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his duty to the church and its dwindling congregation; this is especially demonstrated when he appears bored during confession and does crossword puzzles to pass the time. Such struggles are not uncommon in priesthood. But after he resists the church boundaries and attempts to help Linda, his faith in the congregation and belief in the profession are restored, and he returns to the church a stronger and more content priest. The film demonstrates the power of compassion and individual kindness, particularly in the way that John's simple act of defending Linda during her childhood was such a profound moment in her life. The film also advocates repentance, and the extent of Linda's victimization can be interpreted as a sign of how catastrophic an unrepentant life can be.
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fearing he is too late to save Linda. Meanwhile, Linda goes to a bridge and is about to jump off when she encounters Gus, who offers her the rosary he received earlier from Father John. A grateful and emotional Linda hugs Gus. It is not revealed whether she commits suicide or not. In a confession to Father Ralph, Father John expresses guilt he did not absolve Linda before her confession abruptly ended. Father Ralph says that even if Linda is dead, her soul is immortal, and that Father John's penance is to absolve her now. Father John does so. The film ends with a childhood memory of young Linda at church, where a group of boys laugh at her old torn clothes until she is defended by a young John
Buerlein, whose act seems to make a strong positive impact upon her.
30:
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the role as priest goes far enough in having a positive, substantive impact on the lives of those in his care, particularly Linda. And, in addition to questioning whether he is helping his congregants, Father John questions whether staying within those boundaries is enough to personally fulfill himself as a priest and provide his own life with meaning. He ultimately crosses over those boundaries and gets personally involved in trying to help Linda by delving into the city's red-light district to seek her.
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613:. Holsapple was given only a few weeks to create the score, which was composed mostly of piano music. Holsapple said Coyle gave him a great deal of artistic freedom and was largely receptive to the themes he wrote. James R. Bakkom worked as production designer on the film, and Deborah Fiscus served as costume designer. Both are natives of the Minneapolis – Saint Paul area. Vanessa Miles was set decorator, while Sarah Jean Kruchowski and Amy Hubbard both worked as art directors.
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repeatedly raped Linda in her childhood and ultimately set her on the path to prostitution. Linda confronts him about their past, but claims she has forgiven him his sins, even though he continues to deny any wrongdoing. A drunk Nadine goes to talk to Father John in confession about her loneliness and feelings for him. He admits to caring for her as well, but they agree to remain friends. Later, Father John hires Lloyd Montag (
379:(Patrick Coyle), who leaves with her immediately. As she goes, Father John catches a glimpse of the crucifix she is wearing and tries to chase her down. She leaves in the john's car before he can catch them, but he writes down the license plate as they drive off. Back at church, his sermons start to grow more unorthodox, and Father Ralph warns him that his unusual church manner and trips to the red-light district have the
606:. The church scenes were filmed at the Incarnation Church in the city. Sisto and Chenoweth both attended mass services at the church as part of their research for the roles. Exterior car scenes were shot in the Uptown district. During one scene in particular, a police car with a siren passed by the actors during a shot. The actors continued uninterrupted, and the final shot was used in the film.
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attraction, as well as a desire to help her. This is further manifested through the sudden reappearance of his former girlfriend, for whom Father John admits to still harboring romantic feelings. The priest demonstrates conflicting emotions when it comes to maintaining his priestly vows and his relationship with Nadine.
653:. Coyle first publicly showed the film on December 26, 2008, at the Omaha hospice where his father Jim was staying for an audience of about 15 people. Jim Coyle, who died a few weeks after the screening, loved the film, describing it as very powerful and truthful. It officially premiered on April 26, 2009, at the
756:, called it "a touching and introspective film about faith, hope and choice". Doyle praised the film's quiet tone and the performances of Sisto and Chenoweth, but said it "occasionally gets a little sleepy in the middle", and that the subplot involving Father John's ex-girlfriend could have been cut altogether.
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Ferril. Patrick Coyle's father, Jim, followed production of the film closely, making weekly calls to inquire about it. When his father's health started to decline, Patrick Coyle "worked like hell" to finish the film quickly so his father could see it before he died. The film was finished in
December 2008.
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Throughout the film, Father John is warned that his role as a priest comes with boundaries, and that he should not become personally involved with the congregants or try to solve their problems except through counseling. However, Father John begins to question those boundaries and reconsider whether
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Lee Percy served as editor of the film. He said the final cuts provided to him already contained the actors' strongest performances, but he placed a greater focus on Father John's character in an effort to "help the audience get inside him and connect emotionally". Percy was assisted by editor Scott
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Writer and director
Patrick Coyle plays Steven Miller, one of Linda's clients. Many of the other minor roles were filled by local Minneapolis actors and community members. Greta Oglesby, who played the street-smart prostitute Miriam, and Isabell Monk O'Connor, who played a librarian who helps Father
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is also a story of redemption, both for Linda, who is seeking redemption for a life of sin and prostitution, and for Father John, who is seeking redemption for his failure to help Linda and his own doubts about religion and priesthood. At the start of the film, Father John appears to be questioning
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a well-made film that "gets the mood right from start to finish". He complimented the performances and said although pornography and prostitution were familiar film topics, "the film's nuanced understanding of the priest and his conflicted role in trying to save Linda adds a new element to the old
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required of
Catholic priests. As Father John goes deeper into the red-light district and the seedier aspects of Minneapolis, he appears to face temptations from the prostitution and overt sexuality surrounding him. Additionally, it can be interpreted that his interest in Linda is one of physical
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called it a "haunting, carefully crafted movie" with simple "matter-of-fact" direction, a "trim and efficient" screenplay, strong acting and solid characters. Covert said, "This is one of very few
American films to deal with religious beliefs about faith and salvation with empathy and insight."
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At the apartment, Father John and Lloyd find Linda has moved out, but they discover she had possessed a 12-year-old newspaper clipping about Father John's ordination. Father John offers Lloyd a job helping out at the church, which Lloyd accepts. Father John then returns to his church and cries,
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of
Catholicism. Even before Father John decides to help Linda, he is questioning the constraints of his religion and calling. While speaking to a prospective mother struggling over whether to raise her daughter within the strict confines of Catholicism, Father John gives her advice beyond the
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while imagining what kind of priest his father would have been. His father strongly approved of the project, and told Coyle, "Go make that movie. And tell the truth." Coyle was also partially inspired by his childhood pastor and friend, the
Reverend Damian Zuerlein, who performed the marriage
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Father John learns the john's car belongs to an accountant named Steven Miller, who tells Father John the prostitute is Linda, an expensive call girl who is widely considered among the best at her profession. Meanwhile, Linda visits her dying, elderly stepfather Donald Dupree (Tom Carey), who
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Ann Luster, the film's producer, helped with the script from the earliest stages, and claimed she and Coyle had a deep understanding of how to handle the characters from the start. The film was set in
Minneapolis, Minnesota, where Coyle lived and worked as a writer and actor at the time. The
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million, filming began in May 2008, and production concluded that
December. Cinematography was provided by David Doyle, Russell Holsapple composed the score, and Lee Percy worked as editor. The film touches on themes of temptation, sin, good and evil, redemption and celibacy, as well as the
751:
magazine writer John
Townsend said the film conveyed compassionate views of Christianity and complimented the cinematography. Townsend particularly praised Baumgartner's performance and described the scenes between Sisto and a young boy troubled by his homosexual feelings (John Skelley) as
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magazine writer Rob Nelson called it a well-photographed film of "occasionally irreverent wit", and that Coyle "strikes a near-perfect balance between humor and holiness". Nelson said the film "falters only in its hokey characterization" of the Chenoweth character. Colin Covert of the
491:: "Having just come off a job where there is little room to find true moments and to create a full character, I felt this respite from the task of trying to force a space where I could express something more personal through my job was no less than a creative life saver."
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film critic Lisa Kennedy praised the performances of Sisto and Chenoweth, and complimented Coyle's understanding of the pastoral work of a parish priest. However, she added that the film "doesn't break ground as a story, even one about redemption". Andrea Gronvall of the
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blurs the lines between good and evil, and between right and wrong. The negative responses Father John encounters from congregants and the church regarding his trips to the red-light district demonstrate the way sex and poverty are often stigmatized in society.
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In addition to his personal connections to the city, Coyle said filming took place in Minneapolis because it was relatively inexpensive to shoot there and hire local actors. He said, "Shooting in Uptown is a filmmaker's paradise. You've got everything here."
344:) confesses to a sin she has not yet committed: she plans to commit suicide on her birthday. Father John is taken aback. The confession ends abruptly, and he is unable to stop the woman before she disappears. He knows only that she wears a crucifix and is an
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had a cohesive script which "strikes just the right chord of reverence for the Catholic faith". He also praised the moments of comic relief with Sisto and Baumgartner, which he said complimented some of the film's heavier moments. L. Kent Wolgamott of the
395:), a taxi driver who knows they are looking for Linda and agrees to take them to her apartment. Zeke explains he had driven her to the church when she first spoke to Father John at confession, and Zeke later visited the church to watch Father John preach.
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script won the McKnight Screenwriting Fellowship from IFP Minnesota Center for Media Arts, and investors were sought through public readings. After reading the script, Patrick Coyle's wife said, "If you get a good Father John, you'll have a good movie."
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was partially inspired by his father, James Patrick Coyle, a kind but belligerent man who had been encouraged by his mother to become a priest. James entered seminary but dropped out before ordination after he was drafted into serving overseas in
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ceremony for Coyle and his wife and baptized their children. Coyle said of him, "He's just a young, energetic, competent, committed, devoted man working with a poor parish. And he loves his work. I was inspired by that." Coyle said when writing
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called it a "cheesy melodrama", and wrote, "Writer-director Patrick Coyle tackles such weighty issues as child abuse, alcoholism, hypocrisy, celibacy, and Catholic reforms, but the movie's spiritual agenda is belied by its voyeurism."
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called the cinematography sharp, the editing crisp, and the acting "uniformly good". He added, "Best of all, the writing is anchored in reality. Coyle lets his film show rather than tell, and lets viewers reach their own conclusions."
391:), an unemployed boxer at his church, to serve as his bodyguard as he talks to St. Clair. The pimp, who knows Lloyd from his boxing days, tells Father John what neighborhood Linda lives in. There, Father John and Lloyd find Zeke (
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As the title suggests, one of the major themes of the film involves the temptations Father John faces to sin and stray from his priestly calling. This is perhaps most strongly manifested in his apparent ambivalence regarding the
549:
John, were both veterans of the Minneapolis – Saint Paul theater circuit. Ansa Akyea, who played pimp James St. Clair, and Amy Matthews, who played Father John's ex-girlfriend, were also from the Minneapolis – Saint Paul area.
452:, he did not intend to make a religious film, and said of protagonist Father John Buerlein, "The character could have been a minister or a rabbi or a public defender. He's a good man trying to do a job the best he can."
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1935:
819:. This is demonstrated in a scene in which the priest comforts a young man who is struggling with his homosexual feelings. In meeting and interacting with the pimps and prostitutes of the red-light district,
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The film was partially inspired by Coyle's father, a kind but belligerent man who had considered becoming a priest in his early life. The script won the McKnight Screenwriting Fellowship from the
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concerned. Meanwhile, Father John is contacted by his ex-girlfriend Nadine Brennan (Amy Matthews), who tells him she is divorcing her husband and still harbors romantic feelings for Father John.
1822:
2123:
684:. This resulted in an extended run and strong word-of-mouth that led to exhibitions in other cities. The film earned a total of $ 97,457 in gross revenue in the United States. The
460:, where Coyle was raised. However, the real-life church was also very different from the fictional church in that it lacked a shelter and drew very large congregations for weekend
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There's an Irish notion of thin places, where earth and heaven are very close. It is not strange to find the sacred and the profane intertwined. It's that way in the movie, too.
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and encourages her to be flexible, telling her she should "take what works" from the church teachings. Father John also has an unorthodox view of homosexuality compared to the
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Kristin Chenoweth's agent and proposed the part, which is different from her usual roles, and her agent said it was the exact part the actress was seeking. In order to film
464:, compared to the half-empty pews in the fictional church. The fictional church is also based in part on Our Lady of Guadalupe, another Catholic church in south Omaha. The
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priest (Sisto) that she plans to kill herself on her birthday. The priest attempts to find and save her, and in doing so he plunges himself into a darker side of society.
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1945:
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was produced by Coyle's production company, Ten Ten Films, and the company Farnam Street II, in association with Cabin 14 Productions. It was distributed by
2113:
487:. Sisto said of working on the show, "For nine months we basically do the same episode over and over. This came out of nowhere." Sisto said of working on
312:, where Sisto won the "Outstanding Achievement in Acting" award. The film received generally positive reviews. It was released on DVD on October 27, 2009.
304:. The film did not receive a national release but played at theaters in several cities. Although first publicly shown for Coyle's father in December 2008,
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1509:
641:, but Coyle was displeased when industry officials wanted him to change the ending and make the sex scenes more risque. Due to complications from the
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with the hopes of finding her. On his way home, Father John meets a homeless man named Gus (Gene Larche), but with no money for him, he gives him a
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script by Coyle, who asked him to consider taking the role of Father Ralph O'Brien. Baumgartner said he enjoyed the script and agreed to the part.
586:, which she also produced. Filming, which began in May 2008, took place entirely in Minneapolis. It included several scenes staged in the city's
645:, the Hollywood discussions eventually collapsed. It did not receive a national release, but played at theaters in New York City, Los Angeles,
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1139:"The stars lined up: To make his second feature, local filmmaker Patrick Coyle got Jeremy Sisto, Kristin Chenoweth and a lot of serendipity"
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sold more tickets in three days than any other film during its debut weekend, and sold twice the tickets of such major studio films as
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named James St. Clair (Ansa Akyea) might know about the woman. As they speak in a bar, the mysterious prostitute enters and solicits a
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Coyle approached Russell Holsapple, a Minneapolis – Saint Paul native and relatively inexperienced composer, to create the score for
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fictional church in the story, St. Mary Magdalen's Downtown Catholic Church, is based in part on the St. Mary Magdalene church in
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Jeremy Sisto said he was drawn to the script and was excited to take on a different project than his regular role of Detective
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Father John returns to the red-light district and speaks to a prostitute named Miriam (Greta Oglesby), who suggests a powerful
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336:. Overworked and underpaid, he has grown jaded with the profession and has trouble connecting with his parishioners. During
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and met Margaret Mary Quinlan, who would become his wife and Patrick Coyle's mother. Coyle conceived of the script for
348:(her birthday is soon). Father John grows obsessed with finding and helping this woman, and begins visiting the city's
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Jeremy Sisto was awarded "Outstanding Achievement in Acting" from the 2009 Newport Beach Film Festival awards.
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marks the second film by independent filmmaker Patrick Coyle, who wrote and directed the 2003 drama film
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boundaries between a priest providing counsel and getting personally involved with helping parishioners.
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Kristin Chenoweth and director Patrick Coyle, who had a brief supporting role in the film
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Fischbach, Bob (September 18, 2009). "Priest's search unearths a rich, complex story".
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and Amy Matthews. It tells the story of a sex worker (Chenoweth) who confesses to a
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million. Cinematography was provided by David Doyle, who made extensive use of the
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area before joining that show. While visiting New York City in May 2008 for an
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It was produced by Ten Ten Films and Farnam Street II, and distributed by
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instead. Later, he seeks counsel from his friend Father Ralph O'Brien (
523:. Brian Baumgartner was previously a regular theater performer in the
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Winge, Kevin (September 12, 2009). "Filmed Entirely in Minneapolis".
649:, and several cities throughout Minnesota, including Minneapolis and
353:
513:, Chenoweth took a five-day hiatus from her supporting role on the
1813:"'Tinker Bell', 'Ice Age' and 'Battlestar' among new DVD releases"
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1712:"If you looked around at Incarnation, you may have seen 2 stars"
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During its opening weekend at the Lagoon Cinema in Minneapolis,
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1753:. Into Temptation (official website). p. 3. Archived from
1613:. Into Temptation (official website). p. 1. Archived from
1423:. Into Temptation (official website). p. 2. Archived from
1341:. Into Temptation (official website). p. 2. Archived from
1271:. Into Temptation (official website). p. 1. Archived from
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drama film written and directed by Patrick Coyle, and starring
688:
DVD was released on October 27, 2009, with no bonus features.
1382:"Review: "Into Temptation" is haunting and carefully crafted"
561:
Actress Greta Oglesby appears on a set depicting the city's
270:. Several supporting roles were filled with actors from the
598:
was produced and shot on a very low budget of less than $ 1
274:
theater, and Coyle himself performed in a supporting role.
360:), who advises him not to become too personally involved.
1903:"Shocking confession sends young priest on moral journey"
2008:"Chicago Native Jeremy Sisto Leads Us 'Into Temptation'"
531:
presentation, shortly after having finished filming the
300:, but talks fell through due to complications from the
752:"exquisite". Chelsa Doyle, a writer with the website
1969:"Seraphine is Big Winner at Newport Beach Film Fest"
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1936:"It's a wrap for the NewPort Beach Film Festival"
806:The film takes a modern, liberal approach to the
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1097:"World Premiere – Personalities – Patrick Coyle"
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917:"Give in to 'Temptation' when it gets to Dundee"
2002:
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1996:
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308:officially premiered on April 26, 2009, at the
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2124:Films about prostitution in the United States
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1189:Burbach, Christopher (September 20, 2009).
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501:portrayed Father Ralph O'Brien in the film.
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1233:"Newport Beach Film Fest: Halftime Report"
266:was filmed and set in Coyle's hometown of
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20:
1679:"The lingering lure of "Into Temptation""
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324:) is the mild-mannered priest of a small
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871:Molgamott, L. Kent (February 12, 2010).
590:commercial district, where Coyle lived.
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1668:
1302:"Kristin Chenoweth lured to Temptation"
848:
340:, a mysterious and unnamed prostitute (
1454:Gronvall, Andrea (December 21, 2009).
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1012:
1010:
1008:
1915:from the original on October 19, 2012
1825:from the original on October 23, 2012
1468:from the original on October 14, 2012
1065:from the original on November 7, 2012
915:Fischbach, Bob (September 17, 2009).
699:received generally positive reviews.
7:
1851:Doyle, Chelsea (November 17, 2009).
1779:Hewitt, Chris (September 16, 2009).
1724:from the original on August 10, 2010
1653:from the original on August 14, 2012
1498:Cochran, Bruce (September 6, 2009).
975:
973:
2016:. December 17, 2009. Archived from
1512:from the original on April 29, 2010
954:. The Numbers. 2009. Archived from
2114:English-language independent films
1901:Kennedy, Lisa (January 21, 2010).
1781:"Into Temptation? Into A Long Run"
1691:from the original on July 31, 2010
1641:"'Daisies' star joins indie drama"
1582:from the original on July 17, 2012
1500:"Confessions of a local filmmaker"
1312:from the original on July 16, 2015
1191:"Dad's thumbs up trumps any Oscar"
1018:Patrick Coyle (Director). (2009).
993:from the original on June 14, 2015
885:from the original on July 31, 2010
14:
1677:Kerr, Euan (September 22, 2009).
1564:Townsend, John (September 2010).
1380:Covert, Colin (October 6, 2009).
1137:Covert, Colin (August 22, 2009).
1095:Coyle, Patrick (April 25, 2009).
262:Minnesota Center for Media Arts.
281:. With a budget of less than $ 1
16:2009 indie film by Patrick Coyle
1051:Nelson, Rob (August 30, 2009).
1934:Chang, Richard (May 1, 2009).
1231:Coker, Matt (April 27, 2009).
541:, Baumgartner was offered the
481:on the NBC crime drama series
1:
1853:"DVD Review: Into Temptation"
1639:Hilton, Beth (May 14, 2008).
643:financial crisis of 2007–2010
2119:Films about Catholic priests
2109:English-language drama films
2094:2000s English-language films
925:. p. 06. Archived from
1967:Coker, Matt (May 1, 2009).
1300:Kit, Borys (May 14, 2008).
655:Newport Beach Film Festival
310:Newport Beach Film Festival
2150:
2104:American independent films
1941:The Orange County Register
817:normal views of the church
873:"Review: Into Temptation"
800:of director Patrick Coyle
659:Newport Beach, California
604:Red Digital Cinema Camera
28:
2129:Films set in Minneapolis
1505:Twin Cities Daily Planet
1024:First Look International
981:"Into Temptation (2009)"
798:Papillion priest, friend
574:First Look International
525:Minneapolis – Saint Paul
279:First Look International
168:April 26, 2009
154:First Look International
2134:Films shot in Minnesota
719:writer Matt Coker said
2084:2009 independent films
1786:St. Paul Pioneer Press
1684:Minnesota Public Radio
789:
566:
502:
424:
421:Minneapolis, Minnesota
419:was filmed and set in
368:
320:Father John Buerlein (
272:Minneapolis–Saint Paul
268:Minneapolis, Minnesota
2020:on September 15, 2012
1710:C.J. (May 19, 2008).
808:rules and constraints
738:Bob Fischbach of the
560:
497:
415:
366:
212:Less than $ 1 million
2099:American drama films
2089:2000s American films
2013:Chicago Public Radio
1948:on November 23, 2010
1821:. October 23, 2009.
1746:Holsapple, Russell.
1394:on November 17, 2009
958:on December 27, 2010
878:Lincoln Journal Star
794:Rev. Damian Zuerlein
727:Lincoln Journal Star
681:Inglourious Basterds
583:Fried Green Tomatoes
138:Cabin 14 Productions
1151:on October 24, 2012
647:Fargo, North Dakota
1981:on August 16, 2014
1887:Omaha World-Herald
1865:on August 13, 2010
1748:"Production Notes"
1608:"Production Notes"
1418:"Production Notes"
1414:Baumgartner, Brian
1336:"Production Notes"
1266:"Production Notes"
1196:Omaha World-Herald
922:Omaha World-Herald
741:Omaha World-Herald
578:executive producer
567:
563:red-light district
517:television series
503:
425:
369:
350:red-light district
1760:on March 24, 2012
1620:on March 24, 2012
1566:"On the Townsend"
1456:"Into Temptation"
1430:on March 24, 2012
1348:on March 24, 2012
1278:on March 24, 2012
1109:on March 20, 2012
1053:"Into Temptation"
1022:. United States:
952:"Into Temptation"
692:Critical response
676:Quentin Tarantino
499:Brian Baumgartner
432:Detective Fiction
358:Brian Baumgartner
342:Kristin Chenoweth
245:Brian Baumgartner
241:Kristin Chenoweth
224:
223:
119:Russell Holsapple
74:Brian Baumgartner
69:Kristin Chenoweth
35:DVD release cover
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2079:2009 drama films
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671:Taking Woodstock
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33:
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2054:Into Temptation
2043:Into Temptation
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830:vow of celibacy
821:Into Temptation
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721:Into Temptation
697:Into Temptation
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666:Into Temptation
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611:Into Temptation
599:
570:Into Temptation
555:
543:Into Temptation
520:Pushing Daisies
511:Into Temptation
489:Into Temptation
484:Law & Order
475:
466:Into Temptation
458:Omaha, Nebraska
450:Into Temptation
445:Into Temptation
436:Into Temptation
428:Into Temptation
417:Into Temptation
410:
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290:Into Temptation
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228:Into Temptation
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1890:. p. 03E.
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135:Ten Ten Films
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52:Patrick Coyle
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44:Patrick Coyle
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2042:
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2011:
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1919:December 23,
1917:. Retrieved
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1818:Deseret News
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1717:Star Tribune
1715:
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1615:the original
1606:Percy, Lee.
1584:. Retrieved
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1539:
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1100:
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441:World War II
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322:Jeremy Sisto
319:
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237:Jeremy Sisto
227:
226:
225:
184:Running time
161:Release date
108:Scott Ferril
83:Amy Matthews
64:Jeremy Sisto
18:
1908:Denver Post
1858:Blogcritics
1646:Digital Spy
1578:(373): 20.
933:January 17,
759:Denver Post
754:Blogcritics
507:cold called
330:Minneapolis
233:independent
94:David Doyle
41:Directed by
2074:2009 films
2068:Categories
844:References
538:The Office
479:Cyrus Lupo
403:Production
381:archbishop
338:confession
328:parish in
231:is a 2009
217:Box office
188:95 minutes
172:2009-04-26
125:Production
49:Written by
2024:April 21,
1985:March 14,
1974:OC Weekly
1952:March 14,
1869:April 11,
1797:April 18,
1764:April 11,
1728:March 14,
1695:April 18,
1657:March 14,
1624:April 11,
1586:April 13,
1516:April 12,
1472:March 14,
1434:April 11,
1398:March 14,
1352:April 11,
1282:April 11,
1249:March 14,
1238:OC Weekly
1207:March 14,
1155:March 13,
1069:April 11,
889:April 12,
811:official
716:OC Weekly
639:Hollywood
334:Minnesota
298:Hollywood
127:companies
105:Lee Percy
99:Edited by
2048:AllMovie
1913:Archived
1823:Archived
1722:Archived
1689:Archived
1651:Archived
1580:Archived
1571:Lavender
1510:Archived
1466:Archived
1316:June 14,
1310:Archived
1063:Archived
997:June 11,
991:Archived
989:. 2009.
883:Archived
748:Lavender
735:story."
635:optioned
326:Catholic
294:optioned
253:Catholic
220:$ 97,457
201:Language
116:Music by
57:Starring
1829:June 6,
1306:Reuters
1113:June 6,
1058:Variety
962:June 6,
730:called
702:Variety
621:Release
553:Filming
529:upfront
473:Casting
408:Writing
204:English
193:Country
170: (
777:Themes
651:Duluth
600:
588:Uptown
505:Coyle
354:rosary
283:
209:Budget
1758:(PDF)
1751:(PDF)
1618:(PDF)
1611:(PDF)
1428:(PDF)
1421:(PDF)
1346:(PDF)
1339:(PDF)
1276:(PDF)
1269:(PDF)
813:dogma
346:Aries
2059:IMDb
2026:2010
1987:2010
1954:2010
1921:2010
1871:2010
1831:2011
1799:2010
1766:2010
1730:2010
1697:2010
1659:2010
1626:2010
1588:2010
1518:2010
1474:2010
1436:2010
1400:2010
1354:2010
1318:2011
1284:2010
1251:2010
1209:2010
1157:2010
1115:2011
1071:2010
999:2011
964:2011
935:2011
891:2010
674:and
633:was
462:mass
377:john
373:pimp
316:Plot
292:was
2057:at
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678:'s
657:in
637:by
535:of
515:ABC
296:by
260:IFP
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2010:.
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174:)
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