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Immaculate Conception with Saints (Piero di Cosimo)

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29: 315: 494: 519: 375: 159:. In the background is a typical Piero's landscape, with two hills characterized by rock with human and beast appearance, where the other scenes of the 509: 246: 435: 514: 474: 330: 499: 360: 135:
The work shows the Virgin in a central and illuminated position, with a dove hovering above her head. She is flanked by the Saints
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206 cm × 172 cm (81 in × 68 in)
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The painting was executed for the Tebaldi Chapel in the church of
224: 118: 99: 228: 109:, executed between 1485 and 1505. It is housed in the 446: 262: 79: 71: 61: 53: 45: 35: 21: 188:Uffizi Gallery (search for inventory number '506') 316:Visitation with Saint Nicholas and Saint Anthony 218:Galleria degli Uffizi - Arte storia collezioni 200:Galleria degli Uffizi - Arte storia collezioni 132:in 1670. It was moved to the Uffizi in 1804. 240: 8: 247: 233: 225: 128:of Florence, and was acquired by Cardinal 18: 180: 495:Paintings of the Immaculate Conception 91:The Immaculate Conception with Saints 7: 520:Paintings of Catherine of Alexandria 14: 391:Immaculate Conception with Saints 361:The Discovery of Honey by Bacchus 22:Immaculate Conception with Saints 510:Paintings of Margaret the Virgin 27: 271:Portrait of Francesco Giamberti 286:Portrait of Simonetta Vespucci 1: 515:Paintings of John the Apostle 425: 410: 395: 380: 365: 350: 335: 320: 305: 290: 275: 165:Annunciation to the Shepherds 475:Paintings by Piero di Cosimo 171:on the right are depicted. 16:Painting by Piero di Cosimo 536: 376:Saint Jerome in Meditation 421:Perseus Freeing Andromeda 151:(kneeling on the right), 26: 500:Paintings of Saint Peter 147:(kneeling on the left), 96:The Incarnation of Jesus 490:Paintings in the Uffizi 98:) is a painting by the 436:The Myth of Prometheus 220:. Giunti. p. 202. 216:Fossi, Gloria (2001). 301:Venus, Mars and Cupid 161:Adoration of the Magi 66:Immaculate Conception 49:between 1485 and 1505 346:The Death of Procris 167:on the left and the 137:John the Evangelist 130:Leopoldo de' Medici 331:St. Mary Magdalene 462: 461: 87: 86: 527: 454:High Renaissance 430: 429: 1510–1513 427: 415: 412: 400: 399: 1485–1505 397: 385: 384: 1495–1500 382: 370: 367: 355: 352: 340: 339: 1490–1495 337: 325: 322: 310: 307: 295: 292: 280: 277: 249: 242: 235: 226: 221: 203: 196: 190: 185: 83:Uffizi, Florence 31: 19: 535: 534: 530: 529: 528: 526: 525: 524: 465: 464: 463: 458: 442: 428: 413: 406:The Forest Fire 398: 383: 368: 353: 338: 323: 308: 293: 278: 258: 256:Piero di Cosimo 253: 215: 212: 207: 206: 197: 193: 186: 182: 177: 169:Flight to Egypt 107:Piero di Cosimo 94:(also known as 40:Piero di Cosimo 17: 12: 11: 5: 533: 531: 523: 522: 517: 512: 507: 502: 497: 492: 487: 485:1498 paintings 482: 480:1510 paintings 477: 467: 466: 460: 459: 457: 456: 450: 448: 444: 443: 441: 440: 432: 417: 402: 387: 372: 357: 342: 327: 312: 297: 282: 266: 264: 260: 259: 254: 252: 251: 244: 237: 229: 223: 222: 211: 208: 205: 204: 198:Gloria Fossi, 191: 179: 178: 176: 173: 126:the Annunziata 111:Uffizi Gallery 85: 84: 81: 77: 76: 73: 69: 68: 63: 59: 58: 55: 51: 50: 47: 43: 42: 37: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 532: 521: 518: 516: 513: 511: 508: 506: 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 472: 470: 455: 452: 451: 449: 445: 438: 437: 433: 423: 422: 418: 408: 407: 403: 393: 392: 388: 378: 377: 373: 363: 362: 358: 348: 347: 343: 333: 332: 328: 318: 317: 313: 303: 302: 298: 288: 287: 283: 273: 272: 268: 267: 265: 261: 257: 250: 245: 243: 238: 236: 231: 230: 227: 219: 214: 213: 209: 201: 195: 192: 189: 184: 181: 174: 172: 170: 166: 162: 158: 154: 150: 146: 142: 141:Philip Benizi 138: 133: 131: 127: 122: 120: 116: 112: 108: 104: 101: 97: 93: 92: 82: 78: 74: 70: 67: 64: 60: 56: 52: 48: 44: 41: 38: 34: 30: 25: 20: 505:Doves in art 434: 419: 404: 390: 389: 374: 359: 344: 329: 314: 299: 284: 269: 217: 199: 194: 183: 168: 164: 160: 134: 123: 95: 90: 89: 88: 57:Oil on panel 414: 1505 369: 1499 354: 1495 324: 1490 309: 1490 294: 1490 279: 1485 103:Renaissance 469:Categories 175:References 72:Dimensions 263:Paintings 153:Antoninus 145:Catherine 202:, p. 202 149:Margaret 115:Florence 105:painter 80:Location 447:Related 210:Sources 100:Italian 62:Subject 439:(1515) 163:, the 54:Medium 36:Artist 157:Peter 119:Italy 155:and 46:Year 113:of 471:: 426:c. 411:c. 396:c. 381:c. 366:c. 351:c. 336:c. 321:c. 306:c. 291:c. 276:c. 143:, 139:, 121:. 117:, 431:) 424:( 416:) 409:( 401:) 394:( 386:) 379:( 371:) 364:( 356:) 349:( 341:) 334:( 326:) 319:( 311:) 304:( 296:) 289:( 281:) 274:( 248:e 241:t 234:v

Index


Piero di Cosimo
Immaculate Conception
Italian
Renaissance
Piero di Cosimo
Uffizi Gallery
Florence
Italy
the Annunziata
Leopoldo de' Medici
John the Evangelist
Philip Benizi
Catherine
Margaret
Antoninus
Peter
Uffizi Gallery (search for inventory number '506')
v
t
e
Piero di Cosimo
Portrait of Francesco Giamberti
Portrait of Simonetta Vespucci
Venus, Mars and Cupid
Visitation with Saint Nicholas and Saint Anthony
St. Mary Magdalene
The Death of Procris
The Discovery of Honey by Bacchus
Saint Jerome in Meditation

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