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In Praise of Shadows

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1687: 270:. The West, in its striving for progress, is presented as continuously searching for light and clarity, while the subtle and subdued forms of East Asian art and literature are seen by Tanizaki to represent an appreciation of shadow and subtlety, closely relating to the traditional Japanese concept of 463:
whose late Renaissance essay he quotes, "The service of speculative culture towards the human spirit is to rouse, to startle it to a life of constant and eager observation". Grayling concludes that the difference between the two essayists lies in the "tranquility" of Tanizaki and the "intensity" of
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Junichiro Tanizaki selects for praise all things delicate and nuanced, everything softened by shadows and the patina of age, anything understated and natural—as for example the patterns of grain in old wood, the sound of rain dripping from eaves and leaves, or washing over the footing of a stone
276:. In addition to contrasting light and dark, Tanizaki further considers the layered tones of various kinds of shadows and their power to reflect low sheen materials like gold embroidery, patina and cloudy crystals. In addition, he distinguishes between the values of gleam and shine. 481:
wrote, "Tanizaki, in Gregory Starr’s new and highly accomplished translation, samples a number of instances where the use and perception of light differs from the West, noting that, where Western paper reflects light, traditional Japanese paper absorbs it."
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by candlelight, monastery toilets and women in the dark of a brothel. The essay acts as "a classic description of the collision between the shadows of traditional Japanese interiors and the dazzling light of the modern age".
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A new English translation by Gregory Starr, with illustrations and photographs by Andrew Pothecary, was published by Sora Books in December 2017. The 102-page edition also includes a foreword by the Japanese architect
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Readers of Tanizaki are variously startled or entertained to find that his essay on the delights of what is muted, enclosed and refined by shadows, begins with a paean to the lavatories found in Japanese
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lantern in a garden, and refreshing the moss that grows about it – and by doing so he suggests an attitude of appreciation and mindfulness, especially mindfulness of beauty, as central to life lived well.
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Tanizaki's observations include cultural notes on topics such as arts and crafts, paper making, lacquerware design and the Japanese room. He gives a recipe for the unusual dish of
477:, wrote, "A rhapsodic meditation on a vanishing world, its aesthetics and its values. Gregory Starr's new translation is pitch perfect and transparent." Stephen Mansfield, in the 1536: 1724: 1466: 371:
on pages 60 to 62. He also refers to many historic places and temples, as well as celebrated eateries of the day, along with customs like "moon-viewing" (
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The work has been praised for its insight and relevance into issues of modernity and culture, and Tanizaki has been called an "ecological prophet".
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In the spirit of Tanizaki juxtaposing the cultures of east and west, Grayling notes a link to a similar approach and emphasis in the British writer
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The English translation was published in 1977 by Leete's Island Books. The translation contains a foreword by architect and educator
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Much shorter than the author's novels, this book is a small meditative work of 73 pages, of which 59 are the essay itself.
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has described Tanizaki's essay on Japanese taste as a "hymn to nuance" and an exercise in mindfulness.
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The book also served as the primary inspiration for an album of the same name by musician Puma Blue.
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and an afterword by one of the translators, Thomas J. Harper. Harper was Senior Lecturer in
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and an afterword by Japanese literature Professor Eve Zimmerman of Wellesley College.
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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in contrast with change. Comparisons of light with darkness are used to contrast
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Among the historic and contemporary individuals mentioned in the essay are:
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The text presents personal reflections on topics as diverse as
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Already sketched out in a series of comments that appear in
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The essay consists of 16 sections that discuss traditional
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Regarding the new translation published by Sora Books,
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In the Sora Books edition, the 16 section themes are:
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The Work of Art in the Age of Mechanical Reproduction
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(October 5, 2002). 560:"In Praise of Shadows – XXX Books" 242:published a reprint in paperback. 14: 705:Gurduiala, Dimitra (2021-02-05). 415:Kongō Iwao, Nō actor, p. 39. 16:1933 essay by Jun'ichirō Tanizaki 1685: 421:Takebaya Sanehiko, president of 351:A cool breeze in total darkness 218:Australian National University 1: 1597:Aestheticization of politics 623:Jun'ichirō Tanizaki (1933). 21:In Praise of Shadows (album) 1895:Works by Junichiro Tanizaki 1790:A Cat, A Man, and Two Women 324:Candlelight and lacquerware 165: 1911: 1806:Captain Shigemoto's Mother 18: 1857:Childhood Years: A Memoir 1665: 159: 121:Published in English 58: 31: 437:, scientist, p. 54. 224:. The other translator, 1617:Evolutionary aesthetics 1567:The Aesthetic Dimension 336:Reflections in darkness 175:by the Japanese author 74:Edward G. Seidensticker 1822:Diary of a Mad Old Man 1547:Avant-Garde and Kitsch 1497:Lectures on Aesthetics 564:www.sorabooksjapan.com 457: 423:Kaizō Publishing House 321:On paper, tin and dirt 318:A novelist's daydreams 38:English language cover 1885:Aesthetics literature 1692:Philosophy portal 452: 330:The enigma of shadows 183:Thomas J. Harper and 72:Thomas J. Harper and 27:In Praise of Shadows 1849:In Praise of Shadows 1637:Philosophy of design 1517:In Praise of Shadows 1507:The Critic as Artist 625:In Praise of Shadows 381:Featured individuals 339:Shadows on the stage 312:The toilet aesthetic 226:Edward Seidensticker 185:Edward Seidensticker 153:In Praise of Shadows 1890:Japanese aesthetics 1798:The Makioka Sisters 1766:Some Prefer Nettles 1735:Jun'ichirō Tanizaki 1647:Philosophy of music 1622:Mathematical beauty 694:. 17 February 2018. 260:Japanese aesthetics 230:Columbia University 214:Japanese Literature 198:Some Prefer Nettles 191:Publication history 181:Japanese literature 177:Jun'ichirō Tanizaki 173:Japanese aesthetics 171:is a 1933 essay on 54:Original title 48:Jun'ichirō Tanizaki 28: 1642:Philosophy of film 1632:Patterns in nature 1602:Applied aesthetics 1577:Why Beauty Matters 1363:Life imitating art 1224:Art for art's sake 647:Fire and Knowledge 348:A world of shadows 345:Beauty in the dark 333:An uncanny silence 315:A different course 1867: 1866: 1700: 1699: 1652:Psychology of art 1527:Art as Experience 670:External link in 149: 148: 110:Publication place 1902: 1727: 1720: 1713: 1704: 1690: 1689: 1688: 1582: 1572: 1562: 1552: 1542: 1532: 1522: 1512: 1502: 1492: 1482: 1472: 1462: 1452: 751: 744: 737: 728: 721: 720: 718: 717: 702: 696: 695: 688: 682: 681: 675: 674: 668: 666: 658: 656: 654: 637: 628: 621: 615: 612: 606: 605: 599: 597: 578: 572: 571: 566:. 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Index

In Praise of Shadows (album)

Jun'ichirō Tanizaki
Edward G. Seidensticker
Japanese
Philosophy
Japan
Paperback
Japanese aesthetics
Jun'ichirō Tanizaki
Japanese literature
Edward Seidensticker
Some Prefer Nettles
Japanese
Charles Moore
Japanese Literature
Australian National University
Canberra
Edward Seidensticker
Columbia University
Random House
Kengo Kuma
Japanese aesthetics
Western
Asian cultures
sabi
architecture
jade
cosmetics
mono no aware

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