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from their anger. Apollo has answered through his oracle at Delphi, saying that his guilt will be redeemed if he brings his sister back to Greece. He takes Apollo to mean his own sister, and so the two men have landed in Tauris to steal the statue of Diana from her temple. They have been discovered by the King's soldiers however, and taken prisoner. Orestes despairs, fearing that they will become human sacrifices.. Pylades encourages him, telling him about the kindly priestess who does not kill prisoners. Nevertheless, Orestes feels that their mission is hopeless.
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his true identity, because he cannot bear
Iphigenia's distress at this news: Let there be truth between us: I am Orestes. Iphigenia is happy to have found her brother again, and makes herself known in turn. Orestes decides nevertheless that he should die to appease the Furies; Iphigenia and Pylades should save themselves. He keeps the oracle's words to himself. At the end of the scene he falls unconscious to the ground.
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him. In a prayer, Iphigenia thanks Diana and asks that
Orestes may be released from the curse. Pylades tries to reason with him. When Orestes finally wakes from his dream (The curse is lifted, my heart assures me), he embraces Iphigenia, thanks the gods, and declares himself ready for action again. Pylades reminds them both of the need for haste which their danger imposes on them, and urges them to a quick conclusion.
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Scene 3: Thoas makes his suit. Iphigenia justifies her refusal by her longing for Greece, and does her best to add other sound reasons, such as the curse that lies on her family, which condemns all the descendants of
Tantalus to kill each other. She gives several examples. Thoas is not dissuaded, but
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Scene 6: Orestes offers himself in single combat, to decide their fate. Thoas himself is willing to accept the challenge, and is unpersuaded by
Iphigenia's reasoning, especially because she had been party to the plan to steal the statue of Diana. Orestes explains his misunderstanding of the oracle's
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Scene 3: Orestes wakes, but still believes himself to be in Hades, and thinks that
Iphigenia and Pylades have descended there too. He pities his friend and wishes that his sister Electra were also in the underworld, so that she too can be free of the curse. Iphigenia and Pylades come to him, to heal
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Scene 3: Iphigenia tells the angry Thoas that having experienced mercy when she was to be sacrificed, she is obliged to be merciful now. She argues that a woman's words can be as powerful as a man's sword; she tells him who the prisoners are, who she is, and of their plan to escape; and she appeals
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Scene 1: Iphigenia promises
Orestes, whose name she still does not know, to do all in her power to save him and Pylades from being sacrificed to Diana. She asks about Agamemnon's children (her siblings). Orestes tells her of Clytemnestra's murder, stabbed by Orestes at Electra's urging, and reveals
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Scene 2: Arkas, the confidant of Thoas, King of Tauris, announces the King's arrival. Iphigenia admits her homesickness to him. Arkas reminds her of all the good she has done in Tauris, for example, ending the custom of sacrificing all strangers on Diana's altar. He explains that the King is coming
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Scene 1: Since Diana saved her from death (her father
Agamemnon chose to sacrifice her in return for a favourable wind for Troy), Iphigenia has been serving as her priestess on Tauris. Although she is grateful to the goddess, and although she is held in high regard by King Thoas and his people, she
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Scene 1: Iphigenia's brother
Orestes and his friend and cousin Pylades arrive, and we learn that they are following up an oracle of Apollo. Orestes has avenged his father by murdering his mother, and has been pursued ever since by the implacable Furies. So he has pleaded with Apollo to release him
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Scene 2: Iphigenia speaks with
Pylades, who does not reveal his name. He pretends that he and Orestes are brothers, and that Orestes has killed their brother. Iphigenia questions him about Greece. He tells her of the fall of Troy and the death of many Greek heroes. His account increases her
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Scene 2: Orestes has a vision of Hades. He sees his dead forebears in the
Tantalus line happily forgiven in the underworld. This vision perhaps contributes to his healing, since it reveals to him the possibility of forgiveness after death.
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Scene 4: Pylades announces that Orestes is in good spirits, that the boat is ready, and urges her to hurry. She still hesitates, even though Pylades points out that she would have an even worse conscience if Orestes and he were killed.
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has polluted the temple, and that she must first purify it. They argue over the King's right to command, and the priestess's right to interpret the will of the Goddess. Arkas leaves to report to the King.
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Scene 3: Iphigenia reflects on her dilemma and the need to decide between the joy of escaping with her brother and the need to deceive and abandon the King, who has been good to her.
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Scene 5: In the Song of the Fates she recalls the pitiless vengeance of the Gods. Still, she adds a verse indicating that she does not entirely accept the Song of the Fates.
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homesickness and her desire to see her father Agamemnon again. But Pylades tells her that Agamemnon has been murdered by his wife Clytemnestra and her lover
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reference to a sister. The King reluctantly allows them to go; Iphigenia begs that they part as friends; and the King finally wishes them Farewell.
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was once invited to their fellowship. Becoming boisterous whilst celebrating with them, he began to boast, and he stole the gods'
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She laments her life as a woman in a foreign land, recognising that her normal fate would have been to be tied to a husband.
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to ask for her hand, and he advises her to accept. Iphigenia declines: marriage would tie her to Tauris for ever.
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to them as their meal. Offended by the deception, the gods banished Tantalus from their community to
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318:. Euripides' title means "Iphigenia among the Taurians", whereas Goethe's title means "Iphigenia in
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form. He rewrote it in 1781, again in prose, and finally in 1786 in
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in Barcelona. It received a favorable review in the art journal
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459:then killed Agamemnon after his return from the
401:Beloved by the gods for his wisdom, the demigod
521:She begs Diana to reunite her with her family:
505:longs more and more to return to her homeland.
638:On October 10, 1898, a Catalan translation by
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673:. Manchester University Press. p. 15.
279:Diana's temple grove at Tauris, after the
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120:Learn how and when to remove this message
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620:to his humanity. He begins to concede.
27:1779 play by Johann Wolfgang von Goethe
1132:The Green Snake and the Beautiful Lily
487:, and he set out with his old friend
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373:, as reproduced on a 1949 German 10-
58:adding citations to reliable sources
1830:Plays by Johann Wolfgang von Goethe
866:Gesang der Geister über den Wassern
667:Johann Wolfgang von Goethe (1966).
1158:Wilhelm Meister's Journeyman Years
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1850:Plays based on works by Euripides
69:"Iphigenia in Tauris" Goethe
1149:Wilhelm Meister's Apprenticeship
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337:form. He took the manuscript of
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1385:Goethe Society of North America
45:needs additional citations for
534:Iphigenia now calls on Diana:
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719:Iphigenie auf Tauris (Goethe)
389:featuring Goethe as Orestes,
1735:(1699, Desmarets and Campra)
1699:The Killing of a Sacred Deer
1400:Goethe in the Roman Campagna
1140:The Sorrows of Young Werther
919:Nur wer die Sehnsucht kennt
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1283:Catharina Elisabeth Goethe
796:Johann Wolfgang von Goethe
761:, translated by Brian Cole
299:Johann Wolfgang von Goethe
172:Johann Wolfgang von Goethe
150:(1802 version première in
942:The Sorcerer's Apprentice
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644:Parc del Laberint d'Horta
491:for the coast of Tauris.
250:Ducal private theater in
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1422:(1939 Thomas Mann novel)
1359:Goethe–Schiller Monument
1351:Goethe Monument (Berlin)
1337:Goethe House (Frankfurt)
1076:The Magic Flute Part Two
852:Die erste Walpurgisnacht
1227:Metamorphosis of Plants
341:with him on his famous
235:April 6, 1779
1692:Bash: Latter-Day Plays
1649:The Songs of the Kings
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308:Ἰφιγένεια ἐν Ταύροις (
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311:Iphigeneia en Taurois
1779:Iphigénie en Tauride
1764:Iphigénie en Tauride
1732:Iphigénie en Tauride
1452:Young Goethe in Love
1410:Goethe at the Window
1371:Monument (Milwaukee)
1256:Gespräche mit Goethe
1086:The Natural Daughter
964:West–östlicher Divan
956:Wanderer's Nightsong
949:Welcome and Farewell
897:Hermann and Dorothea
741:Iphigenie auf Tauris
721:at Wikimedia Commons
634:Notable performances
297:) is a reworking by
295:Iphigenie auf Tauris
54:improve this article
18:Iphigenie auf Tauris
1798:Iphigenia in Tauris
1756:Ifigenia in Tauride
1748:Ifigenia in Tauride
1740:Ifigenia in Tauride
1715:Iphigenia in Tauris
1674:Alcmaeon in Corinth
1592:Iphigénie en Aulide
1511:Iphigenia in Tauris
1344:Goethe-Gesellschaft
1124:Elective Affinities
1079:(libretto fragment)
1067:Iphigenia in Tauris
881:Harzreise im Winter
820:Cultural depictions
749:Ifigenio en Taŭrido
732:Iphigenia in Tauris
670:Iphigenia in Tauris
443:(in Greek known as
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339:Iphigenia in Tauris
290:Iphigenia in Tauris
209:, king of the Tauri
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135:Iphigenia in Tauris
1575:Iphigenia in Aulis
1505:Iphigenia in Aulis
905:Der König in Thule
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71: –
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65:Find sources:
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43:This article
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1563:Chrysothemis
1547:(stepfather)
1539:Clytemnestra
1509:
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1378:Goethe Prize
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1312:Goethe Medal
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873:Gingo biloba
808:Bibliography
692:. Retrieved
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473:family curse
457:Clytemnestra
427:
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397:as Iphigenia
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52:Please help
47:verification
44:
1771:discography
1667:The Bacchae
1454:(2010 film)
1432:(1975 film)
744:(in German)
391:Karl August
367: [
362:painted by
146:Scene from
1845:1786 plays
1840:1781 plays
1835:1779 plays
1819:Categories
1392:Goetheanum
926:Prometheus
838:Epiphanias
654:References
592:bloodguilt
461:Trojan War
351:Background
281:Trojan War
239:1779-04-06
195:Characters
168:Written by
80:newspapers
1825:Iphigenia
1630:Iphigenia
1611:Iphigénie
1553:(brother)
1545:Aegisthus
1533:Agamemnon
1526:'s family
1524:Iphigenia
1516:Euripides
1207:Propyläen
759:Iphigenia
560:Aegisthus
434:Iphigenia
430:Agamemnon
428:Thus did
316:Euripides
293:(German:
202:Iphigenia
189:Euripides
110:July 2011
1565:(sister)
1559:(sister)
1541:(mother)
1535:(father)
1361:(Weimar)
1285:(mother)
1198:Journals
1029:Faust II
845:Erlkönig
495:Synopsis
419:Tartarus
411:ambrosia
403:Tantalus
178:Based on
1684:Related
1659:Trilogy
1557:Electra
1551:Orestes
1444:(novel)
1267:Related
1020:Faust I
1002:Clavigo
859:Ganymed
694:May 13,
566:Act III
489:Pylades
469:Electra
465:Orestes
445:Artemis
438:goddess
375:Pfennig
320:Taurica
306:tragedy
301:of the
276:Setting
270:Tragedy
237: (
218:Pylades
213:Orestes
156:Orestes
94:scholar
1801:(1779)
1724:Operas
1633:(1977)
1614:(1674)
1584:Operas
1277:(wife)
1095:Stella
1040:Egmont
973:Xenien
583:Act IV
549:Act II
485:Tauris
481:Apollo
449:Avlida
423:Atreus
415:Pelops
407:nectar
261:German
252:Weimar
152:Weimar
96:
89:
82:
75:
67:
1790:Plays
1641:Novel
1603:Plays
1115:Prose
1011:Faust
984:Plays
830:Poems
724:From
609:Act V
500:Act I
451:, to
441:Diana
371:]
335:verse
331:prose
324:Tauri
314:) by
266:Genre
223:Arkas
207:Thoas
101:JSTOR
87:books
1622:Film
1508:and
696:2023
467:and
453:Troy
409:and
73:news
1514:by
687:Luz
648:Luz
479:of
436:to
187:by
56:by
1821::
728::
369:de
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774:v
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117:(
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108:(
98:·
91:·
84:·
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50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
