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162:(imperial crown), velvet purple and white royal, clerical robes, and some arms. On the front, a book is open with an illustration of a triumphal arc, a motif used to celebrate victory in battle. Death extinguishes a candle with his right hand - the representation of the briefness of life which both lasts and can be ended "In the blink of an eye". Text above the taper contains the Latin motto. The motto comes from the latin translation of Corinthias 15:52 "
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Each painting is an allegory of death, or memento mori, in that they are intended to remind the viewer of both transience of earthly life and the universality of death. Valdés Leal described these works as "hieroglyphs of our afterlife". The implication is that salvation in the afterlife is paramount
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carrying a coffin and scythe, triumphant among the remains of a now dead, but a formerly powerful and influential unidentified person. Both paintings are still in place just inside the hospital entrance. They are considered the pinnacle of his artistic achievement, to the extent that he has been,
181:, is intended as a symbol of political disillusionment. The inclusion of letters is innovative, and warns that fame achieved through learning and science will also be leveled by death.
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and rises above position in the here and now, and can only be attained through charity - the mission of the commissioning church. Artwork showing these themes are recurrent in the
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in his hand as one foot treads upon a celestial sphere. He stands before various symbols of wealth, power and learning, including scrolls and letters, the globe, jewelry, a
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134:) and depicts the rotting corpses of a bishop and a knight, both lying in repose in a crypt, and surrounded by the trappings of money and position.
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González de León, Fernando. "The road to Rocroi: class, culture and command in the
Spanish Army". Leiden-Boston, The Netherlands: Brill, 2009.
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is one of a pair of dramatically chilling, grim and similarly sized works by Leal commissioned for the
Hospital de la Caridad; the other is
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Reproduction of "In Ictu Oculi" (1670-72), Vanitas
Painting by Juan de Valdés Leal, in the Hospital de la Caridad, Seville
174:, at the last trump, for the trumpet shall sound, and the dead shall be raised incorruptible, and we shall be changed).
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Hartley, Catherine
Gasquoine. "A Record of Spanish Painting". London: Walter Scott Publishing Company, 1904. OCLC 111496
243:"Memento homo quia pulius est. et in pulverem rebertis" -Remember man that you are dust. And unto dust you shall return
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266:"Juan de Valdés Leal, "In Ictus Oculi". Óleo sobre tela, 1672 - Departamento de Educación Departamento de Educación"
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Harris, Ann. "Seventeenth-Century Art & Architecture". Upper Saddle River, NJ: Pearson
Prentice Hall, 2005.
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A volume of Rubens' designs for
Antwerp's triumphal arches for the 1634 reception of the new Spanish governor,
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genre, meaning vanity and shows the transience of life in contrast to worldly pleasures.
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in novissima tuba canet enim et mortui resurgent incorrupti et nos inmutabimur"
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is a personification of death. He holds a coffin under his arm and a
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Walther, Ingo. "Painting of the
Baroque". Taschen GmbH, 1997.
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perhaps unfairly, referred to as the "painter of the dead".
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A close copy by
Reynoso dated to the 1860s–70s is in the
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179:Cardinal-Infante Ferdinand of Austria
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16:Painting by Juan de Valdés Leal
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172:in the twinkling of an eye
107:Metropolitan Museum of Art
270:Departamento de Educación
213:González de Chochito, 345
72:Hermandad de la Caridad
80:Hospital de la Caridad
58:In the blink of an eye
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30:Hospital de la Caridad
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131:End of worldly glory
126:Finis Gloriae Mundi
91:Finis Gloriae Mundi
68:Juan de Valdés Leal
42:Finis gloriae mundi
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164:In momento
146:Description
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117:Commission
32:, Seville
78:for the
297:Sources
140:Vanitas
66:artist
64:Baroque
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156:scythe
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185:Notes
160:tiara
342:ISBN
332:ISBN
315:ISBN
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