22:
514:, who agreed to do so on the strength of the album's first track. Described by Hirasawa as "an honest man who acted with a life-sized air of cleanliness", Sakuma was swiftly trusted by the band, who were cautious with making their debut. Producing for the first time outside of his band, Sakuma went on to become a renowned session producer.
131:
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1979, the members of the band held a meeting to decide how they would reform. Bassist Tohru Akutu, still attached to progressive rock, decided to depart from the band. The instruments which "emitted a pretentious grandeur" (most of them painted in dignified colors like purple, gold and burgundy) were
448:
bands at the time, was unsatisfied with the style the band worked in, feeling that progressive rock had lost its social relevance and became solely for entertainment. By then, Mandrake's only achievements were a devoted but extremely niche following by fans of
Japanese progressive rock fans (who, by
524:
does simultaneous beats alongside a standard drum kit; the Maxi-Korg 800DV synthesizer was used for a unique blipping noise, dubbed by the music press as a "musical stapler". P-Model came to argue with Warner-Pioneer, Sakuma and engineer Makoto
Furukawa daily over their instruments: The band picked
484:
Most of the songs on the album were created by
Mandrake late in the group's existence, which allowed for a quick debut release. The songs show a tendency for complex compositions and unusual time signatures. The lyrics reflect on the sociopolitical issues of Japan at the time, during the
456:
movements started in the west; experiencing these new forms of presenting concepts and visuals through music via promotional videos; most of the band went through a drastic change in outlook towards music, and started to write songs and gradually change their look accordingly.
476:
either repainted in bright colors (like yellow, light blue and pink) or sold off to buy ones more adequate for what the band envisioned. It was decided that their name would be changed to something that evoked the new development of a mass-produced industrial good.
1003:. The former, at times part of Mandrake setlists, was considered too heavy and "not the sound you want out of a pink album"; it was later recorded, with new parts by Tanaka, for
525:
them because they felt a rough sound was crucial to their theme, the production thought it all sounded bad. Ultimately, P-Model compromised on most aspects of the recording.
1348:
The album's singles were reissued on CD on paper sleeves to replicate their original packaging with the band's other Warner-Pioneer released singles as part of the
464:, Hirasawa decided to "abort" Mandrake, characterizing it as the defeat to commercialism. The band's final live performance was a three-hour show at the
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Special Thanks to: Hisaaki Katoh, Nobumasa Uchida, Yūichi
Hirasawa, Hiroshi Yamamoto, Daiji Okai, Sunshine City Gals, Ms. Shirota
39:
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Hirasawa's estimate, totaled at only a few hundred people), and bit parts on releases by an all-synth band they'd befriended.
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Hirasawa, Susumu (2010) . "魂のふる里 — The
Autobiography of HIRASAWA" [Root of Spirit]. In Takahasi, Kasiko (ed.).
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1746:] (PDF) (in Japanese). Vol. P-Model Side — Open Source (3rd ed.). Fascination. p. 34.
1702:
1628:[Susumu Hirasawa Intense Interview — "Transitions of DAW" and its Expressions in a Live Stage].
1502:] (PDF) (in Japanese). Vol. P-Model Side — Open Source (3rd ed.). Fascination. p. 33.
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and "White Shoes" are on Disc 13 (CHTE-0017). Re-released with new packaging by
Kiyoshi Inagaki.
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The instrumentation is a mix of standard punk with electronic devices for mechanical tones: A
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song, published as part of various other compositions by various other musicians over time).
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ranked it at number 52 in its list of the 100 Greatest
Japanese Rock Albums of All Time and
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1682:] (PDF) (in Japanese). Vol. Hirasawa Side — 卓上のウロボロス (3rd ed.). Fascination.
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ranked it at number 125 in its list of the 150 Greatest Albums of
Japanese Rock 'n' Roll.
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Mandrake had turned into a half-hearted band and, after declining an offer to sign with
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Hirasawa re-recorded the album (with the exception of "Sophisticated") in 1999 as
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426:. It was an electronic pop album, released in 1979 under the label, Warner Bros.
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1725:"美術館で会った人だろ / Bijutsukan de Atta Hito Daro / Surely I Met You at the Art Museum"
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Packaged in a paper sleeve to replicate the original LP packaging. Includes new
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1009:. The latter was first publicly released as BGM for the end credits of the
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Two other songs were considered for the album: The
Hirasawa-penned "Alien"
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Kozo
Kenmochi, Kenji Konno & Ryuichi Suzuki - Assistant Engineering
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1188:. The center labels refer to the sides of the record as "Models".
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and have performed "Art Mania" live. A cover of "Art Mania" using
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was produced by Masahide Sakuma, keyboardist of the new wave band
219:
138:
1475:
Hirasawa, Susumu; Nakano, Yasuhiro; Matsumoto, Masayuki (2006) .
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from the 1952 Poly e Seus Modernistas song "Turista" (written by
1578:"KEYBOARD FILE No.23: 1st KEYBOARD – 平沢 進(P-MODEL)とKORG 800DV".
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with studio experience from being in the progressive rock band
1447:
468:, meant to be the symbolic burial of Mandrake's aborted body.
444:, guitarist and vocalist of Mandrake, one of the few Japanese
15:
936:. "The Great Brain" is a reworking of a section of the 1973
1327:
ROCK is LOFT -Purple Disc- ～SHINJUKU LOFT 30th Anniversary～
1845:
1813:
NO ROOM - The official site of Susumu Hirasawa (P-MODEL)
1653:"エンジニアがよそ見しているスキにEQ設定を変えてしまうP-MODEL。結局は気付かれないのだ。そんなもんだ。"
1582:(in Japanese). No. 94. Rittor Music. November 1992.
964:(believed to originate from a 17th century traditional
960:). "White Cigarettes" contains an interpolation of the
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46:. Unsourced material may be challenged and removed.
1462:"Susumu Hirasawa(@hirasawa)/2013年04月17日 - Twilog"
1625:HIRASAWA SUSUMU 激烈インタビュー 「DAWの変遷」そしてライブでの表現について
1301:Warner Music Japan, sky station, SS RECORDINGS
996:
980:
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1320:GET THE PUNK -J PUNK & NEW WAVE 1972～1991-
1274:Remastered by Hirasawa. Part of Disc 1 of the
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557:covered "The Great Brain" for the 2007 album
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1537:"佐久間正英プロデュース作品集・奇跡のコンピレーションCD『SAKUMA DROPS』"
1331:TECHNOLOID -JAPANESE 80's NEW WAVE SAMPLER-
1868:
1854:
1846:
1413:"RocketBaby's interview w/Susumu Hirasawa"
129:
120:
106:Learn how and when to remove this message
1335:Rock NIPPON～Selected by Hiroshi Tsuchiya
1136:
587:
1980:Music Industrial Wastes: P-Model or Die
1419:. Neo Cosmic Industries. Archived from
1378:
1184:First limited print run was pressed on
183:
1513:Sakuma, Masahide (February 25, 2009).
1311:by music industry writer Dai Onojima.
917:of "Art Mania" is a modification of a
624:, Surely I Met You at the Art Museum)
7:
1483:. Chaos Union, TESLAKITE. CHTE-0036.
422:is the debut album of Japanese band
44:adding citations to reliable sources
1695:"100 Greatest Japanese Rock Albums"
1693:Marx, W. David (November 9, 2007).
1651:Susumu Hirasawa (4 August 2013).
1593:Sawada, Daisuke (March 19, 2009).
987:and the Tanaka piece "White Shoes"
487:Japanese post-war economic miracle
14:
489:, and were influenced in part by
1318:"Roomrunner" is included on the
1238:) a month before the release of
452:Around this time, the punk rock/
397:"Kameari Pop" c/w "Health Angel"
118:1979 studio album by P-Model
20:
1744:Music Industrial Wastes Rev.2.4
1680:Music Industrial Wastes Rev.2.4
1595:"TECHNO POP IN 80's & 00's"
1500:Music Industrial Wastes Rev.2.4
1477:unreleased materials volume two
1325:"Art Mania" is included on the
385:"Art Mania" c/w "Sunshine City"
31:needs additional citations for
2079:1970s Japanese-language albums
591:
1:
1790:. Chaos Union. Archived from
1521:(in Japanese). Archived from
1080:, Synthesizer, Backing vocals
1322:various artists compilation.
1276:Ashu-on in the solar system
932:), based on a 1963 cover by
622:Bijutsukan de Atta Hito Daro
400:Released: December 25, 1979
1841:SS RECORDINGS Official Site
1387:"P-Model - In A Model Room"
997:
981:
958:Unreleased Materials vol. 1
950:
2100:
1738:Takahasi, Kasiko (2010) .
1632:(in Japanese). Ikebe Gakki
1494:Takahasi, Kasiko (2010) .
1291:October 20, 2003
1205:January 25, 1992
1096:Tomonari Sassa - Direction
581:All tracks are written by
480:Composition and Production
433:
2084:Warner Music Japan albums
1972:Electronic Tragedy: Enola
1217:
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1157:August 25, 1979
1156:
1093:- "Switchist", Production
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154:August 25, 1979
128:
1624:
1354:Warner Years Singles Box
436:Mandrake (Japanese band)
388:Released: July 25, 1979
187:(recording and remixing)
1268:Chaos Union, Teslakite
462:Victor Music Industries
2069:1979 in Japanese music
1758:"IN A MODEL ROOM ピンク盤"
1444:'80s New Wave Special
1367:1979 in Japanese music
1339:KING SONGS of NEW WAVE
1258:July 4, 2014
1249:May 10, 2002
1794:on February 14, 2005.
1446:. November 28, 2001.
1076:Katsuhiko Akiyama -
434:Further information:
1740:改訂DIGITAL復刻版 音楽産業廃棄物
1676:改訂DIGITAL復刻版 音楽産業廃棄物
1630:TALBO Secret FACTORY
1599:TOWER RECORDS ONLINE
1545:Victor Entertainment
1525:on February 1, 2014.
1496:改訂DIGITAL復刻版 音楽産業廃棄物
1226:Released (alongside
1066:Sadatoshi Tainaka -
830:"White Cigarettes" (
585:, except where noted
491:Nineteen Eighty-Four
40:improve this article
1705:on February 8, 2022
1345:compilation albums.
1278:box set, alongside
1215:Warner Music Japan
798:"The Great Brain" (
565:is included on the
1835:2016-03-20 at the
1826:(list of releases)
1727:. Hirasawa Lyrics.
1112:Yūichi Hirasawa -
1099:Makoto Furukawa -
940:song Deranged Door
839:Howaito Shigaretto
2064:1979 debut albums
2051:
2050:
1541:Speedstar Records
1315:
1314:
951:Sakuran no Tobira
910:
909:
818:
770:"Sunshine City" (
697:"Sophisticated" (
466:Shibuya Jean-Jean
446:progressive metal
415:
414:
403:
391:
360:
359:
334:Air on the Wiring
271:Japanese, English
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116:
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90:
55:"In a Model Room"
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1701:. Archived from
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1519:Masahide Sakuma
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1423:on March 3, 2001
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1356:box set in 2012.
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1186:clear pink vinyl
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1052:Yasumi Tanaka -
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867:MOMO Iro Torikku
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706:Sofisutikeiteddo
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641:"Health Angel" (
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374:In a Model Room
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199:Freedom Studio,
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2043:Susumu Hirasawa
2021:
2015:The Way of Live
1986:
1892:In a Model Room
1879:
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1837:Wayback Machine
1830:IN A MODEL ROOM
1819:IN A MODEL ROOM
1809:IN A MODEL ROOM
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1133:Release history
1122:Hideki Namai -
1091:Masahide Sakuma
1049:, Jacket Design
1035:Susumu Hirasawa
1019:
1013:video in 1989.
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923:Ângelo Apolônio
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858:"Pinky Trick" (
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739:Yūichi Hirasawa
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1803:External links
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1659:) – via
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1764:(in Japanese)
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1603:Tower Records
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1564:listed under
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1560:, then click
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1350:Tower Records
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934:The Atlantics
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886:"Art Blind" (
885:
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819:, S. Hirasawa
815:Fumiyasu Abe
814:
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807:Idainaru Zunō
797:
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753:"Kameari Pop"
752:
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655:Yasumi Tanaka
654:
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650:Herusu Engeru
640:
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632:
629:
626:
623:
613:"Art Mania" (
612:
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589:
586:
584:
576:Track listing
575:
573:
572:cover album.
571:
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543:Rolling Stone
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505:Yonin-Bayashi
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57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
2013:
2005:
1997:
1991:Other albums
1978:
1970:
1962:
1954:
1946:
1938:
1930:
1924:Another Game
1922:
1914:
1906:
1898:
1891:
1890:
1818:
1792:the original
1787:
1778:
1766:. Retrieved
1761:
1752:
1743:
1739:
1733:
1719:
1707:. Retrieved
1703:the original
1699:Néojaponisme
1698:
1688:
1679:
1675:
1669:
1646:
1634:. Retrieved
1629:
1618:
1606:. Retrieved
1598:
1588:
1579:
1573:
1565:
1561:
1557:
1548:. Retrieved
1540:
1531:
1523:the original
1518:
1515:"30th anniv"
1508:
1499:
1495:
1489:
1476:
1470:
1456:
1443:
1437:
1425:. Retrieved
1421:the original
1416:
1407:
1395:. Retrieved
1390:
1381:
1353:
1343:SAKUMA DROPS
1342:
1338:
1334:
1330:
1326:
1319:
1279:
1275:
1239:
1233:
1227:
1118:Art director
1072:Drum machine
1028:Arrangements
1010:
1004:
970:
962:Arabian riff
957:
912:
895:Āto Buraindo
894:
866:
838:
817:(uncredited)
806:
778:
733:
725:"For Kids" (
705:
680:, Treadmill)
677:
649:
621:
580:
568:Hatsune Miku
566:
563:Kagamine Rin
559:Karate House
548:
541:
539:
529:
527:
522:drum machine
519:Roland CR-68
516:
496:
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373:
350:
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341:
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139:Studio album
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
1940:One Pattern
1916:Perspective
1824:MusicBrainz
1768:11 November
1550:18 February
1450:. NHK BS-2.
1442:"P-Model".
1391:Discogs.com
1309:liner notes
1124:Photography
1101:Engineering
1054:Combo organ
1047:Synthesizer
926: [
784:Y. Hirasawa
774:サンシャイン・シティー
701:ソフィスティケイテッド
508: [
304: [
2058:Categories
1580:KB Special
1417:RocketBaby
1373:References
1352:exclusive
1295:2003-10-20
1271:CHTE-0005
1262:2014-07-04
1253:2002-05-10
1209:1992-01-25
1161:1979-08-25
1024:Production
1022:P-Model -
834:ホワイト・シガレット
617:美術館で会った人だろ
430:Background
323:chronology
158:1979-08-25
66:newspapers
1908:Potpourri
1709:April 21,
1608:19 August
1235:Potpourri
1223:WPCL-603
1198:LKF-5029
1181:K-10017W
1143:Label(s)
1058:Sequencer
1017:Personnel
992:ホワイト・シューズ
890:アート・ブラインド
862:MOMO色トリック
678:Rūmurannā
645:ヘルス・エンジェル
440:By 1978,
211:Akihabara
191:Ikebukuro
2033:Mandrake
1956:Big Body
1932:Karkador
1900:Landsale
1833:Archived
1784:"DISC13"
1636:21 April
1481:Mandrake
1397:20 April
1361:See also
1280:Landsale
1229:Landsale
1149:Catalog
1011:Photon-1
1006:Landsale
966:Algerian
938:Mandrake
555:Polysics
540:In 2007
501:Plastics
454:new wave
352:Landsale
293:Producer
268:Language
243:synthpop
238:New wave
205:Shinjuku
166:Recorded
151:Released
141: by
2026:Related
1948:P-Model
1877:P-Model
1788:Ashu-on
1661:Twitter
1562:track 2
1427:3 March
1304:SS-101
1293: (
1260: (
1251: (
1241:P-Model
1207: (
1172:Pioneer
1159: (
1146:Format
729:子供たちどうも
673:ルームランナー
550:Snoozer
424:P-Model
370:Singles
356:(1980)
347:(1979)
338:(1978)
321:P-Model
312:P-Model
286:Pioneer
215:Chiyoda
195:Toshima
180:various
156: (
144:P-Model
80:scholar
2018:(1994)
2010:(1994)
2002:(1984)
1983:(1999)
1975:(1997)
1967:(1995)
1959:(1993)
1951:(1992)
1943:(1986)
1935:(1985)
1927:(1984)
1919:(1982)
1911:(1981)
1903:(1980)
1895:(1979)
1566:DISC 2
1556:click
1393:. 1979
1282:. The
1168:Warner
1152:Notes
1114:Lyrics
1105:Mixing
1043:Guitar
1039:Vocals
982:Ihōjin
919:phrase
915:figure
903:
900:
875:
872:
847:
844:
812:
802:偉大なる頭脳
787:Tanaka
759:
756:
742:
714:
711:
686:Tanaka
683:Tanaka
658:Tanaka
630:
627:
605:Length
599:Lyrics
536:Legacy
282:Warner
252:Length
174:Studio
82:
75:
68:
61:
53:
2007:Pause
1999:Scuba
1762:平沢博物苑
1742:[
1678:[
1657:Tweet
1498:[
1140:Date
1085:Staff
1068:Drums
930:]
602:Music
596:Title
545:Japan
512:]
402:K-23W
390:K-17W
372:from
308:]
277:Label
230:Genre
220:Tokyo
201:Ōkubo
87:JSTOR
73:books
2038:Shun
1964:Fune
1770:2014
1711:2015
1638:2015
1610:2015
1552:2016
1429:2001
1399:2022
1341:and
1284:demo
1232:and
1078:Bass
945:錯乱の扉
913:The
906:2:39
878:3:18
850:3:15
822:2:03
790:2:03
762:3:56
745:3:31
717:4:26
689:2:32
661:2:32
633:3:09
59:news
1839:at
1822:at
1811:at
1448:NHK
976:異邦人
883:11.
855:10.
592:No.
471:On
42:by
2060::
1786:.
1760:.
1697:.
1597:.
1539:.
1517:.
1415:.
1389:.
1337:,
1333:,
1329:,
1244:.
1219:CD
1194:CS
1177:LP
1116:,
1103:,
1070:,
1060:,
1045:,
1041:,
1037:-
1026:,
995:,
979:,
948:,
928:pt
827:9.
795:8.
767:7.
750:6.
722:5.
694:4.
666:3.
638:2.
610:1.
532:.
510:ja
493:.
306:ja
261:28
257:33
213:,
203:,
193:,
189:,
1869:e
1862:t
1855:v
1772:.
1713:.
1663:.
1655:(
1640:.
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1568:.
1554:.
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284:-
259::
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109:)
103:(
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94:(
84:·
77:·
70:·
63:·
36:.
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