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is an expansive album expressing divergent motifs linked together through a central theme. The septet is taut and adventurous; the strings impassioned and thoughtful and Potter's playing is his best to date. Though he emerged as a leader two decades back seemingly fully-formed in every creative
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commented, "The result is utterly spectacular, I think. It’s a disc that it is completely fresh and idiomatically only itself, with great solos all through it, not least of all by Potter on tenor and soprano saxophone and bass clarinet."
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engages every aspect of his jazz palette. It embraces modern classical music as part of a striking whole. It is his most ambitious project to date, and arguably his most expertly articulated."
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in
January 2015, Potter's second album for the label. The ensembles features the return of his "Underground Quartet"—consisting rhythm section
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suggests that the end point of Potter's potential seems still very far beyond the horizon." Another review by Karl
Ackermann stated "
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Potter has created the first real masterpiece of 2015. A profound paradigm shift for the saxophonist,
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Years given are for the recording(s), not first release, unless stated otherwise.
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noted, "This feels like a work in progress with a fascinating future."
944:"Chris Potter Underground Orchestra: Imaginary Cities - Album Review"
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844:"Disc reviews: Chris Potter, American Horn Quartet, Marilyn Manson,"
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186:
Underground
Orchestra recorded in December 2013 and released on
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900:"Chris Potter Underground Orchestra: Imaginary Cities — review"
16:
2015 studio album by the Chris Potter
Underground Orchestra
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Got the Keys to the
Kingdom: Live at the Village Vanguard
872:"CHRIS POTTER UNDERGROUND ORCHESTRA – Imaginary Cities"
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602:aspect, he continues to evolve and surprise.
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627:"Imaginary Cities 3: Disintegration" − 7:23
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589:correspondent John Kelman observed "with
630:"Imaginary Cities 4: Rebuilding" − 11:33
546:review by Thom Jurek awarded the album 4
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621:"Imaginary Cities 1: Compassion" − 8:34
1239:Chris Potter (jazz saxophonist) albums
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624:"Imaginary Cities 2: Dualities" − 8:44
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227:
7:
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210:, bass guitarist Fima Ephron, and a
870:Toland, Michael (13 January 2015).
606:is a superb album on every level."
556:stars stating "Potter's writing on
322:
1200:Lift: Live at the Village Vanguard
942:Larkon, Cormac (6 February 2015).
14:
1254:Albums produced by Manfred Eicher
614:All compositions by Chris Potter
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898:Hobart, Mike (23 January 2015).
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842:Simon, Jeff (15 January 2015).
1:
1180:Concord Duo Series Volume Ten
829:. Retrieved January 8, 2018.
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773:, accessed January 8, 2018
761:, accessed January 8, 2018
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235:
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182:is a studio album by the
138:
26:
1145:The Dreamer Is the Dream
202:—alongside vibraphonist
163:The Dreamer Is the Dream
1021:Presenting Chris Potter
803:All About Jazz Review 2
759:Between Sound and Space
574:Jeff Simon writing for
787:All About Jazz Review
45:Underground Orchestra
636:"Shadow Self" − 6:09
223:Professional ratings
1208:Follow the Red Line
930:The Guardian Review
771:ECM Records catalog
224:
1249:ECM Records albums
1029:Concentric Circles
932:, January 23, 2015
724:, Joyce Hammann −
222:
1226:
1225:
1085:Traveling Mercies
817:Jurek, Thom.
805:, January 8, 2015
789:, January 6, 2015
654:soprano saxophone
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1137:Imaginary Cities
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849:The Buffalo News
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821:Imaginary Cities
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633:"Firefly" − 8:37
604:Imaginary Cities
599:Imaginary Cities
595:Imaginary Cities
591:Imaginary Cities
577:The Buffalo News
558:Imaginary Cities
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54:January 16, 2015
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1101:Song for Anyone
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905:Financial Times
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658:tenor saxophone
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618:"Lament" − 8:07
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730:Lois Martin −
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697:Fima Ephron −
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565:The Guardian's
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278:All About Jazz
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242:All About Jazz
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212:string quartet
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125:Manfred Eicher
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1117:Transatlantic
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1013:Studio albums
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662:bass clarinet
659:
655:
651:
648:
647:
643:
639:"Sky" − 12:02
638:
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623:
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610:Track listing
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228:Review scores
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62:December 2013
61:
57:
53:
49:
44:
38:
34:
30:
25:
20:
1214:
1206:
1198:
1192:This Will Be
1190:
1185:Kenny Werner
1178:
1159:
1151:
1143:
1136:
1135:
1127:
1115:
1107:
1099:
1091:
1083:
1075:
1067:
1059:
1051:
1043:
1035:
1027:
1019:
1005:
997:Chris Potter
953:. Retrieved
947:
937:
928:Fordham, J.
909:. Retrieved
903:
893:
881:. Retrieved
875:
865:
853:. Retrieved
847:
820:
766:
754:
722:Mark Feldman
704:Scott Colley
685:Steve Nelson
676:Craig Taborn
650:Chris Potter
613:
603:
598:
594:
590:
584:
583:
575:
573:
569:John Fordham
563:
562:
557:
541:
503:
467:The Guardian
465:
427:
389:
351:
313:
208:Scott Colley
204:Steve Nelson
192:Craig Taborn
184:Chris Potter
178:
177:
176:
161:
153:
152:
143:
132:Chris Potter
43:Chris Potter
37:Studio album
1244:2015 albums
1172:Live albums
1122:DR Big Band
1093:Underground
949:Irish Times
785:Kelman, J.
708:double bass
699:bass guitar
667:Adam Rogers
505:Irish Times
196:Adam Rogers
1233:Categories
1129:The Sirens
1120:(with the
747:References
737:Dave Eggar
713:Nate Smith
689:vibraphone
206:, bassist
200:Nate Smith
145:The Sirens
134:chronology
1109:Ultrahang
1077:Gratitude
1053:Moving In
644:Personnel
218:Reception
1153:Circuits
1061:Unspoken
1037:Sundiata
911:12 March
855:12 March
827:AllMusic
823:: Review
544:AllMusic
315:Allmusic
120:Producer
59:Recorded
51:Released
39: by
1187:, 1994)
1124:, 2010)
1069:Vertigo
955:10 July
883:10 July
693:marimba
671:guitars
551:⁄
167:(2017)
158:(2015)
149:(2013)
1219:(2022)
1211:(2007)
1203:(2002)
1195:(2000)
1183:(with
1164:(2020)
1156:(2017)
1148:(2016)
1140:(2013)
1132:(2011)
1112:(2009)
1104:(2006)
1096:(2006)
1088:(2002)
1080:(2000)
1072:(1998)
1064:(1997)
1056:(1996)
1048:(1994)
1040:(1993)
1032:(1993)
1024:(1992)
726:violin
236:Rating
233:Source
198:, and
90:Length
71:Avatar
67:Studio
877:Blurt
741:cello
732:viola
717:drums
680:piano
391:Blurt
107:Label
79:Genre
1045:Pure
957:2018
913:2020
885:2018
857:2020
542:The
114:2387
84:Jazz
41:the
825:at
188:ECM
112:ECM
1235::
946:.
921:^
902:.
874:.
846:.
834:^
810:^
794:^
778:^
739:−
715:–
706:−
691:,
687:−
678:−
669:−
660:,
656:,
652:–
214:.
194:,
99:09
95:71
989:e
982:t
975:v
959:.
915:.
887:.
859:.
553:2
549:1
97::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
