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129:(roughly translated: the sweetness of doing nothing) had sold quickly, and he conceived the idea for a new work depicting Isabella. Having travelled with his pregnant wife Fanny to Italy, Hunt began work on the painting in Florence. However, after giving birth, Fanny died from fever in December 1866. Hunt turned the painting into a memorial to his wife, using her features for Isabella. He worked on it steadily in the months after her death, returning to England in 1867, and finally completing it in January 1868. The painting was purchased and exhibited by the dealer
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pot, decorated with skulls, in which
Lorenzo's head is interred. Her abundant hair flows over the pot and around the flourishing plant, reflecting Keats's words that Isabella "hung over her sweet Basil evermore,/And moistened it with tears unto the core." Behind her, next to the doorway, are a pair
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The painting portrays
Isabella, unable to sleep, dressed in a semi-transparent nightgown, having just left her bed, which is visible with the cover turned over in the background. She drapes herself over an altar she has created to Lorenzo from an elaborately inlaid
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119:. Still, he had not developed it into a completed painting. The drawing portrayed a very different scene, depicting Lorenzo as a clerk at work while Isabella's brothers study their accounts and order around underlings.
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226:(1907). Alexander and Waterhouse reproduced Hunt's title and developed variations on his composition. Alexander's composition adapts the subject to a
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Shortly after his marriage, Hunt returned to the poem in 1866, when he began to paint several erotically charged subjects. His sensuous painting
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style. Waterhouse reverses the composition, and places the scene in a garden, but retains the motif of the water-jug and the decorative skull.
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Hunt's work influenced several later artists, who adopted the same subject. Most notable are the paintings by
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A Converted
British Family Sheltering a Christian Missionary from the Persecution of the Druids
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The emphasis on sensuality, rich colours and elaborate decorative objects reflects the growing
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Hunt had drawn an illustration of the poem in 1848, shortly after the foundation of the
370:"Isabella and the Pot of Basil painting comes home to Laing Art Gallery - Journal Live"
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London Bridge on the Night of the
Marriage of the Prince and Princess of Wales
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pot in which she had buried the severed head of her murdered lover
Lorenzo.
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over which a richly embroidered cloth has been placed. On the cloth is the
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187 cm × 116 cm (74 in × 46 in)
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and similar features in the work of Hunt's Pre-Raphaelite associates
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Smaller version painted by Hunt in 1868, formerly owned by the
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is a painting completed in 1868 by the
English artist
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108:. It depicts the heroine Isabella caressing the
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502:The Finding of the Saviour in the Temple
295:"Art UK – Isabella and the Pot of Basil"
202:. The pose of the figure also resembles
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470:Valentine Rescuing Sylvia from Proteus
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151:Fine Arts Museums of San Francisco
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571:(1849–1854; 1851–1856; 1900–1904)
149:and now in the collection of the
641:Paintings by William Holman Hunt
345:"Definition of DOLCE FAR NIENTE"
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656:Paintings in North East England
16:Painting by William Holman Hunt
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661:Paintings based on literature
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518:Isabella and the Pot of Basil
267:Isabella and the Pot of Basil
243:Isabella and the Pot of Basil
105:Isabella, or the Pot of Basil
91:Isabella and the Pot of Basil
24:Isabella and the Pot of Basil
534:The Miracle of the Holy Fire
214:Inspiration to other artists
253:Museum of Fine Arts, Boston
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586:Pre-Raphaelite Brotherhood
157:differs from the original.
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275:1907, Private collection.
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486:The Awakening Conscience
175:, next to the edge of a
349:www.merriam-webster.com
271:John William Waterhouse
224:John William Waterhouse
98:depicting a scene from
568:The Light of the World
497:(1854–1855; 1854–1856)
192:Dante Gabriel Rossetti
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462:The Hireling Shepherd
251:oil on canvas, 1897,
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454:Claudio and Isabella
247:John White Alexander
220:John White Alexander
194:, such as Millais's
188:John Everett Millais
618:Desperate Romantics
542:The Lady of Shalott
526:The Shadow of Death
423:William Holman Hunt
376:on 24 November 2013
147:Delaware Art Museum
96:William Holman Hunt
82:Newcastle upon Tyne
42:William Holman Hunt
478:Our English Coasts
184:Aesthetic movement
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621:(2009 miniseries)
613:(1975 miniseries)
603:Diana Holman-Hunt
200:Venus Verticordia
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537:(1892–1899)
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304:20 February
228:Whistlerian
222:(1897) and
635:Categories
380:26 January
324:www.umu.se
281:References
196:Pot Pourri
100:John Keats
66:Dimensions
430:Paintings
164:prie-dieu
155:prie-dieu
592:The Germ
168:majolica
102:'s poem
74:Location
579:Related
177:cassone
173:pattens
552:–1905)
529:(1873)
521:(1868)
513:(1864)
505:(1860)
489:(1853)
481:(1852)
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457:(1850)
441:(1849)
438:Rienzi
354:27 May
329:27 May
299:Art UK
56:Medium
38:Artist
110:basil
382:2020
356:2022
331:2022
306:2015
190:and
51:1868
48:Year
171:of
124:Il
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