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lobby. Reserved seat tickets would be picked up at the box office and a tuxedo-attired usher would walk the patron into the auditorium and point out the seats with a flashlight. The concession stands offered only an orange drink in a specially shaped container and imported candies. Refreshments were not permitted in the seats. Patrons entering the theater would hear the film musical score from the speakers behind the screen. As the lights dimmed the curtains would reveal the massive curved screen. The projected image would nearly fill the viewer's field of vision. The multi-channel sound, combined with the screen image, created a three-dimensional experience. At intermission, patrons would gather at the side lounges of the auditorium, the lobby, or the patio.
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Indian Hills building as a movie theater. The group is also welcome to any architecturally significant items." The June 29, 2001 issue of "Newstime" stated that the news conference had been "well-represented by the local media" and followed "a meeting between MHS officials and a national cinerama interest group, who jointly concluded that shared use of the building was not economically viable." Karstens, Rich, and
Lutthans have all stated since that their appearance at the press conference was not meant as any sort of endorsement of the views put forth by Methodist Health System.
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projected on a nearly-square flat screen and the sound was one-channel monophonic. As a result of
Cinerama the film industry adopted the single-projector wide-screen format and stereophonic sound as the norm. At the peak of Cinerama's popularity, there were over 200 theaters in the world capable of projecting Cinerama films. Most of these were existing theaters adapted to use the Cinerama process. Ten theaters, however, were built specifically for Cinerama films. The Martin Corporation built such theaters in
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served to enhance every aspect of the
Cinerama experience. The curved screen was the largest ever installed in a Cinerama theater. The only other two (2) "Super-Cinerama" theaters were demolished. One located in St. Louis Park, Minnesota, was demolished to make way for a restaurant and office complex. The other, located in Denver, Colorado, was demolished and replaced with a chain bookstore. The Indian Hills theater showed its last Cinerama film in March 1964. The theater closed on September 28, 2000.
643:, would protect the theater from demolition. Presentations were made by the Indian Hills Theater Preservation Society and attorneys for Nebraska Methodist. Filmmaker and Cinerama historian David Strohmaier stated, in video testimony, that the Indian Hills was "the finest venue for wide-screen films in the world." The Commission voted unanimously to recommend to the Omaha City Council that the theater be designated a "Landmark of the City of Omaha."
274:. The auditorium was wheelchair-accessible and spaces were specifically designed for wheelchair-using patrons. The curved screen was 35 feet 3 inches (10.74 m) high and 110 feet (34 m) wide, with a 146-degree curve. The screen extended from the floor to the ceiling and was the largest indoor movie screen in the United States at the time of construction. The screen consisted of 2,500 strips of one-inch, perforated tape called
420:"Property is associated with events that have made a significant contribution to the broad patterns of our history" and Criteria "C" in that the "Property embodies the distinctive characteristics of a type, period or method of construction or represents the work of a master, or possesses high artistic values, or represents a significant and distinguishable entity whose components lack individual distinction."
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Indian Hills. After they could not get their lease of the Indian Hills, they expressed no other need or approach for preservation and expressed their agreement with the
Methodist action. Methodist nicely had the whole package wrapped up in one short day, with the assistance and blessing of Karstens and Lutthans!
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Incredibly, Larry
Karstens and Matt Lutthans, who that same day had expected to negotiate a lease from Methodist to resume film exhibition, appeared with NMHS at that press conference and made statements in support of the Methodist action. This may have terminally damaged any other hopes to save the
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On August 20, 2001, before the Omaha City
Council had a chance to vote on the Preservation Commission's landmark recommendation, Nebraska Methodist demolished the theater. Lutthans commented: "When the wrecking ball hit, I literally cried, it was such a disappointment. That was the finest theatre I
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scheduled for later that day in front of the theater. At the press conference, covered by local television and radio, the
Nebraska Methodist CEO announced: "We both jointly concluded that probably it just didn't make a lot of sense to plow a bunch of money into " and that the theater would be razed
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of its day. As the final "Super-Cinerama" theater, it contained refinements to the design which resulted in the finest
Cinerama theater ever built. It was designed with a modern functional style. The design reflected the "form follows function" philosophy of architecture. The unique circular design
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The curved screen was designed to take advantage of the effect of peripheral images in the viewer's eye and create the feeling that the viewer was in the picture. A state-of-the-art, multi-track stereo sound system heightened the sense of realism. Prior to the first
Cinerama production, movies were
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issued a letter indicating that the Indian Hills
Theater was of such architectural and historical importance to the history of cinema on a national basis that it would qualify for listing in the National Register. The letter indicated that the theater met National Register Criteria "A" in that the
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In 1962, a night at the Indian Hills Theater was like a night at the opera. A patron would call in advance to purchase reserved seats, referred to in the trade as a "hard ticket sell." Upon arrival at the theater the patrons would drive up to the entrance where a doorman would open the door to the
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In the spring of 2001 a group of three Cinerama enthusiasts, referred to informally as the "Indian Hills Investment Group," approached Nebraska Methodist regarding the possibility of leasing the theater, with the intent of reopening for screenings of regular commercial films and periodic Cinerama
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On June 22, 2001, the Methodist Health System's employee newsletter "Newstime" stated: "Methodist Health System has offered to donate the theater furnishings left behind, including the screen, projectors, curtains and most of the seats, to a group (the Investment Group) who wished to operate the
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According to David Strohmaier, a Los Angeles filmmaker and producer of a documentary film called "Cinerama Adventure," the Indian Hills Theater was unique. It was unique because of the circular design and extraordinarily large screen. The Indian Hills Theater embodied the culmination of Cinerama
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In April 2001 it was announced that the theater and an adjacent office building had been sold to a local health care provider, Nebraska Methodist Health Systems, Inc. Nebraska Methodist is one of the largest health care providers in Nebraska and operates Methodist Hospital in
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Unknown to Reitan at the time, Karstens and Lutthans were discussing the approach to be used at the press conference with legal advisors both in Omaha and Los Angeles (including talks with Robert Nudelman of Hollywood Heritage), immediately following the morning meeting.
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In 1978, a smaller rectangular-shaped theater called "Cameo" was built to the east of the main theater. In 1987, two additional smaller rectangular theaters were built to the west of the main theater. In 2000, Carmike Cinemas installed a
509:, numerous clinics and the Nebraska Methodist College nursing college, the latter of which was located adjacent to the theater property. The nursing college has since moved to the Nebraska Methodist College Josie Harper Campus.
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Nebraska Methodist subsequently gave Karstens some of the contents of the theater. Everything else from the demolition was donated to various theater/arts groups in the area, including the Rose Blumkin Performing Arts Center.
344:, which proved too unwieldy for widespread commercial deployment. Cinerama featured a three-camera, three-projector process that projected three film images side by side on a deep curved screen to recreate a lifelike image.
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appeared in a public-service commercial that aired on local television and radio in support of the Society. However, the CEO of Nebraska Methodist, Stephen Long, refused to discuss any alternative to immediate demolition.
278:. Twenty speakers in five mountings were evenly spaced behind the screen—four speakers on each side of the theater and eight speakers in the rear. The speakers were "Voice of the Theater" models manufactured by
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system in the main auditorium, new seats, a new curved screen and new curtains. In July 2001, the Cameo and the two smaller theaters were demolished, and the main auditorium was demolished the following month.
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368:(Cooper Theater) (1961), and Omaha (Indian Hills Theater) (1962). Only three (3) theaters remain that are configured to show Cinerama. These theaters are located in Seattle (Martin Cinerama Theater),
545:, the former manager of the Denver Cooper Cinerama. After numerous unsuccessful attempts to meet with the new owner, the Investment Group was informed that a meeting would be held on June 20, 2001.
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Following the "Newstime" announcements, the Indian Hills Theater Preservation Society was founded with the goal of preserving the theater. Leaders of the Society were Steve Dawes, Ron A. Hunter,
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Co. The three projection booths required for Cinerama were located on the main floor of the auditorium, with one in the center and the other two evenly spaced between the center and side walls.
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had ever seen in my life, and the last of its kind, and everybody involved put in so much work, and now the space is a beautifully paved, empty parking lot. Just sickening."
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wide-screen format. Its location was at 8601 West Dodge Rd. The theater's screen was the largest of its type in the United States. Despite the protests of local citizens,
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524:: "Pleas from myself in direct meetings with NMHS to at least save and use the central Cinerama theater for their own auditorium were ignored." Communications from the
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for his restoration of the earliest television color videotapes. Reitan had been raised in Omaha and maintained a second home there. Reitan reported in a posting on
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360:. Others were located in Atlanta, Los Angeles, Cuba, and Japan. Of the ten theaters designed for Cinerama, three near-identical "Super-Cineramas" were built in
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A series of popular Cinerama films were produced in the 1950s and early 1960s. Due to the prohibitive cost of the Cinerama production process, the epic
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which played for forty two weeks until it closed in March 1964. Thereafter the theater played regular first-run films through a single projector in the
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Shortly after the announcement of the theater's sale, Nebraska Methodist was contacted by Ed Reitan, a Los Angeles developer of
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was largely responsible for facilitating the involvement of the Hollywood industry. Additionally, film historian
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are made by the state historical society of the state in which a property is located. In the summer of 2001, the
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380:(National Media Museum). Only the theater in England has regular showings of Cinerama films.
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of Omaha at a cost of US$ 1 million by A. Borchman Sons Company. The theater was designed by
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was circular in shape and seated 810 patrons, with 662 on the main floor and 148 on the
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showings. The Investment Group consisted of Larry Karstens of Omaha; Matt Lutthans of
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Special Collections Department. Following construction, the theater was leased to the
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was the last film shot using the Cinerama process, although later motion pictures (
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shape and a flat roof. The original blueprints for the theater are in the
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458: in this section. Unsourced material may be challenged and removed.
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to determine whether the Indian Hills Theater should be designated an
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was presented in the 70 mm format and billed as Cinerama.
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The final Cinerama film to be shown at the Indian Hills was
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Film Threat review of Saving the Indian Hills documentary
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46:. Unsourced material may be challenged and removed.
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633:Omaha Landmarks Heritage Preservation Commission
627:Omaha Landmarks Heritage Preservation Commission
263:for exhibition of films in the Cinerama format.
639:. Such a designation, upon confirmation by the
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556:Reitan stated at the time in a posting on
868:The Wonderful World of the Brothers Grimm
578:Indian Hills Theater Preservation Society
474:Learn how and when to remove this message
332:Architectural and historical significance
212:Learn how and when to remove this message
106:Learn how and when to remove this message
1417:Demolished theatres in the United States
146:, the theater was demolished in 2001 by
144:National Trust for Historic Preservation
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516:systems and winner of a 1989 technical
134:built in 1962 showcasing films in the
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526:American Society of Cinematographers
456:adding citations to reliable sources
413:National Register of Historic Places
190:adding citations to reliable sources
44:adding citations to reliable sources
1427:Former cinemas in the United States
1321:Rose Blumkin Performing Arts Center
647:Demolition and disposal of contents
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1293:Movie theaters in Omaha, Nebraska
424:Preservation fight and demolition
417:Nebraska State Historical Society
394:The Indian Hills Theater was the
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245:American Institute of Architects
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148:Nebraska Methodist Health System
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930:It's a Mad, Mad, Mad, Mad World
495:. The final film presented was
443:needs additional citations for
31:needs additional citations for
1217:Cinerama Releasing Corporation
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674:"Historic Theater Threatened"
532:Indian Hills Investment Group
1432:Landmarks in Omaha, Nebraska
961:The Greatest Story Ever Told
909:Cinerama's Russian Adventure
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826:Seven Wonders of the World
553:by the end of the summer.
288:Sony Dynamic Digital Sound
224:The theater was built for
364:(Cooper Theater) (1961),
411:Recommendations for the
703:Saving the Indian Hills
403:design and technology.
130:, United States, was a
1252:Waller Gunnery Trainer
1095:To the Moon and Beyond
1049:Krakatoa, East of Java
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304:From Cinerama to 70 mm
295:Functional description
55:"Indian Hills Theater"
1027:2001: A Space Odyssey
951:Mediterranean Holiday
737:41.26250°N 96.04694°W
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389:2001, A Space Odyssey
342:New York World's Fair
325:2001: A Space Odyssey
253:Denver Public Library
1154:Indian Hills Theater
972:The Hallelujah Trail
900:The Best of Cinerama
890:How the West Was Won
847:South Seas Adventure
452:improve this article
385:How the West Was Won
311:How the West Was Won
186:improve this section
154:Construction history
120:Indian Hills Theater
40:improve this article
1242:Ultra Panavision 70
1237:Super Panavision 70
1133:Pictureville Cinema
983:Battle of the Bulge
837:Search for Paradise
742:41.26250; -96.04694
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539:Everett, Washington
514:air traffic control
233:Richard L. Crowther
226:Swanson Enterprises
150:for a parking lot.
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1016:Custer of the West
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464:August 2014
370:Los Angeles
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249:cylindrical
202:August 2014
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1401:Categories
1346:Minne Lusa
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728:96°02′49″W
725:41°15′45″N
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558:In70mm.com
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1353:Moon
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707:IMDb
686:2014
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