In the Name of the Law (1922 film)

276: 500:, had recently returned to the San Francisco Bay area to make another movie based on a story by his mother, Emilie Johnson. He decided to visit his mother, who lived in the general vicinity. While driving down San Francisco's Market Street en route, he failed to stop at an intersection. A police officer pulled him to the side. Emory immediately noticed the policeman's cheerful demeanor. He wondered about the officer's home life and how it affected his work. He discussed the idea with his mother, an experienced scenarist, and soon after that, she started to write "The Midnight Call." 722:. Adair was 6 when she acted in the role of Mary (Age 6). She was an established child star when filming started on this production. Josephine Adair was the younger sister of another child actress, Elizabeth Adair. A newspaper article recounted one Adair story. Emory Johnson was losing light for a particular scene he was shooting. Filming part of the prologue required Josephine Adair to cry. She could not evoke a tear flow on her own, so Emory took matters into his own hands. Read about his clever solution in this newspaper article. 1361: 1415:"At least one feature about the production is strikingly different. Burlesque is absent, which has long been considered indispensable in connection with the American policeman's screen. Here is a sincere human treatment of the side of the life of which the public usually hears nothing. This should mean very definite success for the picture with the brass-buttoned tribe, as well as the not inconsiderable number of those who have always been in close sympathy with the policeman and his troubles. 1489:"A big cleanup, proved one of the money makers of the season. Pleased all classes and has his much interest mingled with heart-digging pathos has "over the hill" and "the old nest". Use extended exploitation, such as cutouts, walking 24 sheets, and increased newspaper space. Tied up with the police department. Interested civic organizations – as a result, play to increase business. If you were looking for an honest-to-goodness cleanup together with a real picture book this." – General patronage 1732: 1720: 272:

to the police—the police file charges. Upon hearing of the accusation, Harry's mother becomes distraught. She had been secretly funding Harry while he attended law school. In her heart, she knew he couldn't have committed this crime. Mother O'Hare hatches a plan to keep her eldest out of jail. She will take the money they had saved for their final payment on the cottage and pass it to Harry. Harry will "find" the missing money and return it to the owner.

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The holdup is thwarted, and all action stops. Twenty-five years on the force have taught Officer O'Hara to examine all crime scenes. He performs his due diligence at the crime scene. Officer O'Hare checks the entire bank and then walks around to the back of the bank. In the heat of the moment, he believes he has found another one of the robbers. Officer O'Hare fires a single shot. Then to his absolute horror, he realizes he has wounded his son - Johnnie.

1744: 1911: 1819: 1897: 1833: 1433:"They have tacked a magnetic, seat-selling title to this picture. With proper exploitation certain to be given by those exhibitors who believe in advertising, there is no reason FBO would feel worried over the returns. The only fault which we found with it is the rather arbitrary leaning of the director in shaping a melodramatic finish - a result that reveals the characters as not over-blessed with imagination." 1881: 1849: 1060: 812:. This movie would portray cops first as family men – real men trying to balance raising a family with the dangerous profession as guardians of the Law. It would also show an officer of the Law must sometimes seek resolution and balance between enforcing the Law, no matter the circumstances, versus the heartfelt obligations of a family man and father. This duality became the central theme of the film. 1976:

have a particular human slant on life. Women are as well equipped as men to take up the important work of writing for the screen is already established by the success of many women writers who have fashioned their stories directly for the screen. The average woman has a deep and well-rounded understanding of life. She has little human qualities developed to a far greater degree than the average man.

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lives will reflect the emotions of the great majority of picturegoers. It is the human note that makes the picture today. It is that quality of sincerity that makes the drama ring true. Surely the industry has had this proved to them in the past year. The biggest successes have not been the pictures with the biggest sets — but they have been the pictures with the most human stories.

4350: 1307: 4377: 1501:"One of the greatest and best pictures ever shown in Oklahoma City. Please big business. Exploitation was extensive with newspaper advertising, billboards, window cards, and a very attractive lobby. The entire police force of Oklahoma City were invited as guests and all became big boosters for the picture. Daily press very complementary with their criticism." – General patronage 4333: 1865: 4389: 437: 304:, the Bank President, Mr. Lucus, stands up. Overcome with guilt after hearing Harry's appeals, he confesses to the robbery. Then he confesses to killing the policeman. Even after his confession, Mr. Lucus is still unable to control his emotions of guilt. He approaches the bench. While facing the judge, Mr. Lucus pulls a gat and shoots himself. 1328:" claimed it had booked a month in advance of the showing. FBO and the movie rags wrote about the sizable crowds viewing the movie. "Variety" magazine gave a less glowing but probably more realistic crowd-size report. This information is vital because future bookings always reference sell-out crowds in New York to prove its attraction power. 283:

Mr. Lucus, to ask for a loan. Mr. Lucus agrees to give her the money. But as she finds out, he expects special favors besides the regular repayment. Johnnie takes another tact to help his brother. He decides to tap into a stash of funds stored in his safety deposit box. After securing the funds, Johnnie heads home to find the house empty.

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since discordant reviews do not mean it is necessarily a bad movie. Ultimately, it boiled down to personal choices and how much value you place on the movie review and the reviewer. Movie critics' evaluations of this film were mixed. Most small-town venues embraced the movie, while the story or sentimentality did not take in larger cities.

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works at the local bank. Mary, age 18, is also employed at the same bank as a stenographer. Johnnie and Mary have fallen in love and planned their wedding. We also discover that O'Haras have always wanted to own a cottage. The family's frugality has finally come to fruition. They are only one payment away from paying off the mortgage.

31: 579:. He was an upcoming star when the 28 year-old actor was awarded the supporting role of Johnnie O'Hara, age 20, Patrick O'Hara's son. Walker appeared in five Johnson FBO productions. In every production, he played the son of the working-class father. Walker would be featured in Johnson's sixth film for FBO – 1449:"This is a real old fashioned melodramatic picture, full of thrills, home life stuff, mother love, and exploitation angles sufficient to permit of its being put over in a big way. Lovers of thrills as dealt out in rapid-fire melodramatic picturization of home life stories, will find plenty to satisfy them." 1660:

to a waiting Honus Wagner below. (Hans' was able to snare the first and third pitches.) Motion pictures of this event, along with pictures of the crowd, will be taken simultaneously. Later in the day, they will stage a thrilling chase scene in Schenley Park. Two motorcycle police will pursue a stolen

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Many police departments participated in promoting this film when it landed in their jurisdictions. As stated above, the movie first premiered in New York and became the first practice run at exploiting this movie. This first exploitation included the participation of two New York baseball superstars.

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The film's producers, however, had a grander scheme to generate even more revenue. They implemented a promotional strategy that teamed city police departments with local theater owners to promote the film. Most police departments were knowingly on board with the exploitation aspect of the movie. Many

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The story switches to the trial of Johnnie O'Hara for robbery and murder. The prosecutor's case depends only on circumstantial evidence. Be that as it may, Johnnie is still on the verge of conviction on all counts. A new lawyer for the defense appears. The new counselor is Johnnie's brother Harry,

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The scene switches. The bank is being robbed! Mary's screams alert the bank officials a crime is being committed. Somebody calls the cops. Police rush to the bank. Leading the police continent is Officer Pat O'Hare. After the police arrive, a policeman gets killed in a shoot-out with the robbers.

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Where is everybody? Officer O'Hara is at work, Mother O'Hara is with Harry, and Mary is begging for a loan. He heads back to the bank. Johnnie finds out Mary is flush with cash. He believes she has stolen the money from the bank to save Harry. A quarrel breaks out. Now, Johnnie decides to use the

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While the family is at home, sans Harry, Pat discovers what his wife has done with their cottage money to save Harry. A massive argument breaks out. When things settle down, everyone goes their separate ways. While Officer O'Hare goes to work, Mary goes to the bank and approaches the bank president.

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After a single subtitle, the story jumps 12 years into the future. Harry is now age 22. He attends college, studying Law hoping to become a lawyer. His lofty goals run contrary to his father's wishes. His father has told his son he has "wasted his time getting an education". Johnnie is age 20 and

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The police melodrama was about a San Francisco police officer. He was a dedicated community servant. The story depicts his struggles with the duality of dedication to duty versus devotion to family. The film was a pioneering effort in other aspects. It was a serious film about law enforcement. Movies

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We have come to the day when the public is demanding- consistent, human stories. We do not believe that the American people want to see only pictures of the ultra-rich. Our characters in The Midnight Call are simple folk — belonging to the great Ameri- can middle class. The drama and comedy of their

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FBO focused on producing and distributing films for small-town venues. They served this market melodramas, non-Western action pictures, and comedic shorts. Unlike major Hollywood studios, FBO owned no movie theaters and depended on movie house proprietors renting their films. Like most independents,

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Movie reviews were essential perspectives for theater owners and fans. Reviews of movies printed in various trade magazines were indispensable in deciding whether to book or watch the film. When critics had contrasting reviews, choosing whether to see or book the movie can be challenging, especially

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Emory Johnson said the following about his mother: My mother, Mrs. Emily Johnson, has that invaluable ability to cram human emotions into a photoplay. She has the ripened, matured viewpoint of the average mother. Sometimes I think mothers would make the greatest of all scenario writers because they

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had a role in this film. Pittsburgh Pirates retired baseball superstar Honus Wagner did not take part in the writing, production, or direction, nor did he have any major or minor roles in the film's production. The confusion occurred when Honus Wagner participated in the movie exploitation campaign

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Thus, this film had a well-organized and clear strategy for exploitation. Though the word exploitation has a nefarious overtone, it was mutually self-serving in this case. The police hoped the film would increase their image from bad-tempered dour automatons to ordinary family men but committed to

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film studio. The company released around 110 features and shorts a year. The company focused on producing low-budget films emphasizing first-class westerns, action films, romantic melodramas, and comedy shorts. The company mainly distributed its pictures to small-town venues and independent theater

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While attending law school, Harry earns pocket money by pressing clothes. He also washes dishes. One day, while Harry is at work, somebody leaves a sizable sum of money in a pair of pants needing pressing. The money goes missing, and the owner accuses Harry of the theft. The owner reports the thief

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He has played the role of a judge seven times, a politician ten times, a police officer three times, and has portrayed a ship captain twice. He has committed twenty-seven murders and incidentally was killed thirty times. Lewis has been before the camera in twenty-two deathbed scenes. He has fought

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The New York premiere was the first example of the exploitation potential of the movie. New York had 12,000 police officers on the force at the time. Getting them involved in the advertising this movie proved to be a great success. Also, as part of an agreement to share some of the movie revenues

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The film's controlling studio is listed as "United Studios", not "R-C Studio". The United Studios advertisement states - "... the unlimited facilities, equipment, and highly specialized staff have made the United Studios the most economically operated motion picture plant available to independent

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During his career at FBO, he would earn titles like the "Master of Melodrama", "King of Exploitation", and "Hero of the Working Class". They would include this drama in all the categories. Johnson would continue to thrive as an independent director because he did not just make epic films; he made

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Before leasing a film, picture house owners were concerned that the film is a potential moneymaker in their locale. Proprietors would subscribe to trade journals to assist them in making these financial judgments. Movie magazines would show the film's branding, critical reviews and publish other

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There was another critical piece of the exploitation pie. The New York exploitation included donating a percentage of the movie proceeds to police pension funds, police orphans, police widows, and other police causes. Lastly, as seen in the full-page newspaper ad, the local merchants often took

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A major part of this exploitation plan was to have movie booking agents get the local police department's cooperation and endorsement before showing the movie in their town. Before this film was released, FBO stated it had 100 letters from police chiefs around the country. The chiefs stated they

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The story's prologue opens when policeman Patrick O'Hara discovers a lost child. She has stolen some milk. Rather than disciplining her, he takes her home instead. The following morning, he finds the girl has run away from an orphanage. Since their baby daughter had passed away, the O'Haras made

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Melodrama films have plots appealing to the raised passions of the audience. They concentrate on family issues, direct their attention to a victim's character, and develop the themes of duty and love. The melodramatic format shows the characters working through their struggles with persistence,

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This film was released in August 1922, and Pittsburgh scheduled its first showing in September. FBO coordinated with the Pittsburgh police department to promote the film and launched an exploitation campaign. The promotion started on Monday, September 11, 1922. "Hollywood cameramen" filmed the

1513:"I paid way above the average rental on this picture, but the cost is nothing when you have something you are not ashamed to get behind and boost, and at the end of a run, you have something to show for your efforts. This picture proved one of my biggest money-getters." – Neighborhood patronage 1943:

noted, "Ralph Lewis, since starting his career in motion pictures with D. W. Griffith at the old Biograph company thirteen years ago, has played in one hundred and fourteen screen dramas, ranging from the split-reelers put out by the Biograph and including the big Griffith special twelve-reel

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Thus, on a September afternoon in 1922, a retired baseball superstar caught baseballs tossed from a city building roof. This attraction, along with "thousands" of spectators watching the event, was captured on film, photographed by local newspapers, and shown as a prologue to this attraction.

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plans to adopt the child. The prologue then moves on and features the O'Haras' sons. Ben Alexander plays a young Harry O'Hara at age 10. Harry's younger brother, portrayed by Johnny Thompson, plays Johnnie O'Hara at 9. Josephine Adair plays their recently adopted six-year-old daughter Mary.

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What the world needs most today is a better understanding of humanity. What it wants are love and human sympathy. Thus, I have set out to make love the theme of all my productions. I have sought to show how whole families are lifted from sorrow to contentment by love and kindly sediments.

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like law enforcement officers, firefighters, mail carriers, railroad engineers, patriots, baseball players, and newspaper press operators. Emilie Johnson felt her human-interest stories would be relatable on the silver screen and her son brought them to the screen in epic melodramas.

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They usually worked side by side before production started and then on the movie sets after filming began. Mrs. Johnson supplied her son with stories that seemed custom-tailored for Ralph Lewis. Their unique collaboration would persist through the decade, fading in the early 30s.

1803: 876:. The decade saw the mother-son team develop into the most financially successful directing and writing team in motion picture history. She wrote most of the stories and screenplays her son used for his career in directing melodramas. Emilie Johnson wrote stories about 4177:

It is often claimed that 75 percent of all American silent films are gone and 50 percent of all films made prior to 1950 are lost, but such figures, as archivists admit in private, were thought up on the spur of the moment, without statistical information to back them

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When the trial concludes, the court dismisses Johnnie's charges. As a side note, the criminal charges filed against Harry are tossed. When the movie closes, the family believes their luck has improved. They are convinced misfortune will no longer deal with bad cards.

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In a newspaper interview, Ralph Lewis said - "I lived the life of a cop for three months and from now on I'm through roasting them." He also added "I directed traffic on a main corner in San Francisco for only one hour and I went home and slept for the rest of the

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had cinematically maligned the profession in the past. The film is also an early example of an innovative exploitation strategy. The scheme involved getting the group featured on the screen aligned with their real-life counterparts and promoting the film.

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funds from his safety deposit box to cover his girlfriend's theft. How could wholesome Mary steal this money? He starts investigating this supposed theft by looking around the bank. Johnnie then heads to the back of the bank, further investigating.

822:"The greatest appeal in pictures is not in extravagant spectacles, historical pageants, or adaptation of fairy tales. I think the straight-forward, clean, wholesome Melodrama will always have the choice corner in the hearts of the American public." 295:

a full-fledged lawyer. Harry immediately makes a passionate plea for his brother. Harry's eloquence strikes everyone in the courtroom. Then, Harry finds new direct evidence. The latest proof exonerates his brother completely - thank you, Mary!

601:. The 44 year-old actress was an established star when she assumed the role of Mrs. Patrick O'Hara, the mother of Harry O'Hara and Johnnie O'Hara. She would also play another mother figure in Johnson's third film, the 1923 production for FBO – 1985:

The greatest appeal in pictures is not in extravagant spectacles, historical pageants, or adaptations of fairy tales. I think the straightforward, clean, wholesome Melodrama will always have the choice corner in the hearts of the American

918:. This schedule traces a film's evolution from Cradle-to-grave. This film started shooting in late November 1921 and was "in the can" April 1922. The timetable gives the studio and location as United Studios located at 53441 Melrose. 1375:

maintaining the Law. This movie also gave police a well-deserved chance to show off what they did and the services they provided. Often, these police demonstrations were filmed and shown as a prologue to the movie.

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local police departments gave the movie free advertising by staging stunts, regional police-in-action scenarios, appreciation parades, and other activities drawing attention to the local police force's work.

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He has played father to almost all of the big screen stars, including Mary Pickford, Norma and Constance Talmadge, Alice Terry, Lillian Gish, and many others. However, he has never played the role of a

516:. The 49 year-old actor landed the leading man role in this production. He played a rugged middle-aged Police Officer, Patrick O'Hara. He would have future starring roles in Johnson vehicles, including 1367:

In many cases, even the local merchants jumped on the promotional bandwagon. The producers also encouraged local merchants to use the officer's graphic holding his hand up to sell their products.

1394: 1562:. The campaign aimed to get the local police departments involved in promoting this police film. Thus, Wagner did assist in promoting this film along with the Pittsburgh Police Department. 1731: 1332:

with police causes, Emory Johnson presented each widow of seven police officers that had been killed in the line on duty individual checks for $ 170 (equivalent to $ 3,094 in 2023).

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Lewis's film debut came in 1911. Lewis appeared in 160 films between 1912 and 1938. Lewis will always be remembered for his role as abolitionist U.S. Representative Austin Stoneman in

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was afraid the public would not like the serious side of cops, especially as a full-length movie. He finally convinced them and completed his film. The movie was a financial success.

1477:"It sure packed them in. Good three days' business at ten and 30 cents. A nice story all the way through. The first two reels drag a little. Comments all good." – General patronage 1340:

On July 6, 1922, the film was copyrighted to R-C (Robertson-Cole) Pictures Corp with registration number LP18034. The registered copyrights for FBO Films were with their original

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would fully support the showing of this film in their cities. If the theater had questions about exploiting this movie, FBO would provide a 22-page newspaper-size campaign book.

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newspaper, saying, "When I wrote 'In the Name of the Law' I spend several weeks around the police station and in the police courts. I also attended the police convention in

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Emory Johnson has been called the glorifier of the American working man because he prefers to take the man in the street for his heroes rather than some darling of fortune.

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performed a ball-throwing act in the center of Times Square, to aid the run of the picture, a part of the receipts of which will be given to police widows and orphans.

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The leading theme of this film was to portray law enforcement in a whole new light. Police were no longer shown as bumbling stumblebums featured in the trendy comedic

656:, Hall retired from silent movies to focus on her two boys and her rocky marriage to Emory Johnson. She came out of retirement to accept uncredited roles in the films 625:, released on May 9, 1921. Her husband, Emory Johnson, coaxed her out of domestic life to take the feminine leads in this film and his following two FBO productions – 3591:

Motion Pictures, 1912-1939, is a cumulative catalog listing works registered in the Copyright Office in Classes L and M between August 24, 1912, and December 31, 1939

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This promotion has a direct tie-in to the Honus Wagner stunt. The following is a quote from an article published in the July issue of the "Moving Picture World":

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sacrificial deeds, and courage. Movie critics and theater owners often use the following expressions to describe the movies they are reviewing or showing.

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This movie was filmed entirely in San Francisco, California. Some sources indicate both Ross Fisher ASC and Henry Sharp ASC handled the cinematography.

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With every foot of film that is lost, we lose a link to our culture, to the world around us, to each other, and ourselves – Martin Scorsese, filmmaker

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will be the center of interest on Friday. At noon, Pittsburgh Police Superintendent John C. Calhoun will drop baseballs from the top of the 144-foot

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is the gathering place for the greater Pittsburgh Annual Police Department field day featuring the New Keyon Orchestra with John Marsh conducting.

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even considered allowing a neophyte to direct his first film, Johnson had to convince them to finance a non-comedic movie about police officers.

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Superintendent Calhoun, along with county officials and a newspaperman, will be the guests of James B. Clark at the special screening of

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was Walker's fifth and final role in an Emory Johnson production. Walker is five feet eleven inches tall, with black hair and blue eyes.

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The vicinity of the Fifth Avenue High School will be the scene of action at noon Thursday. Currently, the site is the location of the

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chains, which changed their pictures three times a week. FBO would make their pictures appeal to every member of the American family.

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managers' viewpoints, including attendance numbers and revenue. These are brief published observations from movie house owners.

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Superintendent of Police, his staff, and other policemen in action. Shown below is the schedule for the Pittsburgh promotion.

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was the first picture in her contract with FBO. Emilie wrote the story and the screenplay. Emilie discussed the film with

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website, this film has a status of "No holdings located in archives"; thus, it is presumed all copies of this film are

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was a former actor turned filmmaker when he oversaw this film. Johnson was 28 years old when he finished this film.

1896: 688:. His first professional work was touring America for two seasons as an opera singer. He then spent three years in 673: 2009:

only 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats;

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Since the publication of this page, many movie databases have adjusted the description and corrected this error.

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Theater, converted to show movies. Instead of the standard booking for a week, they booked the film for a month.

847:(1867–1941) was 55 years old when she wrote the story for this film. Emilie Johnson was born on June 3, 1867, in 3574: 4571: 1695:

starts showing at Rowland & Clark's Blackstone Theater located on Fifth Avenue in downtown Pittsburgh, PA.

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The attention of all Broadway was focused on the picture during the noon hour on Monday, July 17th, when

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owners. FBO was the official name of the film distributing operation for Robertson-Cole Pictures Corp.

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sometime in June 1922. This new title was used for the film's premiere in New York on July 9, 1922.

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The boy who washed the dishes and pressed the other fellow's clothes to pay his way through college

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Police Superintendent Calhoun pointing to the rooftop where he will throw baseballs to Honus Wagner

1684:. The feature film will be shown along with a prologue of local pictures shot earlier in the week. 1425: 903:'s "Pulse of the Studios" credits the cameraman as "Fisher-Mickle". The cameraman was Ross Fisher. 872:

In the 1920s, Emilie and Emory Johnson developed one of the unique collaborations in the annals of

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production was $ 50,000 to $ 75,000 equivalent to $ 910,139 to $ 1,365,209 in 2021 compared to the

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At noon, cameramen will film backgrounds for the opening scenes. The starting location will be at

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producers." The explanation for this is R-C would not have its filming facilities until 1922.

771: 619:. Hall acted as the adult Mary, now 18. Hall's last film was the 15-part serial production of 3888: 4490: 4235: 4153: 2648: 2106: 1348:

would clear this up later The film was officially released for bookings on August 22, 1922.

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At noon, cameramen will capture the activities centered at Liberty Avenue and Wood Street.

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A report by Library of Congress film historian and archivist David Pierce estimates that:

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11% survive only in full-length foreign versions or film formats of lesser image quality.

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Many silent-era films did not survive for reasons as explained on this Knowledge (XXG)

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observed, "Ralph Lewis, is especially good in parts built upon strength of character

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The American Film Institute Catalog of Motion Pictures Produced in the United States

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In The Name of The Law Will Be Given Pre-Season Run at Geo. M. Cohan Theatre, N.Y.

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The film had "undergone final revision and will be shipped East early next week."

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premiered in New York City on July 9, 1922. It was shown to movie patrons at the

4381: 3889:"Babe Ruth Helps Exploit "In the Name of the Law" during the second week of run" 3192:. H.H. Conger Company, Los Angeles, California. February 25, 1922. p. 915. 3060:. H.H. Conger Company, Los Angeles, California. December 31, 1921. p. 754. 3027:. H.H. Conger Company, Los Angeles, California. December 10, 1921. p. 697. 2997:. H.H. Conger Company, Los Angeles, California. December 10, 1921. p. 689. 2458:. H.H. Conger Company, Los Angeles, California. February 2, 1924. p. 1018. 1462:

FBO depended on the movie house owners to renting their films to show a profit.

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Picture of family's life with strong dramatic touches should have broad appeal."

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Somehow, Honus Wagner's stunt became inextricably intertwined with this movie.

1546: 4278: 3989: 3925: 3800: 3093:. H.H. Conger Company, Los Angeles, California. January 7, 1922. p. 774. 2926: 2517: 2485: 2133: 1575: 1306: 805: 758:

Johnson began his acting career in 1912. He secured work as an extra in early

174: 3957: 3854: 3819: 3514: 3390:. H.H. Conger Company, Los Angeles, California. April 8, 1922. p. 1035. 3357:. H.H. Conger Company, Los Angeles, California. April 1, 1922. p. 1015. 3324:. H.H. Conger Company, Los Angeles, California. March 25, 1922. p. 992. 3291:. H.H. Conger Company, Los Angeles, California. March 25, 1922. p. 995. 3258:. H.H. Conger Company, Los Angeles, California. March 11, 1922. p. 955. 2894: 2736: 2672: 3575:"Catalog of Copyright Entries Cumulative Series Motion Pictures 1912 - 1939" 3225:. H.H. Conger Company, Los Angeles, California. March 4, 1922. p. 935. 2704: 2016: 1870: 1769: 1571: 1525: 608: 410: 230: 206: 3841:

Picture taken in busy streets to be featured and Honus Wagner to catch ball

3467: 2373: 4031:. Council on Library and Information Resources and the Library of Congress 605:. She would make appearances in a total of four Emory Johnson productions. 4301: 2774:. New York, Exhibitor's trade review, inc. April 22, 1922. p. 1474. 1705:

Displayed below are three newspaper clippings from the Pittsburgh event.

921:

The section also displayed the column headers and entries for this film:

877: 616: 4356: 4295: 4254: 1725:

Police Superintendent John (Red) Calhoun shaking hands with Honus Wagner

1632:

Further scenes will be photographed at Liberty Avenue and Tenth Street.

696:

organization and made his first movie appearance in 1912 when he was 50.

3423:. New York, Exhibitor's Trade Review, inc. June 17, 1922. p. 148. 1947:

numerous duels and has gone down with sinking boats on three occasions.

762:

Westerns. He acted in 73 movies between 1912 and 1922 for the likes of

681: 2155:

Emory Johnson's "In the Name of the Law," can gross $ 600,000 or more.

684:. His early education included spending three years overseas studying 217:

released the film in August 1922. The film's "All-Star" cast included

4155:

Nitrate Won't Wait: History of Film Preservation in the United States

4113:

A Biographical Dictionary of Silent Film Western Actors and Actresses

3469:

Annual Report of the Police Department list 11,831 uniformed officers

1275:) in July 1922. This date would coincide with the July 9 premiere of 689: 652:. It would become one of her best-known performances. After filming 241:

was the first picture in Johnson's eight-picture contract with FBO.

835: 796:

bankable movies focusing on subjects he and his mother held dear.

646:, she landed a role in the 1923 production of Lloyd B. Carleton's 274: 3549:"In The Name Of The Law / Emory Johnson [motion picture]" 4399: 3775:. Chicago, Exhibitors Herald. September 23, 1922. p. 1174. 2660:

Josephine Adair American Film Institute Retrieved April 21, 2023

2649:

Richard Morris American Film Institute Retrieved April 21, 2023

1259:

Another alternate title for this movie is incorrectly listed as

1229:. FBO states that the movie will be released as a fall special. 676:. The 60 year-old actor played Mr. Lucus. Morris usually played 4403: 3876:

Chief and Staff with men to be photographed on Streets tomorrow

1749:

Pittsburgh comparing local scenes to scenes filmed in Hollywood

701:

Morris would act in Johnson's next production, the 1922 film –

3676:. Chicago, Exhibitors Herald. December 16, 1922. p. 764. 4315: 3742:. Chicago, Exhibitors Herald. October 28, 1922. p. 400. 3709:. Chicago, Exhibitors Herald. October 21, 1922. p. 294. 2402:

Ralph Lewis American Film Institute Retrieved April 21, 2023

479:

also produced and distributed a limited number of big-budget

3862:. Pittsburgh, Pennsylvania. September 10, 1922. sec. 2, p. 2 1545: 1359: 1305: 997: 979: 435: 4115:. Jefferson, North Carolina: McFarland & Company, Inc. 3820:"Police Pension Fund Film Will Be Shown Downtown Next Week" 3581:. Copyright Office * Library of Congress. 1951. p. 420 2605:

Ella Hall American Film Institute Retrieved April 21, 2023

1324:(FBO) claimed they extended the movie to a month, whereas " 1267:. The mix-up probably occurred because filming started on 718:

Josephine Adair (1921–1966) was born on June 27, 1916, in

298:

Then, as a precursor to similar scenes from the TV series

538:

was Lewis's fifth and final film in a Johnson production.

471:

which could spend five times as much to produce a movie.

237:, Johnson's mother, wrote both the story and screenplay. 4290:

In the Name of the Law / Emory Johnson (motion picture)

2673:"HOW THEY MADE JOSEPHINE CRY – SECRET OF MOVIES EXPOSED" 2623:. Quigley Publishing Co. October 21, 1916. p. 240. 1944:

features like 'Intolerance' and 'The Birth of a Nation'.

1661:

vehicle, eventually capturing and arresting the driver.

2318:. New York, Chalmers Publishing Company. July 22, 1922. 788: 475: 463: 3776: 3743: 3710: 3677: 3515:"Widows of 7 cops killed on duty each get $ 170 check" 3424: 3391: 3358: 3325: 3292: 3259: 3226: 3193: 3160: 3127: 3094: 3061: 3028: 2998: 2965: 2775: 2624: 2459: 705:. He would also appear in future Johnson productions, 496:

Emory Johnson, at the time one of the silver screen's

4365: 2768:""Midnight Call" Soon to Be Released by R-C Pictures" 4070:

Wallace Reid: The Life and Death of a Hollywood Idol

2295:. New York, Motion Picture News, Inc. July 22, 1922. 591:

credits the actor with 48 Titles in his Filmography.

4134:. Englewood Cliffs, NJ: Prentice-Hall. p. 14. 1104:. This is the final listing for shooting Exteriors 187: 166: 158: 148: 125: 115: 107: 99: 78: 70: 60: 50: 40: 23: 4022:"The Survival of American Silent Films: 1912-1929" 3988: 3956: 3924: 3853: 3818: 3513: 2925: 2893: 2871:. Universal Weekly (1924 - 1936). October 30, 1926 2829: 2797: 2735: 2703: 2680:. Moberly, Missouri. September 29, 1922. p. 3 2671: 2516: 2484: 2224: 2132: 778:. In 1921, he thought the time was right to start 191:$ 600,000 (equivalent to $ 10,921,670 in 2023) 4292:Performing Arts Encyclopedia, Library of Congress 311:The storyline construction used several sources. 2491:Poughkeepsie Eagle-News (Poughkeepsie, New York) 2233:. New Orleans, LA. September 29, 1922. p. 9 1532:. Even today, various online platforms refer to 692:singing opera. In September 1909, he joined the 2895:"Visit railroad shops in search of local color" 2744:. Cincinnati, Ohio. August 19, 1922. p. 12 2705:"Love best theme for films, Emory Johnson Says" 2111:. University of California Press. p. 378. 2100: 2098: 1511: 1499: 1487: 1475: 1446: 1430: 1412: 820: 731: 229:. The cast also included Johnson and his wife, 213:with Dick Posson acting as assistant director. 2932:Battle Creek Enquirer (Battle Creek, Michigan) 1762:The majority of silent films did not survive. 1395:Terms used in reviewing silent movie melodrama 1244:The film was produced under the working title 483:labeled "Gold Bond" or "Special" productions. 4415: 2058:Cast--Prolog: Ben Alexander (Harry O'hara, 9) 672:(1862–1924) was born on January 30, 1862, in 597:(1877–1966) was born on November 2, 1877, in 8: 3646:. Chicago, Exhibitors Herald. July 29, 1922. 2339:. Chicago, Exhibitors Herald. July 29, 1922. 713:, before his untimely death in October 1924. 575:(1894–1949) was born on January 7, 1894, in 512:(1872–1931) was born on October 8, 1872, in 3622:"Nat Rothstein Compiles Best Campaign Book" 2527:. Butte, Montana. July 30, 1922. p. 28 2306: 2304: 2302: 2006:of original silent-era films have perished; 1482:Hess & Rau, Metropolitan Theatre 840:Emilie Johnson and her son Emory, from 1923 611:(1896–1981) was born on March 17, 1896, in 4422: 4408: 4400: 3789:Verdicts on Films in Language of Exhibitor 3756:Verdicts on Films in Language of Exhibitor 3723:Verdicts on Films in Language of Exhibitor 3690:Verdicts on Films in Language of Exhibitor 3543: 3541: 2927:"Emory Johnson gives credit to his mother" 1225:First public announcement of renamed film 973: 29: 20: 2978:The Digest of the Motion Picture Industry 2472:The Digest of the Motion Picture Industry 2139:Tampa Bay Times (St. Petersburg, Florida) 2028:Copy of the Library of Congress copyright 555:(1916). The June 5, 1923, edition of the 453:) was an energetic, independent American 4132:RKO The Biggest Little Major of Them All 2859: 2857: 2580: 2438: 2261: 2259: 2257: 2255: 1585: 923: 318: 16:1922 American melodrama by Emory Johnson 4687:English-language action adventure films 4372: 4328: 3990:"BLACKSTONE - "In the Name of the Law"" 3855:"Police Here To Play In New Film Drama" 3640:"Rothstein Conducts Record Ad Campaign" 2865:"Emory Johnson, Director Extraordinary" 2831:"This Writer has Produced 19 Scenarios" 2627:from the original on September 16, 2013 2617:"Richard Morris, Characters, Universal" 2593:Claire McDowell American Film Institute 2486:"Westbound limited a thrilling picture" 2327: 2325: 2185: 2094: 1932: 1784: 1715: 1494:William Noble, Criterion theatre 1379:advantage of promoting their products. 1252:suggests that the title was changed to 2710:Detroit Free Press (Detroit, Michigan) 1586: 1076:"Emory Johnson will leave shortly for 4612:Film Booking Offices of America films 4049: 3913:. New York, Motion Picture News, Inc. 3656: 3427:from the original on November 5, 2013 2778:from the original on November 5, 2013 2349: 2275:. New York, Motion Picture News, Inc. 808:of the early part of the 1900s, e.g. 7: 4627:Lost American action adventure films 787: 474: 462: 3779:from the original on March 24, 2014 3746:from the original on March 24, 2014 3713:from the original on March 24, 2014 3680:from the original on March 24, 2014 3417:"R-C Picture to Have B'way Showing" 1710:Newspaper clippings from Pittsburgh 1506:TW Lancaster, Grande theatre 1439:In the July 29, 1922, issue of the 1423:In the July 22, 1922, issue of the 1405:In the July 22, 1922, issue of the 4318:In the Name of the Law (1922 film) 3827:. September 10, 1922. sec. 2, p. 3 3610:. Wid's Films and Film Folks, Inc. 3472:. City of New York. 1922. p. 3394:from the original on June 25, 2014 3361:from the original on June 25, 2014 3328:from the original on June 25, 2014 3295:from the original on June 25, 2014 3262:from the original on June 25, 2014 3229:from the original on June 25, 2014 3196:from the original on June 25, 2014 3163:from the original on June 25, 2014 3130:from the original on June 25, 2014 3097:from the original on June 25, 2014 3064:from the original on June 25, 2014 3031:from the original on June 25, 2014 3001:from the original on June 25, 2014 2968:from the original on June 25, 2014 2462:from the original on June 25, 2014 2378:San Francisco Silent Film Festival 1177:1st through 3rd week of finishing 14: 3926:"LOCAL SCENES IN THRILLING MOVIE" 1100:2nd through 5th week of shooting 4387: 4375: 4348: 4331: 3997:. September 17, 1922. p. 50 3965:. September 11, 1922. p. 16 3933:. September 14, 1922. p. 29 3456:. December 30, 1922. p. 30. 2900:The Butte Miner (Butte, Montana) 2836:Riverside Independent Enterprise 2518:"New Movie Cop Makes Appearance" 2141:. September 15, 1959. p. 13 2105:American Film Institute (1997). 2082:No holdings located in archives. 1909: 1895: 1879: 1863: 1847: 1831: 1817: 1801: 1787: 1742: 1730: 1718: 1652:Former Pittsburgh Pirates great 1470:JE Hughes, Rialto Theatre 1209:4th and final week of revisions 1058: 4652:Films directed by Emory Johnson 4632:Lost American crime drama films 4597:American mystery thriller films 2420:. November 26, 1937. p. 27 2362:Film Booking Offices of America 1322:Film Booking Offices of America 985:Shooting Schedule according to 911:The film schedule according to 447:Film Booking Offices of America 120:Film Booking Offices of America 4592:American black-and-white films 4094:University of California Press 3895:. Chalmers Publishing Company. 3628:. August 26, 1922. p. 50. 3384:"Camera! Pulse of The Studios" 3351:"Camera! Pulse of The Studios" 3318:"Camera! Pulse of The Studios" 3285:"Camera! Pulse of The Studios" 3252:"Camera! Pulse of The Studios" 3219:"Camera! Pulse of The Studios" 3186:"Camera! Pulse of The Studios" 3153:"Camera! Pulse of The Studios" 3120:"Camera! Pulse of The Studios" 3087:"Camera! Pulse of The Studios" 3054:"Camera! Pulse of The Studios" 3021:"Camera! Pulse of The Studios" 2991:"Camera! Pulse of The Studios" 2958:"Camera! Pulse of The Studios" 2806:. October 18, 1924. p. 16 2267:"R-C's Biggest Since 'Kismet'" 1781:Principal Players and Director 1: 4602:American silent feature films 4587:American crime thriller films 3769:"What The Picture Did For Me" 3736:"What The Picture Did For Me" 3703:"What The Picture Did For Me" 3670:"What The Picture Did For Me" 3404:Final week listed as Finished 3239:Final week of Post Production 2312:"Newest Reviews and Comments" 1590:published schedule of events 662:The Bitter Tea of General Yen 4682:English-language crime films 4607:1920s English-language films 4577:1920s action adventure films 4273:AFI Catalog of Feature Films 4111:Kitchmer, George A. (2002). 3553:www.loc.gov/film-and-videos/ 3522:. August 11, 1922. p. 9 2556:AFI Catalog of Feature Films 2205:. July 22, 1922. p. 615 2174:AFI Catalog of Feature Films 583:, released in October 1924. 4662:Silent American drama films 4642:Lost American mystery films 3488:"Rothstein's N.Y. Campaign" 3371:4th week listed as Finished 3305:3rd week listed as Finished 3272:1st week listed as Finished 3206:8th week of Post Production 3173:5th week of Post Production 3140:4th week of Post Production 3107:1st week of Post Production 2934:. March 1, 1923. p. 10 2902:. June 17, 1923. p. 10 2712:. July 15, 1923. p. 73 849:Gothenburg, Västra Götaland 755:was his directorial debut. 551:(1915) and the governor in 4703: 4622:Films set in San Francisco 3907:"Police Picture Exploited" 3825:The Pittsburgh Sunday Post 2452:"Camera! The Film Tribune" 1445:, the reviewer points out: 1057: 674:Charlestown, Massachusetts 4637:Lost American drama films 4437: 2838:. May 14, 1922. p. 5 2595:Retrieved April 21, 2023] 2493:. June 5, 1923. p. 5 2064:Emory Johnson Productions 1429:, Laurence Reid observes: 1049:at the United Studios in 976: 362: 329: 134:August 22, 1922 74:Emory Johnson Productions 28: 4158:. McFarland. p. 5. 4088:Kawin, Bruce F. (1987). 3958:"Film Men Honor Calhoun" 2678:Moberly Evening Democrat 2287:"In the Name of the Law" 2199:"In the Name of the Law" 1560:Pittsburgh, Pennsylvania 1139:5th through 8th week of 1120:1st through 4th week of 660:, released in 1930, and 4187:American Film Institute 3454:Exhibitors Trade Review 3421:Exhibitors Trade Review 2804:Stamford Daily Advocate 2772:Exhibitors Trade Review 2561:American Film Institute 2203:Exhibitors Trade Review 2034:In The Name Of The Law 1553:Several websites claim 1542:Honus Wagner connection 1496:Oklahoma City, Oklahoma 1484:Watertown, South Dakota 1271:(name later changed to 1051:Los Angeles, California 577:New York City, New York 557:Poughkeepsie Eagle-News 4667:Silent adventure films 4515:The Fourth Commandment 4459:The West~Bound Limited 4443:In the Name of the Law 4308:In the Name of the Law 4297:In the Name of the Law 4280:In the Name of the Law 4267:In the Name of the Law 4256:In the Name of the Law 4067:Fleming, E.J. (2013). 3802:In the Name of the Law 3338:Shipped East next week 2168:In the Name of the Law 1693:In the Name of the Law 1682:In the Name of the Law 1580: 1550: 1534:In the Name of the Law 1515: 1503: 1491: 1479: 1452: 1436: 1420: 1364: 1314:In the Name of the Law 1310: 1277:In the Name of the Law 1254:In the Name of the Law 1227:In the Name of the Law 1158:9th and final week of 990:"Pulse of the Studios" 916:"Pulse of the Studios" 859:In the Name of the Law 841: 824: 753:In the Name of the Law 736: 644:The West~Bound Limited 634:The West~Bound Limited 603:The West~Bound Limited 443: 405:Johnnie O'Hara age 20 279: 239:In the Name of the Law 199:In the Name of the Law 154:6-7 reels (65 minutes) 24:In the Name of the Law 4677:Silent thriller films 4647:1920s melodrama films 4475:The Spirit of the USA 4320:at Knowledge (XXG)'s 4130:Lasky, Betty (1984). 2414:"Ralph Lewis injured" 2048:Physical Description: 1588:Pittsburgh Daily Post 1568: 1549: 1363: 1346:Joseph P. Kennedy Sr. 1309: 1297:Release and reception 1043:Principal photography 839: 711:The Spirit of the USA 670:Richard (Dick) Morris 549:The Birth of a Nation 461:The average cost per 439: 350:Johnnie O'Hara age 8 278: 4672:Silent mystery films 4657:1920s American films 4483:Life's Greatest Game 3995:The Pittsburgh Press 3963:The Pittsburgh Press 3931:The Pittsburgh Press 3893:Moving Picture World 3604:"S-h-a-t-t-e-r-e-d!" 3450:"UNITED STUDIOS INC" 3074:5th week of shooting 3041:2nd week of shooting 2524:The Montana Standard 2390:Essay by David Kiehn 2316:Moving Picture World 2066:Registration number: 1658:City-County building 1510:, population 993,678 1411:, Mary Kelly states: 1408:Moving Picture World 882:paycheck-to-paycheck 853:Alfred Emory Johnson 585:Life's Greatest Game 581:Life's Greatest Game 395:Harry O'Hara age 22 342:Harry O'Hara age 10 180:Titles by Carol Owen 4617:Films about lawyers 4539:The Phantom Express 4523:The Shield of Honor 4499:The Non-Stop Flight 4029:Library Of Congress 3911:Motion Picture News 3492:Motion Picture News 2799:"Plays and Players" 2742:The Cincinnati Post 2621:Motion Picture News 2292:Motion Picture News 2272:Motion Picture News 2134:"Rubbing Shoulders" 2060:Copyright Claimant: 1766:Library of Congress 1758:Preservation status 1642:Fifth Avenues Lofts 1591: 1498:, population 91,295 1426:Motion Picture News 1250:Motion Picture News 1080:to film scenes for 1045:began this week on 806:short subject films 664:, released in 1932. 649:The Flying Dutchman 613:Hoboken, New Jersey 514:Englewood, Illinois 202:is a 1922 American 4582:1920s police films 4285:TCM Movie Database 3807:TCM Movie Database 2418:The New York Times 2374:"The Last Edition" 2231:New Orleans States 2062: 2052:7 reels; 6,126 ft. 1939:A 1924 article in 1551: 1524:Since the film is 1486:, population 9,400 1474:, population 4,591 1472:Alliance, Nebraska 1365: 1311: 993: 983: 880:characters living 842: 469:Major film studios 444: 280: 4549: 4548: 4122:978-0-7864-4693-3 4080:978-0-7864-8266-5 3860:The Gazette Times 3773:Exhibitors Herald 3740:Exhibitors Herald 3707:Exhibitors Herald 3674:Exhibitors Herald 3644:Exhibitors Herald 3626:Exhibitors Herald 3520:The Evening World 2816:GenealogyBank.com 2337:Exhibitors Herald 2243:GenealogyBank.com 2118:978-0-520-20969-5 1764:According to the 1699: 1698: 1508:Detroit, Michigan 1457:Audience response 1442:Exhibitors Herald 1400:Critical response 1302:New York premiere 1248:. The article in 1246:The Midnight Call 1237: 1236: 1102:The Midnight Call 1082:The Midnight Call 1047:The Midnight Call 972: 971: 965:The Midnight Call 429: 428: 195: 194: 4694: 4567:1922 drama films 4491:The Last Edition 4424: 4417: 4410: 4401: 4392: 4391: 4390: 4380: 4379: 4378: 4371: 4361: 4353: 4352: 4351: 4344: 4336: 4335: 4334: 4324: 4311:at silentera.com 4180: 4174: 4172: 4145: 4126: 4107: 4084: 4053: 4047: 4041: 4040: 4038: 4036: 4026: 4017: 4011: 4010: 4004: 4002: 3992: 3985: 3979: 3978: 3972: 3970: 3960: 3953: 3947: 3946: 3940: 3938: 3928: 3921: 3915: 3914: 3903: 3897: 3896: 3885: 3879: 3878: 3869: 3867: 3857: 3850: 3844: 3843: 3834: 3832: 3822: 3815: 3809: 3798: 3792: 3791: 3786: 3784: 3765: 3759: 3758: 3753: 3751: 3732: 3726: 3725: 3720: 3718: 3699: 3693: 3692: 3687: 3685: 3666: 3660: 3654: 3648: 3647: 3636: 3630: 3629: 3618: 3612: 3611: 3600: 3594: 3593: 3588: 3586: 3579:Internet Archive 3571: 3565: 3564: 3562: 3560: 3545: 3536: 3535: 3529: 3527: 3517: 3510: 3504: 3503: 3501: 3499: 3484: 3478: 3477: 3464: 3458: 3457: 3446: 3440: 3439: 3434: 3432: 3413: 3407: 3406: 3401: 3399: 3380: 3374: 3373: 3368: 3366: 3347: 3341: 3340: 3335: 3333: 3314: 3308: 3307: 3302: 3300: 3281: 3275: 3274: 3269: 3267: 3248: 3242: 3241: 3236: 3234: 3215: 3209: 3208: 3203: 3201: 3182: 3176: 3175: 3170: 3168: 3149: 3143: 3142: 3137: 3135: 3116: 3110: 3109: 3104: 3102: 3083: 3077: 3076: 3071: 3069: 3050: 3044: 3043: 3038: 3036: 3017: 3011: 3010: 3008: 3006: 2987: 2981: 2980: 2975: 2973: 2954: 2948: 2947: 2941: 2939: 2929: 2922: 2916: 2915: 2909: 2907: 2897: 2890: 2884: 2883: 2878: 2876: 2869:Internet Archive 2861: 2852: 2851: 2845: 2843: 2833: 2826: 2820: 2819: 2813: 2811: 2801: 2794: 2788: 2787: 2785: 2783: 2764: 2758: 2757: 2751: 2749: 2739: 2737:"Police Boosted" 2732: 2726: 2725: 2719: 2717: 2707: 2700: 2694: 2693: 2687: 2685: 2675: 2668: 2662: 2657: 2651: 2646: 2640: 2639: 2637:Studio Directory 2634: 2632: 2613: 2607: 2602: 2596: 2590: 2584: 2578: 2572: 2571: 2569: 2567: 2551:"Johnnie Walker" 2547: 2541: 2540: 2534: 2532: 2520: 2513: 2507: 2506: 2500: 2498: 2488: 2481: 2475: 2474: 2469: 2467: 2448: 2442: 2436: 2430: 2429: 2427: 2425: 2410: 2404: 2399: 2393: 2392: 2387: 2385: 2380:. April 30, 2005 2370: 2364: 2359: 2353: 2347: 2341: 2340: 2329: 2320: 2319: 2308: 2297: 2296: 2283: 2277: 2276: 2263: 2250: 2249: 2240: 2238: 2228: 2226:"Pierce's Tudor" 2221: 2215: 2214: 2212: 2210: 2195: 2189: 2183: 2177: 2164: 2158: 2157: 2148: 2146: 2136: 2129: 2123: 2122: 2102: 2083: 2081: 2075: 2069: 2063: 2057: 2051: 2045: 2039: 2033: 2026: 2020: 1993: 1987: 1983: 1977: 1973: 1967: 1957: 1951: 1937: 1913: 1899: 1883: 1867: 1851: 1835: 1821: 1805: 1791: 1746: 1734: 1722: 1689:Mon Sep 18, 1922 1677:Sun Sep 17, 1922 1666:Sat Sep 16, 1922 1649:Fri Sep 15, 1922 1637:Thu Sep 14, 1922 1629: 1628:Wed Sep 13, 1922 1619:Tue Sep 12, 1922 1603:Mon Sep 11, 1922 1592: 1336:Official release 1062: 999: 998: 994: 984: 980: 974: 968:See table below 924: 832: 790: 744: 622:The Great Reward 562: 536:The Last Edition 531:The Last Edition 477: 465: 319: 173:Silent (English 141: 139: 33: 21: 4702: 4701: 4697: 4696: 4695: 4693: 4692: 4691: 4572:1922 lost films 4552: 4551: 4550: 4545: 4531:The Third Alarm 4451:The Third Alarm 4433: 4428: 4398: 4388: 4386: 4376: 4374: 4366: 4364: 4354: 4349: 4347: 4337: 4332: 4330: 4327: 4323:sister projects 4322: 4314: 4250: 4245: 4206:Josephine Adair 4201:Johnny Thompson 4191: 4183: 4170: 4168: 4166: 4148: 4142: 4129: 4123: 4110: 4104: 4090:How Movies Work 4087: 4081: 4066: 4062: 4057: 4056: 4048: 4044: 4034: 4032: 4024: 4020:Pierce, David. 4019: 4018: 4014: 4000: 3998: 3987: 3986: 3982: 3968: 3966: 3955: 3954: 3950: 3936: 3934: 3923: 3922: 3918: 3905: 3904: 3900: 3887: 3886: 3882: 3865: 3863: 3852: 3851: 3847: 3830: 3828: 3817: 3816: 3812: 3799: 3795: 3782: 3780: 3767: 3766: 3762: 3749: 3747: 3734: 3733: 3729: 3716: 3714: 3701: 3700: 3696: 3683: 3681: 3668: 3667: 3663: 3655: 3651: 3638: 3637: 3633: 3620: 3619: 3615: 3602: 3601: 3597: 3584: 3582: 3573: 3572: 3568: 3558: 3556: 3547: 3546: 3539: 3525: 3523: 3512: 3511: 3507: 3497: 3495: 3486: 3485: 3481: 3466: 3465: 3461: 3448: 3447: 3443: 3430: 3428: 3415: 3414: 3410: 3397: 3395: 3382: 3381: 3377: 3364: 3362: 3349: 3348: 3344: 3331: 3329: 3316: 3315: 3311: 3298: 3296: 3283: 3282: 3278: 3265: 3263: 3250: 3249: 3245: 3232: 3230: 3217: 3216: 3212: 3199: 3197: 3184: 3183: 3179: 3166: 3164: 3151: 3150: 3146: 3133: 3131: 3118: 3117: 3113: 3100: 3098: 3085: 3084: 3080: 3067: 3065: 3052: 3051: 3047: 3034: 3032: 3019: 3018: 3014: 3004: 3002: 2989: 2988: 2984: 2971: 2969: 2956: 2955: 2951: 2937: 2935: 2924: 2923: 2919: 2905: 2903: 2892: 2891: 2887: 2874: 2872: 2863: 2862: 2855: 2841: 2839: 2828: 2827: 2823: 2809: 2807: 2796: 2795: 2791: 2781: 2779: 2766: 2765: 2761: 2747: 2745: 2734: 2733: 2729: 2715: 2713: 2702: 2701: 2697: 2683: 2681: 2670: 2669: 2665: 2658: 2654: 2647: 2643: 2630: 2628: 2615: 2614: 2610: 2603: 2599: 2591: 2587: 2579: 2575: 2565: 2563: 2549: 2548: 2544: 2530: 2528: 2515: 2514: 2510: 2496: 2494: 2483: 2482: 2478: 2465: 2463: 2450: 2449: 2445: 2437: 2433: 2423: 2421: 2412: 2411: 2407: 2400: 2396: 2383: 2381: 2372: 2371: 2367: 2360: 2356: 2348: 2344: 2331: 2330: 2323: 2310: 2309: 2300: 2285: 2284: 2280: 2265: 2264: 2253: 2236: 2234: 2223: 2222: 2218: 2208: 2206: 2197: 2196: 2192: 2184: 2180: 2165: 2161: 2144: 2142: 2131: 2130: 2126: 2119: 2104: 2103: 2096: 2091: 2086: 2079: 2077: 2073: 2071: 2067: 2065: 2061: 2059: 2055: 2053: 2049: 2047: 2043: 2041: 2037: 2035: 2031: 2029: 2027: 2023: 1998: 1994: 1990: 1984: 1980: 1974: 1970: 1965: 1961: 1958: 1954: 1948: 1945: 1938: 1934: 1930: 1923: 1921: 1919: 1914: 1905: 1903: 1900: 1891: 1889: 1887:Claire McDowell 1884: 1875: 1873: 1868: 1859: 1857: 1852: 1843: 1841: 1836: 1827: 1825: 1824:Josephine Adair 1822: 1813: 1811: 1806: 1797: 1795: 1794:Johnny Thompson 1792: 1783: 1778: 1763: 1760: 1755: 1754: 1753: 1750: 1747: 1738: 1735: 1726: 1723: 1712: 1711: 1627: 1544: 1537: 1522: 1459: 1416: 1402: 1393: 1385: 1354: 1338: 1318:George M. Cohan 1304: 1299: 1290: 1285: 1283:Post-production 1273:The Third Alarm 1242: 1160:post-production 1141:post-production 1122:post-production 1026: 1021: 1016: 1011: 1006: 996: 992: 982: 978: 977: 936:Ass't Director 909: 895: 863:The Butte Miner 834: 826: 818: 802: 791: 782:movies. Before 746: 742: 738: 729: 720:Lamar, Colorado 703:The Third Alarm 642:After wrapping 628:The Third Alarm 595:Claire McDowell 560: 519:The Third Alarm 506: 494: 489: 478: 466: 442: 434: 381:Claire McDowell 375:Patrick O'Hara 365: 355:Josephine Adair 347:Johnny Thompson 332: 317: 265: 256: 251: 227:Claire McDowell 183: 151: 144: 137: 135: 128: 111:Black and White 95: 91:Claire McDowell 36: 17: 12: 11: 5: 4700: 4698: 4690: 4689: 4684: 4679: 4674: 4669: 4664: 4659: 4654: 4649: 4644: 4639: 4634: 4629: 4624: 4619: 4614: 4609: 4604: 4599: 4594: 4589: 4584: 4579: 4574: 4569: 4564: 4554: 4553: 4547: 4546: 4544: 4543: 4535: 4527: 4519: 4511: 4507:The Lone Eagle 4503: 4495: 4487: 4479: 4471: 4463: 4455: 4447: 4438: 4435: 4434: 4429: 4427: 4426: 4419: 4412: 4404: 4397: 4396: 4384: 4363: 4362: 4345: 4316: 4313: 4312: 4304: 4293: 4287: 4276: 4275: 4263: 4251: 4249: 4248:External links 4246: 4244: 4243: 4241:Emilie Johnson 4238: 4236:Richard Morris 4233: 4228: 4223: 4218: 4216:Clair McDowell 4213: 4208: 4203: 4198: 4192: 4190: 4184: 4182: 4181: 4165:978-0786408368 4164: 4150:Slide, Anthony 4146: 4140: 4127: 4121: 4108: 4102: 4096:. p. 46. 4085: 4079: 4063: 4061: 4058: 4055: 4054: 4042: 4012: 4007:Newspapers.com 3980: 3975:Newspapers.com 3948: 3943:Newspapers.com 3916: 3898: 3880: 3872:newspapers.com 3845: 3837:Newspapers.com 3810: 3793: 3760: 3727: 3694: 3661: 3649: 3631: 3613: 3608:The Film Daily 3595: 3566: 3537: 3532:Newspapers.com 3505: 3494:. July 1, 1922 3479: 3459: 3441: 3408: 3375: 3342: 3309: 3276: 3243: 3210: 3177: 3144: 3111: 3078: 3045: 3012: 2982: 2949: 2944:Newspapers.com 2917: 2912:Newspapers.com 2885: 2853: 2848:Newspapers.com 2821: 2789: 2759: 2754:Newspapers.com 2727: 2722:Newspapers.com 2695: 2690:Newspapers.com 2663: 2652: 2641: 2608: 2597: 2585: 2583:, p. 385. 2573: 2542: 2537:Newspapers.com 2508: 2503:Newspapers.com 2476: 2443: 2441:, p. 209. 2431: 2405: 2394: 2365: 2354: 2342: 2321: 2298: 2278: 2251: 2216: 2190: 2188:, p. 269. 2178: 2176: 2159: 2151:Newspapers.com 2124: 2117: 2093: 2092: 2090: 2087: 2085: 2084: 2040:Johnson, Emory 2021: 2014: 2013: 2010: 2007: 1988: 1978: 1968: 1952: 1931: 1929: 1926: 1925: 1924: 1915: 1908: 1906: 1902:Richard Morris 1901: 1894: 1892: 1885: 1878: 1876: 1869: 1862: 1860: 1858:Johnnie O'Hara 1855:Johnnie Walker 1853: 1846: 1844: 1842:Patrick O'Hara 1837: 1830: 1828: 1823: 1816: 1814: 1807: 1800: 1798: 1793: 1786: 1782: 1779: 1777: 1774: 1759: 1756: 1752: 1751: 1748: 1741: 1739: 1736: 1729: 1727: 1724: 1717: 1714: 1713: 1709: 1708: 1707: 1697: 1696: 1690: 1686: 1685: 1678: 1674: 1673: 1667: 1663: 1662: 1650: 1646: 1645: 1638: 1634: 1633: 1630: 1624: 1623: 1620: 1616: 1615: 1604: 1600: 1599: 1596: 1543: 1540: 1521: 1518: 1517: 1516: 1504: 1492: 1480: 1458: 1455: 1454: 1453: 1450: 1437: 1434: 1421: 1418: 1401: 1398: 1384: 1381: 1353: 1350: 1337: 1334: 1303: 1300: 1298: 1295: 1289: 1286: 1284: 1281: 1241: 1238: 1235: 1234: 1230: 1223: 1220: 1217: 1213: 1212: 1210: 1207: 1204: 1201: 1197: 1196: 1194: 1191: 1188: 1185: 1181: 1180: 1178: 1175: 1172: 1169: 1165: 1164: 1162: 1156: 1153: 1150: 1146: 1145: 1143: 1137: 1134: 1131: 1127: 1126: 1124: 1118: 1115: 1112: 1108: 1107: 1105: 1098: 1095: 1092: 1088: 1087: 1085: 1074: 1071: 1068: 1064: 1063: 1056: 1054: 1040: 1037: 1034: 1030: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1001: 1000: 970: 969: 966: 963: 960: 957: 954: 951: 947: 946: 943: 940: 937: 934: 931: 928: 908: 905: 894: 891: 845:Emilie Johnson 829:Emilie Johnson 819: 817: 814: 801: 798: 743:Director, 730: 728: 725: 724: 723: 715: 714: 698: 697: 666: 665: 639: 638: 606: 592: 573:Johnnie Walker 569: 568: 564: 545:D. W. Griffith 540: 539: 505: 502: 493: 490: 488: 487:Pre production 485: 440: 433: 430: 427: 426: 423: 421:Richard Morris 417: 416: 413: 407: 406: 403: 401:Johnnie Walker 397: 396: 393: 387: 386: 383: 377: 376: 373: 367: 366: 364:12 years later 363: 360: 359: 356: 352: 351: 348: 344: 343: 340: 334: 333: 330: 327: 326: 323: 316: 313: 264: 263:12 years later 261: 255: 252: 250: 247: 235:Emilie Johnson 223:Johnnie Walker 193: 192: 189: 185: 184: 182: 181: 178: 170: 168: 164: 163: 160: 156: 155: 152: 149: 146: 145: 143: 142: 131: 129: 126: 123: 122: 117: 116:Distributed by 113: 112: 109: 105: 104: 101: 100:Cinematography 97: 96: 94: 93: 88: 82: 80: 76: 75: 72: 68: 67: 65:Emilie Johnson 62: 58: 57: 55:Emilie Johnson 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 4699: 4688: 4685: 4683: 4680: 4678: 4675: 4673: 4670: 4668: 4665: 4663: 4660: 4658: 4655: 4653: 4650: 4648: 4645: 4643: 4640: 4638: 4635: 4633: 4630: 4628: 4625: 4623: 4620: 4618: 4615: 4613: 4610: 4608: 4605: 4603: 4600: 4598: 4595: 4593: 4590: 4588: 4585: 4583: 4580: 4578: 4575: 4573: 4570: 4568: 4565: 4563: 4560: 4559: 4557: 4541: 4540: 4536: 4533: 4532: 4528: 4525: 4524: 4520: 4517: 4516: 4512: 4509: 4508: 4504: 4501: 4500: 4496: 4493: 4492: 4488: 4485: 4484: 4480: 4477: 4476: 4472: 4469: 4468: 4464: 4461: 4460: 4456: 4453: 4452: 4448: 4445: 4444: 4440: 4439: 4436: 4432: 4431:Emory Johnson 4425: 4420: 4418: 4413: 4411: 4406: 4405: 4402: 4395: 4385: 4383: 4373: 4369: 4360:from Wikidata 4359: 4358: 4346: 4342: 4341: 4329: 4325: 4319: 4310: 4309: 4305: 4303: 4299: 4298: 4294: 4291: 4288: 4286: 4282: 4281: 4277: 4274: 4271: 4269: 4268: 4264: 4262: 4258: 4257: 4253: 4252: 4247: 4242: 4239: 4237: 4234: 4232: 4229: 4227: 4226:Johnny Walker 4224: 4222: 4221:Emory Johnson 4219: 4217: 4214: 4212: 4209: 4207: 4204: 4202: 4199: 4197: 4196:Ben Alexander 4194: 4193: 4188: 4185: 4179: 4167: 4161: 4157: 4156: 4151: 4147: 4143: 4141:0-13-781451-8 4137: 4133: 4128: 4124: 4118: 4114: 4109: 4105: 4103:9780520076969 4099: 4095: 4091: 4086: 4082: 4076: 4073:. McFarland. 4072: 4071: 4065: 4064: 4059: 4051: 4046: 4043: 4030: 4023: 4016: 4013: 4008: 3996: 3991: 3984: 3981: 3976: 3964: 3959: 3952: 3949: 3944: 3932: 3927: 3920: 3917: 3912: 3908: 3902: 3899: 3894: 3890: 3884: 3881: 3877: 3873: 3861: 3856: 3849: 3846: 3842: 3838: 3826: 3821: 3814: 3811: 3808: 3804: 3803: 3797: 3794: 3790: 3778: 3774: 3770: 3764: 3761: 3757: 3745: 3741: 3737: 3731: 3728: 3724: 3712: 3708: 3704: 3698: 3695: 3691: 3679: 3675: 3671: 3665: 3662: 3658: 3653: 3650: 3645: 3641: 3635: 3632: 3627: 3623: 3617: 3614: 3609: 3605: 3599: 3596: 3592: 3580: 3576: 3570: 3567: 3554: 3550: 3544: 3542: 3538: 3533: 3521: 3516: 3509: 3506: 3493: 3489: 3483: 3480: 3475: 3471: 3470: 3463: 3460: 3455: 3451: 3445: 3442: 3438: 3426: 3422: 3418: 3412: 3409: 3405: 3393: 3389: 3385: 3379: 3376: 3372: 3360: 3356: 3352: 3346: 3343: 3339: 3327: 3323: 3319: 3313: 3310: 3306: 3294: 3290: 3286: 3280: 3277: 3273: 3261: 3257: 3253: 3247: 3244: 3240: 3228: 3224: 3220: 3214: 3211: 3207: 3195: 3191: 3187: 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