy to be portrayed working in a field with bare feet, as he usually did. 1955:

Repin particularly excelled at portrait painting. He produced more than three hundred portraits in his career. He painted most of the notable political figures, writers and composers of his time. One exception was

4266: 1018: 1795:, to persuade Repin to return to St. Petersburg, and to give up his residence in Finland. But Repin did not want to be under the thumb of Stalin, and refused, though he donated three sketches devoted to the 1980: 4106: 2267:(1887), and drew numerous sketches of architecture as well as different popular aspects of Ukrainian culture. Repin's sphere of knowledge included a number of prominent thinkers of the time, including 2056:

or paintings of his children to experiment with different points of view. For his large paintings, he made very detailed studies, experimenting with the composition and judging the overall impression.

1678: 949: 513:. He failed in his first attempt, but persevered, rented a small room in the city, and took courses in academic drawing. In January 1864 he succeeded and was allowed, without fee, to attend classes. 2132: 520:, who became his professor and mentor. When Kramskoi founded the first independent union of Russian artists, Repin became a member. In 1869 he was awarded a gold medal second-class for his painting 2957: 1200:

Many of Repin's finest portraits were produced in the 1880s. Through the presentation of real faces, these portraits express the rich, tragical, and hopeful spirit of the period. His portraits of

807: 4141: 1940: 1084:" (1887) was an unusual work for Repin. it was painted after Glinka's death; Repin never met him, and based on drawings and recollections of others. Other composers painted by Repin included 4251: 1807:), begun in 1926, which was his final work. It portrays Repin's admiration of Ukraine and its culture. Repin painted it with oil on linoleum, because he could not get a canvas large enough. 1251: 442: 683: 4166: 2044: 4221: 2442: 379:

along the Volga River, he presented his drawings at the Academy of Art in St. Petersburg. The Grand Duke Alexander Alexandrovich awarded him a commission for a large scale painting,

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Repin returned to Russia in 1876. His son Yury was born the following year. He moved to Moscow that year, and produced a wide variety of works including portraits of the painters

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and the Repin Museum on the Volga commemorate this visit). When he returned to Saint Petersburg, the quality of his Volga boatmen drawings won him a commission from

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Repin concentrated on writing his memoirs, which he finished in 1915. He visited St. Peterburg to see expositions, including a 1909 show of works by the modernist

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In 1905, following the repression of street demonstrations by the Imperial government, he quit his teaching position at the Academy of Fine Arts. He welcomed the

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article from the Contemporary Issues of Local and World History magazine at the I. Y. Repin's Memorial Art Museum website, pp. 183—187 (in Russian)

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and the portrait of Alexander Kerensky to the Museum of the Revolution of 1905. In 1928–29, still in Finland, he continued working on the painting

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In 1900 he took his common-law wife Natalia Nordman to the World Exhibition in Paris, where he served as a painting judge. He visited Munich, the

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and the violence and terror they unleashed thereafter. In 1919. he donated his collection of works by Russian artists and his own works to the

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taught. He showed a talent for drawing and painting, and when he was thirteen, his father enrolled him in the workshop of Ivan Bunakov, an

4241: 3976: 1477: 1197:). In 1888 he traveled to Southern Russia and the Caucasus, where he did sketches and studies of descendants of the Zaporozhian Cossacks. 3241:

Apocryphal Correspondence of Ottoman Sultan in its Muscovite and Russian Variants. Columbus, Ohio: Slavica Publishers. ISBN 9780089357561

1459: 4216: 4024: 1297:. His paintings were exhibited in Saint Petersburg, at the Exhibition of Works of Creative Art. His paintings from this year included 872: 814: 333: 1182:

In 1887 he visited Austria, Italy, and Germany, and retired from the board of the Wanderers, painted two portraits of Leo Tolstoy at

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Ukrainian, 19th–20th century, male. Active in Finland from 1917. ... Ilya Efimovich Repin was the son of a soldier-settler from the

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and Vladimir Stasov and two portraits of Natalia Nordman. In 1907 he resigned from the Academy of Arts, visited Chuguyev and the

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24 July] 1844 – 29 September 1930) was a Ukrainian-born Russian painter. He became one of the most renowned artists in

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Lang, Walther K. (2002). "The Legendary Cossacks: Anarchy and Nationalism in the Conceptions of Ilya Repin and Nikolai Gogol".

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in Helsinki, and in 1920 honorary celebrations of Repin were held by artistic circles in Finland. In 1921–1922 he painted

1317:. After returning to Russia, he attended Pavel Tretyakov's funeral. In 1899 he joined the editorial board of the magazine 312: 96: 33: 4146: 1876: 1431:

In 1900 he took Nordman to the World Exhibition in Paris, where he served as a painting judge. They visited Munich, the

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et the others, and their infantile truthfulness." In 1876 He painted a portrait of his wife Vera in the exact style of

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Though Ilya Repin was born and brought up in the Ukraine and spoke fluent Ukrainian, he considered himself a Russian.

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In May 1872 he married Vera Alexeievna Shevtsova. (1855-1917). She joined him on his travels, including a trip to

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Repin was the first Russian artist to achieve European fame using specifically Russian themes. His 1873 painting

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1873 Repin traveled to Italy and France with his family. His second daughter, Nadezhda, was born in 1874.

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The Repin Museum in his birthplace of Chuhuiv presents objects and works from his early life in Ukraine.

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was shown at the 29th Itinerants' Society Exhibition. In 1902–1903 his works included the paintings

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was completed in 1873. The following year he was awarded a gold medal first-class for his painting

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at 13 rue Veron, and a small attic studio under a mansard roof at number 31 on the same street.

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Ceremonial Sitting of the State Council on 7 May 1901 Marking the Centenary of its Foundation

3112:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, pp. 40–43 (in French). 2604: 1500:

Ceremonial Sitting of the State Council on 7 May 1901 Marking the Centenary of its Foundation

4008: 3949: 3845: 3390: 3292:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, pp. 26-27 (in French) 3168:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, pp. 52-55 (in French) 2913: 2882: 2876: 2714: 2675: 2567: 2540: 2506: 2494: 2320: 2251: 2240: 1636: 1562: 1401: 1201: 1103:, his estate near Moscow. Here Repin met many of the leading painters of the day, including 1089: 994: 752: 737: 713: 690: 510: 257: 159: 143: 2648:"Спецпроєкт "Справжні". Ілля Ріпин: художник, якого намагається привласнити росія - Фільтр" 879:

in a demented rage. It caused a scandal. Some critics saw it as a veiled criticism of Tsar

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was held. In 1875, he wrote to Stasov about "The liberty of the "impressionalists", Manet,

3714: 3433:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p 16-17 (in French) 3331:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p 60-63 (in French) 3124:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, pp. 28 (in French). 2961: 2844:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p 15-17 (in French) 2340: 2272: 1593: 1385: 1294: 1227: 1194: 1183: 892: 853: 525: 466: 352: 274: 3136:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p. 50 (in French). 2636:. Moscow: Государственное издательство культурно-просветительской литературы. p. 32. 3153:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p. 23 (in French) 3097:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021 (in French), p. 38 3032:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021 (in French), p. 34 3013:, Pommerau, Claude (editor), Beaux Arts Editions, Paris, October 2021, p. 14 (in French) 2998:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p. 14 (in French) 2832:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p. 15 (in French) 2744:. In later life he would draw on his birthplace for the subject matter in works such as 448:"Students studying for an exam at the Academy of the Arts" (1864) (State Russian Museum) 383:, which launched his career. He spent two years in Paris and Normandy, seeing the first 3859: 3819: 3519:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p 65 (in French) 3469:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p 64 (in French) 3445:, Claude Pommereau (editor), Beaux Arts Editions, Paris, October 2021, p 17 (in French) 2563: 2308: 1965: 1706: 1632: 1421: 1413: 1405: 1112: 1108: 1104: 1096: 1077: 1024: 733: 567: 462: 371: 344: 316: 232: 119: 107: 2126:

Ukrainian traditional peasant house painted by Repin (1880), Kyiv National Art Gallery

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Museum in Leningrad (renamed St Petersburg-Petrograd). The rising Soviet dictator,

1578: 1553: 1539:. Repin was not impressed; he described it as "the swamps of artistic corruption". 1467: 388: 505:

Repin had much higher ambitions. In October 1863 he competed for admission to the

3946:(Montreal and Kingston: McGill-Queen's University Press, 2021), pp. 173–200. 2239:

Repin was a member of the committee, set up to create a monument to painter-poet

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In 1883 he traveled around Western Europe with Vladimir Stasov. Repin's painting

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His third daughter, Tatyana, was born in 1880. He frequented the art circle of

717:(1876), a mystical allegory of an undersea kingdom, which included elements of 2468: 1957: 1811: 1733: 1627: 704: 411: 407: 295: 37: 2955:

New findings on I. Y. Repin's genealogy and a new view on the artist's origin

1791:, sent a delegation of Soviet artists, including a former student of Repin, 1536: 1389: 1314: 1306: 927:

Tolstoy reading under a tree in the forest, Tretyakov Gallery Moscow (1891)

3324: 3322: 2647: 1258:

Tsar Alexander III receives local government officials at Petrovsky Palace

3893: 2575: 2350:

On 5 August 2009, Google celebrated Ilya Repin's Birthday with a doodle.

2283: 1669: 1346: 756: 615: 499: 193: 1818:. In 1948, despite Repin's hostility towards Bolshevism, it was renamed 1621:

was exhibited at the Itinerants' Society Exhibition. In 1909 he painted

3849: 3349: 3347: 3345: 3343: 3341: 3339: 3337: 3078: 3076: 3074: 2559: 2147: 2139: 2050:

Study for portrait of the art patroness Princess Maria Tenisheva (1896)

1915: 1822:

in his honor. The Penates became a museum in 1940, and is now a UNESCO

1342: 876: 745: 454: 363: 147: 123: 115: 45: 3585: 3276: 2243:

whom he called an "apostle of freedom". He illustrated novels such as

2761:"ULAN Full Record Display: Repin, J. J. (Russian painter, 1844-1930)" 1898:, pianist and professor of music at the Saint Petersburg Conservatory 1608: 1547: 1436: 1230:. The finished work was so popular that he painted a second version. 635: 163: 399:), close to St. Petersburg, where they entertained Russian society. 2934: 2932: 2930: 2150:

and gathered materials for his future works. There, he painted his

3565: 3563: 3550: 3548: 3546: 3200: 3198: 3105: 3103: 2979: 2977: 2810: 2808: 2806: 2558:

Ilya Repin was born and brought up in the territory of modern-day

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The wall of Pere Lachaise Cemetery commemorating the Paris Commune

895:. The painting captures her fury as she realises her future life. 751:

Following the ideas of the Impressionists, he spent two months at

741: 729: 470: 375: 3611: 1588:

In 1904 he gave a speech at a memorial gathering for the artist

867:

Repin created a series of major historical works, including the

494: 469:. His father, Yefim Vasilyevich Repin (1804—1894) served in an 3958: 1946:

General Dragamirov was also the model for a Cossack leader in "

1167:(1880–1891), State Russian Museum, Saint Petersburg (1880–1891) 528:

and painted a portrait of Vera Shevtsova, his own future wife.

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The Surgeon Evgeny Vasilyevich Pavlov in the Operating Theater

1776: 3954: 1810:

Repin died in 1930, and was buried at the Penates. After the

955:

Tolstoy barefoot, State Russian Museum, St. Petersburg (1901)

2746:

The Zaporozhe Cossacks Writing a Reply to the Turkish Sultan

4267:

Foreign members of the Serbian Academy of Sciences and Arts

3586:"Шукач | Мемориальный музей - усадьба И.Е.Репина в Чугуеве" 1862:, first Prime Minister of the new Russian government (1903) 1750:

Christ and Mary Magdalene (The Morning of the Resurrection)

1717:. Repin included the back of his own head in the painting. 1092:

the founder of the Saint Petersburg Conservatory of Music.

3924:

Karageorgevich, Prince Bojidar, "Professor Repin," in the

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Paintings of Repin inspired by Ukrainian culture include:

1843:"The Dragonfly" – Repin's daughter Vera, age twelve (1884) 1088:

who had just completed Borodin's opera "Prince Igor", and

830:

The Tsarevnya Sophia Alekseyevna, Tretyakov Gallery (1879)

3938:

Prymak, Thomas M., "Message to Mehmed: Repin Creates his

3931:

Prymak, Thomas M., "A Painter from Ukraine: Ilya Repin,"

3277:"Запорожцы пишут письмо турецкому султану — bubelo.in.ua" 2951:

Buchastaya S. I., Sabodash E. N., Shevchenko O. A. (2014)

1643:

War, the Bolshevik Revolution and later years (1917-1930)

622:

for a large scale painting on the subject. The painting,

3161: 3159: 1503:(1902–1903). Repin was a pioneer in photographic realism 395:

a country house, The Penates, in Kuokkala, Finland (now

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Repin helped the committee of the Visual Arts Union in

2261:

Zaporissya in the remains of ancient legends and people

1313:

for the Russian Orthodox Alexander Nevsky Cathedral in

610:

to sketch landscapes and studies of barge haulers (The

606:

In 1870, with two other artists, Repin traveled to the

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Awarded with a large gold medal of the Academy of Arts

2315:

His method was the reverse of the general approach of

2193:(1880–1891, two versions: St. Petersburg, and Kharkiv) 1814:

in 1939, the territory of Kuokkala was annexed by the

3414: 3412: 3146: 3144: 3142: 3006: 3004: 2605:"Ilya Yefimovich Repin | Biography, Art, & Facts" 1763:. Specifically, he objected to writing his last name 1376:

The Penates, the Repin House-Museum in Kuokkala, now

1164:

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV

1720:

In 1916, Repin worked on his book of reminiscences,

1598:

The Death of the Cossack Squadron Commander Zinovyev

4142:

Members of the Serbian Academy of Sciences and Arts

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Portrait of Tolstoy shortly before his death (1908)

288: 268: 242: 228: 199: 189: 179: 171: 131: 91: 59: 3858: 3818: 2903: 2825: 2823: 1031:(1887) (painted thirty years after Glinka's death) 4252:19th-century male artists from the Russian Empire 3635: 3569: 3554: 3537: 3528:Кириллина Е. Репин в «Пенатах». Л., 1977, с. 198. 3478: 3454: 3353: 3301: 3228: 3216: 3204: 3189: 3177: 3082: 3065: 3053: 3041: 2983: 2938: 2814: 1779:led many people to incorrectly spell his name as 1732:of February 1917. However, he was hostile to the 4167:19th-century biographers from the Russian Empire 2094:militant for distributing revolutionary tracts. 1577:, over forty portrait studies, and portraits of 4222:19th-century memoirists from the Russian Empire 2302:Photograph of Repin by Rentz and Schrader, 1900 2114:by Repin (1876), Latvian National Museum of Art 1736:and was appalled by their rise to power in the 3684:"5 August: Remembering Ilya Repin on Birthday" 2881:. Oxford Art Online. Oxford University Press. 2776:Nationalities: Russian (preferred) / Ukrainian 2467:burning the manuscript of the second part of " 2434:Portrait of Countess Natalia Petrovna Golovina 453:Repin was born on 24 July 1844 in the town of 406:in 1917, but was appalled by the violence and 4122:19th-century painters from the Russian Empire 3970: 1626:Burning the Manuscript of the Second Part of 1046:, State Russian Museum, St. Petersburg (1887) 319:in the 19th century. His major works include 8: 4262:Members of the Royal Swedish Academy of Arts 4232:Full Members of the Imperial Academy of Arts 3792:Views of Russia & Russian Works on Paper 3733:Sternine, Grigori; Kirillina, Elena (2011). 3368:"5 eccentricities of great Russian painters" 2918:10.1093/benz/9780199773787.article.b00151213 2912:. Oxford University Press. 31 October 2011. 2719:10.1093/benz/9780199773787.article.b00151213 2713:, Oxford University Press, 31 October 2011, 1559:In the Sunlight: Portrait of Nadezhda Repina 1484:In the Sunlight: Portrait of Nadezhda Repina 1138:Preparatory sketch, Tretyakov Gallery (1878) 502:province to paint icons and wall paintings. 2765:Union List of Artist Names (Getty Research) 2574:fluently, although he considered himself a 1520:Celebration of the new Russian constitution 465:, in the heart of the historical region of 387:expositions and learning the techniques of 3977: 3963: 3955: 3580: 3578: 1672:soldier stealing bread from a child (1918) 677:(1875) (Museum of Avant-Garde Art, Moscow) 630:The Resurrection of the Daughter of Jairus 76: 56: 4017:Religious Procession in Kursk Governorate 3912:The Russian Vision: The Art of Ilya Repin 2887:10.1093/gao/9781884446054.article.t071521 2680:10.1093/gao/9781884446054.article.t071521 1656:Repin in his studio at the Penates (1914) 869:Religious Procession in Kursk Governorate 3817:Parker, Fan; Stephen Jan Parker (1980). 3492:"9 цитат из писем Ильи Репина • Arzamas" 2862: 2674:. Vol. 1. Oxford University Press. 724:He was in Paris in April 1874, when the 418:. In 1917, Russia lost control over the 3861:Ilya Repin and the World of Russian Art 3825:. Pennsylvania State University Press. 2668:Iovleva, L. I. (2003). "Repin, Il'ya". 2591: 2484: 2357: 2101: 2063: 1976: 1833: 1646: 1571:Ceremonial Meeting of the State Council 1455: 1328: 1232: 1128: 984: 905: 766: 649: 535: 438: 3944:Ukraine, the Middle East, and the West 3710: 3700: 3647: 3313: 2599: 2597: 2595: 1603:He also did sketches for portraits of 1592:. He painted a portrait of the writer 1452:1900-1905 - Revolution and disillusion 1175:Religious Procession in Kursk Province 1150:Preliminary version detail (1880–1890) 799:Religious Procession in Kursk Province 778:Religious Procession in Kursk Province 763:Moscow and "The Wanderers" (1876–1885) 694:(1876), Russian Museum, St. Petersburg 599:Resurrection of the Daughter of Jairus 359:, with whom he had a long friendship. 328:Religious Procession in Kursk Province 214:Religious Procession in Kursk Province 2505: 2073:Repin's family on a turf bench (1876) 1771:) under the new rules, which made it 1635:, and the children's writer and poet 1619:The Cossacks from the Black Sea Coast 7: 4187:Illustrators from the Russian Empire 3418: 939:Tolstoy writing at Yasnaya Polyana, 4192:Biographers from the Russian Empire 3857:Valkenier, Elizabeth Kridl (1990). 3431:Il1901ya Repin- Peindre l'âme Russe 3329:Il1901ya Repin- Peindre l'âme Russe 1759:, that he even lashed out at their 1713:, and the future Finnish President 27:Russian realist painter (1844–1930) 4197:Memoirists from the Russian Empire 4132:Recipients of the Legion of Honour 4025:Ivan the Terrible and His Son Ivan 3682:Desk, OV Digital (5 August 2023). 2229:(1910, after T. Shevchenko's poem) 2038:by Repin, charcoal on paper (1891) 1880:, founder of the Tretyakov Gallery 1339:Self-portrait with Natalia Nordman 1012:, Tretyakov Gallery, Moscow (1881) 997:, Tretyakov Gallery, Moscow (1881) 873:Ivan the Terrible and His Son Ivan 815:Ivan the Terrible and His Son Ivan 516:At the academy he met the painter 334:Ivan the Terrible and His Son Ivan 25: 4257:20th-century Russian male artists 4227:Essayists from the Russian Empire 4041:Reply of the Zaporozhian Cossacks 3842:Ilya Repin: Painting Graphic Arts 2190:Reply of the Zaporozhian Cossacks 2146:In the 1870s to 1880s he visited 2022:, graphite pencil on paper (1887) 2020:Nevsky Prospect in St. Petersburg 1948:Reply of the Zaporozhian Cossacks 1699:The tomb of Repin at the Penates 1283:Reply of the Zaporozhian Cossacks 1215:Reply of the Zaporozhian Cossacks 1124:Reply of the Zaporozhian Cossacks 1058:Portrait of composer and chemist 620:Grand Duke Vladimir Alexandrovich 340:Reply of the Zaporozhian Cossacks 221:Reply of the Zaporozhian Cossacks 4172:20th-century Russian biographers 4078: 4077: 3366:Apresyan, A. (25 January 2020). 2790:Nineteenth-Century Art Worldwide 2456: 2441: 2426: 2411: 2393: 2378: 2363: 2131: 2119: 2104: 2078: 2066: 2043: 2027: 2011: 1995: 1979: 1939: 1923: 1903: 1885: 1867: 1848: 1836: 1755:Repin was so hostile to the new 1746:The Ascent of Elijah the Prophet 1692: 1677: 1661: 1649: 1511: 1491: 1476: 1458: 1369: 1354: 1331: 1265: 1250: 1235: 1155: 1143: 1131: 1051: 1036: 1017: 1002: 987: 960: 948: 932: 920: 908: 835: 823: 806: 790: 769: 682: 667: 652: 591: 575: 554: 538: 524:. He met the influential critic 441: 294: 246: 4152:People from Kharkov Governorate 4102:Imperial Academy of Arts alumni 3517:Ilya Repin- Peindre l'âme Russe 3467:Ilya Repin- Peindre l'âme Russe 3443:Ilya Repin- Peindre l'âme Russe 3290:Ilya Repin- Peindre l'âme Russe 3166:Ilya Repin- Peindre l'âme Russe 3122:Ilya Repin- Peindre l'âme Russe 3110:Ilya Repin- Peindre l'âme Russe 3095:Ilya Repin- Peindre l'âme Russe 3030:Ilya Repin- Peindre l'âme Russe 3011:Ilya Repin- Peindre l'âme Russe 2996:Ilya Repin- Peindre l'âme Russe 2842:Ilya Repin- Peindre l'âme Russe 2830:Ilya Repin- Peindre l'âme Russe 2562:, which was then a part of the 1805:The Zaporozhye Cossacks Dancing 847:, Tretyakov Gallery (1884–1888) 374:. His father had served in an 4247:Ukrainian emigrants to Finland 4137:Members of the Russian Academy 3151:Ilya Repin-Peindre l'âme Russe 3134:Ilya Repin-Peindre l'âme Russe 2620:Ukrainian-born Russian painter 2534:Illia Yukhymovych Riepin/Ripyn 2177:Mohnachi village near Chuguyev 2002:Pencil sketch of the composer 860:. He became involved with the 726:First Impressionist Exhibition 381:The Barge Haulers of the Volga 1: 4127:20th-century Russian painters 3636:Sternine & Kirillina 2011 3570:Sternine & Kirillina 2011 3555:Sternine & Kirillina 2011 3538:Sternine & Kirillina 2011 3479:Sternine & Kirillina 2011 3455:Sternine & Kirillina 2011 3389:Daniel Coenn (28 July 2013). 3370:. Russia Beyond the Headlines 3354:Sternine & Kirillina 2011 3302:Sternine & Kirillina 2011 3229:Sternine & Kirillina 2011 3217:Sternine & Kirillina 2011 3205:Sternine & Kirillina 2011 3190:Sternine & Kirillina 2011 3178:Sternine & Kirillina 2011 3083:Sternine & Kirillina 2011 3066:Sternine & Kirillina 2011 3054:Sternine & Kirillina 2011 3042:Sternine & Kirillina 2011 2984:Sternine & Kirillina 2011 2939:Sternine & Kirillina 2011 2910:Benezit Dictionary of Artists 2815:Sternine & Kirillina 2011 2711:Benezit Dictionary of Artists 2451:(1898, portrait of Tevashova) 2088:(1879), State Russian Museum 1988:Religious Procession in Kursk 1561:. In 1901 he was awarded the 1191:on the Shore of the Black Sea 886:The portrait of the Tsarevna 586:(1873) (State Russian Museum) 479:Russo-Persian War (1826–1828) 34:Eastern Slavic naming customs 3821:Russia on Canvas: Ilya Repin 3754:The Oxford Dictionary of Art 1930:General and military writer 1877:Pavel Mikhailovich Tretyakov 1631:, and in 1910, portraits of 4242:Soviet emigrants to Finland 3928:, xxiii. p. 783 (1899) 3888:Marcadé, Valentine (1990). 3756:. Oxford University Press. 2891:Russian of Ukrainian birth. 2533: 2209:Taras Shevchenko's portrait 2171:Ukrainian girl by the fence 981:Repin and Russian composers 483:Russo-Turkish War (1828–29) 4288: 4001:Barge Haulers on the Volga 2694:Russian of Ukrainian birth 2337:Barge Haulers on the Volga 1812:Soviet invasion of Finland 1567:Get Thee Behind Me, Satan! 1441:Get Thee Behind Me, Satan! 1245:(1883) (Tretyakov Gallery) 915:Portrait of Tolstoy (1887) 818:, Tretyakov Gallery (1885) 701:Barge Haulers of the Volga 662:(1873) (Tretyakov Gallery) 625:Barge Haulers on the Volga 563:Barge Haulers on the Volga 547:Barge Haulers on the Volga 322:Barge Haulers on the Volga 207:Barge Haulers on the Volga 32:In this name that follows 31: 4217:Russian portrait painters 4075: 3914:(Schoten, Belgium, 2006) 3871:Columbia University Press 3840:Sternin, Grigory (1985). 3395:. Lulu.com. pp. 3–. 2632:Moskvinov, V. N. (1955). 2523:Ілля Юхимович Рєпін/Ріпин 2522: 2498: 2290:his property in Penates. 2221:Cossacks on the Black Sea 1614:The Seven Who Were Hanged 1080:, composer of the opera " 660:A novelty seller in Paris 487:Hungarian campaign (1849) 302: 293: 284: 280: 264: 75: 66: 4207:Russian realist painters 4067:Repino, Saint Petersburg 3935:, LV, 1–2 (2013), 19–43. 3933:Canadian Slavonic Papers 2515:: Илья Ефимовичъ Рѣпинъ) 1918:Gallery, Helsinki (1889) 1775:, as the elimination of 1742:Finnish National Gallery 1378:Repino, Saint Petersburg 507:Imperial Academy of Arts 397:Repino, Saint Petersburg 389:painting in the open air 253:Imperial Academy of Arts 184:Imperial Academy of Arts 67: 4272:Russian anti-communists 4033:They Did Not Expect Him 2905:"Repin, Ilya Efimovich" 2875:Iovleva, L. I. (2003). 2707:"Repin, Ilya Efimovich" 2609:Encyclopedia Britannica 2203:Ukrainian village woman 1309:, and painted the icon 1193:(in collaboration with 844:They Did Not Expect Him 4202:Russian male essayists 3752:Chilvers, Ian (2004). 2544: 2303: 2183:Portret of M. Murashko 1715:Carl Gustav Mannerheim 1325:Move to Finland (1890) 1303:Don Juan and Dona Anna 420:Grand Duchy of Finland 99:24 July] 1844 82:Self-portrait (1887), 4212:Russian male painters 4177:Ukrainian biographers 3662:Ilya Repin's Birthday 2545:Ilja Jefimovitš Repin 2401:Portrait of Composer 2301: 1973:Drawings and sketches 1583:Vyacheslav von Plehve 1552:Natalia Nordman in a 1466:Natalia Nordman in a 475:Imperial Russian Army 309:Ilya Yefimovich Repin 18:Ilya Yefimovich Repin 4182:Russian illustrators 3940:Zaporozhian Cossacks 3790:Bolton, Roy (2010). 3771:Leek, Peter (2005). 2403:César Antonovich Cui 2086:Seeing off a recruit 1099:, which gathered at 1027:composing the opera 522:Job and His Brothers 311:(5 August [ 4147:People from Chuhuiv 3775:. Parkstone Press. 3737:. Parkstone Press. 3481:, pp. 190–191. 3356:, pp. 187–189. 3304:, pp. 185–186. 3219:, pp. 183–184. 3085:, pp. 182–183. 3056:, pp. 181–182. 2960:9 July 2021 at the 2513:Pre-reform spelling 2499:Илья Ефимович Репин 2294:Style and technique 2269:Marko Kropyvnytskyi 1912:Elizaveta Zvantseva 1824:World Heritage Site 1730:February Revolution 1617:, and his painting 1590:Vasily Vereshchagin 1518:October 17, 1905 – 1418:Vladimir Mayakovsky 1082:Ruslan and Ludmilla 1029:Ruslan and Ludmilla 477:. He fought in the 459:Kharkov Governorate 435:Early life and work 424:World Heritage Site 404:February Revolution 368:Kharkov Governorate 104:Kharkov Governorate 95:5 August [ 3713:has generic name ( 2507:[ˈrʲepʲɪn] 2345:Fyodor Dostoyevsky 2304: 2277:Dmytro Yavornytsky 2265:Dmytro Yavornytsky 2165:Man with a bad eye 2004:Alexander Glazunov 1932:Mikhail Dragomirov 1797:Revolution of 1905 1738:October Revolution 1726:Russian Revolution 1530:Alexander Kerensky 1446:Alexander Kerensky 1426:Vladimir Bekhterev 1398:Alexander Glazunov 1384:In 1890 Repin met 1311:Carrying the Cross 1220:Mikhail Dragomirov 1086:Alexander Glazunov 1070:Modest Moussorgsky 1044:Alexander Glazunov 1010:Modest Moussorgsky 888:Sophia Alekseyevna 740:. as a tribute to 646:Paris and Normandy 584:Storm on the Volga 570:, Saint Petersburg 416:October Revolution 362:Repin was born in 251:Gold Medal of the 4089: 4088: 3903:978-2-8251-0031-8 3896:: L'Age d'Homme. 3801:978-1-907200-05-2 3782:978-1-85995-939-8 3763:978-0-19-860476-1 3744:978-1-78042-733-1 3402:978-1-304-27417-5 3256:korrespondent.net 3044:, pp. 14–15. 2728:978-0-19-977378-7 2689:978-1-884446-05-4 2531: 2098:Repin and Ukraine 1761:spelling "reform" 1321:, but soon quit. 1206:Modest Mussorgsky 1189:Alexander Pushkin 1060:Alexander Borodin 902:Repin and Tolstoy 783:Tretyakov Gallery 699:Repin's painting 545:Early sketch for 410:unleashed by the 355:, and especially 349:Modest Mussorgsky 306: 305: 135:29 September 1930 84:Tretyakov Gallery 16:(Redirected from 4279: 4237:Portrait artists 4162:Male biographers 4081: 4080: 3979: 3972: 3965: 3956: 3910:Jackson, David, 3907: 3884: 3864: 3853: 3836: 3824: 3805: 3794:. Sphinx Books. 3786: 3773:Russian Painting 3767: 3748: 3719: 3718: 3712: 3708: 3706: 3698: 3696: 3694: 3679: 3673: 3672: 3671: 3669: 3657: 3651: 3645: 3639: 3633: 3627: 3626: 3624: 3622: 3607: 3601: 3600: 3598: 3596: 3582: 3573: 3567: 3558: 3552: 3541: 3535: 3529: 3526: 3520: 3514: 3508: 3507: 3505: 3503: 3488: 3482: 3476: 3470: 3464: 3458: 3452: 3446: 3440: 3434: 3428: 3422: 3416: 3407: 3406: 3386: 3380: 3379: 3377: 3375: 3363: 3357: 3351: 3332: 3326: 3317: 3311: 3305: 3299: 3293: 3287: 3281: 3280: 3273: 3267: 3266: 3264: 3262: 3248: 3242: 3238: 3232: 3226: 3220: 3214: 3208: 3202: 3193: 3187: 3181: 3175: 3169: 3163: 3154: 3148: 3137: 3131: 3125: 3119: 3113: 3107: 3098: 3092: 3086: 3080: 3069: 3063: 3057: 3051: 3045: 3039: 3033: 3027: 3014: 3008: 2999: 2993: 2987: 2981: 2972: 2948: 2942: 2936: 2925: 2924: 2907: 2900: 2894: 2893: 2872: 2866: 2860: 2845: 2839: 2833: 2827: 2818: 2812: 2801: 2800: 2785: 2779: 2778: 2773: 2771: 2757: 2751: 2750: 2737: 2735: 2703: 2697: 2696: 2671:Grove Art Online 2665: 2659: 2658: 2656: 2654: 2644: 2638: 2637: 2629: 2623: 2622: 2617: 2615: 2601: 2579: 2566:. He spoke both 2556: 2550: 2536: 2526: 2524: 2509: 2504: 2500: 2489: 2460: 2449:The Blonde Woman 2445: 2430: 2419:Neapolitan Woman 2415: 2397: 2382: 2371:Slavic Composers 2367: 2252:Sorochinsky Fair 2241:Taras Shevchenko 2138:Repin Museum In 2135: 2123: 2108: 2082: 2070: 2047: 2031: 2015: 1999: 1983: 1943: 1927: 1907: 1889: 1871: 1852: 1840: 1696: 1681: 1665: 1653: 1637:Korney Chukovsky 1515: 1495: 1480: 1462: 1416:as well as poet 1402:Aleksandr Kuprin 1373: 1358: 1335: 1281:Arts, including 1273:Tsar Nicholas II 1269: 1254: 1239: 1202:Aleksey Pisemsky 1159: 1147: 1135: 1090:Anton Rubinstein 1076:His portrait of 1055: 1040: 1021: 1006: 995:Anton Rubinstein 991: 964: 952: 936: 924: 912: 839: 827: 810: 794: 773: 753:Veules-les-Roses 686: 671: 656: 595: 579: 558: 542: 511:Saint Petersburg 509:in the capital, 445: 298: 271: 258:Legion of Honour 250: 202: 160:Saint Petersburg 154: 144:Viipuri Province 138: 114: 80: 70: 57: 21: 4287: 4286: 4282: 4281: 4280: 4278: 4277: 4276: 4092: 4091: 4090: 4085: 4071: 4055: 3988: 3983: 3926:Magazine of Art 3904: 3887: 3881: 3856: 3839: 3833: 3816: 3813: 3811:Further reading 3808: 3802: 3789: 3783: 3770: 3764: 3751: 3745: 3732: 3728: 3723: 3722: 3709: 3699: 3692: 3690: 3681: 3680: 3676: 3667: 3665: 3659: 3658: 3654: 3646: 3642: 3634: 3630: 3620: 3618: 3609: 3608: 3604: 3594: 3592: 3584: 3583: 3576: 3568: 3561: 3553: 3544: 3536: 3532: 3527: 3523: 3515: 3511: 3501: 3499: 3498:. 13 March 2019 3490: 3489: 3485: 3477: 3473: 3465: 3461: 3453: 3449: 3441: 3437: 3429: 3425: 3417: 3410: 3403: 3392:Repin: Drawings 3388: 3387: 3383: 3373: 3371: 3365: 3364: 3360: 3352: 3335: 3327: 3320: 3312: 3308: 3300: 3296: 3288: 3284: 3275: 3274: 3270: 3260: 3258: 3250: 3249: 3245: 3239: 3235: 3227: 3223: 3215: 3211: 3203: 3196: 3188: 3184: 3176: 3172: 3164: 3157: 3149: 3140: 3132: 3128: 3120: 3116: 3108: 3101: 3093: 3089: 3081: 3072: 3064: 3060: 3052: 3048: 3040: 3036: 3028: 3017: 3009: 3002: 2994: 2990: 2982: 2975: 2962:Wayback Machine 2949: 2945: 2937: 2928: 2902: 2901: 2897: 2874: 2873: 2869: 2861: 2848: 2840: 2836: 2828: 2821: 2813: 2804: 2787: 2786: 2782: 2769: 2767: 2759: 2758: 2754: 2733: 2731: 2729: 2705: 2704: 2700: 2690: 2667: 2666: 2662: 2652: 2650: 2646: 2645: 2641: 2631: 2630: 2626: 2613: 2611: 2603: 2602: 2593: 2588: 2583: 2582: 2557: 2553: 2549: 2510: 2502: 2490: 2486: 2481: 2474: 2461: 2452: 2446: 2437: 2431: 2422: 2416: 2407: 2398: 2389: 2383: 2374: 2368: 2356: 2341:Vladimir Stasov 2333: 2325:Diego Velázquez 2296: 2273:Mykola Murashko 2142: 2136: 2127: 2124: 2115: 2112:Ukrainian Woman 2109: 2100: 2089: 2083: 2074: 2071: 2062: 2051: 2048: 2039: 2032: 2023: 2016: 2007: 2000: 1991: 1984: 1975: 1951: 1944: 1935: 1928: 1919: 1908: 1899: 1890: 1881: 1872: 1863: 1853: 1844: 1841: 1832: 1801:The Hopak Dance 1709:, the composer 1700: 1697: 1688: 1682: 1673: 1666: 1657: 1654: 1645: 1594:Leonid Andreyev 1575:What a Freedom! 1565:. His painting 1563:Legion of Honor 1523: 1516: 1507: 1496: 1487: 1481: 1472: 1463: 1454: 1439:, His painting 1396:, the composer 1386:Natalia Nordman 1380: 1374: 1365: 1359: 1350: 1336: 1327: 1295:Nizhni Novgorod 1276: 1275:(1896) by Repin 1270: 1261: 1255: 1246: 1240: 1228:Igor Stravinsky 1195:Ivan Aivazovsky 1184:Yasnaya Polyana 1168: 1160: 1151: 1148: 1139: 1136: 1127: 1063: 1056: 1047: 1041: 1032: 1022: 1013: 1007: 998: 992: 983: 968: 965: 956: 953: 944: 937: 928: 925: 916: 913: 904: 893:Peter the Great 854:Arkhip Kuindzhi 848: 840: 831: 828: 819: 811: 802: 795: 786: 774: 765: 736:'s portrait by 695: 687: 678: 672: 663: 657: 648: 602: 596: 587: 580: 571: 559: 550: 543: 534: 526:Vladimir Stasov 467:Sloboda Ukraine 449: 446: 437: 432: 353:Pavel Tretyakov 275:Pavel Tretyakov 269: 256: 235: 218: 211: 200: 180:Alma mater 167: 152: 150: 140: 136: 127: 112: 110: 100: 87: 71: 68: 62: 55: 28: 23: 22: 15: 12: 11: 5: 4285: 4283: 4275: 4274: 4269: 4264: 4259: 4254: 4249: 4244: 4239: 4234: 4229: 4224: 4219: 4214: 4209: 4204: 4199: 4194: 4189: 4184: 4179: 4174: 4169: 4164: 4159: 4154: 4149: 4144: 4139: 4134: 4129: 4124: 4119: 4114: 4109: 4104: 4094: 4093: 4087: 4086: 4076: 4073: 4072: 4070: 4069: 4063: 4061: 4057: 4056: 4054: 4053: 4045: 4037: 4029: 4021: 4013: 4005: 3996: 3994: 3990: 3989: 3984: 3982: 3981: 3974: 3967: 3959: 3953: 3952: 3947: 3936: 3929: 3922: 3908: 3902: 3885: 3879: 3854: 3837: 3831: 3812: 3809: 3807: 3806: 3800: 3787: 3781: 3768: 3762: 3749: 3743: 3729: 3727: 3724: 3721: 3720: 3688:Observer Voice 3674: 3652: 3650:, p. 114. 3640: 3628: 3602: 3574: 3559: 3542: 3540:, p. 191. 3530: 3521: 3509: 3483: 3471: 3459: 3457:, p. 121. 3447: 3435: 3423: 3408: 3401: 3381: 3358: 3333: 3318: 3316:, p. 115. 3306: 3294: 3282: 3268: 3243: 3233: 3221: 3209: 3194: 3192:, p. 130. 3182: 3170: 3155: 3138: 3126: 3114: 3099: 3087: 3070: 3058: 3046: 3034: 3015: 3000: 2988: 2973: 2943: 2941:, p. 181. 2926: 2895: 2867: 2865:, p. 588. 2846: 2834: 2819: 2802: 2780: 2752: 2727: 2698: 2688: 2660: 2639: 2634:Репин в Москве 2624: 2590: 2589: 2587: 2584: 2581: 2580: 2564:Russian Empire 2551: 2548: 2547: 2538: 2516: 2491: 2483: 2482: 2480: 2477: 2476: 2475: 2462: 2455: 2453: 2447: 2440: 2438: 2432: 2425: 2423: 2417: 2410: 2408: 2399: 2392: 2390: 2384: 2377: 2375: 2369: 2362: 2360: 2355: 2352: 2332: 2329: 2295: 2292: 2259:(1872–82) and 2237: 2236: 2230: 2224: 2218: 2212: 2206: 2200: 2194: 2186: 2180: 2174: 2168: 2144: 2143: 2137: 2130: 2128: 2125: 2118: 2116: 2110: 2103: 2099: 2096: 2091: 2090: 2084: 2077: 2075: 2072: 2065: 2061: 2060:Genre painting 2058: 2053: 2052: 2049: 2042: 2040: 2033: 2026: 2024: 2017: 2010: 2008: 2001: 1994: 1992: 1985: 1978: 1974: 1971: 1953: 1952: 1945: 1938: 1936: 1929: 1922: 1920: 1909: 1902: 1900: 1891: 1884: 1882: 1873: 1866: 1864: 1854: 1847: 1845: 1842: 1835: 1831: 1828: 1707:Eliel Saarinen 1702: 1701: 1698: 1691: 1689: 1683: 1676: 1674: 1667: 1660: 1658: 1655: 1648: 1644: 1641: 1633:Pyotr Stolypin 1550:, and painted 1525: 1524: 1517: 1510: 1508: 1497: 1490: 1488: 1482: 1475: 1473: 1464: 1457: 1453: 1450: 1424:and scientist 1422:Vasily Rozanov 1420:, philosopher 1414:Nicolai Fechin 1406:Vasily Polenov 1382: 1381: 1375: 1368: 1366: 1360: 1353: 1351: 1337: 1330: 1326: 1323: 1287:Letters on Art 1278: 1277: 1271: 1264: 1262: 1256: 1249: 1247: 1241: 1234: 1170: 1169: 1161: 1154: 1152: 1149: 1142: 1140: 1137: 1130: 1126: 1121: 1113:Mikhail Vrubel 1109:Valentin Serov 1105:Vasily Polenov 1097:Savva Mamontov 1078:Mikhail Glinka 1065: 1064: 1057: 1050: 1048: 1042: 1035: 1033: 1025:Mikhail Glinka 1023: 1016: 1014: 1008: 1001: 999: 993: 986: 982: 979: 970: 969: 966: 959: 957: 954: 947: 945: 938: 931: 929: 926: 919: 917: 914: 907: 903: 900: 850: 849: 841: 834: 832: 829: 822: 820: 812: 805: 803: 797:Detail of the 796: 789: 787: 775: 768: 764: 761: 734:Berthe Morisot 697: 696: 688: 681: 679: 673: 666: 664: 658: 651: 647: 644: 604: 603: 597: 590: 588: 581: 574: 572: 568:Russian Museum 560: 553: 551: 544: 537: 533: 530: 471:Uhlan Regiment 463:Russian Empire 451: 450: 447: 440: 436: 433: 431: 428: 414:following the 376:Uhlan Regiment 372:Russian Empire 345:Mikhail Glinka 304: 303: 300: 299: 291: 290: 286: 285: 282: 281: 278: 277: 272: 266: 265: 262: 261: 244: 240: 239: 230: 226: 225: 203: 197: 196: 191: 190:Known for 187: 186: 181: 177: 176: 173: 169: 168: 141: 139:(aged 86) 133: 129: 128: 120:Kharkiv Oblast 108:Russian Empire 101: 93: 89: 88: 81: 73: 72: 64: 63: 60: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 4284: 4273: 4270: 4268: 4265: 4263: 4260: 4258: 4255: 4253: 4250: 4248: 4245: 4243: 4240: 4238: 4235: 4233: 4230: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4208: 4205: 4203: 4200: 4198: 4195: 4193: 4190: 4188: 4185: 4183: 4180: 4178: 4175: 4173: 4170: 4168: 4165: 4163: 4160: 4158: 4157:Peredvizhniki 4155: 4153: 4150: 4148: 4145: 4143: 4140: 4138: 4135: 4133: 4130: 4128: 4125: 4123: 4120: 4118: 4115: 4113: 4110: 4108: 4105: 4103: 4100: 4099: 4097: 4084: 4074: 4068: 4065: 4064: 4062: 4058: 4051: 4050: 4046: 4043: 4042: 4038: 4035: 4034: 4030: 4027: 4026: 4022: 4019: 4018: 4014: 4011: 4010: 4006: 4003: 4002: 3998: 3997: 3995: 3991: 3987: 3980: 3975: 3973: 3968: 3966: 3961: 3960: 3957: 3951: 3948: 3945: 3941: 3937: 3934: 3930: 3927: 3923: 3921: 3917: 3913: 3909: 3905: 3899: 3895: 3891: 3890:Art d'Ukraine 3886: 3882: 3880:0-231-06964-2 3876: 3872: 3868: 3863: 3862: 3855: 3851: 3847: 3843: 3838: 3834: 3832:0-271-00252-2 3828: 3823: 3822: 3815: 3814: 3810: 3803: 3797: 3793: 3788: 3784: 3778: 3774: 3769: 3765: 3759: 3755: 3750: 3746: 3740: 3736: 3731: 3730: 3725: 3716: 3704: 3689: 3685: 3678: 3675: 3664: 3663: 3656: 3653: 3649: 3644: 3641: 3638:, p. 30. 3637: 3632: 3629: 3617: 3613: 3610:svist, igor. 3606: 3603: 3591: 3587: 3581: 3579: 3575: 3572:, p. 13. 3571: 3566: 3564: 3560: 3557:, p. 21. 3556: 3551: 3549: 3547: 3543: 3539: 3534: 3531: 3525: 3522: 3518: 3513: 3510: 3497: 3493: 3487: 3484: 3480: 3475: 3472: 3468: 3463: 3460: 3456: 3451: 3448: 3444: 3439: 3436: 3432: 3427: 3424: 3421:, p. 63. 3420: 3415: 3413: 3409: 3404: 3398: 3394: 3393: 3385: 3382: 3369: 3362: 3359: 3355: 3350: 3348: 3346: 3344: 3342: 3340: 3338: 3334: 3330: 3325: 3323: 3319: 3315: 3310: 3307: 3303: 3298: 3295: 3291: 3286: 3283: 3278: 3272: 3269: 3257: 3253: 3247: 3244: 3237: 3234: 3231:, p. 78. 3230: 3225: 3222: 3218: 3213: 3210: 3207:, p. 35. 3206: 3201: 3199: 3195: 3191: 3186: 3183: 3180:, p. 25. 3179: 3174: 3171: 3167: 3162: 3160: 3156: 3152: 3147: 3145: 3143: 3139: 3135: 3130: 3127: 3123: 3118: 3115: 3111: 3106: 3104: 3100: 3096: 3091: 3088: 3084: 3079: 3077: 3075: 3071: 3068:, p. 22. 3067: 3062: 3059: 3055: 3050: 3047: 3043: 3038: 3035: 3031: 3026: 3024: 3022: 3020: 3016: 3012: 3007: 3005: 3001: 2997: 2992: 2989: 2986:, p. 18. 2985: 2980: 2978: 2974: 2971: 2967: 2963: 2959: 2956: 2952: 2947: 2944: 2940: 2935: 2933: 2931: 2927: 2923: 2919: 2915: 2911: 2906: 2899: 2896: 2892: 2888: 2884: 2880: 2879: 2871: 2868: 2864: 2863:Chilvers 2004 2859: 2857: 2855: 2853: 2851: 2847: 2843: 2838: 2835: 2831: 2826: 2824: 2820: 2817:, p. 14. 2816: 2811: 2809: 2807: 2803: 2799: 2795: 2791: 2784: 2781: 2777: 2766: 2762: 2756: 2753: 2749: 2747: 2743: 2730: 2724: 2720: 2716: 2712: 2708: 2702: 2699: 2695: 2691: 2685: 2681: 2677: 2673: 2672: 2664: 2661: 2649: 2643: 2640: 2635: 2628: 2625: 2621: 2610: 2606: 2600: 2598: 2596: 2592: 2585: 2577: 2573: 2569: 2565: 2561: 2555: 2552: 2546: 2542: 2539: 2535: 2529: 2520: 2517: 2514: 2508: 2496: 2493: 2492: 2488: 2485: 2478: 2472: 2470: 2466: 2459: 2454: 2450: 2444: 2439: 2435: 2429: 2424: 2420: 2414: 2409: 2405: 2404: 2396: 2391: 2387: 2381: 2376: 2372: 2366: 2361: 2358: 2353: 2351: 2348: 2346: 2342: 2338: 2330: 2328: 2326: 2322: 2321:Édouard Manet 2318: 2317:impressionism 2313: 2310: 2300: 2293: 2291: 2287: 2285: 2280: 2278: 2274: 2270: 2266: 2262: 2258: 2257:Nikolai Gogol 2254: 2253: 2248: 2247: 2242: 2234: 2231: 2228: 2225: 2222: 2219: 2216: 2213: 2210: 2207: 2204: 2201: 2198: 2195: 2192: 2191: 2187: 2184: 2181: 2178: 2175: 2172: 2169: 2166: 2163: 2162: 2161: 2158: 2155: 2153: 2149: 2141: 2134: 2129: 2122: 2117: 2113: 2107: 2102: 2097: 2095: 2087: 2081: 2076: 2069: 2064: 2059: 2057: 2046: 2041: 2037: 2030: 2025: 2021: 2014: 2009: 2005: 1998: 1993: 1989: 1982: 1977: 1972: 1970: 1967: 1961: 1959: 1949: 1942: 1937: 1933: 1926: 1921: 1917: 1913: 1906: 1901: 1897: 1896: 1895:Sophie Menter 1888: 1883: 1879: 1878: 1870: 1865: 1861: 1860: 1851: 1846: 1839: 1834: 1829: 1827: 1825: 1821: 1817: 1813: 1808: 1806: 1802: 1798: 1794: 1793:Isaak Brodsky 1790: 1789:Joseph Stalin 1784: 1782: 1778: 1774: 1770: 1766: 1762: 1758: 1757:Soviet regime 1753: 1751: 1747: 1743: 1739: 1735: 1731: 1728:, namely the 1727: 1723: 1718: 1716: 1712: 1711:Jean Sibelius 1708: 1695: 1690: 1686: 1680: 1675: 1671: 1668:Drawing of a 1664: 1659: 1652: 1647: 1642: 1640: 1638: 1634: 1630: 1629: 1625: 1620: 1616: 1615: 1610: 1606: 1601: 1599: 1596:and his work 1595: 1591: 1586: 1584: 1580: 1576: 1572: 1568: 1564: 1560: 1556: 1555: 1549: 1545: 1540: 1538: 1533: 1531: 1521: 1514: 1509: 1506: 1502: 1501: 1494: 1489: 1485: 1479: 1474: 1470: 1469: 1461: 1456: 1451: 1449: 1447: 1442: 1438: 1434: 1429: 1427: 1423: 1419: 1415: 1411: 1410:Isaak Brodsky 1407: 1403: 1399: 1395: 1392:, the writer 1391: 1387: 1379: 1372: 1367: 1363: 1362:What Freedom! 1357: 1352: 1348: 1344: 1340: 1334: 1329: 1324: 1322: 1320: 1316: 1312: 1308: 1304: 1300: 1296: 1290: 1288: 1284: 1274: 1268: 1263: 1259: 1253: 1248: 1244: 1238: 1233: 1231: 1229: 1225: 1221: 1217: 1216: 1209: 1207: 1203: 1198: 1196: 1192: 1190: 1185: 1180: 1177: 1176: 1166: 1165: 1158: 1153: 1146: 1141: 1134: 1129: 1125: 1122: 1120: 1116: 1114: 1110: 1106: 1102: 1098: 1093: 1091: 1087: 1083: 1079: 1074: 1071: 1061: 1054: 1049: 1045: 1039: 1034: 1030: 1026: 1020: 1015: 1011: 1005: 1000: 996: 990: 985: 980: 978: 975: 963: 958: 951: 946: 942: 941:Pushkin House 935: 930: 923: 918: 911: 906: 901: 899: 896: 894: 889: 884: 882: 881:Alexander III 878: 874: 870: 865: 863: 859: 858:Ivan Shishkin 855: 846: 845: 838: 833: 826: 821: 817: 816: 809: 804: 800: 793: 788: 784: 780: 779: 772: 767: 762: 760: 758: 754: 749: 747: 743: 739: 738:Édouard Manet 735: 731: 727: 722: 720: 716: 715: 708: 706: 702: 693: 692: 685: 680: 676: 670: 665: 661: 655: 650: 645: 643: 639: 637: 632: 631: 627: 626: 621: 617: 613: 609: 600: 594: 589: 585: 582:Early study, 578: 573: 569: 566:(1870–1873); 565: 564: 557: 552: 548: 541: 536: 532:First success 531: 529: 527: 523: 519: 518:Ivan Kramskoi 514: 512: 508: 503: 501: 496: 490: 488: 484: 480: 476: 472: 468: 464: 460: 456: 444: 439: 434: 429: 427: 425: 421: 417: 413: 409: 405: 400: 398: 392: 390: 386: 385:Impressionist 382: 377: 373: 369: 365: 360: 358: 354: 350: 346: 342: 341: 336: 335: 331:(1880–1883), 330: 329: 324: 323: 318: 314: 310: 301: 297: 292: 287: 283: 279: 276: 273: 267: 263: 259: 254: 249: 245: 241: 238: 237:Peredvizhniki 234: 231: 227: 223: 222: 216: 215: 209: 208: 204: 198: 195: 192: 188: 185: 182: 178: 174: 170: 165: 161: 157: 149: 145: 134: 130: 125: 121: 117: 109: 105: 98: 94: 90: 85: 79: 74: 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