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425:), a marketing professional in Paris, hurts her leg in the backyard on some industrial supplies. Alone when it happens, she doesn't even realize she has been hurt until much later, briefly inspecting the injury in an upstairs bathroom. After the party, Esther visits a doctor (Adrian de Van) who patches her up and wonders why she didn't initially feel the injury. Esther wonders too, but seems unconcerned about any cosmetic damage. He asks her jokingly, "Are you sure it's your leg?"
439:) to come have a break, but Sandrine declines. Esther reveals candidly that she has just cut herself before laughing it off. Sandrine asks Esther to stay over at her place for the night. There, as Esther is taking a shower, Sandrine sees the extra cuts Esther made to her leg. Esther is indifferent to Sandrine's concerns. Later, when they talk about work, Sandrine expresses a desire to move up in the company where they work.
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Esther inquires to a pharmacist about preserving a piece of her skin that she claims was cut out during surgery. Back at her hotel room, she calls her work to apologize for her unexplained absence. She also leaves a phone message for
Vincent telling him she won't be home that night. The next morning,
446:
Esther checks herself into a hotel across the road and proceeds to cut and chew at her hands and thighs, leaving large bite marks. She crashes her car in the woods to explain her injuries. Vincent meets her in the ambulance, inspecting her cuts and become suspicious. Later, at home, Vincent talks to
447:
Esther about places they can move into together after she heals. Meanwhile, her supervisor berates her for her behavior at the dinner. While walking to work the next day, Esther purchases a camera and a new knife. She goes to another hotel and begins to cut at her flesh again, including her face.
442:
The next day, Esther informs
Sandrine she has just been promoted. Esther later tells Vincent about Sandrine's jealousy, but he is more upset about the new injuries to her leg. Esther asks him to stop questioning her about it. He reluctantly complies and they talk about moving in together. Later,
432:), finds out about her injury and also becomes concerned about how she didn't feel the injury. Vincent decides to test if Esther can feel anything by lightly touching her arm when she is not looking. She reacts to it normally, but they soon begin to fight before making up quickly.
443:
Esther attends a dinner with her supervisor and some important clients. During the meal, Esther's arm moves of its own accord and eventually detaches itself from her body. She begins to stab at it with her steak-knife. Esther soon excuses herself from the table with the knife.
451:
she wakes up, gets dressed and inspects the now-shriveled piece of skin. Esther places it in her bra and quickly leaves the room. However, a subsequent shot shows Esther still lying on the bed, staring vacantly into the camera. The shot fades to black.
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581:, Esther's need to self harm seems to stem from a desire to be the sole caretakerâand decision makerâfor her body. The parallels to issues of bodily autonomy are explicit."
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At work, Esther impulsively runs into a filing closet and proceeds to cut herself further with a random piece of metal. Esther then asks her friend
Sandrine (
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Coulthard, Lisa. and Birks, Chelsea. (2016) âDesublimating monstrous desire: the horror of gender in new extremist cinemaâ,
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The next day, while taking a bath, Esther becomes fascinated by the folds of skin around her thigh. Her boyfriend, Vincent (
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based on 18 reviews, indicating "generally favorable reviews". The movie also holds a "fresh" approval rating of 66% on
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Tarr, Carrie. (2010) âMutilating and
Mutilated Bodies: Womenâs Takes on âExtremeâ French Cinemaâ, in F. Laviosa (ed.)
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Hainge, Greg. (2012) âA full face bright red money shot: Incision, wounding and film spectatorship in Marina de Vanâs
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Chareyron, Romain. (2013) âHorror and the Body: Understanding the
Reworking of the Genre in Marina de Vanâs
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screening at MoMA, critic
Elizabeth Horkley wrote of its contemporary relevance: "Far from a product of
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Palmer, Tim. (2007) âUnder your skin: Marina de Van and the contemporary French cinĂ©ma du corpsâ,
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to mark its 20th anniversary. The same year, the Museum of Modern Art showed it as part of its
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called it "as unrelenting an exploration of isolation and dissociation, as Roman
Polanski's
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Tarr, Carrie. (2006) âDirectorâs Cuts: The
Aesthetics of Self-Harming in Marina de Vanâs
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Brinkema, Eugenie. (2009) âTo cut, to split, to touch, to eat, as of a body or a textâ,
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852:, 6(3), pp. 171â181. Available at: https://doi.org/10.1386/sfci.6.3.171_1.
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based on 44 reviews, with an average rating of 6.40/10. Stephen Holden of
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Palmer, Tim. (2010) âDonât Look Back; An
Interview with Marina de Vanâ,
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Lowenstein, Adam. (2015) âFeminine Horror: The
Embodied Surrealism of
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ranked it among the fifteen best overlooked 21st century indie films.
650:"FILM REVIEW; Desperately Trying to Relate To Her Body by Cutting It"
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was generally positive. The film holds a rating of 68 out of 100 on
816:, 4(1). Available at: https://doi.org/10.17742/image.scandal.4-1.9.
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One night, whilst attending a house party with colleagues, Esther (
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Visions of struggle in womenâs filmmaking in the Mediterranean
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Not to be confused with the similarly titled horror film
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following an accident that injures her leg at a party.
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The dread of difference: gender and the horror film
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692:"Top 15: Best Overlooked 21st Century Indie Films"
870:. Edited by G. Rye and C. Tarr, 45(3), pp. 78â91.
803:Angelaki: Journal of the Theoretical Humanities
751:"Messaging the Monstrous: Body Horror | MoMA"
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405:film written by, directed by, and starring
66:Learn how and when to remove these messages
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239:Learn how and when to remove this message
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119:Learn how and when to remove this message
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690:Nowicki, Albert (February 5, 2016).
568:Messaging the Monstrous: Body Horror
564:Fantasia International Film Festival
159:adding citations to reliable sources
722:"Fantasia Festival | Dans ma peau"
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967:French body horror films
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850:Studies in French Cinema
755:The Museum of Modern Art
479:Thibault de Montalembert
841:â, in B.K. Grant (ed.)
810:Dans ma peau/In my Skin
526:Critical reception for
170:"In My Skin" film
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977:Films about self-harm
579:Munchausen's syndrome
550:." Albert Nowicki of
859:, 83(5), pp. 96â103.
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702:on October 11, 2016
648:(7 November 2003).
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997:2000s French films
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671:"In My Skin"
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601:. Metacritic
599:"In My Skin"
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511:as L'interne
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153:Please help
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696:Movies Room
605:25 December
552:Movies Room
475:as Sandrine
473:LĂ©a Drucker
437:LĂ©a Drucker
288:Produced by
268:Directed by
947:2002 films
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927:In My Skin
916:Metacritic
911:In My Skin
900:In My Skin
889:In My Skin
839:In My Skin
784:2022-08-29
760:2022-08-29
736:2022-08-29
585:References
575:In My Skin
532:Metacritic
528:In My Skin
469:as Vincent
387:In My Skin
363:93 minutes
346:2002-12-04
278:Written by
254:In My Skin
211:March 2021
181:newspapers
52:improve it
21:In My Skin
832:Continuum
812:(2001)â,
547:Repulsion
522:Reception
505:as Pierre
481:as Daniel
463:as Esther
318:Edited by
58:talk page
905:AllMovie
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376:Language
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296:Starring
796:Sources
676:Variety
630:7 April
368:Country
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558:Legacy
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