1429:
182:
1708:(1922) mirrors "the futility and anarchy" in its own way, in its fragmented structure, and the absence of an obvious central, unifying narrative. This is in fact a rhetorical technique to convey the poem's theme: "The decay and fragmentation of Western Culture". The poem, despite the absence of a linear narrative, does have a structure: this is provided by both fertility symbolism derived from anthropology, and other elements such as the use of quotations and juxtaposition.
1702:, have come to epitomize modernism's approach to fiction. The poet T. S. Eliot described these qualities in 1923, noting that Joyce's technique is "a way of controlling, of ordering, of giving a shape and a significance to the immense panorama of futility and anarchy which is contemporary history.... Instead of narrative method, we may now use the mythical method. It is, I seriously believe, a step toward making the modern world possible for art." Eliot's own modernist poem
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1314:, the life force, which "brings about the creative evolution of everything". His philosophy also placed a high value on intuition, though without rejecting the importance of the intellect. These various thinkers were united by a distrust of Victorian positivism and certainty. Modernism as a literary movement can also be seen as a reaction to industrialisation, urbanisation and new technologies.
1081:' of events, and do not perceive a metaphysical 'cause'. Similarly, Hume argued that we never know the self as object, only the self as subject, and we are thus blind to our true natures. Moreover, if we only 'know' through sensory experienceâsuch as sight, touch and feelingâthen we cannot 'know' and neither can we make metaphysical claims.
1122:"serves a truth that is revealingânot the truth that prevails. It also is a ârealismâ that recognizes multiple perspectives, multiple truths. Perhaps the snow is not just white; it is also turning black, attuned to the menacing storm in the skyâor it is perhaps purple, surrounding a man with a monarchâs boundless ego."
2602:". The Absurd in these plays takes the form of man's reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to
2852:, (Cambridge: CUP, 2010), p.327. Longenbach quotes Cynthia Ozik, who said, 'That , we used to think, was the whole of Modernism.... Now we know better, and also in a way worse. Yeats hardly foresaw how our dissolutions would surpass his own'. See Cynthia Ozick, 'The Muse, Postmodernism and Homeless',
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the latter is understood as focusing on the embodiment of meaning within a naturalistic representation. At the same time, some modernists aim at a more 'real' realism, one that is uncentered. Picasso's proto-cubist painting, 'The Poet' of 1911 is decentred, presenting the body from multiple points of
2914:, Oxford: OUP, 1991. David Lynn describes Nick Carraway as "A synthesis of disparate impulses whose roots lie in nineteenth-century Romanticism and Realism Nick's heroism is borne out in his assuming responsibility for Gatsby and in the act of narration." See 'Within and Without: Nick Carraway', in:
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convey a struggle with the sense of nature's significance, falling under two headings: poems in which the speaker denies that nature has meaning, only for nature to loom up by the end of the poem; and poems in which the speaker claims nature has meaning, only for that meaning to collapse by the end
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is applied to plays written by primarily
European playwrights, that express the belief that human existence has no meaning or purpose and therefore all communication breaks down. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.
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began has been contested almost as hotly as when the transition from
Victorianism to Modernism occurred". Clement Greenberg sees Modernism ending in the 1930s, with the exception of the visual and performing arts. In fact, many literary modernists lived into the 1950s and 1960s, though generally
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website puts it, 'Picasso presents multiple views of each object, as if he had moved around it, and synthesizes them into a single compound image'. This avoids the limitations of a single, privileged viewer, and points towards a more objective realism. Similarly, it has been argued that
Wallace
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and the dropping of the atom bomb. Taking this further, instead of attempting to impose some arbitrary 'end-date' on modernism, one may acknowledge the many writers after 1945 who resist easy inclusion into the category 'postmodern' and yet, heavily influenced by (say) American and/or
European
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Early modernist writers, especially those writing after World War I and the disillusionment that followed, broke the implicit contract with the general public that artists were the reliable interpreters and representatives of mainstream ("bourgeois") culture and ideas, and, instead, developed
2606:, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the "
1146:'s terms) and its 'tenor' (its meaning)âfor example in Coleridge's description of nature as 'that eternal language which thy God / Utters'. But while some romantics may have perceived nature and its symbols as God's language, for other romantic theorists it remains inscrutable. As
1270:(1859â1941), on the other hand, emphasised the difference between scientific clock time and the direct, subjective, human experience of time. His work on time and consciousness "had a great influence on twentieth-century novelists," especially those modernists who used the
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Regarding technique, modernist works sought to obfuscate the boundaries between genres. Thus, prose works tended to be poetical and poetry prose-like. T. S. Eliot's poetry sacrified lyrical grace for the sake of fragmented narrative while
Virginia Woolf's novels (such as
3096:. Seamus Perry notes 'The play between the belated romanticism of an evening 'spread out against the sky' and the incongruous modernity of 'a patient etherised upon a table' in 'A close reading of The Love Song of J. Alfred Prufrock', on the British Library's website,
1800:(1928). In this poem, MacDiarmid applies Eliot's techniques to respond to the question of nationalism, using comedic parody, in an optimistic (though no less hopeless) form of modernism in which the artist as "hero" seeks to embrace complexity and locate new meanings.
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Hume says, 'For my part, when I enter most intimately into what I call myself, I always stumble on some particular perception or other, of heat or cold, light or shade, love or hatred, pain or pleasure. I never can catch myself at any time without a perception'. See
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precursors, often emphasizes the inscrutability and failure of symbol and metaphor. For example, Wallace
Stevens seeks and fails to find meaning in nature, even if he at times seems to sense such a meaning. As such, symbolists and modernists at times adopt a
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More recently the term late modernism has been redefined by at least one critic and used to refer to works written after 1945, rather than 1930. With this usage goes the idea that the ideology of modernism was significantly re-shaped by the events of
1492:, and writers created more cynical works that reflected a prevailing sense of disillusionment. Many modernist writers also shared a mistrust of institutions of power such as government and religion, and rejected the notion of absolute truths.
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concept of "man, the animal" in the public mind, Jung suggested that human impulses toward breaking social norms were not the product of childishness or ignorance, but rather derived from the essential nature of the human animal.
1195:; 1895). According to Freud, all subjective reality was based on the play of basic drives and instincts, through which the outside world was perceived. As a philosopher of science, Ernst Mach was a major influence on
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In the 1880s, increased attention was given to the idea that it was necessary to push aside previous norms entirely, instead of merely revising past knowledge in light of contemporary techniques. The theories of
1027:'s maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of the time. The immense human costs of the
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This distinction between modernism and romanticism extends to their respective treatments of 'symbol'. The romantics at times see an essential relation (the 'ground') between the symbol (or the 'vehicle', in
1035:, Mary Ann Gillies notes that these literary themes share the "centrality of a conscious break with the past", one that "emerges as a complex response across continents and disciplines to a changing world".
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James
Longenbach, for instance, quotes these words and says, 'What line could feel more central to our received notions of modernism?' in his chapter, 'Modern Poetry' in David Holdeman and Ben Levitas,
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who believe that they have encountered some great truth about nature or character, truths that the novels themselves treat ironically while offering more mundane explanations. Similarly, many poems of
1179:(1838â1916) influenced early Modernist literature. Ernst Mach argued that the mind had a fundamental structure, and that subjective experience was based on the interplay of parts of the mind in
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Thus, modernism can be driven emotionally by the desire for metaphysical truths, while understanding their impossibility. Some modernist novels, for instance, feature characters like Marlow in
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saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. In
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in terms of style, language and tone. They were aware of the crisis deriving from the decline of the traditional role of the poet as foreseer, teacher, prophet. In a world that has absorbed
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For these reasons, modernist metaphors may be unnatural, as for instance in T.S. Eliot's description of an evening 'spread out against the sky / Like a patient etherized upon a table'.
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originated in the late 19th and early 20th centuries, and is characterised by a self-conscious separation from traditional ways of writing in both poetry and prose fiction writing.
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1150:(not himself a romantic) said, âthe idea remains eternally and infinitely active and inaccessible in the imageâ. This was extended in modernist theory which, drawing on its
2129:'s career began in 1914, but his major works appeared in the 1920s and 1930s and early 1940s. Two other significant modernist dramatists writing in the 1920s and 1930s were
1790:. The questioning spirit of modernism, as part of a necessary search for ways to make sense of a broken world, can also be seen in a different form in the Scottish poet
1238:, 1690). Freud's description of subjective states, involving an unconscious mind full of primal impulses and counterbalancing self-imposed restrictions, was combined by
3589:
1599:, who declared that human nature underwent a fundamental change "on or about December 1910". But modernism was already stirring by 1902, with works such as
3025:, (Oxford University Press: New York and London, 1936). Technically, Richards applies the terms 'vehicle' and 'tenor' to metaphor rather than symbol.
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in 1912 as a new poetic style, gave modernism its early start in the 20th century, and were characterized by a poetry that favoured a precision of
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It is debatable when the modernist literary movement began, though some have chosen 1910 as roughly marking the beginning and quote novelist
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coined the term in his 1960 essay, "Theatre of the Absurd." He related these plays based on a broad theme of the Absurd, similar to the way
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1689:(1919) is known as an early work of modernism for its plain-spoken prose style and emphasis on psychological insight into characters.
1444:, suggested an awareness of art as art, rejected realistic interpretations of the world and dramatized "a drive towards the abstract".
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is sometimes applied to modernist works published after 1930. Among modernists (or late modernists) still publishing after 1945 were
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1761:'s lesson, these poets want to renew literature according to the new cultural world of the 20th century. For example, Montale uses
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Virginia Woolf. "Mr. Bennett and Mrs. Brown." Collected Essays. Ed. Leonard Woolf. Vol. 1. London: Hogarth, 1966. pages 319â337.
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Photographs of artistic and literary
Americans at home and abroad throughout the Modernist period from the collection of the
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was published in 1928, while another important landmark for the history of the modern novel came with the publication of
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and meaning in the world. Modernism often yearns for a romantic or metaphysical centre, but later finds its collapse.
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The term modernism covers a number of related, and overlapping, artistic and literary movements, including
1077:(1711â1776), who argued that we never actually perceive one event causing another. We only experience the '
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argued that external and absolute reality could impress itself, as it were, on an individualâfor example,
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https://www.bl.uk/20th-century-literature/articles/a-close-reading-of-the-love-song-of-j-alfred-prufrock
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Significant modernist works continued to be created in the 1920s and 1930s, including further novels by
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2583:(1873â1907), the Theatre of the Absurd is generally seen as beginning in the 1950s with the plays of
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1505:(1922) were increasingly self-aware, introspective, and explored the darker aspects of human nature.
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3120:, No. 41, Special Issue on the Critiques of the Enlightenment. (Spring â Summer, 1987), pp. 95â108.
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Daphne
Erdinast- Vulcan explores Conrad's relation to Modernism, Romanticism and metaphysics in
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2007:
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and others. From this developed innovative literary techniques such as stream-of-consciousness,
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Goldman, Jonathan. Modernism Is the
Literature of Celebrity. Austin: U of Texas P, 2011. Print.
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https://www.poetryfoundation.org/poetrymagazine/poems/44212/the-love-song-of-j-alfred-prufrock
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Philosophically, the collapse of metaphysics can be traced back to the Scottish philosopher
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in 1929. The 1920s would prove to be watershed years in modernist poetry. In this period,
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starting in 1903 and culminating with his first abstract painting and the founding of the
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Modernist literature addressed similar aesthetic problems as contemporary modernist art.
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Fakultet for Sprog Og Erhvervskommunikation â HandelshĂžjskolen I Ă
rhus. March 23, 2011
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Cheryl Hindrichs (November 2011). "Late Modernism, 1928â1945: Criticism and Theory".
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tradition of modernism, who produced works from the 1930s until the 1980s, including
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54, No.6 (February 1980). His final essay on modernism. Retrieved October 26, 2011
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Artists, Writers, and Musicians: An Encyclopedia of People Who Changed the World
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James Joyce was a major modernist writer whose strategies employed in his novel
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BBC Radio 4 discussion with John Carey, Laura Marcus and Valentine Cunningham (
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modernism, continued to manifest significant neo-modernist works, for instance
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Absurdist Monthly Review â The Writers Magazine of The New Absurdist Movement
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They also attempted to address the changing ideas about reality developed by
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4239:
3666:
3625:
2532:
2301:
is often viewed as an American phenomenon, with leading exponents including
2244:
1956:
1812:
1627:
1573:
1521:
1239:
1156:
1020:
953:
350:
255:
213:
126:
91:
1592:
or interior monologue reflects the need for greater psychological realism.
1553:, exposing the irrationality at the roots of a supposedly rational world.
1436:
saw connections between literary style and impressionist painters such as
4643:
4510:
3879:
3868:
3829:
3813:
3799:
3690:
2701:
1517:
843:
783:
573:
218:
198:
75:
3363:, William Dobell Memorial Lecture, Sydney, Australia, October 31, 1979,
6395:
5440:
4902:
4517:
3806:
3790:
3776:
2613:
Playwrights commonly associated with the Theatre of the Absurd include
2503:
2325:, there were important British modernist poets, including T. S. Eliot,
2288:. Eliot shifted focus in this period, writing several plays, including
1906:
1658:
1619:
1577:
1509:
1481:
1473:
1465:
1388:
1126:
Modernism, with its sense that 'things fall apart,' can be seen as the
815:
692:
578:
561:
442:
410:
395:
380:
238:
96:
3427:, ed. John Wilson Foster. Cambridge: Cambridge University Press, 2006.
2182:
In the 1930s, in addition to further major works by William Faulkner (
1745:) embodies modernism. This new generation broke with the tradition of
3724:
3599:
2877:(Spring 2015 ed.), Metaphysics Research Lab, Stanford University
2056:
1783:
1765:
to reconstruct meaning, while Saba incorporates Freudian concepts of
1662:
1654:
1525:
1147:
805:
778:
727:
722:
697:
682:
295:
267:
228:
3166:
David Thorburn, MIT, The Great Courses, The Teaching Company, 2007,
1448:
Initially, some modernists fostered a utopian spirit, stimulated by
3004:(Fall 2016 ed.), Metaphysics Research Lab, Stanford University
1262:, especially his idea that psychological drives, specifically the "
3240:
Eliot, T. S. (November 1923). "'Ulysses,' Order and Myth. Rev. of
3143:
The Bloomsbury Guides to English Literature: The Twentieth Century
1565:
1023:
experimented with literary form and expression, as exemplified by
702:
687:
583:
360:
312:
283:
203:
4197:
3731:
3442:
by Anthony Mellors; see also Prynne's publisher, Bloodaxe Books.
3302:
The Structure of Obscurity: Gertrude Stein, Language, and Cubism
2953:
Kleinberg-Levin, David Michael (2024), Hagberg, Garry L. (ed.),
2318:
2032:
1537:
707:
233:
65:
3639:
3323:
3321:
2955:"Wallace Stevens' Poetic Realism: The Only Possible Redemption"
1407:(1849â1912), especially his later plays, including the trilogy
1310:(1927). Also important in Bergson's philosophy was the idea of
18:
Western literary movement, originating in the late 19th century
3262:
Bloomsbury Guides to English Literature: The Twentieth Century
717:
3505:
The Hutchinson Encyclopedia, Millennium Edition, Helicon 1999
3145:, ed. Linda R. Williams. London: Bloomsbury, 1992, pp. 108â9.
2284:
began writing what would become his final major poetic work,
2280:
continued writing into the 1950s. It was in this period when
3635:
3614:
Beinecke Rare Book and Manuscript Library at Yale University
3116:
Robert Gooding-Williams, "Nietzsche's Pursuit of Modernism"
2433:, born in 1901, published his most important modernist poem
2268:
appeared. It was in this year that another Irish modernist,
1246:, which the conscious mind either fought or embraced. While
3304:. Champaign: University of Illinois Press. pp. 16â20.
2161:
published some of his most notable poetic works, including
1819:
Other early modernist writers and selected works include:
3331:
ed. by David Scott Kastan. Oxford University Press, 2006.
3264:, ed. Linda R. Williams. London: Bloomsbury, 1992, p.311.
3170:, see p. 12 of guidebook Part I, Accessed August 24, 2013
3604:
2961:, Cham: Springer Nature Switzerland, pp. 295â323,
3178:
3176:
2929:"The Poet | Work of art | Peggy Guggenheim Collection"
2827:. Edinburgh: Edinburgh University Press. p. 2,3.
1159:
approach to suggest a non-rational sense of meaning.
2515:
have also been applied to his later works. The poets
1488:. This idealism, however, ended with the outbreak of
2385:
speaking they were no longer producing major works.
1626:
Among early modernist non-literary landmarks is the
6533:
6374:
6242:
6082:
5838:
5827:
5634:
A Sunday Afternoon on the Island of La Grande Jatte
5624:
5450:
5010:
4493:
4484:
4361:
4145:
3887:
3878:
3673:
3079:. Robarts - University of Toronto. New York Dutton.
1050:: "Things fall apart; the centre cannot hold" (in '
135:
46:
36:
28:
23:
3552:
3275:"Modernismo e poesia italiana del primo novecento"
2996:Gorodeisky, Keren (2016), Zalta, Edward N. (ed.),
2579:While there are significant precursors, including
2523:(b. 1936) have been described as late modernists.
3590:"Some Characteristics of Modernism in Literature"
3208:. Springfield, MA: Merriam-Webster. p. 1236.
3153:
3151:
2869:Aylesworth, Gary (2015), Zalta, Edward N. (ed.),
1972:(1902â34): Rhapsody (1927), Winter Sonata (1928);
1317:Important literary precursors of modernism were
2918:, chapter 4, London: Palgrave Macmillan, 1989.
3482:Les esclaves de Bourbon -la mer et la montagne
3354:Clement Greenberg: Modernism and Postmodernism
1266:", were more important than facts, or things.
3651:
3584:"Modernism in Literature: What Is Modernism?"
3329:The Oxford Encyclopedia of British Literature
2555:SortilÚges créoles: Eudora ou l'ßle enchantée
2371:The Oxford Encyclopedia of British Literature
1039:Modernism, Romanticism, Philosophy and Symbol
997:
8:
6566:
6555:
3756:
3745:
3699:
3688:
3440:Late modernist poetics: From Pound to Prynne
3206:Merriam Webster's Encyclopedia of Literature
3184:The Imagist Poem, Modern Poetry in Miniature
3168:Masterworks of Early 20th-Century Literature
2475:(1912) are sometimes considered modernist).
3827:
3575:"Understanding Modernism and PostModernism"
3545:The Norton Anthology of American Literature
3455:Littératures francophones de l'océan Indien
3425:The Cambridge Companion to Irish Literature
3257:
3255:
3131:Fifty Major Philosophers: A Reference Guide
1104:Modernism often rejects nineteenth century
5835:
4490:
3884:
3658:
3644:
3636:
3342:The Oxford Companion to English Literature
2198:published his first major work, the novel
1004:
990:
631:
438:
339:
169:
3435:
3433:
3186:(Story Line Press, 1963, expanded 2001).
3092:, 'The Love Song of J. Alfred Prufrock',
2795:. EDINBURGH University Press. p. 4.
1715:, the generation of poets represented by
1258:Another major precursor of modernism was
1427:
3479:Christophe, SOLIOZ (December 1, 2003).
3002:The Stanford Encyclopedia of Philosophy
2875:The Stanford Encyclopedia of Philosophy
2743:
1235:An Essay Concerning Human Understanding
1058:'centre' but experience its collapse. (
919:
866:
828:
770:
740:
672:
634:
625:
546:
441:
432:
372:
342:
275:
188:
172:
20:
6492:Six Characters in Search of an Author
3559:. Westport, Connecticut: Oryx Press.
3547:. New York: W.W. Norton, 2007. Print.
3218:
1883:The Notebooks of Malte Laurids Brigge
1871:Six Characters in Search of an Author
1185:(1883). Freud's first major work was
7:
3076:The symbolist movement in literature
3061:The Genealogy of the Romantic Symbol
2864:
2862:
2712:Twentieth-century English literature
1226:, which saw the mind beginning as a
3404:Morris Dickstein (August 3, 1997).
2959:Narrative and Ethical Understanding
2912:Joseph Conrad and the Modern Temper
2789:Morley, Catherine (March 1, 2012).
2341:. European modernist poets include
1816:) have been described as poetical.
5694:Nude Descending a Staircase, No. 2
3458:(in French). Editions du Tramail.
2998:"19th Century Romantic Aesthetics"
2598:uses the term in his 1942 essay, "
1989:The Right Hand of the Grand Master
1677:and others between 1900 and 1910.
1440:. Modernist writers, like Monet's
1054:'). Modernists often search for a
1046:is often summed up in a line from
14:
1242:(1875â1961) with the idea of the
6874:
6873:
3518:. Arts.gla.ac.uk. Archived from
3485:(in French). KARTHALA Editions.
3391:10.1111/j.1741-4113.2011.00841.x
1797:A Drunk Man Looks at the Thistle
1623:appeared even earlier, in 1896.
973:
180:
2727:List of modernist women writers
2365:Modernist literature after 1939
1362:The Temptation of Saint Anthony
1199:, and through his criticism of
6641:Grosvenor School of Modern Art
6634:Fourth dimension in literature
2682:Contemporary French literature
1776:'s abstract writings, such as
1:
3452:Rauville, Camille de (1990).
3406:"An Outsider to His Own Life"
3327:J. H. Dettmar "Modernism" in
2374:
2095:Continuation: 1920s and 1930s
1432:Modernist literature scholar
3610:Picturing Literary Modernism
3551:Bossy, Michel-André (2001).
3059:Quoted by Nicholas Halmi in
2967:10.1007/978-3-031-58433-6_15
6734:List of avant-garde artists
5718:The Cabinet of Dr. Caligari
3586:Bright Hub March 23, 2011..
3516:"The Theatre Of The Absurd"
2299:modernist poetry in English
2255:Ballads of Petrica Kerempuh
2021:Povratak Filipa Latinovicza
1450:innovations in anthropology
1115:Peggy Guggenheim Collection
6924:
6592:Classical Hollywood cinema
3359:September 1, 2019, at the
3300:Dubnick, Randa K. (1984).
3063:(Oxford: OUP, 2007), p.1.
3023:The Philosophy of Rhetoric
2898:A Treatise of Human Nature
2854:New York Times Book Review
2823:Gillies, Mary Ann (2007).
2792:Modern American Literature
2707:20th century in literature
2449:was published in 1945 and
2248:in 1936, the same year as
1661:, and the introduction of
1214:Many prior theories about
1070:of metaphysical claims.)
6855:
5670:Les Demoiselles d'Avignon
2722:List of modernist writers
2373:sees Modernism ending by
2114:The Man Without Qualities
1442:paintings of water lilies
140:
51:
4455:The Master and Margarita
2933:www.guggenheim-venice.it
2768:. Routledge. p. 4.
2459:in 1947 (early works by
1976:Konstantine Gamsakhurdia
1786:paintings of her friend
1495:Modernist works such as
1182:The Science of Mechanics
6903:20th-century literature
6741:List of modernist poets
6627:Fourth dimension in art
5810:Meshes of the Afternoon
2901:, Book I.iv, section 6.
2732:List of modernist poets
2692:Expressionism (theatre)
2687:Experimental literature
2315:William Carlos Williams
2291:Murder in the Cathedral
2144:Lady Chatterley's Lover
2016:Michelangelo Buonarroti
1590:stream-of-consciousness
1544:Early modernist writers
1272:stream of consciousness
112:Stream of consciousness
6825:Second Viennese School
6567:
6556:
4467:The Sound and the Fury
4371:In Search of Lost Time
3828:
3757:
3746:
3700:
3689:
2764:Childs, Peter (2008).
2754:, Essays, London, 1935
2564:Marguerite-HélÚne Mahé
2550:Reunionnais literature
2234:, the seminal work of
2204:(1938), while in 1932
2154:The Sound and the Fury
1865:The Late Mattia Pascal
1445:
1330:The Brothers Karamazov
1244:collective unconscious
1166:Origins and precursors
1124:
160:British Poetry Revival
102:Literary impressionism
6804:Reactionary modernism
6727:List of art movements
3103:7 August 2023 at the
3040:The Poetry Foundation
2850:W.B. Yeats in Context
2717:Postmodern literature
2576:Theatre of the Absurd
2570:Theatre of the Absurd
2562:), published 1952 by
2439:in 1965. In addition
2343:Federico GarcĂa Lorca
2211:A Glastonbury Romance
2135:Federico GarcĂa Lorca
1980:The Smile of Dionysus
1902:Guillaume Apollinaire
1657:in 1911, the rise of
1636:Second String Quartet
1431:
1356:Sentimental Education
1120:
980:Literature portal
41:Industrial Revolution
6648:Hanshinkan Modernism
6504:The Threepenny Opera
6420:Pelléas et Mélisande
3626:"Literary Modernism"
2825:Modernist Literature
2647:Alejandro Jodorowsky
2643:Friedrich DĂŒrrenmatt
2600:The Myth of Sisyphus
2242:published her novel
1732:Allegria di naufragi
1665:from the studios of
1551:unreliable narrators
1324:Crime and Punishment
1209:theory of relativity
1090:or Nick Carraway in
1079:constant conjunction
1033:Modernist Literature
1017:Modernist literature
754:Groups and movements
6706:International Style
6456:Afternoon of a Faun
5742:Battleship Potemkin
5646:Mont Sainte-Victoir
3281:. November 30, 2012
3279:Le parole e le cose
3118:New German Critique
3036:"Frost at Midnight"
2635:Alexander Vvedensky
2446:The Death of Virgil
2272:, died. In poetry,
2214:, the same year as
2064:Ryƫnosuke Akutagawa
1984:Kidnapping the Moon
1926:Katherine Mansfield
1759:Friedrich Nietzsche
1755:Gabriele D'Annunzio
1472:. The poets of the
1374:Bouvard et PĂ©cuchet
1274:technique, such as
1260:Friedrich Nietzsche
1250:'s work remade the
1188:Studies on Hysteria
373:Short prose fiction
276:Major written forms
32:19th-century Europe
6898:Literary modernism
6585:Buddhist modernism
6542:American modernism
6468:The Rite of Spring
4443:The Sun Also Rises
4419:The Magic Mountain
3596:Literary modernism
3522:on August 23, 2009
3411:The New York Times
3379:Literature Compass
3204:Modernism (1995).
2856:, 18 January 1987.
2697:History of theatre
2507:(1981). The terms
2492:En attendant Godot
2466:The Magic Mountain
2419:Dorothy Richardson
2355:Constantine Cavafy
2123:American modernist
2119:Dorothy Richardson
2087:The Counterfeiters
1889:Sonnets to Orpheus
1878:Rainer Maria Rilke
1835:Growth of the Soil
1727:Giuseppe Ungaretti
1713:Italian literature
1582:interior monologue
1446:
1379:Charles Baudelaire
1319:Fyodor Dostoyevsky
1276:Dorothy Richardson
1203:, a forerunner of
1197:logical positivism
1118:Stevens's realism
1044:Literary modernism
867:Lists and outlines
343:Long prose fiction
155:Harlem Renaissance
6885:
6884:
6613:Experimental film
6529:
6528:
6516:Waiting for Godot
5823:
5822:
4480:
4479:
4383:The Metamorphosis
3632:, April 26, 2001)
3566:978-1-57356-154-9
3492:978-2-8111-3781-6
3465:978-2-908344-05-9
3244:by James Joyce".
3129:Diané Collinson,
2976:978-3-031-58433-6
2802:978-0-7486-2506-2
2531:, especially the
2423:John Cowper Powys
2238:modernist prose.
2231:Country of Origin
2206:John Cowper Powys
2012:Kristofor Kolumbo
1951:The Metamorphosis
1853:Zeno's Conscience
1681:Sherwood Anderson
1644:Wassily Kandinsky
1632:Arnold Schoenberg
1606:Heart of Darkness
1405:August Strindberg
1384:Les Fleurs du mal
1307:To the Lighthouse
1232:, a blank slate (
1087:Heart of Darkness
1052:The Second Coming
1014:
1013:
766:
765:
621:
620:
428:
427:
168:
167:
29:Stylistic origins
6915:
6877:
6876:
6848:
6846:Vulgar modernism
6841:
6839:Underground film
6834:
6827:
6820:
6813:
6806:
6799:
6792:
6785:
6778:
6771:
6764:
6757:
6750:
6743:
6736:
6729:
6722:
6715:
6708:
6701:
6692:
6685:
6678:
6671:
6664:
6662:Hippie modernism
6657:
6650:
6643:
6636:
6629:
6622:
6615:
6608:
6601:
6594:
6587:
6580:
6578:Bloomsbury Group
6573:
6572:
6562:
6561:
6551:
6544:
6522:
6521:
6510:
6509:
6498:
6497:
6486:
6485:
6474:
6473:
6462:
6461:
6450:
6449:
6438:
6437:
6426:
6425:
6414:
6413:
6402:
6401:
6390:
6389:
6367:
6360:
6353:
6346:
6339:
6332:
6325:
6318:
6311:
6304:
6297:
6290:
6283:
6276:
6269:
6262:
6255:
6235:
6228:
6221:
6214:
6207:
6200:
6193:
6186:
6179:
6172:
6165:
6158:
6151:
6144:
6137:
6130:
6123:
6116:
6109:
6102:
6095:
6075:
6068:
6061:
6054:
6047:
6040:
6033:
6026:
6019:
6012:
6005:
5998:
5991:
5984:
5977:
5970:
5963:
5956:
5949:
5942:
5935:
5928:
5921:
5914:
5907:
5900:
5893:
5886:
5879:
5872:
5865:
5858:
5851:
5836:
5816:
5815:
5804:
5803:
5792:
5791:
5782:
5781:
5772:
5771:
5766:Un Chien Andalou
5760:
5759:
5748:
5747:
5736:
5735:
5730:Ballet MĂ©canique
5724:
5723:
5712:
5711:
5700:
5699:
5688:
5687:
5676:
5675:
5664:
5663:
5658:The Starry Night
5652:
5651:
5640:
5639:
5617:
5610:
5603:
5596:
5589:
5582:
5575:
5568:
5561:
5554:
5547:
5540:
5533:
5526:
5519:
5512:
5505:
5498:
5491:
5484:
5477:
5470:
5463:
5443:
5436:
5429:
5422:
5415:
5408:
5401:
5394:
5387:
5380:
5373:
5366:
5359:
5352:
5345:
5338:
5331:
5324:
5317:
5310:
5303:
5296:
5289:
5282:
5275:
5268:
5261:
5254:
5247:
5240:
5233:
5226:
5219:
5212:
5205:
5198:
5191:
5184:
5177:
5170:
5163:
5156:
5149:
5142:
5135:
5128:
5121:
5114:
5107:
5100:
5093:
5086:
5079:
5072:
5065:
5058:
5051:
5044:
5037:
5030:
5023:
5003:
4996:
4989:
4987:Toulouse-Lautrec
4982:
4975:
4968:
4961:
4954:
4947:
4940:
4933:
4926:
4919:
4912:
4905:
4898:
4891:
4884:
4877:
4870:
4863:
4856:
4849:
4842:
4835:
4828:
4821:
4814:
4807:
4800:
4793:
4786:
4779:
4772:
4765:
4758:
4751:
4744:
4737:
4730:
4723:
4716:
4709:
4702:
4695:
4688:
4681:
4674:
4667:
4660:
4653:
4646:
4639:
4632:
4625:
4618:
4611:
4604:
4597:
4590:
4583:
4576:
4569:
4562:
4555:
4548:
4541:
4534:
4527:
4520:
4513:
4506:
4491:
4473:
4472:
4461:
4460:
4449:
4448:
4437:
4436:
4425:
4424:
4413:
4412:
4401:
4400:
4389:
4388:
4377:
4376:
4354:
4347:
4340:
4333:
4326:
4319:
4312:
4305:
4298:
4291:
4284:
4277:
4270:
4263:
4256:
4249:
4242:
4235:
4228:
4221:
4214:
4207:
4200:
4193:
4186:
4179:
4172:
4165:
4158:
4138:
4131:
4124:
4117:
4110:
4103:
4096:
4089:
4082:
4075:
4068:
4061:
4054:
4047:
4040:
4033:
4026:
4019:
4012:
4005:
3998:
3991:
3984:
3977:
3970:
3963:
3956:
3949:
3942:
3935:
3928:
3921:
3914:
3907:
3900:
3885:
3871:
3864:
3857:
3850:
3843:
3834:
3833:
3823:
3816:
3809:
3802:
3793:
3786:
3779:
3770:
3763:
3762:
3752:
3751:
3748:Der Blaue Reiter
3741:
3734:
3727:
3720:
3713:
3706:
3705:
3695:
3694:
3684:
3660:
3653:
3646:
3637:
3570:
3558:
3532:
3531:
3529:
3527:
3512:
3506:
3503:
3497:
3496:
3476:
3470:
3469:
3449:
3443:
3437:
3428:
3422:
3416:
3415:
3401:
3395:
3394:
3374:
3368:
3351:
3345:
3338:
3332:
3325:
3316:
3315:
3297:
3291:
3290:
3288:
3286:
3271:
3265:
3259:
3250:
3249:
3237:
3231:
3228:
3222:
3216:
3210:
3209:
3201:
3195:
3182:Pratt, William.
3180:
3171:
3164:
3158:
3155:
3146:
3140:
3134:
3127:
3121:
3114:
3108:
3087:
3081:
3080:
3073:Symons, Arthur.
3070:
3064:
3057:
3051:
3050:
3048:
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2677:Modernist poetry
2657:(1936â2011) and
2651:Fernando Arrabal
2519:(1910â1970) and
2415:William Faulkner
2379:
2376:
2221:The Sleepwalkers
2149:William Faulkner
2001:The Snake's Skin
1996:Grigol Robakidze
1860:Luigi Pirandello
1751:Giovanni Pascoli
1474:Imagist movement
1462:political theory
1422:The Ghost Sonata
1345:Gustave Flaubert
1298:(1882â1941) for
1175:(1856â1939) and
1093:The Great Gatsby
1006:
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37:Cultural origins
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2399:Wallace Stevens
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2347:Fernando Pessoa
2331:Hugh MacDiarmid
2278:Wallace Stevens
2258:. Then in 1939
2250:Miroslav KrleĆŸa
2191:Light in August
2097:
2008:Miroslav KrleĆŸa
1970:Dorothy Edwards
1792:Hugh MacDiarmid
1747:GiosuĂš Carducci
1717:Eugenio Montale
1686:Winesburg, Ohio
1613:'s (1873â1907)
1603:'s (1857â1924)
1570:Albert Einstein
1546:
1340:Leaves of Grass
1222:'s (1632â1704)
1205:Albert Einstein
1168:
1098:Wallace Stevens
1064:Jacques Derrida
1041:
1029:First World War
1010:
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905:Literary awards
771:Dramatic genres
512:science fiction
190:Oral literature
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4407:The Waste Land
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3718:Constructivism
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2619:EugĂšne Ionesco
2615:Samuel Beckett
2608:well-made play
2585:Samuel Beckett
2571:
2568:
2542:Mario Petrucci
2513:post-modernist
2477:Samuel Beckett
2456:Doctor Faustus
2411:Anna Akhmatova
2403:Gottfried Benn
2395:late modernism
2390:
2389:Late modernism
2387:
2366:
2363:
2351:Anna Akhmatova
2323:Louis Zukofsky
2311:Marianne Moore
2274:E. E. Cummings
2265:Finnegans Wake
2228:published his
2196:Samuel Beckett
2185:As I Lay Dying
2170:The Hollow Men
2164:The Waste Land
2139:D. H. Lawrence
2131:Bertolt Brecht
2127:Eugene O'Neill
2105:Virginia Woolf
2096:
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2066:(1861â1928): "
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1899:
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1779:Tender Buttons
1774:Gertrude Stein
1767:psychoanalysis
1722:Ossi di seppia
1705:The Waste Land
1675:Georges Braque
1597:Virginia Woolf
1558:Charles Darwin
1545:
1542:
1502:The Waste Land
1484:, brevity and
1470:psychoanalysis
1434:David Thorburn
1296:Virginia Woolf
1248:Charles Darwin
1167:
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1068:deconstruction
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278:
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109:
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78:
73:
68:
63:
58:
52:
49:
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44:
43:
38:
34:
33:
30:
26:
25:
17:
13:
10:
9:
6:
4:
3:
2:
6920:
6909:
6906:
6904:
6901:
6899:
6896:
6895:
6893:
6880:
6870:
6869:
6868:Postmodernism
6863:
6862:
6854:
6847:
6843:
6840:
6836:
6833:
6829:
6826:
6822:
6819:
6815:
6812:
6811:Metamodernism
6808:
6805:
6801:
6798:
6794:
6791:
6787:
6784:
6780:
6777:
6776:New Hollywood
6773:
6770:
6766:
6763:
6759:
6756:
6752:
6749:
6745:
6742:
6738:
6735:
6731:
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6724:
6721:
6717:
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6710:
6707:
6703:
6700:
6696:
6691:
6687:
6684:
6680:
6677:
6673:
6672:
6670:
6669:Impressionism
6666:
6663:
6659:
6656:
6652:
6649:
6645:
6642:
6638:
6635:
6631:
6628:
6624:
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6607:
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6506:
6505:
6500:
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6416:
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6409:
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6392:
6386:
6385:
6380:
6379:
6377:
6373:
6366:
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6359:
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6348:
6345:
6341:
6338:
6334:
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6320:
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6310:
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6299:
6296:
6292:
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6264:
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6254:
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6230:
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5997:
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5864:
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5857:
5853:
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5846:
5845:
5843:
5841:
5837:
5834:
5832:
5826:
5812:
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5806:
5800:
5799:
5794:
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5778:
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5598:
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5563:
5560:
5556:
5553:
5549:
5546:
5542:
5539:
5535:
5532:
5528:
5525:
5521:
5518:
5514:
5511:
5507:
5504:
5503:Hundertwasser
5500:
5497:
5493:
5490:
5486:
5483:
5479:
5476:
5472:
5469:
5465:
5462:
5458:
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5442:
5438:
5435:
5431:
5428:
5424:
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5410:
5407:
5403:
5400:
5396:
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5389:
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5379:
5375:
5372:
5368:
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5340:
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5319:
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5312:
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5260:
5256:
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5235:
5232:
5228:
5225:
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5197:
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5032:
5029:
5025:
5022:
5018:
5017:
5015:
5013:
5009:
5002:
4998:
4995:
4991:
4988:
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4907:
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4897:
4893:
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4862:
4858:
4855:
4851:
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4837:
4834:
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4827:
4823:
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4778:
4774:
4771:
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4757:
4753:
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4743:
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4725:
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4715:
4711:
4708:
4704:
4701:
4697:
4694:
4690:
4687:
4683:
4680:
4676:
4673:
4669:
4666:
4662:
4659:
4655:
4652:
4648:
4645:
4641:
4638:
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4606:
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4385:
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4335:
4332:
4328:
4325:
4321:
4318:
4314:
4311:
4307:
4304:
4300:
4297:
4293:
4290:
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4276:
4272:
4269:
4265:
4262:
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4230:
4227:
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4220:
4216:
4213:
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4160:
4157:
4153:
4152:
4150:
4148:
4144:
4137:
4133:
4130:
4126:
4123:
4119:
4116:
4112:
4109:
4105:
4102:
4098:
4095:
4091:
4088:
4084:
4081:
4077:
4074:
4070:
4067:
4063:
4060:
4056:
4053:
4049:
4046:
4042:
4039:
4035:
4032:
4028:
4025:
4021:
4018:
4014:
4011:
4007:
4004:
4000:
3997:
3993:
3990:
3986:
3983:
3979:
3976:
3972:
3969:
3965:
3962:
3958:
3955:
3951:
3948:
3944:
3941:
3937:
3934:
3930:
3927:
3923:
3920:
3916:
3913:
3909:
3906:
3902:
3899:
3895:
3894:
3892:
3890:
3886:
3883:
3881:
3880:Literary arts
3877:
3870:
3866:
3863:
3859:
3856:
3852:
3849:
3845:
3842:
3838:
3832:
3831:
3825:
3824:
3822:
3821:Neoplasticism
3818:
3815:
3811:
3808:
3804:
3801:
3797:
3792:
3788:
3787:
3785:
3784:Functionalism
3781:
3778:
3774:
3769:
3765:
3761:
3760:
3754:
3750:
3749:
3743:
3742:
3740:
3739:Expressionism
3736:
3733:
3729:
3726:
3722:
3719:
3715:
3712:
3711:Ashcan School
3708:
3704:
3703:
3697:
3693:
3692:
3686:
3683:
3679:
3678:
3676:
3672:
3668:
3661:
3656:
3654:
3649:
3647:
3642:
3641:
3638:
3631:
3627:
3624:
3623:
3619:
3615:
3611:
3608:
3606:
3603:
3601:
3597:
3594:
3591:
3588:
3585:
3582:
3579:
3576:
3572:
3568:
3562:
3557:
3556:
3549:
3546:
3542:
3541:
3537:
3521:
3517:
3511:
3508:
3502:
3499:
3494:
3488:
3484:
3483:
3475:
3472:
3467:
3461:
3457:
3456:
3448:
3445:
3441:
3436:
3434:
3430:
3426:
3421:
3418:
3413:
3412:
3407:
3400:
3397:
3392:
3388:
3384:
3380:
3373:
3370:
3366:
3362:
3358:
3355:
3350:
3347:
3343:
3340:"modernism",
3337:
3334:
3330:
3324:
3322:
3318:
3313:
3311:0-252-00909-6
3307:
3303:
3296:
3293:
3280:
3276:
3270:
3267:
3263:
3258:
3256:
3252:
3247:
3243:
3236:
3233:
3227:
3224:
3220:
3215:
3212:
3207:
3200:
3197:
3193:
3192:1-58654-009-2
3189:
3185:
3179:
3177:
3173:
3169:
3163:
3160:
3154:
3152:
3148:
3144:
3139:
3136:
3132:
3126:
3123:
3119:
3113:
3110:
3106:
3102:
3099:
3095:
3091:
3086:
3083:
3078:
3077:
3069:
3066:
3062:
3056:
3053:
3045:September 12,
3041:
3037:
3031:
3028:
3024:
3018:
3015:
3008:September 12,
3003:
2999:
2992:
2989:
2982:September 12,
2978:
2972:
2968:
2964:
2960:
2956:
2949:
2946:
2938:September 12,
2934:
2930:
2924:
2921:
2917:
2913:
2907:
2904:
2900:
2899:
2891:
2888:
2881:September 12,
2876:
2872:
2865:
2863:
2859:
2855:
2851:
2844:
2841:
2836:
2830:
2826:
2819:
2816:
2804:
2798:
2794:
2793:
2785:
2782:
2777:
2771:
2767:
2760:
2757:
2753:
2750:Pound, Ezra,
2747:
2744:
2738:
2733:
2730:
2728:
2725:
2723:
2720:
2718:
2715:
2713:
2710:
2708:
2705:
2703:
2700:
2698:
2695:
2693:
2690:
2688:
2685:
2683:
2680:
2678:
2675:
2673:
2670:
2669:
2664:
2662:
2661:(1928â2016).
2660:
2656:
2652:
2648:
2645:(1921â1990),
2644:
2641:(1905â1942),
2640:
2639:Daniil Kharms
2637:(1904â1941),
2636:
2632:
2629:(1930â2008),
2628:
2627:Harold Pinter
2625:(1910â1986),
2624:
2621:(1909â1994),
2620:
2617:(1906â1989),
2616:
2611:
2609:
2605:
2601:
2597:
2593:
2592:Martin Esslin
2588:
2586:
2582:
2577:
2569:
2567:
2565:
2561:
2557:
2556:
2551:
2547:
2543:
2539:
2534:
2530:
2524:
2522:
2518:
2517:Charles Olson
2514:
2510:
2506:
2505:
2500:
2499:
2494:
2493:
2488:
2487:
2482:
2481:expressionist
2478:
2474:
2473:
2468:
2467:
2462:
2458:
2457:
2452:
2448:
2447:
2442:
2441:Hermann Broch
2438:
2437:
2432:
2431:Basil Bunting
2428:
2424:
2420:
2416:
2412:
2408:
2404:
2400:
2396:
2388:
2386:
2383:
2382:postmodernism
2372:
2364:
2362:
2360:
2356:
2352:
2348:
2344:
2340:
2336:
2335:Basil Bunting
2332:
2328:
2324:
2320:
2316:
2312:
2308:
2304:
2300:
2295:
2293:
2292:
2287:
2286:Four Quartets
2283:
2279:
2275:
2271:
2267:
2266:
2261:
2257:
2256:
2251:
2247:
2246:
2241:
2237:
2233:
2232:
2227:
2223:
2222:
2217:
2216:Hermann Broch
2213:
2212:
2207:
2203:
2202:
2197:
2193:
2192:
2187:
2186:
2180:
2178:
2177:
2176:Ash Wednesday
2172:
2171:
2166:
2165:
2160:
2156:
2155:
2150:
2146:
2145:
2140:
2136:
2132:
2128:
2124:
2120:
2116:
2115:
2110:
2106:
2102:
2101:Marcel Proust
2094:
2089:
2088:
2084:(1869â1951):
2083:
2080:
2077:
2073:
2069:
2065:
2062:
2059:
2058:
2054:(1890â1938):
2053:
2050:
2047:
2046:
2045:Paris: A Poem
2042:(1887â1978):
2041:
2040:Hope Mirrlees
2038:
2035:
2034:
2030:(1882â1957):
2029:
2028:Wyndham Lewis
2026:
2023:
2022:
2017:
2013:
2010:(1893â1981),
2009:
2006:
2003:
2002:
1998:(1880â1962):
1997:
1994:
1991:
1990:
1986:(1935â1936),
1985:
1981:
1977:
1974:
1971:
1968:
1965:
1964:
1959:
1958:
1953:
1952:
1948:(1883â1924):
1947:
1944:
1941:
1938:(1887â1914):
1937:
1934:
1931:
1928:(1888â1923);
1927:
1924:
1921:
1920:
1916:(1880â1934):
1915:
1912:
1909:
1908:
1904:(1880â1918):
1903:
1900:
1897:
1896:
1895:Duino Elegies
1891:
1890:
1885:
1884:
1880:(1875â1926):
1879:
1876:
1873:
1872:
1867:
1866:
1862:(1867â1936):
1861:
1858:
1855:
1854:
1849:
1848:
1844:(1861â1928):
1843:
1840:
1837:
1836:
1831:
1830:
1826:(1859â1952):
1825:
1822:
1821:
1820:
1817:
1815:
1814:
1809:
1808:
1801:
1799:
1798:
1793:
1789:
1788:Pablo Picasso
1785:
1781:
1780:
1775:
1770:
1768:
1764:
1760:
1756:
1752:
1748:
1744:
1743:
1738:
1734:
1733:
1728:
1724:
1723:
1718:
1714:
1709:
1707:
1706:
1701:
1700:Leopold Bloom
1697:
1696:
1690:
1688:
1687:
1682:
1678:
1676:
1672:
1671:Pablo Picasso
1668:
1667:Henri Matisse
1664:
1660:
1656:
1652:
1649:
1648:Expressionist
1645:
1642:paintings of
1641:
1640:Expressionist
1638:in 1908, the
1637:
1633:
1629:
1624:
1622:
1621:
1616:
1612:
1608:
1607:
1602:
1601:Joseph Conrad
1598:
1593:
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1575:
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1567:
1563:
1559:
1554:
1552:
1543:
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1539:
1535:
1534:Expressionism
1531:
1527:
1523:
1519:
1515:
1511:
1506:
1504:
1503:
1498:
1493:
1491:
1487:
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1479:
1476:, founded by
1475:
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1435:
1430:
1426:
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1412:
1411:
1406:
1402:
1399:(1859â1952) (
1398:
1394:
1393:Illuminations
1390:
1386:
1385:
1380:
1376:
1375:
1370:
1369:
1364:
1363:
1358:
1357:
1352:
1351:
1350:Madame Bovary
1347:(1821â1880) (
1346:
1343:) (1855â91);
1342:
1341:
1336:
1332:
1331:
1326:
1325:
1320:
1315:
1313:
1309:
1308:
1303:
1302:
1297:
1293:
1292:
1287:
1283:
1282:
1281:Pointed Roofs
1278:for the book
1277:
1273:
1269:
1268:Henri Bergson
1265:
1264:will to power
1261:
1256:
1253:
1249:
1245:
1241:
1237:
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1198:
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1190:
1189:
1184:
1183:
1178:
1174:
1173:Sigmund Freud
1165:
1163:
1160:
1158:
1153:
1149:
1145:
1144:I.A. Richards
1139:
1137:
1133:
1129:
1123:
1119:
1116:
1113:view. As the
1111:
1107:
1102:
1101:of the poem.
1099:
1095:
1094:
1089:
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1080:
1076:
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1065:
1061:
1060:Postmodernism
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629:
626:Poetry genres
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477:coming-of-age
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406:Flash fiction
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82:Cubo-Futurism
79:
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71:Expressionism
69:
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59:
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54:
53:
50:
45:
42:
39:
35:
31:
27:
22:
16:
6866:
6859:
6606:Ecomodernism
6514:
6502:
6490:
6478:
6466:
6454:
6444:The Firebird
6442:
6430:
6418:
6406:
6394:
6382:
5808:
5798:Citizen Kane
5796:
5787:Fallingwater
5777:Villa Savoye
5764:
5752:
5740:
5728:
5716:
5706:Black Square
5704:
5692:
5680:
5668:
5656:
5644:
5632:
5524:Le Corbusier
5452:Architecture
4465:
4453:
4441:
4431:Mrs Dalloway
4429:
4417:
4405:
4393:
4381:
4369:
4254:Lowell (Amy)
3888:
3629:
3554:
3544:
3543:Baym, Nina.
3524:. Retrieved
3520:the original
3510:
3501:
3481:
3474:
3454:
3447:
3439:
3424:
3420:
3409:
3399:
3382:
3378:
3372:
3364:
3349:
3341:
3336:
3328:
3301:
3295:
3283:. Retrieved
3278:
3269:
3261:
3245:
3241:
3235:
3226:
3214:
3205:
3199:
3183:
3167:
3162:
3142:
3138:
3130:
3125:
3117:
3112:
3085:
3075:
3068:
3060:
3055:
3043:. Retrieved
3039:
3030:
3022:
3017:
3006:, retrieved
3001:
2991:
2980:, retrieved
2958:
2948:
2936:. Retrieved
2932:
2923:
2915:
2911:
2906:
2896:
2890:
2879:, retrieved
2874:
2853:
2849:
2843:
2824:
2818:
2806:. Retrieved
2791:
2784:
2765:
2759:
2751:
2746:
2659:Edward Albee
2655:VĂĄclav Havel
2631:Tom Stoppard
2612:
2596:Albert Camus
2589:
2581:Alfred Jarry
2573:
2553:
2529:World War II
2525:
2521:J. H. Prynne
2502:
2496:
2490:
2484:
2470:
2469:(1924), and
2464:
2454:
2444:
2434:
2392:
2370:
2368:
2296:
2289:
2263:
2253:
2243:
2240:Djuna Barnes
2229:
2226:E. du Perron
2219:
2209:
2199:
2189:
2183:
2181:
2174:
2168:
2162:
2152:
2142:
2112:
2109:Robert Musil
2098:
2085:
2055:
2043:
2031:
2019:
2015:
2011:
1999:
1987:
1983:
1979:
1978:(1893â1975):
1961:
1955:
1949:
1939:
1917:
1905:
1893:
1887:
1881:
1869:
1863:
1851:
1845:
1833:
1827:
1818:
1811:
1807:Mrs Dalloway
1805:
1802:
1795:
1777:
1771:
1740:
1737:Umberto Saba
1730:
1720:
1710:
1703:
1693:
1691:
1684:
1679:
1625:
1618:
1611:Alfred Jarry
1604:
1594:
1555:
1547:
1507:
1500:
1494:
1447:
1438:Claude Monet
1420:
1419:(1902), and
1416:A Dream Play
1414:
1408:
1400:
1392:
1382:
1372:
1366:
1360:
1354:
1348:
1338:
1335:Walt Whitman
1328:
1322:
1316:
1311:
1305:
1301:Mrs Dalloway
1299:
1289:
1279:
1257:
1252:Aristotelian
1233:
1227:
1216:epistemology
1213:
1201:Isaac Newton
1193:Josef Breuer
1186:
1180:
1169:
1161:
1140:
1136:higher power
1125:
1121:
1109:
1103:
1091:
1085:
1083:
1072:
1056:metaphysical
1043:
1042:
1032:
1016:
1015:
853:
539:Encyclopedic
517:supernatural
433:Prose genres
289:closet drama
136:Local scenes
86:Ego-Futurism
15:
6861:Romanticism
6818:Remodernism
6699:Incoherents
6558:Avant-garde
6549:Armory Show
6156:Maeterlinck
6059:Villa-Lobos
6045:Szymanowski
6024:Stockhausen
5961:LutosĆawski
5686:(1909â1910)
4486:Visual arts
4459:(1928â1940)
4375:(1913â1927)
3898:Apollinaire
3862:Synchromism
3702:Art Nouveau
3630:In Our Time
3577:Writing.com
3573:Bryne, CJ.
3526:January 13,
2752:Make it New
2653:(b. 1932),
2649:(b. 1929),
2633:(b. 1937),
2546:Jorge Amado
2501:(1961) and
2461:Thomas Mann
2451:Thomas Mann
2436:Briggflatts
2407:T. S. Eliot
2378: 1939
2359:Paul Valéry
2339:W. H. Auden
2327:David Jones
2282:T. S. Eliot
2270:W. B. Yeats
2260:James Joyce
2159:T. S. Eliot
2074:" (1915); "
2070:" (1916); "
2052:Karel Äapek
1946:Franz Kafka
1936:Georg Trakl
1914:Andrei Bely
1842:Italo Svevo
1824:Knut Hamsun
1497:T. S. Eliot
1490:World War I
1413:1898â1901,
1410:To Damascus
1397:Knut Hamsun
1391:(1854â91) (
1381:(1821â67) (
1368:Three Tales
1353:(1856â57),
1337:(1819â92) (
1321:(1821â81) (
1304:(1925) and
1294:(1922) and
1286:James Joyce
1229:tabula rasa
1132:romanticism
1048:W. B. Yeats
944:Composition
821:Tragicomedy
660:Verse novel
548:Non-fiction
452:Speculative
391:Short story
261:spoken word
251:Performance
224:heroic epic
107:Objectivism
6892:Categories
6748:Maximalism
6683:Literature
6358:Wiesenthal
6260:Cunningham
6253:Balanchine
6233:Witkiewicz
6205:Strindberg
6191:Pirandello
6163:Mayakovsky
6038:Stravinsky
6010:Schoenberg
5829:Performing
5754:Metropolis
5545:Mendelsohn
5350:Rossellini
5343:Richardson
5154:Fassbinder
5140:Eisenstein
5077:Cassavetes
4833:Modigliani
4707:Goncharova
4693:Giacometti
4087:Dos Passos
3889:Literature
3848:Surrealism
3759:Die BrĂŒcke
3219:Bossy 2001
3090:T.S. Eliot
2739:References
2672:Modernismo
2623:Jean Genet
2604:Vaudeville
2538:Roy Fisher
2509:minimalist
2498:Happy Days
2427:Ezra Pound
2307:Hart Crane
2303:Ezra Pound
2224:. In 1935
2208:published
2125:dramatist
2082:André Gide
2076:In a Grove
1963:The Castle
1919:Petersburg
1742:Canzoniere
1739:(with his
1729:(with his
1719:(with his
1651:Blue Rider
1630:ending of
1562:Ernst Mach
1530:Surrealism
1486:free verse
1478:Ezra Pound
1458:philosophy
1454:psychology
1312:Ă©lan vital
1224:empiricism
1220:John Locke
1177:Ernst Mach
1128:apotheosis
1075:David Hume
1025:Ezra Pound
859:Postmodern
794:historical
733:Villanelle
614:Travelogue
609:Persuasive
589:Journalism
567:philosophy
534:Historical
502:paranormal
462:Children's
335:Electronic
209:fairy tale
174:Literature
117:Surrealism
6797:Pulp noir
6755:Modernity
6620:Film noir
6344:St. Denis
6267:Diaghilev
6003:Schaeffer
5926:Hindemith
5905:Dutilleux
5877:Boulanger
5682:The Dance
5378:Tarkovsky
5371:Sternberg
5203:Hitchcock
5119:Dovzhenko
5035:Antonioni
4980:Stieglitz
4819:Metzinger
4770:Kokoschka
4749:Kandinsky
4163:Aldington
4156:Akhmatova
4073:Marinetti
4066:Mansfield
4017:Hemingway
3855:Symbolism
3674:Movements
3667:Modernism
2808:April 20,
2766:Modernism
2574:The term
2552:entitled
2533:Holocaust
2393:The term
2245:Nightwood
2078:" (1922);
1957:The Trial
1813:The Waves
1653:group in
1615:absurdist
1574:Nietzsche
1522:Vorticism
1514:Symbolism
1403:, 1890);
1395:, 1874);
1377:(1881));
1333:(1880));
1240:Carl Jung
1152:symbolist
1021:Modernism
954:Narrative
939:Magazines
934:Sociology
925:criticism
895:Movements
854:Modernist
844:Classical
636:Narrative
472:adventure
416:Religious
386:Novelette
351:Anthology
306:narrative
256:audiobook
214:folk play
127:Vorticism
122:Symbolism
92:Imaginism
56:Absurdism
47:Subgenres
24:Modernism
6879:Category
6480:Fountain
6384:Don Juan
6323:Nijinsky
6219:Wedekind
6198:Piscator
6093:Anderson
6017:Scriabin
5933:Honegger
5594:Sullivan
5580:Saarinen
5573:Rietveld
5566:Niemeyer
5538:Melnikov
5468:Bunshaft
5399:Truffaut
5364:Sjöström
5308:Pudovkin
5280:Minnelli
5245:Kurosawa
5238:Kuleshov
5168:Flaherty
4994:Vuillard
4973:Steichen
4931:Rousseau
4896:Pissarro
4875:O'Keeffe
4840:Mondrian
4791:Malevich
4784:Magritte
4756:Kirchner
4700:van Gogh
4651:Doesburg
4630:Delaunay
4623:Delaunay
4546:BrĂąncuÈi
4532:Boccioni
4495:Painting
4345:Williams
4268:Mallarmé
4184:Cendrars
4094:Platonov
4052:Lawrence
4045:Koestler
3982:Flaubert
3975:Faulkner
3940:Bulgakov
3869:Tonalism
3830:De Stijl
3814:Lettrism
3800:Futurism
3691:Art Deco
3357:Archived
3285:March 6,
3246:The Dial
3101:Archived
2702:Sexology
2665:See also
2495:(1953),
2489:(1951),
2072:RashĆmon
2018:(1919),
2014:(1918),
1982:(1925),
1960:(1925),
1954:(1915),
1892:(1922),
1886:(1910),
1868:(1904),
1850:(1898),
1847:SenilitĂ
1832:(1890),
1763:epiphany
1609:, while
1518:Futurism
1425:(1907).
1371:(1877),
1365:(1874),
1359:(1869),
1327:(1866),
1284:(1915),
1157:mystical
949:Language
880:Glossary
849:Medieval
784:Libretto
713:Limerick
665:National
655:Dramatic
645:Children
574:Anecdote
557:Academic
497:military
318:Nonsense
219:folksong
199:Folklore
76:Futurism
6534:Related
6396:Ubu Roi
6351:Tamiris
6337:Sokolow
6316:Massine
6184:Osborne
6177:O'Neill
6170:O'Casey
6128:Chekhov
6114:Beckett
6100:Anouilh
6084:Theatre
6031:Strauss
5989:Russolo
5968:Milhaud
5947:JanĂĄÄek
5919:GĂłrecki
5912:Feldman
5898:Debussy
5891:Copland
5849:Antheil
5587:Steiner
5510:Johnson
5489:Guimard
5482:Gropius
5329:Resnais
5231:Kubrick
5161:Fellini
5147:Epstein
5133:Edwards
5098:Cocteau
5084:Chaplin
5056:Bresson
5049:Bergman
5028:Aldrich
5021:Akerman
4966:Soutine
4938:Schiele
4889:Picasso
4882:Picabia
4812:Matisse
4686:Gauguin
4658:Duchamp
4616:Kooning
4595:Claudel
4588:Chirico
4581:Chagall
4574:CĂ©zanne
4567:Cassatt
4539:Bonnard
4525:Bellows
4518:Balthus
4395:Ulysses
4317:Stevens
4310:Seferis
4129:Unamuno
3968:Forster
3947:Chekhov
3912:Beckett
3841:Orphism
3807:Imagism
3791:Bauhaus
3777:Fauvism
3682:Acmeism
3538:Sources
3242:Ulysses
3133:, p.131
2590:Critic
2504:Rockaby
2369:Though
2117:), and
2060:(1920);
2048:(1919);
2036:(1918);
2024:(1932);
2004:(1926);
1992:(1939);
1966:(1926);
1942:(1913);
1932:(1918);
1930:Prelude
1922:(1913);
1910:(1913);
1907:Alcools
1898:(1922);
1874:(1921);
1856:(1923);
1838:(1917);
1735:), and
1695:Ulysses
1659:fauvism
1620:Ubu Roi
1586:realism
1578:Bergson
1510:Imagism
1482:imagery
1466:physics
1389:Rimbaud
1291:Ulysses
1106:realism
890:Writers
875:Outline
839:Ancient
830:History
816:Tragedy
693:Epigram
579:Epistle
562:history
522:western
507:romance
492:fantasy
457:Realist
443:Fiction
411:Parable
396:Drabble
381:Novella
365:romance
330:Ergodic
246:Oration
239:proverb
97:Imagism
61:Acmeism
6520:(1953)
6508:(1928)
6496:(1921)
6484:(1917)
6472:(1913)
6460:(1912)
6448:(1910)
6436:(1905)
6432:Salome
6424:(1902)
6412:(1899)
6400:(1896)
6388:(1888)
6365:Wigman
6295:Graham
6288:Fuller
6281:Fokine
6274:Duncan
6226:Wilder
6212:Toller
6149:Kaiser
6121:Brecht
6107:Artaud
6066:Webern
6052:VarĂšse
5982:Partch
5954:Ligeti
5884:Boulez
5856:BartĂłk
5814:(1943)
5802:(1941)
5790:(1936)
5780:(1931)
5770:(1929)
5758:(1927)
5746:(1925)
5734:(1923)
5722:(1920)
5710:(1915)
5698:(1912)
5674:(1907)
5662:(1889)
5650:(1887)
5638:(1886)
5615:Wright
5601:Tatlin
5559:Neutra
5461:Breuer
5427:Welles
5413:Vertov
5336:Renoir
5287:Murnau
5273:Marker
5266:Lupino
5224:Keaton
5210:Hubley
5196:Godard
5182:Fuller
5126:Dreyer
5105:Dassin
5063:Buñuel
4959:Sisley
4952:Signac
4945:Seurat
4917:Renoir
4735:Hopper
4637:Demuth
4560:Calder
4553:Braque
4504:Albers
4471:(1929)
4447:(1926)
4435:(1925)
4423:(1924)
4411:(1922)
4399:(1922)
4387:(1915)
4338:Valéry
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