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The Sirens (Chris Potter album)

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he's delivered one unlike any he's done before. An eclectic album that couldn't have happened without what's come before, it's nevertheless a signpost of significant change, as the saxophonist opens himself up compositionally—and, from a performance perspective, one that, if he can keep this
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never lose sight of his goal: portraying the eternal essence of humanity in the mythos of his subject; his poetic lyricism as a soloist, and his empathy as a bandleader are consummate."
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John Fordham noted "Only the faintly niggling sensation of this being a classically authoritative Potter jazz set with some suitable concept-exotica embroidery blunts
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correspondent John Kelman observed "Through it all, there's no mistaking this for anything but a Chris Potter record, but with
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in January 2013, his first venture for the label. It features Potter with longtime collaborators, pianist
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remarkable group together, promises even better things to come." Another review by Ian Patterson stated "
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review by Thom Jurek awarded the album 4 stars stating "Potter's vision and compositions on
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will go down as one of Potter's best, but this is assuredly a collective triumph."
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Years given are for the recording(s), not first release, unless stated otherwise.
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Got the Keys to the Kingdom: Live at the Village Vanguard
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All compositions by Chris Potter except as indicated
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Index


Studio album
Chris Potter
Avatar
Genre
Jazz
Label
ECM
Producer
Manfred Eicher
Chris Potter
Transatlantic
Imaginary Cities
jazz
Chris Potter
ECM
Craig Taborn
Larry Grenadier
David Virelles
Eric Harland
Metacritic
Allmusic
The Guardian
All About Jazz
All About Jazz
AllMusic
The Guardian's
All About Jazz
David Virelles
Chris Potter

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