177:": that the United States was fighting an "undeclared war", but there were really two wars. The first was waged on the beauty of old American cities like San Francisco, scene of the convention, by corporate America, which was determined to destroy that beauty with its soulless, artificial architecture. The second war was an internecine struggle within the Republican party between the older Eastern Establishment, represented by Presidential candidate William Scranton of Pennsylvania, and the newer Western monied interests, represented by his rival, Senator Barry Goldwater of Arizona.
165:, a fear that would be proven correct shortly after the publication of "Red Light". His conjecture was that a Goldwater victory might "invigorate the left wing of the Democratic party". Lennon adds that "Mailer was convinced that the nation was in terrible shape, gorging itself on frozen food, sappy television, antibiotics, and cutoff from nature by technology and the most insidious of substances, one that becoming ubiquitous: plastic", all themes of his literary journalism and nonfiction during the 1960s-70s.
268:, could be said of "Red Light". Begiebing states that Mailer "doesn't so much convince readers as sweep them along, beyond agreement/disagreement, in cataracts of prose. Lengthy catalogues of detail, quick-changing sequences of metaphor, startling aperçus, quick and revelatory character sketches, and sonorous rhythms are all on display." J. Michael Lennon echoes Begiebing by observing that Mailer's character sketches of figures like Goldwater and Eisenhower are "acerbic, unforgiving, and hit the mark".
255:". Mary Dearborn suggests that while Goldwater seemed to represent the anthesis of the extremism that Mailer felt the country needed, part of Mailer desired a Goldwater victory so that the disease of impending totalitarianism would have to be addressed. In other words, Goldwater would be a more clearly defined enemy around which that "new opposition would form", rather than the nebulous threat of a continued Johnson administration.
188:, site of Scranton's and Goldwater's campaign headquarters where "the open war between old money and new money was engaged". Mailer characterizes both candidates' personalities and critiques their rhetorical styles. He reframes the "war” between the two candidates and their supporters as between Main Street and Wall Street. He concludes this section with dark forebodings that America might be drifting toward totalitarianism.
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220:(CORE) marching and chanting while the Republican crowd surrounding them fantasizes about Christians being fed to the lions, but "the old Wasps" are also disturbed because they see themselves embodied in one of the white female protestors. Mailer concludes with the prophecy that "The wars are coming and the deep revolutions of the soul".
237:
observes that "Red Light" does not foreground Mailer's participation in events to the same degree that he does in his other campaign journalism. Ross sees "Red Light" as perhaps "Mailer's most journalistic piece about the ways political conventions worked in this days", but he also notices traces of
131:
and assumes a third-person persona to participate in, report on, and comment on the events in
California in the summer of 1964. The essay is divided into three sections: the events leading up to the convention, including Goldwater's rise, the events leading up to Goldwater's nomination, and Mailer's
204:
with that of the "underground generation of the Right". The party's
Moderates speak in support of civil rights, but they are heavily outnumbered by the right-wing forces, especially the Southern delegates. The nomination speeches go on and on, and Mailer comments that "politics was the place where
211:
begins with
Goldwater's acceptance speech, during which Mailer has a sudden intuition that the candidate "could win because something in me leaped at the thought; a part of me, a devil, wished to take that chance. For if Goldwater were President, a new opposition would form." He then returns to a
199:
in San
Francisco, site of the convention itself. Mailer offers a critique of the press, whose function, he says, is "to serve in the maintenance of the Establishment", and he writes of the far Right's contempt for the media as illustrated by the delegates themselves. The convention, he says, was
238:
the author himself, detecting Mailer's presence in "a number of perennial obsessions plastic and political assassinations and the imminent arrival of fascism." Mailer's account shows his engagement with the events of the convention and not just, as
Merrill puts it, a "disinterested historian".
232:
of his era, the adoption of subjective point of view. Critic Robert
Merrill argues that its Mailer's participation in the action distinguishes his account from other journalistic reports of the events. Mailer tends to become his own third-person narrator, his own main character and central
152:
to win the nomination. Lennon maps out the political territory at the convention: "The right-wing of the GOP had grown strong and was ready to wrest control from the old middle-of-the-road gang" like
Goldwater's primary challenger, moderate Republican
212:
familiar theme that "The country was in disease. . . . We had never solved our depression, we had merely gone to war, and going to war had never won it, not in our own minds." Mailer laments that in the recent past the country had a hero in
1014:
241:
Michael K. Glenday focuses on Mailer's exploration of existential themes throughout the late-1950s and early-1960s, specifically "societal repression and inauthenticity". In "Superman Comes to the
Supermarket", his essay on the
807:
250:
hero, but
Glenday says that in the wake of Kennedy's assassination, "Mailer saw that the ensuing national grief was taking a downward turn into madness and psychic breakdown, writing rangy critique of the national
216:, but since his assassination, "Certainties had shattered". Now, the country's liberal status quo needed a "purge". Leaving the convention, Mailer witnesses a group of protestors from the
284:
in June of 1965 as "Mailer on LBJ" in the transcript of a speech Mailer gave at the antiwar protest at
Berkley on May 21. Mailer reprinted the essay in several later collections:
157:
from Pennsylvania. Lennon records that "Part of Mailer wanted Goldwater to not only win the nomination, but to defeat the presumptive Democratic candidate,
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Mailer divides the essay into three sections after a brief prologue in which he returned to a theme he had begun to develop in "
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161:, whom he distrusted if not despised. Mailer even speculates that a Johnson victory might lead to an escalation in the
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990:"Citizen Mailer: In His Finest Work, Norman Mailer Applied Subjective Journalism to the Powerful and to Himself"
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Adamowski, T. H. (2006). "Demoralizing Liberalism: Lionel Trilling, Leslie Fiedler, and Norman Mailer".
290:
The Idol and the Octopus: Political Writings by Norman Mailer on the Kennedy and Johnson Administrations
1015:"Political Prophecy in Contemporary American Literature: The Left Conservative Vision of Norman Mailer"
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127:. Like Mailer's other journalism in the 1960s, "Red Light" uses the subjective techniques of
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682:
Mailer, Norman (1967). "In the Red Light: A History of the Republican Convention in 1964".
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reveals that on the eve of the convention Mailer expected right-wing Arizona senator
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895:— (1978). "In the Red Light: A History of the Republican Convention in 1964".
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In much of his literary journalism, Mailer employed a technique widely shared among
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Ross, William T. (2016). "When Novelists Were Kings: Norman Mailer and
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577:
Begiebing, Robert (2017). "Where is Norman Mailer When We Need Him?".
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200:"murderous in mood". Mailer contrasts the post-WWII emergence of the
905:
613:
Glenday, Michael K. (2013). "The Currents and the Oceans of Fame".
276:"Red Light" was originally published in the November 1964 issue of
867:"In the Red Light: A History of the Republican Convention in 1964"
111:"In the Red Light: A History of the Republican Convention in 1964"
51:
886:— (2018). "In the Red Light". In Lennon, J. Michael (ed.).
656:(Revised and Expanded ed.). Atlanta: Norman Mailer Society.
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Of a Small and Modest Malignancy, Wicked and Bristling with Dots
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1079:
965:"Norman Mailer's Early Nonfiction: The Art of Self-Revelation"
650:—; Lennon, Donna Pedro (2018). Lucas, Gerald R. (ed.).
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What Robert Begiebing said of Mailer's rhetoric and style in
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808:"Norman Mailer and American Totalitarianism in the 1960s"
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Norman Mailer covered the 1964 Republican Convention for
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693:— (1976). "Superman Comes to the Supermarket".
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Some Honorable Men: Political Conventions, 1960-1972
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Some Honorable Men: Political Conventions, 1960-1972
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Some Honorable Men: Political Conventions, 1960-1972
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890:. New York: Library of America. pp. 232–280.
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888:Norman Mailer: Collected Essays of the 1960s
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298:Norman Mailer: Collected Essays of the 1960s
1543:Deaths for the Ladies (and Other Disasters)
1701:Stabbing of Adele Morales by Norman Mailer
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899:. Boston: Little, Brown. pp. 47–94.
699:. Boston: Little, Brown. pp. 1–46.
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874:. pp. 83–89, 167–172, 174–177, 179
805:Joscelyne, Sophie (September 4, 2020).
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205:finally nobody meant what they said".
125:Republican National Convention in 1964
20:
1435:The Selected Letters of Norman Mailer
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246:, Mailer characterizes Kennedy as an
7:
1512:Master Spy: The Robert Hanssen Story
932:: Norman Mailer's Recent Nonfiction"
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234:
184:by describing the atmosphere at the
1012:Zirakzadeh, Cyrus Earnesto (2007).
1385:Portrait of Picasso as a Young Man
1150:The Short Fiction of Norman Mailer
264:, his book-length coverage of the
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1243:Superman Comes to the Supermarket
175:Superman Comes to the Supermarket
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912:. No. 60. pp. 1, 10–15
864:Mailer, Norman (November 1964).
688:. New York: Dial. pp. 6–45.
635:. New York: Simon and Schuster.
280:. A partial reprint appeared in
1204:The Gospel According to the Son
1063:— "Red Light" on Project Mailer
921:Partial reprint of "Red Light".
786:University of Toronto Quarterly
1286:Miami and the Siege of Chicago
842:"Norman Mailer in God's Attic"
261:Miami and the Siege of Chicago
233:consciousness, but William T.
1:
1715:New York City: the 51st State
1581:Lipton’s: A Marijuana Journal
653:Norman Mailer: Works and Days
1316:St. George and The Godfather
632:Norman Mailer: A Double Life
598:. Boston: Houghton Mifflin.
104:83–89, 167–172, 174–177, 179
1426:Norman Mailer's Letters on
1176:Of Women and Their Elegance
840:Kaufman, Donald L. (2008).
813:Modern Intellectual History
218:Congress of Racial Equality
1825:
1740:Norman Mailer bibliography
994:Columbia Journalism Review
590:Dearborn, Mary V. (1999).
266:1968 Democratic convention
244:1960 Democratic convention
1809:1964 in American politics
1762:
1735:The Norman Mailer Society
1721:In the Belly of the Beast
1615:Marilyn: The Untold Story
1345:Pieces and Pontifications
1236:Advertisements for Myself
1032:10.1017/S0034670507000988
970:Western Humanities Review
925:Merrill, Robert (1978a).
825:10.1017/S1479244320000323
743:. New York: McGraw-Hill.
28:
1409:The Man Who Studied Yoga
1280:The Idol and the Octopus
1263:Cannibals and Christians
1211:The Castle in the Forest
722:Merrill, Robert (1978).
685:Cannibals and Christians
561:Lennon & Lennon 2018
549:Lennon & Lennon 2018
286:Cannibals and Christians
195:the scene shifts to the
132:view of his acceptance.
1804:Essays by Norman Mailer
1274:The Armies of the Night
1257:The Presidential Papers
113:is an essay written by
1601:The Naked and the Dead
1498:The Executioner's Song
1480:Tough Guys Don't Dance
1190:Tough Guys Don't Dance
1169:The Executioner's Song
1163:A Transit to Narcissus
1157:Why Are We in Vietnam?
1122:The Naked and the Dead
1020:The Review of Politics
906:"Norman Mailer on LBJ"
735:Mills, Hilary (1982).
16:Essay by Norman Mailer
1799:Essays about politics
1656:Norris Church Mailer
1322:The Faith of Graffiti
1293:Of a Fire on the Moon
904:— (June 1964).
1794:Essays about culture
1688:John Buffalo Mailer
1565:(poems and drawings)
1556:The Time of Our Time
1402:The Time of Her Time
1372:Marilyn: A Biography
988:Piazza, Tom (2008).
798:10.3138/utq.75.3.883
144:. Mailer biographer
1696:Norman Mailer Prize
1311:Existential Errands
1305:The Prisoner of Sex
739:Mailer: A Biography
594:Mailer: A Biography
527:, pp. 209–210.
476:, pp. 101–102.
1753:River of Fundament
1549:Some Honorable Men
1355:Why Are We At War?
627:Lennon, J. Michael
186:Mark Hopkins Hotel
24:"In the Red Light"
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1746:The Mailer Review
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1727:J. Michael Lennon
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1608:An American Dream
1428:An American Dream
1143:An American Dream
937:Centennial Review
846:The Mailer Review
764:The Mailer Review
730:. Boston: Twayne.
706:978-0-316-54415-3
615:The Mailer Review
579:The Mailer Review
214:President Kennedy
159:President Johnson
146:J. Michael Lennon
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1789:1964 essays
1593:adaptations
1559:(anthology)
1551:(anthology)
1430:, 1963-1969
1221:Non-fiction
910:The Realist
819:: 241–267.
770:(1): 48–66.
570:Works cited
462:Mailer 1967
447:Mailer 1967
432:Mailer 1967
420:Mailer 1967
408:Mailer 1967
396:Mailer 1967
384:Mailer 1967
369:Mailer 1967
357:Mailer 1976
330:Lennon 2013
282:The Realist
272:Publication
248:existential
235:Ross (2016)
193:section two
182:section one
163:Vietnam War
58:Publication
30:Short story
1783:Categories
1666:(daughter)
1045:2021-02-15
1004:2021-02-15
980:2021-02-15
954:2021-02-15
916:2021-02-15
878:2021-02-14
856:2021-02-15
715:1036869622
674:2021-02-14
345:Mills 1982
304:References
197:Cow Palace
136:Background
123:about the
85:Media type
79:Periodical
1583:(journal)
1530:Strawhead
1490:Teleplays
1466:Maidstone
1364:Biography
1329:The Fight
1040:143821180
833:225330008
486:Ross 2016
309:Citations
1770:Category
1545:(poetry)
1000:(4): 51+
949:23738972
629:(2013).
300:(2018).
292:(1968),
288:(1967),
224:Analysis
169:Synopsis
48:Genre(s)
1625:Related
1459:Wild 90
1419:Letters
1394:Stories
1114:Fiction
1069:Esquire
976:(1): 1+
928:"After
872:Esquire
760:Esquire
278:Esquire
142:Esquire
120:Esquire
68:Esquire
40:Country
1658:(wife)
1575:On God
1539:(play)
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1036:S2CID
945:JSTOR
829:S2CID
101:Pages
52:Essay
1444:Film
745:ISBN
711:OCLC
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