Knowledge (XXG)

Immanuel Christian Leberecht von Ampach

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for the girls' school at the Domfreiheit in Naumburg, 1,000 Thalers for the street lighting near the cathedral, 1,000 Thalers to the Ampach Foundation fund for loyal servants, 500 Thalers to the Citizens' Rescue Institute, 400 Thalers for the women's association, and 300 Thalers for the city's poor.
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In the winter of 1824/25, he returned to Rome to see if the paintings had been completed. Some had, although it would be 1827 before the project was finished. In the meantime, many of the artists returned to Germany, to take positions they had been offered there. A separate commission, to
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For his private chapel at his home in Naumburg, he then ordered nine paintings, to form a "Christus-Zyklus" (Christ Cycle), to be created by nine different artists under the direction of Schnorr. This would be the third community cycle created by the Nazarenes; following the ones at
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and the Casino Massimo. Ampach chose the artists himself, and publicized the process in the German press. The ninth painter proved to be a difficult decision, but was made in consultation with Schnorr. In addition to Rehbenitz, Olivier, and Schnorr (already mentioned), Ampach chose
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in 1931. Since 2006, they have been on display in the cathedral's Epiphany Chapel. His famous coin collection, the "Numophilatrium Ampachianum", was sold through a series of auctions. The catalogs are still used for research.
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Numophylacii Ampachiani ... d. i. Directory of the collection of coins and medals left by the late cathedral dean of Wurzen and cathedral capitular of Naumburg an der Saale, Councilor Christian Leberecht von Ampach
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His father, Johann Friedrich von Ampach (1742-1824), was a cavalry officer and salt distribution manager. He initially studied law and, in 1801, was an agent of the
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Ulrike Graul: "Immanuel Christian Leberecht v. Ampach (1772–1831), die Nazarener und seine Stiftung für den Naumburger Dom". In:
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As an art patron and collector, he travelled to Rome in the early 1820s, in order to present commissions to the painters of the
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Julius Schnorr von Carolsfeld (1794-1872) und seine Ölgemälde: Monographie und Werkverzeichnis.
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In addition to paintings, he bequeathed impressive legacies. Among them: 1,000
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Der Bilderzyklus des Naumburger Domherrn von Ampach in der Dreikönigskapelle
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in Wurzen, which was independent until 1818 and, as such, was Dean of the
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After his death, the paintings passed into possession of the
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in Paris. From 1803, he was a councilor in the government of
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Immanuel Christian Leberecht von Ampach (1820); portrait by
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Der Bilderzyklus des Domherrn von Ampach in Naumburg
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Index


Carl Christian Vogel von Vogelstein

Annunciation
Julius Schnorr von Carolsfeld
Artern
Naumburg
collegiate church
canon
Dean
Wurzen
Kingdom of Saxony
Hochstift Meißen
de
Kollegiatstift Wurzen
de
Provost
Christian Ludwig Stieglitz
de
Dom St. Marien zu Wurzen
de
Neo-Gothic
Nazarene movement
Julius Schnorr von Carolsfeld
Friedrich von Olivier
Theodor Rehbenitz
Palazzo Vidoni Caffarelli
Palazzo Zuccari
Friedrich Wilhelm Schadow
Carl Adolf Senff

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