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Intransitive Recordings

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of Bip-Hop Magazine if his label's mission was to discover and promote up-and-coming new artists. He replied that it was not: "Many of the artists whose work appears on Intransitive are folks whose music I’ve been excited about since I was young. Brume, for example, is someone whose music first
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In 1998, Stelzer decided to publish work by other composers and reached out to artists whose music he had long admired. "Since it was so easy to publish one CD, I felt empowered (and bold!) enough to ask two of my favorite artists,
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and others. In many cases, I use the label to give something back (in a way) to the artists who I admire by publishing their new works.
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In addition to publishing CDs, CDRs and records, Intransitive Recordings also hosted concerts in the Boston area.
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Stelzer explained that "... (the) reason for starting Intransitive was to publish my own work. I had recorded
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records and cassettes are things I’ve been listening to for years and years. Same with
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was an independent record label for experimental music, founded by the artist
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Interview with Howard Stelzer about the History of Intransitive Recordings
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excited me when I was 16 years old and in high school. Frans de Waard's
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between its start in 1997 until its ending in 2012.
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Unsourced material may be challenged and removed. 755:"Weekly Dig article about Intransitive Recordings" 683:"--==> foxy digitalis : Features <==--" 416:Knud um Nom du Serpent (Le Cercle des Entrailles) 738:"Bip-Hop Magazine interview with Howard Stelzer" 424:Mike Bullock / Howard Stelzer & Jason Talbot 315:In 2009, the label added a sub-division called 793:Intransitive Recordings at allrecordlabels.com 8: 118: 788:Intransitive Recordings entry @ Discogs.com 117: 713:"Igloo Mag interview with Howard Stelzer" 296:) to submit an album for me to put out." 106:Learn how and when to remove this message 663: 7: 325:) in order to publish small-edition 44:adding citations to reliable sources 582:Hatali Atseli (L'Echgange des Yeux) 14: 601:Kommissar Hjuler & Mama Baer 318:Songs From Under the Floorboards 20: 783:Intransitive Recordings website 31:needs additional citations for 299:In 2002, Stelzer was asked by 1: 127:Independent Record Publisher 687:www.digitalisindustries.com 834: 818:Noise music record labels 321:(named after the song by 245:. Intransitive published 55:"Intransitive Recordings" 671:Intransitive Recordings 579:& Seijiro Murayama 280:(Christian Renou, from 239:Intransitive Recordings 119:Intransitive Recordings 813:American record labels 484:Seth Nehil/JGrzinich ' 247:electro-acoustic music 652:List of record labels 537:Exactly What You Lost 427:The Idea of Northeast 615:Catastrophe Point #5 349:The Use of Recycling 173:Gainesville, Florida 40:improve this article 523:Wonders Never Cease 473:& Jason Talbot 336:Partial Discography 120: 370:6 (Mailcop Rules)' 251:free improvisation 154:Free Improvisation 459:Nerve Net Noise 236: 235: 116: 115: 108: 90: 825: 770: 769: 767: 766: 757:. Archived from 751: 745: 744: 742: 734: 728: 727: 725: 724: 715:. Archived from 709: 703: 702: 700: 698: 689:. 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Music
Electroacoustic
Electronic
Free Improvisation
Improvisation
Noise
Gainesville, Florida
MA
United States
Howard Stelzer
Kommissar Hjuler
Roel Meelkop
Kapotte Muziek
C. Spencer Yeh
Nerve Net Noise

Howard Stelzer
electro-acoustic music
free improvisation

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