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Image editing

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1433:'s Image Size dialog, the image editor allows the user to manipulate both pixel dimensions and the size of the image on the printed document. These parameters work together to produce a printed image of the desired size and quality. Pixels per inch of the image, pixel per inch of the computer monitor, and dots per inch on the printed document are related, but in use are very different. The Image Size dialog can be used as an image calculator of sorts. For example, a 1600 × 1200 image with a resolution of 200 ppi will produce a printed image of 8 × 6 inches. The same image with 400 ppi will produce a printed image of 4 × 3 inches. Change the resolution to 800 ppi, and the same image now prints out at 2 × 1.5 inches. All three printed images contain the same data (1600 × 1200 pixels), but the pixels are closer together on the smaller prints, so the smaller images will potentially look sharp when the larger ones do not. The quality of the image will also depend on the capability of the printer. 1393: 509: 815: 748: 933: 1358: 1595: 1123: 1044: 910: 1086: 1008: 761: 728: 1456: 882:, the enhancement of an image is the process of improving the quality of a digitally stored image by manipulating the image with software. It is quite easy, for example, to make an image lighter or darker, or to increase or decrease contrast. Advanced photo enhancement software also supports many filters for altering images in various ways. Programs specialized for image enhancement are sometimes called image editors. 1020: 718: 501: 322: 124: 1418: 1069: 604: 48: 586:. Cropping creates a new image by selecting a desired rectangular portion from the image being cropped. The unwanted part of the image is discarded. Image cropping does not reduce the resolution of the area cropped. Best results are obtained when the original image has a high resolution. A primary reason for cropping is to improve the image composition in the new image. 594: 648: 964:
edges when selecting images. There are a number of ways to silhouette an image with soft edges, including selecting the image or its background by sampling similar colors, selecting the edges by raster tracing, or converting a clipping path to a raster selection. Once the image is selected, it may be
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to describe the photographic process of capturing multiple bracketed exposures of a land or cityscape over a specific span of time in a changing natural or artificial lighting environment. Once captured, the exposure brackets are manually blended together into a single High Dynamic Range image using
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Using a selection tool, the outline of the figure or element in the picture is traced/selected, and then the background is removed. Depending on how intricate the "edge" is this may be more or less difficult to do cleanly. For example, individual hairs can require a lot of work. Hence the use of the
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The Clone Stamp tool selects and samples an area of your picture and then uses these pixels to paint over any marks. The Clone Stamp tool acts like a brush so you can change the size, allowing cloning from just one pixel wide to hundreds. You can change the opacity to produce a subtle clone effect.
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artifacts can be removed; dust and scratches can be removed and an image can be de-speckled. Noise reduction merely estimates the state of the scene without the noise and is not a substitute for obtaining a "cleaner" image. Excessive noise reduction leads to a loss of detail, and its application is
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Another form of image sharpening involves a form of contrast. This is done by finding the average color of the pixels around each pixel in a specified radius, and then contrasting that pixel from that average color. This effect makes the image seem clearer, seemingly adding details. An example of
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Image editors usually have a list of special effects that can create unusual results. Images may be skewed and distorted in various ways. Scores of special effects can be applied to an image which include various forms of distortion, artistic effects, geometric transforms and texture effects, or
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Gamma correction is particularly useful for bringing details that would be hard to see on most computer monitors out of shadows. In some image editing software, this is called "curves", usually, a tool found in the color menu, and no reference to "gamma" is used anywhere in the program or the
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A more recent tool in digital image editing software is the image slicer. Parts of images for graphical user interfaces or web pages are easily sliced, labeled and saved separately from whole images so the parts can be handled individually by the display medium. This is useful to allow dynamic
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of the image being edited. The histogram plots the number of pixels in the image (vertical axis) with a particular brightness value (horizontal axis). Algorithms in the digital editor allow the user to visually adjust the brightness value of each pixel and to dynamically display the results as
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coding) by which the greater the compression, the more information is lost, ultimately reducing image quality or detail that can not be restored. JPEG uses knowledge of the way the human visual system perceive color to make this loss of detail less noticeable.
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with the layers below, without affecting any of the elements on the other layers. This is a fundamental workflow which has become the norm for the majority of programs on the market today, and enables maximum flexibility for the user while maintaining
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Listed below are some of the most used capabilities of the better graphics manipulation programs. The list is by no means all-inclusive. There are a myriad of choices associated with the application of most of these features.
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of images. Common color depths are 2, 4, 16, 256, 65,536 and 16.7 million colors. The JPEG and PNG image formats are capable of storing 16.7 million colors (equal to 256 luminance values per color channel). In addition,
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Leonardo da Vinci's Vitruvian Man overlaid a soft light layer Moses Harris's Color Wheel and a soft light layer of Ignaz Schiffermüller's Color Wheel. Soft light layers have a darker, more translucent look than screen
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When selecting a raster image that is not rectangular, it requires separating the edges from the background, also known as silhouetting. This is the digital-analog of cutting out the image from a physical picture.
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post-processing software. Dynamic Blending images serve to display a consolidated moment. This means that while the final image may be a blend of a span of time, it visually appears to represent a single instant.
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Leonardo da Vinci's Vitruvian Man overlaid with Goethe's Color Wheel using a screen layer in Adobe Photoshop. Screen layers can be helpful in graphic design and in creating multiple exposures in photography.
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threshold are brightened, thereby brightening underexposed shadows without affecting the rest of the image. The exact transformation that is applied to each color channel can vary from editor to editor.
2117:"Fantasy, fairy tale and myth collide in images: By digitally altering photos of landscapes, artist Anthony Goicolea creates an intriguing world", The Vancouver Sun (British Columbia); June 19, 2006. 898:. Portraits often appear more pleasing when selectively softened (particularly the skin and the background) to better make the subject stand out. This can be achieved with a camera by using a large 980:, all but the parts to be merged are hidden from the layer, giving the impression that these parts have been added to the background layer. Performing a merge in this manner preserves all of the 1968: 386:
to reduce file size and save storage space. Digital compression of images may take place in the camera, or can be done in the computer with the image editor. When images are stored in
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In addition to the capability of changing the images' brightness and/or contrast in a non-linear fashion, most current image editors provide an opportunity to manipulate the images'
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to calculate new pixel values whose spacing is larger or smaller than the original pixel values. Images for Internet use are kept small, say 640 x 480 pixels which would equal 0.3
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Some image editors have color swapping abilities to selectively change the color of specific items in an image, given that the selected items are within a specific color range.
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Also, there is a choice between Clone align or Clone non-align the sample area. In Photoshop this tool is called Clone Stamp, but it may also be called a Rubber Stamp tool.
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and grayscale, can be added to an image. In addition, more complicated procedures such as the mixing of color channels are possible using more advanced graphics editors.
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Most image editors can be used to remove unwanted branches, etc., using a "clone" tool. Removing these distracting elements draws focus to the subject, improving overall
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part(s) of an image, thus applying a change selectively without affecting the entire picture. Most graphics programs have several means of accomplishing this, such as:
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image using it. While this technique can increase the information content of an image, there is no guarantee that the upscaled features exist in the original image and
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Many graphics applications are capable of merging one or more individual images into a single file. The orientation and placement of each image can be controlled.
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is useful for reducing the file size dramatically when the original photographic print was monochrome, but a color tint has been introduced due to aging effects.
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this effect can be seen to the right. It is widely used in the printing and photographic industries for increasing the local contrasts and sharpening the images.
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program documentation. Strictly speaking, the curves tool usually does more than simple gamma correction, since one can construct complex curves with multiple
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Noise tends to invade images when pictures are taken in low light settings. A new picture can be given an 'antiqued' effect by adding uniform monochrome noise.
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should not be used in analytical applications with ambiguous inputs. These methods can hallucinate image features, which can make them unsafe for medical use.
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or other tools. The color balance can be improved, which is important if the picture was shot indoors with daylight film, or shot on a camera with the
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can often be improved by using this feature. Recent advances have allowed more intelligent exposure correction whereby only pixels below a particular
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Grant-Jacob, James A; Mackay, Benita S; Baker, James A G; Xie, Yunhui; Heath, Daniel J; Loxham, Matthew; Eason, Robert W; Mills, Ben (2019-06-18).
826:(or "transform") the shape of an image. While this might also be useful for special effects, it is the preferred method of correcting the typical 1875: 1964: 1819: 1497: 508: 2066: 2096: 1994: 1853: 1616: 976:. The background image is used as the bottom layer, and the image with parts to be added are placed in a layer above that. Using an image 965:
copied and pasted into another section of the same file, or into a separate file. The selection may also be saved in what is known as an
1864: 102:, are the primary tools with which a user may manipulate, enhance, and transform images. Many image editing programs are also used to 1660:
Johnson, Justin; Alahi, Alexandre; Fei-Fei, Li (2016-03-26). "Perceptual Losses for Real-Time Style Transfer and Super-Resolution".
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is an extremely common technique used to make images appear sharper, although purists frown on the result as appearing unnatural.
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The color of images can be altered in a variety of ways. Colors can be faded in and out, and tones can be changed using
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and barrel distortions. The corrections are in most cases subtle, but can improve the appearance of some photographs.
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Camera or computer image editing programs often offer basic automatic image enhancement features that correct color
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hence subject to a trade-off between the undesirability of the noise itself and that of the reduction artifacts.
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to perform super-resolution. In particular work has been demonstrated showing the transformation of a 20x
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a raster image; how to go about vectorizing a raster image is the focus of much research in the field of
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may be used to add silhouetted images to vector graphics or page layout files that retain vector data.
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from scratch. The term "image editing" usually refers only to the editing of 2D images, not 3D ones.
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Image editors are capable of altering an image to be rotated in any direction and to any degree.
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graphics editors, which are often used to alter photographs and other raster graphics. However,
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adjustments are made. Improvements in picture brightness and contrast can thus be obtained.
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Graphics programs can be used to both sharpen and blur images in a number of ways, such as
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Controlling the print size and quality of digital images requires an understanding of the
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Before and After example of Advanced Dynamic Blending Technique created by Elia Locardi
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effect to help the user to distinguish the selection border from the image background.
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subject. Care is needed while performing this task, as the image is reprocessed using
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swapping via interactivity or animating parts of an image in the final presentation.
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One of the prerequisites for many of the applications mentioned below is a method of
304: 1829: 1790:"Distribution Matching Losses Can Hallucinate Features in Medical Image Translation" 717: 2123:"Virtual Art: From Illusion to Immersion", MIT Press 2002; Cambridge, Massachusetts 1401: 1107: 1033: 891: 867: 773: 500: 268: 219:, are used to create and modify vector images, which are stored as descriptions of 107: 71: 1734:. IEEE Conference on Computer Vision and Pattern Recognition. pp. 6228–6237. 835: 1811: 447:
a marquee tool for selecting rectangular or other regular polygon-shaped regions,
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functionality available in most image editing software; PhotoshopEssentials.com
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Photo manipulation packages have functions to correct images for various lens
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images are stored in a computer in the form of a grid of picture elements, or
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on both layers to more easily enable future changes in the new merged image.
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Perspective control: original (left), perspective distortion removed (right).
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and brightness imbalances as well as other image editing features, such as
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For the uses, cultural impact, and ethical concerns of image editing, see
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Image editors may feature a number of algorithms which can add or remove
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An image that has been digitally edited to include additional rose blooms
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Medical Image Computing and Computer Assisted Intervention – MICCAI 2018
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An example of contrast correction. Left side of the image is untouched.
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afterwards, in order to remove the resulting gaps at the image edges.
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cameras can produce large images which are often reduced in size for
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to modify photographs or editing illustrations with any traditional
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Advanced Dynamic Blending is a concept introduced by photographer
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An example of some special effects that can be added to a picture
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A popular way to create a composite image is to use transparent
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Another feature common to many graphics applications is that of
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format, compression has already taken place. Both cameras and
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GIMP source code for brightness and contrast image filtering.
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use. Image editor programs use a mathematical process called
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distortion which results from photographs being taken at an
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An example of color adjustment using raster graphics editor
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Image editors have provisions to simultaneously change the
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Image sharpening: original (top), image sharpened (bottom).
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Image editors can resize images in a process often called
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An example of converting an image from color to grayscale
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Cohen, Joseph Paul; Luck, Margaux; Honari, Sina (2018).
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within the image editors. This article mostly refers to
1683:"A neural lens for super-resolution biological imaging" 1466: 36:. For the process of culling and archiving images, see 1036:" effect, better known in photographic circles as the 1028:
Using custom Curves settings in Image editors such as
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Image orientation (from left to right): original, 30°
1106:or less can be created, usually via conversion and 842:of adjacent pixels, which may reduce overall image 397:Some compression algorithms, such as those used in 1093:It is possible, using the software, to change the 1023:A complex effect in the first image from the right 944:to give the impression that it is a real landscape 616:Cutting out a part of an image from the background 1421:Control printed image by changing pixels-per-inch 394:allow the user to set the level of compression. 1315:is the input color value in the 0..1 range and 527:, which are analogous to sheets of transparent 74:. Traditional analog image editing is known as 776:can be created and images can be horizontally 465:in the image defined by proximity of color or 8: 731:The eye is drawn to the center of the globe. 476:as well as more advanced facilities such as 90:programs, which can be broadly grouped into 635:Image editors have provisions to create an 350:. Unsourced material may be challenged and 152:. Unsourced material may be challenged and 936:Photomontage of 16 photos which have been 1801: 1739: 1706: 1665: 1639:Learn how and when to remove this message 370:Learn how and when to remove this message 172:Learn how and when to remove this message 1765:"The AI Tools Making Images Look Better" 1602:This article includes a list of general 2099:from the original on September 22, 2016 2038:from the original on September 11, 2016 1652: 1373:incorrectly set. Special effects, like 721:Notice the branch in the original image 552:, making them larger, or smaller. High 1730:Blau, Yochai; Michaeli, Tomer (2018). 850:, which achieves a similar correction 58:encompasses the processes of altering 1498:Comparison of raster graphics editors 822:Some image editors allow the user to 291:There is promising research on using 7: 2069:from the original on October 8, 2016 348:adding citations to reliable sources 299:image of pollen grains into a 1500x 150:adding citations to reliable sources 2089:"HDR photography with Elia Locardi" 454:for freehand selection of a region, 286:Super-resolution imaging § Research 231:instead of pixels. It is easier to 1732:The perception-distortion tradeoff 1608:it lacks sufficient corresponding 1134:and brighten or darken the image. 804:Perspective control and distortion 25: 1989:Guyer, Jeff (24 September 2013). 1687:Journal of Physics Communications 846:. The effect mimics the use of a 1593: 1454: 1072:Image after stamp tool processed 417:compression algorithm (based on 320: 284:This section is an excerpt from 122: 1997:from the original on 2019-01-09 1971:from the original on 2016-03-05 1548:Image development (visual arts) 1118:Contrast change and brightening 1059: 922:Selecting and merging of images 886:Sharpening and softening images 712: 642: 588: 1993:. Digital Photography School. 1528:Digital photograph restoration 1147:applies the following formula: 1047:A pseudo-solarised color image 784:. A small rotation of several 607:Lily cropped from larger image 519:Layers (digital image editing) 42:Digital photograph restoration 1: 1965:"Skin Improvement Technology" 788:is often enough to level the 1812:10.1007/978-3-030-00928-1_60 1763:Zeeberg, Amos (2023-08-23). 1538:Graphics file format summary 854:without loss of definition. 696:Removal of unwanted elements 661:Histogram of Sunflower image 582:Digital editors are used to 540:principles and ease of use. 382:Many image file formats use 305:deep convolutional upscalers 301:scanning electron microscope 27:Processes of altering images 597:Uncropped image from camera 293:deep convolutional networks 251:Automatic image enhancement 2179: 2059:"Blending moments in time" 1440: 1330: 1110:from a full-color image. 998:Slicing (interface design) 995: 925: 807: 699: 673: 628: 575: 516: 283: 68:photo-chemical photographs 31: 1849:Detailed introduction to 419:discrete cosine transform 78:, using tools such as an 1932:Implementations include 1891:Implementations include 1708:10.1088/2399-6528/ab267d 1513:Digital image processing 1323:are in the −1..1 range. 1150: 848:perspective control lens 461:that selects objects or 312:Digital data compression 279:Super-resolution imaging 38:Digital asset management 2158:Photographic techniques 1750:10.1109/CVPR.2018.00652 1623:more precise citations. 1578:Photograph manipulation 538:non-destructive editing 472:vector-based pen tools, 271:features and automatic 235:a vector image than to 114:Basics of image editing 96:raster graphics editors 92:vector graphics editors 2163:Science of photography 2063:cedricdeboom.github.io 1991:"The Sabattier Effect" 1463:This section is empty. 1422: 1397: 1362: 1127: 1090: 1073: 1048: 1024: 1016:combinations thereof. 1012: 945: 914: 866:including pincushion, 819: 769: 768:rotation, and flipped. 752: 751:Selective color change 740:Selective color change 732: 722: 662: 652: 608: 598: 514: 505: 52: 1543:Homomorphic filtering 1420: 1395: 1360: 1125: 1088: 1071: 1046: 1032:, one can mimic the " 1022: 1010: 938:digitally manipulated 935: 912: 817: 763: 750: 730: 720: 660: 650: 606: 596: 544:Image size alteration 511: 503: 426:Image editor features 50: 1533:Graphic art software 1112:Grayscale conversion 344:improve this section 146:improve this section 2143:Digital photography 2032:blog.xritephoto.com 1699:2019JPhCo...3f5004G 1136:Underexposed images 1034:pseudo-solarisation 928:Digital compositing 810:Perspective control 411:file format uses a 64:digital photographs 62:, whether they are 1950:2008-06-03 at the 1939:2008-05-09 at the 1920:2018-05-13 at the 1909:2022-02-09 at the 1878:2017-03-17 at the 1867:2017-03-18 at the 1856:2017-03-17 at the 1423: 1398: 1363: 1132:contrast of images 1128: 1091: 1081:Change color depth 1074: 1049: 1025: 1013: 960:, allows for soft 946: 915: 820: 770: 753: 733: 723: 684:in an image. Some 663: 653: 609: 599: 515: 506: 203:software, such as 53: 34:Photo manipulation 2057:Cedric, De Boom. 1821:978-3-030-00927-4 1649: 1648: 1641: 1503:Computer graphics 1483: 1482: 1353:Color adjustments 1347:inflection points 1078: 1077: 988:Slicing of images 958:Alpha compositing 880:computer graphics 756:Image orientation 737: 736: 667: 666: 613: 612: 572:Cropping an image 486:alpha compositing 401:file format, are 392:computer programs 380: 379: 372: 213:Xara Designer Pro 205:Adobe Illustrator 182: 181: 174: 18:Image enhancement 16:(Redirected from 2170: 2153:Image processing 2109: 2108: 2106: 2104: 2085: 2079: 2078: 2076: 2074: 2054: 2048: 2047: 2045: 2043: 2023: 2017: 2012: 2006: 2005: 2003: 2002: 1986: 1980: 1979: 1977: 1976: 1960: 1954: 1930: 1924: 1889: 1883: 1847: 1841: 1840: 1838: 1836: 1805: 1785: 1779: 1778: 1776: 1775: 1760: 1754: 1753: 1743: 1727: 1721: 1720: 1710: 1678: 1672: 1671: 1669: 1657: 1644: 1637: 1633: 1630: 1624: 1619:this article by 1610:inline citations 1597: 1596: 1589: 1558:Image processing 1553:Image distortion 1518:Digital painting 1508:Digital darkroom 1478: 1475: 1465:You can help by 1458: 1451: 1406:Blame The Monkey 1388:Dynamic blending 1333:Gamma correction 1327:Gamma correction 1307: 1304: 1301: 1298: 1295: 1292: 1289: 1286: 1283: 1280: 1277: 1274: 1271: 1268: 1265: 1262: 1259: 1256: 1253: 1250: 1247: 1244: 1241: 1238: 1235: 1232: 1229: 1226: 1223: 1220: 1217: 1214: 1211: 1208: 1205: 1202: 1199: 1196: 1193: 1190: 1187: 1184: 1181: 1178: 1175: 1172: 1169: 1166: 1163: 1160: 1157: 1154: 1060: 1052:Stamp Clone Tool 1038:Sabattier-effect 904:Edge enhancement 874:Enhancing images 713: 643: 631:Curve (tonality) 589: 578:Cropping (image) 554:image resolution 384:data compression 375: 368: 364: 361: 355: 324: 316: 177: 170: 166: 163: 157: 126: 118: 88:Graphic software 76:photo retouching 21: 2178: 2177: 2173: 2172: 2171: 2169: 2168: 2167: 2133: 2132: 2131: 2126: 2113: 2112: 2102: 2100: 2087: 2086: 2082: 2072: 2070: 2056: 2055: 2051: 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1368: 1359: 1352: 1350: 1348: 1342: 1340: 1334: 1326: 1324: 1149: 1146: 1141: 1137: 1133: 1124: 1117: 1115: 1113: 1109: 1108:down-sampling 1105: 1101: 1096: 1087: 1080: 1070: 1066: 1064: 1062: 1061: 1058: 1051: 1045: 1041: 1039: 1035: 1031: 1021: 1017: 1009: 1002: 999: 994: 987: 985: 983: 979: 975: 970: 968: 967:alpha channel 963: 959: 955: 949: 943: 939: 934: 929: 921: 919: 911: 907: 905: 901: 897: 896:deconvolution 893: 885: 883: 881: 873: 871: 869: 865: 857: 855: 853: 849: 845: 841: 840:interpolation 837: 833: 832:oblique angle 829: 825: 816: 811: 803: 801: 799: 795: 791: 787: 783: 779: 775: 774:Mirror images 767: 762: 755: 749: 745: 739: 729: 725: 719: 715: 714: 711: 709: 703: 695: 693: 690: 687: 683: 677: 669: 659: 655: 649: 645: 644: 641: 638: 632: 624: 622: 615: 605: 601: 595: 591: 590: 587: 585: 579: 571: 569: 567: 563: 559: 555: 551: 550:image scaling 543: 541: 539: 534: 530: 526: 520: 510: 502: 495: 493: 491: 490:marching ants 487: 483: 479: 471: 468: 464: 460: 456: 453: 449: 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Index

Image enhancement
Photo manipulation
Digital asset management
Digital photograph restoration

images
digital photographs
photo-chemical photographs
illustrations
photo retouching
airbrush
art medium
Graphic software
vector graphics editors
raster graphics editors
3D modelers
render
computer art

cite
sources
improve this section
adding citations to reliable sources
removed
Learn how and when to remove this message
Raster
pixels
algorithms
bitmap
vector graphics

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