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the reality and seriousness of their situation, they persist in allowing themselves a state of denial about the motivations for their arrests and the fate that awaits them. Lebeau, Monceau, and
Marchand all grasp for explanations: "It must be a routine document check." Bayard, who may or may not be Jewish, is an outspoken Communist who warns the detainees about trains going to Nazi concentration camps in Germany and Poland and reports of mass killings. He enjoins the detainees to develop political consciousness to make an intellectual, albeit private, stand against the pressure of detention. "My faith is in the future; and the future is Socialist. ... They can't win. Impossible."
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second half is between Leduc and the Major, a disabled veteran of the German Army, as Leduc tries to persuade the Major to let them go free. The Major resents his assignment, thinking it beneath the dignity of a regular Army officer, but ultimately resigns himself to it, feeling himself entrapped within the
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A key theme within the play is the right of life. Toward the end of the play, the major returns to the stage intoxicated and discusses the moral implications of what is going on in
Germany. The major is under the gun of those above him in the chain of command and if he does not carry out the commands
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In this way, the play's central lesson is how the Nazis were able to perpetrate the
Holocaust, how they were able to get away with it for so long. The café proprietor Ferrand notably does nothing to intervene on behalf of his friend the Waiter with the interrogators. The main confrontation in the
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The first half of the play revolves around the characters' struggle to accept why they are there. With few exceptions, notably the gypsy and Von Berg, all the detainees are Jewish, and most have fled to Vichy from the German-occupied northern half of France. Nevertheless, though they clearly grasp
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In the 1964 version, there is no real attempt at escape on the part of the prisoners as a whole. At the end, Von Berg secures a free pass from the guards, but then attempts to give it to Leduc, volunteering his life to help Leduc escape. In the 1966 version there is a major escape attempt in the
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middle of the play, but it is thwarted by the unexpected appearance of the Major. Since the objective of the piece is to show how the Nazis managed to make the
Holocaust happen, this escape attempt may be viewed as seriously undermining the play's theme.
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in 1942; they are being held for their "racial" inspection by German military officers and Vichy French police. The play focuses on the subjects of human nature, guilt, fear, and complicity and examines how the Nazis were able to perpetrate the
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who is also a French veteran of the 1940 fighting against
Germany, tries to rally the prisoners to attempt an escape. However, the other able-bodied prisoners prefer to hope for the best, rejecting Bayard's warnings.
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of his superiors he too will be on the chopping block and the execution of Jews will continue and the paradox paralyzes those who have a moral compass and value their own lives.
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The first professional revival of
Incident At Vichy was produced by the Jewish Repertory Theater, a tier one Equity company, then located on 14th Street in 1981.
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The second half of the play shows the various characters' reaction to their situation: Leduc, a
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was a significant collaborationist who helped administer "dejudaisation" in his region
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Miller adapted the play for a 1973 television production directed by
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is a one-act play written in 1964 by
American dramatist
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819:Death of a Salesman
777:Homely Girl: A Life
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127:First edition cover
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388:References
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