510:, who shared the same management as GGGarth. Initially, it was going to be mixed by another engineer, but they had to find someone else at the last minute. Wright didn't know of the band prior to taking on the project, and listened to their previous independent material in order to get a sense of their musical progression. Wright interviewed GGGarth and the band before mixing it, since he wanted to know what their "vision" for the record was. The band later said that they believed Wright's mixing helped make the record "sound huge". While the band were pleased with Wright's overall work, Illidge notes that Wright decided to digitally replace the drum tones on the record with his own drum samples, which Illidge disagreed with. Illidge said in 2021, "still to this day I wonder how the record would sound if he hadn't of done ." Wright said that the changing of the drums was just a "little enhancement", adding that only certain parts of the album had the drums replaced.
529:, in part due to issues with the band's troubled label London-Sire. Despite being one of the heavier songs on the album, "Falling Down" received moderate airplay, leading to it initially being considered. Max Illidge stated in 2002 "We could have made a video for it and maybe if the video was shocking enough it would have given us a bigger push, but London-Sire just decided to scrap "Falling Down" and go with "Wither Away" for the video. I mean we were literally going to leave in like a few days to shoot the video for ‘Wither Away" — en route to LA — we had the plane tickets and the actresses schedules and just all that, and we were about three days away from the day of shooting and we got the phone call that we weren’t doing it and they were going to wait until early next year, but we knew that they were folding. We are not ever going to get that video." A live video for "Rope" was eventually created. Shortly before
456:, and had production gear from the city driven over to the studio where 40 Below Summer was recording. Lead guitarist Jordan Plingos recalled in 2001 "I think the first thing that we clicked with Garth about was that he was relaxed. He wasn't like, 'let's go, guys, let's go!' He was more like, 'get comfortable, get settled in.' His whole thing is bringing out the best in you, so pressuring you to do something doesn't help. He was all about us, which was amazing." Max Illidge said in 2002 "he’s a lot of fun. He’s crazy too. Definitely a crazy little fucker, but he’s a lot of fun and a very talented guy. He definitely helped unlock some doors inside of me."
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record industry in New York, and had experience dealing with labels, which is why he involved himself in the label negotiations for 40 Below Summer. They ended up not signing with
Maverick as a result of Steven Richards, who was the head of No Name at the time. Richards tried to get Maverick to pay the band a significantly larger amount of money than they had originally asked for, with the label refusing. Illidge recalls that Maverick told them that "what you're asking for is absurd, this is a metal band. This isn't the
714:(2000). D'Amico stated in December 2001 "'Falling Down' is like the epitome of 40 Below Summer. There was no way that it wasn't going to make the album. 'Jonesin' is a sick twisted tale that we just wanted to tell. It's a true story. 'Sideshow' is like the anthem. It always gets the crowd going. 'Rejection'… I don't know. It's just a pretty heavy song so it made it." The song "Power Tool" was one of the earliest pieces of music written by the band. It was originally titled "Monica" (in reference to the 1998
693:", and Illidge then went to his home studio and wrote the rest of the song around D'Amico's guitar parts. Illidge had a drum machine at his home studio and at a practice session the next day came to his band members with a nearly complete version of the song. This version of "Wither Away" was written shortly before 40 Below Summer was signed to London-Sire, when they were still in the process of doing showcases for labels.
383:, Crahan pushed for 40 Below Summer to join No Name. 40 Below Summer had a manager showcase, with three management groups showing interest in them. They chose to partner with No Name, due to their association with Slipknot and Mudvayne. They believed that partnering with No Name would give them a better chance of touring with these bands, and that it could allow them to take on tours that those bands didn't want to do.
448:). Despite also being credited as a producer, Crahan only contributed to the business workings of the band. After first being approached to produce, GGGarth listened to their independent releases. He enjoyed what the band was doing, subsequently saying that one of the main things that made him want to work with 40 Below Summer was Max Illidge, who he found to be a charismatic frontman. GGGarth was originally from
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there covers it all." D'Amico said in 2021 that the changes in mood throughout songs such as "Falling Down" were inspired by The
Smashing Pumpkins, who often had "dreamy" parts mixed with heavier moments. However, he notes that the band didn't intentionally set out to have contrasting soft parts in "Falling Down" when they first wrote the song.
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choice to master the album. Illidge said in 2021 that, "Howie
Weinberg mastered our record like it was every other metal record, which back then is just smash it to death, compress the shit out of it and then make it loud as hell, which in turn just gave us a distorted piece of crap. It just didn't sound good."
594:. Regarding the album's sound, Joey D'Amico remarked in September 2001 that "the music is definitely emotional, but its hardcore in its roots". Illidge and D'Amico both had parents who were musicians, and as such were influenced by a variety of non-rock musical styles growing up. The New York progressive band
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a positive review. She wrote, "this disc has all the trappings of a big monster metal record. Vocalist Max
Illidge has a voice that is reminiscent of the master bands like Queensrÿche, but with a modern growl." Authier added, "don't get me wrong; this is a contemporary record that can hold its own in
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and metal, has been cited as a major influence by
Illidge and D'Amico. D'Amico said in 2021 that they "had the attitude we had, we never stuck to a formula or said 'we have to write this type of song', it was just whatever we felt." D'Amico often went to see local bands from the New Jersey/New York
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at the time, and would make sure
Illidge and other members of the band had access to the drug when they came to the studio, with the members often using it before recording their parts. D'Amico recalled that GGGarth thought he "played better" when he was high on marijuana. In spite of this drug use,
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at the label. At first, the band were given a larger offer to join
Maverick, and had initially accepted it. The band were happy with the deal, but were trying to negotiate an extra small sum of money. Illidge states that it was "an additional 5%" and that it "wasn't big". Illidge grew up around the
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at first glance may seem to be just another hard rock album, but along with further observation it is apparent that 40 Below Summer is striving to spice up what modern hard rock became in the 21st century." He concluded his review by writing "40 Below Summer's ability to keep the listener guessing
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and more extreme vocal stylings. Jordan
Plingos stated in 2001 "If somebody asks me what this band sounds like, I say 'go listen to 'Falling Down,' because it has everything. It starts off fast and heavy and brutal, and then, from the bridge and chorus to the end, it makes you cry. That song right
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had originally been hired to master the album, however, the band didn't like the job he did mastering three of their songs, and decided to get
Illidge's godfather Alan Silverman to master it instead. Silverman, who had previously worked on their independent releases, had always been their original
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and shit like that. Drinking and pot were mainly our vices, and
California at the time had the best weed in the planet, we were smoking our brains out." As a result of their major label deal, the band had access to hundreds of thousands of dollars, which meant they were able to afford all the
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After joining No Name, numerous record label showcases on both coasts followed. It was reported that up to fifteen prominent labels expressed an interest in signing the band. Crahan would continue to help out 40 Below Summer during the period where they were weighing up offers from prospective
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In March 2001, 40 Below Summer travelled to Los Angeles again to commence recording their major label debut for London-Sire. The band had never been to California prior to joining No Name, with D'Amico recalling in 2021, "the vibe there was very relaxed, and we're from New York, so we thought
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at the same studios. One of their members, Ryan Juhrs, later became part of 40 Below Summer. The two bands would check on the progress of each other's album, with D'Amico recalling that Flaw were surprised at how heavy 40 Below Summer was. They had initially believed them to be an
689:. Illidge considers "Wither Away" to be his favorite vocal performance on the album. The chorus to the song was written by Illidge in 1995, before he had formed 40 Below Summer. D'Amico later came up with guitar work that was inspired by Iron Maiden's "
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Illidge claims that they came to the studio on time every day and didn't do much hard partying, like many other bands would at the time. D'Amico said in 2021, "we weren't doing hard drugs, we never were a band like that. We were never like into doing
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The band originally formed in 1998. The only two constant members, vocalist Max Illidge and rhythm guitarist Joey D'Amico, first met each other during late 1997. 40 Below Summer had made a name for themselves by performing heavily across their native
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Max Illidge used techniques with his microphone to create natural tremolo effects on his voice, which can be heard on songs such as "Smile Electric". He would also do these techniques with his microphones during live performances, and said that
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were at the same showcase as Capitol, and the band decided to join them. London-Sire was another Warner-owned label, but was based in New York, unlike Maverick. In addition to this, No Name had a good relationship with the
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According to Max Illidge, the record has sold roughly 100,000 copies. He has noted that it is the only record in 40 Below Summer's discography which they do not control the rights to. Both this and the band's next album
661:. D'Amico said in 2021, "you have forever to write your first album, so the influences can run really deep from when you first encounter music up into that point. Right before we made the record, I was listening to
566:, with the artwork concept being conceived by the band members and executed by Los Angeles-based t42design. The cover and booklet photography were shot in the Californian desert over the course of a single day.
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the company of bands like Slipknot and Korn, it just has that little something extra. Maybe it is the worldly influences of Peruvian drummer Carlos Aguilar and Puerto Rican bassist Hector Graziani."
607:, and was influenced by them. While the band dislikes being put into the nu metal category, D'Amico noted in 2021 they were also influenced by bands associated with the movement, including
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a surefire hit for those looking for something more out of hard rock than a down-tuned bass and simplistic lyrics." In December 2001, Amber Authier of Canadian publication
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328:. It is the band's first record to be put out on a major label. Two months after its release, the label went out of business, and the album was re-issued through
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704:"Step into the Sideshow", "Falling Down", "Rejection" and "Jonesin" were all rerecorded songs that originally appeared on the band's independent releases
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During the making of the album, the band came into contact with well-known musicians. Illidge says he remembers spending nights smoking marijuana with
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influenced him in doing this. Illidge adds that his melodies were "inspired from strange places", saying that some of them were influenced by 1980s
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and the like. Positively riddled from beginning to the welcome end with non-stop monotony like a mandatory week long insurance seminar." In 2015,
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554:, which was their final release before their initial breakup. The elderly man on the album cover also appeared in the 2000 music video for the
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in New York, who had connections to 40 Below Summer. For eight hours straight, Crahan had the CD on repeat in his car while driving from
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had a more negative review. He gave it a 3 out of 10 in May 2003, writing that, "40 Below Summer is what I call radio metal. You know,
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Songs such as "Falling Down" and "Rejection" feature a volatile brand of singing which frequently alternates between melodic crooning,
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once they started recording the album in Los Angeles. The dance theme would be referenced again on 40 Below Summer's 2006 album
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for the album was also made, which shows the band members speaking to an actress playing a
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everybody there was weird, we're like 'why are they so nice? why is everybody so happy?'".
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All lyrics are written by 40 Below Summer; all music is composed by 40 Below Summer
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ranked the album ninth on their list of "The 12 Most Underrated Nu Metal Albums".
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40 Below Summer were given a recording budget of around 250,000 dollars, and made
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D'Amico, Joey, Illidge, Max, Richardson, Garth, and Wright, Toby, 2021.
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1663:"CoC : 40 Below Summer - Invitation to the Dance : Review"
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also being released in countries such as Australia and Japan.
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came into contact with the CD through the head of Slipknot's
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non-stop. That was a huge influence on me and Max as well."
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found its way to No Name Management (known for acts such as
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labels. The band flew out to Los Angeles and showcased for
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No conceptual music videos ended up being made to promote
484:. Illidge was introduced to B-Real through Jim LaMarca of
488:. 40 Below Summer also came into contact with the band
1526:"KNAC.COM - Features - Invitation to the Band: 40 Bel"
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The album was mixed by veteran producer and engineer
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Second Engineer at Sound City Studios – Ben Mumphrey
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722:scandal) but had to be changed for legal reasons.
403:were on. In Los Angeles, they also showcased for
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1713:"40 Below Summer : Invitation to the Dance"
421:, this isn't something that's guaranteed to go
1553:Invitation to the Dance — Electronic Press Kit
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1275:Production Coordinator – Chris Vaughan-Jones
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349:. In late 2000, the band's self-released CD
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1322:"The 12 Most Underrated Nu Metal Albums"
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21:Invitation to the Dance (disambiguation)
1630:"2013 Audio interview with Max Illidge"
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1284:– Alan Silverman at Arf! Digital NYC
737:had limited releases overseas, with
16:2001 studio album by 40 Below Summer
1910:Albums produced by Garth Richardson
1266:Second Engineer at Cello Studios –
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1497:. 29 November 2001. Archived from
1332:from the original on June 4, 2022.
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1602:"40belowmusic.com // wethepeople"
1574:"40belowmusic.com // wethepeople"
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1278:Digital Editing – Ben Kapplan
1738:"40 Below Summer │ Exclaim!"
521:Promotion, title and artwork
503:band because of their name.
469:marijuana they were using.
297:Released: December 24, 2002
261:Released: February 14, 2002
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288:Released: October 15, 2002
252:Released: October 23, 2001
59:October 16, 2001
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336:Background and recording
276:"Step Into the Sideshow"
270:Released: April 23, 2002
238:Invitation to the Dance
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603:hardcore scene such as
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316:is the second album by
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29:Invitation to the Dance
1905:40 Below Summer albums
1895:Reprise Records albums
459:GGGarth was a user of
1900:Warner Records albums
1667:Chroniclesofchaos.com
639:The Smashing Pumpkins
619:, early Deftones and
425:almost immediately."
750:Professional ratings
570:Music and influences
535:electronic press kit
395:, which was part of
19:For other uses, see
1890:Sire Records albums
1717:Spirit-of-metal.com
1634:Thesirenslounge.com
1557:London-Sire Records
1501:on 29 November 2001
1257:at the Record Plant
996:Chronicles of Chaos
805:Chronicles of Chaos
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326:London-Sire Records
1835:The Mourning After
1640:on 3 February 2017
1247:– Michael Baskette
1210:Hector Graziani –
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734:The Mourning After
605:Vision of Disorder
476:from Deftones and
397:Warner Music Group
216:The Mourning After
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1216:Carlos Aguilar –
1204:Jordan Plingos –
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1800:David Mondragon
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1239:M. Shawn Crahan
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1046:"We the People"
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1471:Life is Peachy
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633:bands such as
571:
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551:The Last Dance
539:fortune teller
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514:Howie Weinberg
363:). Slipknot's
337:
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249:"Falling Down"
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74:March–May 2001
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1819:Studio albums
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1795:Joey D'Amico
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1692:Roughedge.com
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1079:"Wither Away"
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1019:Track listing
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675:Faith No More
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258:"Wither Away"
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89:, Los Angeles
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22:
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1790:Max Illidge
1789:
1732:
1720:. Retrieved
1716:
1707:
1695:. Retrieved
1691:
1682:
1670:. Retrieved
1666:
1642:. Retrieved
1638:the original
1633:
1609:. Retrieved
1605:
1581:. Retrieved
1577:
1555:
1533:. Retrieved
1529:
1503:. Retrieved
1499:the original
1470:
1134:"Power Tool"
1068:"Still Life"
1023:
994:
988:
982:
976:
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967:
962:
738:
732:
729:
720:Bill Clinton
709:
705:
703:
695:
691:Wasted Years
671:
667:first record
624:
611:, Slipknot,
573:
556:3 Doors Down
549:
545:
543:
530:
526:
524:
512:
505:
493:
482:Cypress Hill
471:
458:
444:, Mudvayne,
433:
431:
427:
385:
380:
365:Shawn Crahan
350:
339:
330:Warner Music
312:
311:
310:
267:"Power Tool"
237:
214:
206:
205:
196:
171:Shawn Crahan
149:Warner Bros.
44:Studio album
1885:2001 albums
1300:– t42design
1288:Photography
1255:Toby Wright
1156:"Minus One"
1123:"Rejection"
1009:Linkin Park
708:(1999) and
687:Queensrÿche
679:Mike Patton
647:Def Leppard
643:Iron Maiden
635:Soundgarden
631:alternative
621:Limp Bizkit
564:tarot cards
508:Toby Wright
409:London-Sire
377:Los Angeles
369:street team
139:London-Sire
1879:Categories
1305:References
1225:Production
981:also gave
866:Rough Edge
560:Kryptonite
343:New Jersey
187:chronology
141:(original)
87:Sound City
63:2001-10-16
1722:5 January
1697:5 January
1672:5 January
1644:5 January
1611:5 January
1583:5 January
1535:5 January
1505:5 January
1298:album art
1282:Mastering
1182:Personnel
1005:Disturbed
745:Reception
677:vocalist
659:Testament
613:Sevendust
592:hard rock
461:marijuana
450:Vancouver
151:(current)
1530:Knac.com
1473:Podcast.
1358:AllMusic
1330:Archived
1245:Engineer
1231:Producer
1167:"Jonesin
993:website
978:Exclaim!
964:Allmusic
769:AllMusic
663:Glassjaw
596:Candiria
576:nu metal
486:Chimaira
401:Deftones
393:Maverick
361:Mudvayne
357:Slipknot
347:New York
318:nu metal
159:Producer
102:Nu metal
71:Recorded
56:Released
46: by
1261:A&R
1235:GGGarth
1220:, piano
1145:"Drown"
726:Release
698:rapping
683:Britpop
651:Pantera
617:Incubus
600:R&B
584:hip hop
438:GGGarth
414:A&R
389:Madonna
234:Singles
220:(2003)
211:(2001)
202:(2000)
166:GGGarth
145:Reprise
61: (
1865:(2000)
1846:(2006)
1838:(2003)
1830:(2001)
1560:, 2001
1251:Mixing
1206:guitar
1200:guitar
1194:vocals
1057:"Rope"
1038:Length
763:Rating
760:Source
655:Exodus
558:song "
478:B-Real
454:Canada
446:Kittie
285:"Rope"
115:Length
85:&
79:Studio
1218:drums
1169:'
1035:Title
480:from
320:band
236:from
132:Label
95:Genre
83:Cello
1862:Rain
1724:2019
1699:2019
1674:2019
1646:2019
1613:2019
1585:2019
1537:2019
1507:2019
1212:bass
1174:4:43
1159:2:36
1148:4:30
1137:4:15
1126:4:09
1115:2:59
1104:4:27
1093:3:04
1082:4:18
1071:3:02
1060:4:21
1049:3:40
718:and
711:Rain
657:and
637:and
609:Korn
590:and
588:jazz
490:Flaw
466:coke
423:gold
381:Rain
373:Iowa
359:and
352:Rain
345:and
198:Rain
1854:EPs
1326:VH1
1164:12.
1153:11.
1142:10.
1031:No.
1013:VH1
665:'s
501:emo
375:to
1881::
1715:.
1690:.
1665:.
1654:^
1632:.
1621:^
1604:.
1593:^
1576:.
1565:^
1545:^
1528:.
1515:^
1478:^
1366:^
1356:.
1339:^
1328:.
1324:.
1313:^
1253:–
1237:,
1233:–
1131:9.
1120:8.
1109:7.
1098:6.
1087:5.
1076:4.
1065:3.
1054:2.
1043:1.
1007:,
1003:,
653:,
649:,
645:,
615:,
586:,
541:.
452:,
407:.
332:.
124:05
120:46
1771:e
1764:t
1757:v
1740:.
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1701:.
1676:.
1648:.
1615:.
1587:.
1539:.
1509:.
1360:.
1171:"
578:/
440:(
147:/
122::
65:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
