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at a window-like table, reading a bible. She is dressed in a contemporary multicolor gown and cape; she is identifiable as the
Magdalen by her long slightly curled hair draping over her shoulders and the bottle of unguent on the shelf beside her. She wears a ring of pearls in her hair. Around her
117:. The intended patron of the work is not identified. Mary Magdalen paintings were sometimes desired by individuals bearing the name, however, there were also monasteries dedicated to fallen women which were often dedicated to this saint.
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hair a filigree of a halo. On the sill is the painter's signature. The use of shadows to give dimension to the face, and the settled pose of the
Magdalen, identify the work as emerging from Piero di Cosimo's late works, influence by
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76 cm × 72.5 cm (30 in × 28.5 in)
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This article about a sixteenth-century painting is a
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