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Urteaga has been the recipient of a number of composition and achievement awards. She has been Deputy
Secretary (1973–1980), Second Vice President (1997–2000) and First Vice President (2001–2003) of the Argentina Association of Composers, Registrar of the Argentine Council of Music (CAMU, 1985–1993
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After ending her studies, Urteaga performed as a concert musician and taught harmony at the
Conservatorio Nacional de MĂşsica Carlos LĂłpez Buchardo and operatic repertoire, vocal negotiation analysis and opera at the Instituto Superior de Arte del Teatro ColĂłn. She was Columbus Theatre International
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for harmony. She graduated in piano in 1959, and continued studying at the same school, graduating in composition in 1971. Her teachers for composition were
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and an Active Member of the United
Composers of Argentina (CUDA, 1986–2005). She also served as Vice President of the Argentine Forum of Composers (FADEC).
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Master (1974–1977) and director of an Opera
Workshop in 1984. She was hired by the Opera Foundation of
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Urteaga began composing as a student at the
National Conservatory. Selected works include:
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The Maldol (1987–1990) opera, libretto by
Alberto González Liliana *Dimant and Ledo
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Expectation (1977), for soprano and mixed choir a capella
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22:(March 7, 1929 – February 14, 2022) was a
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16:Argentinian composer and pianist (1929–2022)
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170:Sadie, Julie Anne; Samuel, Rhian (1994).
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245:Irma Urteaga - Compositora y pianista
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341:Argentine women classical composers
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331:20th-century classical composers
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143:Already Yerma Dreams (1986–1987)
52:Lucrecia MarĂa Madariaga Gilardi
250:Fallecimiento de Irma Ureteaga
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122:Variations and Toccata (1968)
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