Knowledge (XXG)

Ingmar Bergman Makes a Movie

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called the film "A valuable document of a master craftsman working in top form." He also stated that "Sjöman comes across as very earnest and relatively probing." Brian Burke of
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referred to the documentary as slightly forgotten, but noted SVT would be rerunning it along with other Bergman-related programming between 25 October and 27 December.
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Sjöman was beginning to write screenplays, and wishing to learn about directing, asked Bergman if he could observe him making a film. Sjöman then approached
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called it the "best documentary I've ever seen on the filmmaking process," adding Bergman appears "candid, relaxed, and animated."
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The film originally aired in five half-hour episodes on Swedish television. It has subsequently been included in a bonus disc of
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Swedish musicologist Per F. Broman said the documentary has "fascinating insights" into the use of sound in the film. In 2015,
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who were interested in airing a documentary about the process. Shooting of the documentary began after the
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Sjöman interviews Bergman on how the filming process went, shortly before it completed in January 1962.
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Sjöman observes the editing process and interviews Bergman on the anticipated response to the film.
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Per F. Broman, "Music, Sound and Silence in the Films of Ingmar Bergman,"
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from screenwriting to the film's premiere and critical reaction.
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Dirty Words and Filthy Pictures: Film and the First Amendment
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Sjöman and Bergman review the critical response to the film.
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on 27 January 1963. It was generally not available in
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Sjöman interviews Bergman on the idea and themes of
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Murray 328:in 2007, scholar 315: 314: 274:"Filming, Part 2" 251:"Filming, Part 1" 238:, and interviews 236:location scouting 100: 99: 16:1963 Swedish film 1511: 1430:Blushing Charlie 1346: 1339: 1332: 1323: 1201:The Image Makers 980:The Blessed Ones 868:Hour of the Wolf 780:The Seventh Seal 756:A Lesson in Love 732:Secrets of Women 724:Summer Interlude 602: 595: 588: 579: 543: 542: 540: 538: 521: 515: 514: 512: 510: 501:. Archived from 490: 484: 483: 481: 479: 470:. Archived from 456: 450: 443: 437: 432:Jeremy Geltzer, 430: 424: 423: 421: 419: 404: 395: 388: 379: 364: 289:"Postproduction" 242:on the lighting. 210: 67: 65: 31: 19: 1519: 1518: 1514: 1513: 1512: 1510: 1509: 1508: 1459: 1458: 1457: 1452: 1356: 1350: 1320: 1315: 1256: 1207: 1164: 1136: 1109: 1002: 924:The Magic Flute 852:All These Women 820:The Devil's Eye 639: 611: 606: 552: 547: 546: 536: 534: 523: 522: 518: 508: 506: 492: 491: 487: 477: 475: 458: 457: 453: 444: 440: 431: 427: 417: 415: 406: 405: 398: 389: 382: 365: 358: 353: 320: 311: 296: 281: 266: 243: 193: 160: 77: 70: 63: 61: 54: 37: 17: 12: 11: 5: 1517: 1515: 1507: 1506: 1501: 1496: 1491: 1486: 1481: 1476: 1471: 1461: 1460: 1454: 1453: 1451: 1450: 1442: 1434: 1426: 1418: 1410: 1402: 1394: 1386: 1378: 1370: 1361: 1358: 1357: 1351: 1349: 1348: 1341: 1334: 1326: 1317: 1316: 1314: 1313: 1307: 1304:Daniel Bergman 1301: 1295: 1289: 1283: 1277: 1271: 1264: 1262: 1258: 1257: 1255: 1254: 1247: 1242: 1235: 1228: 1221: 1215: 1213: 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Bergman 98: 97: 94: 90: 89: 86: 82: 81: 78: 75: 72: 71: 69: 68: 57: 55: 52: 49: 48: 43: 39: 38: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1516: 1505: 1502: 1500: 1497: 1495: 1492: 1490: 1487: 1485: 1482: 1480: 1477: 1475: 1472: 1470: 1467: 1466: 1464: 1448: 1447: 1443: 1440: 1439: 1435: 1432: 1431: 1427: 1424: 1423: 1419: 1416: 1415: 1411: 1408: 1407: 1403: 1400: 1399: 1395: 1392: 1391: 1387: 1384: 1383: 1379: 1376: 1375: 1371: 1368: 1367: 1363: 1362: 1359: 1355: 1354:Vilgot Sjöman 1347: 1342: 1340: 1335: 1333: 1328: 1327: 1324: 1311: 1308: 1305: 1302: 1299: 1296: 1293: 1290: 1287: 1284: 1281: 1278: 1275: 1272: 1269: 1266: 1265: 1263: 1259: 1253: 1252: 1248: 1246: 1243: 1241: 1240: 1236: 1234: 1233: 1229: 1227: 1226: 1222: 1220: 1217: 1216: 1214: 1210: 1203: 1202: 1198: 1195: 1194: 1190: 1187: 1186: 1182: 1179: 1178: 1174: 1173: 1171: 1167: 1160: 1159: 1155: 1152: 1151: 1148:"Daniel" in 1146: 1145: 1143: 1139: 1132: 1131: 1127: 1124: 1123: 1122:Fårö Document 1119: 1118: 1116: 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Index


The Criterion Collection
Vilgot Sjöman
Swedish
Vilgot Sjöman
Ingmar Bergman
Winter Light
The Criterion Collection
Through a Glass Darkly
The Silence
Sveriges Television
rehearsals
16 mm film
491
SVT
Region 1
The Criterion Collection
location scouting
Sven Nykvist
Gunnar Björnstrand
Ingrid Thulin
Epinions
Stephen O. Murray
DVD Verdict
Dagens Nyheter


The Criterion Collection

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