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with substantially less pitch. This made for a truly original style, yet more efficient construction. Spanish architects, accustomed to their Gothic structural conventions, looked with some contempt on the visible metal braces that
Italian architects were forced to put on their buildings' arches to resist horizontal thrust, while their own Gothic building methods had avoided this problem.
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the 'Roman' in
Spanish architecture had hardly begun. These terms were applied with a meaning different from what one would expect – the 'Modern', an originally Spanish style, referred to the Gothic and its rational efficiency, while the 'Roman' was the neoclassical or emotional and sensualist style of the
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Regardless of the spatial characteristics of the interiors, Gothic buildings utilized proven structural systems. The Gothic style in the
Iberian Peninsula had undergone a series of changes under the influence of local tradition, including much smaller windows, which allowed the construction of roofs
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References to classical antiquity in the architecture of Spain were more literary, whereas in Italy, the prevalence of Roman-era buildings had given 'Gothic' a meaning adapted to
Italian classicist taste. Until the Renaissance took hold in the Iberian peninsula, the transition from the 'Modern' to
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in 1492 and started the colonization of the
Americas, imperial Spain began to develop a consciousness of its growing power and wealth, and in its exuberance launched a period of construction of grand monuments to symbolize them. Many of these monuments were built at the command of the Queen; thus
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The development of classical architecture in the
Iberian Peninsula, as elsewhere, had been moribund during the centuries of building construction done in the Gothic tradition, and the neoclassical movement of the Italian Renaissance was late to arrive there. A unique style with modern elements
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Isabelline Gothic manifested the desire of the
Spanish ruling classes to display their own power and wealth. This exuberance found a parallel expression in the extreme profusion of decoration which has been called
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in Santo
Domingo, Dominican Republic. It is the oldest European stone house in the Americas and probably the first European two-story house. It is an Isabelline-Gothic-style-house.
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and the pomegranate, which refer to the
Catholic Monarchs. Also characteristic of this period is ornamentation using beaded motifs of orbs worked in plaster or carved in stone.
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246:. Isabelline architects clung to the Gothic solution of the problem of how to distribute the weight burden of vaults pressing on pillars (not on the walls, as in the
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origin were combined with
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in the late-15th century to early-16th century. The Frenchman Émile Bertaux named the style after Queen Isabella.
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The Isabelline style introduced several structural elements of the Castilian tradition and the typical
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architecture, with original features and decorative influences of the Castilian tradition, the
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Architectural style in Spain during the reigns of Isabella I and Ferdinand II (1470s-1520s)
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influence. Many of the buildings that were built in this style were commissioned by the
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evolved from the Gothic inheritance in Spain. Perhaps the best example of this
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Detail of the Isabelline exterior decoration in the Constable's chapel of the
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153:. The most obvious characteristic of the Isabelline is the predominance of
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Annie Cloulas (1980). "Origines et évolution du terme "Plateresco"".
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generic, is a question debated by historians of art and unresolved.
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or Italian Renaissance styles): that is, by propping them up with
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began to incorporate Renaissance ideas of form and structure.
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or were in some way sponsored by them. A similar style called
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building techniques had receded with the passage of time.
586:. Vol. 16. Madrid: Casa de Velázquez. p. 159.
666:, pg. 195, citing, among others, to Diego de Sagredo
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234:In the Isabelline style, decorative elements of
137:forms of Flanders, as well as some ornaments of
707:"Casa del Cordón, testigo de los pagos a Drake"
168:After the Catholic Monarchs had completed the
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686:. Spain: National Council for Urban Affairs,
8:
425:Facade of Iglesia de Santa María la Real in
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749:, two volumes. Diputación de Ávila, 2001.
97:It represents the transition between late
1468:Gothic secular and domestic architecture
364:Facade of the Palacio de Jabalquinto in
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161:motifs, especially the symbols of the
121:style, or as a phase within a greater
683:Santo Domingo, an architectural guide
285:List of notable Isabelline structures
223:in Toledo; designed by the architect
7:
1594:
747:Historia de la arquitectura española
1462:List of Gothic cathedrals in Europe
411:Monastery of San Juan de los Reyes
328:Iglesia de Santa María la Real in
311:Monastery of San Juan de los Reyes
221:Monastery of San Juan de los Reyes
186:Monastery of San Juan de los Reyes
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371:Monastery of San Jerónimo el Real
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583:Mélanges de la Casa de Velázquez
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205:Italian Renaissance architecture
302:Iglesia conventual de San Pablo
113:, and to a much lesser extent,
36:Iglesia conventual de San Pablo
1458:Gothic cathedrals and churches
1401:List of Brick Gothic buildings
680:José Enrique Delmonte (2006).
545:Patio Grande courtyard of the
487:Iglesia del Sagrario in Málaga
455:Courtyard of the Lions of the
1:
1124:Spanish Colonial architecture
613:. Privat-Didier. p. 203.
1639:Gothic architecture in Spain
624:Soto Caba, Virginia (2007).
340:Monastery of Santo Tomás in
1532:Building a Gothic cathedral
1499:Gothic Revival architecture
999:Cantabrian defensive towers
630:ARTEHISTORIA - Arte Español
561:Spanish Gothic architecture
88:Queen Isabella I of Castile
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149:developed concurrently in
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1407:Early Gothic architecture
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626:"La cuestión plateresca"
610:L'Architecture espagnole
82:during the reign of the
1634:Isabelline architecture
607:Marcel Durliat (1966).
547:Colegio de San Gregorio
516:Miraflores Charterhouse
381:Abbey of Santa Engracia
347:Miraflores Charterhouse
335:Colegio de San Gregorio
197:Royal Chapel of Granada
58:style, also called the
48:Colegio de San Gregorio
1547:Medieval stained glass
1104:Andalusian White Towns
668:Las Medidas del Romano
459:in Guadalajara, Spain.
443:in Guadalajara, Spain.
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189:
184:Lower cloister of the
92:Ferdinand II of Aragon
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1659:Architectural history
1649:Catholic architecture
1516:High Victorian Gothic
945:Valencian Art Nouveau
796:Architecture of Spain
705:Carmenchu Brusíloff.
471:Cloister designed by
457:Palacio del Infantado
441:Palacio del Infantado
356:Palacio del Infantado
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195:
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72:Castilian late Gothic
45:
33:
1542:International Gothic
567:Notes and references
531:San Jerónimo el Real
256:Spanish architecture
115:Italian architecture
1644:Gothic architecture
1284:Gothic architecture
501:Cathedral of Burgos
76:architectural style
74:, was the dominant
1654:Spanish Golden Age
1169:Corral de comedias
1078:Destroyed heritage
395:Dominican Republic
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1494:Dissenting Gothic
1489:Collegiate Gothic
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1109:Aragonese Mudéjar
1069:Tallest buildings
728:"Casa del Cordón"
688:Erwin Walter Palm
664:978-84-218-4021-4
656:Historia del Arte
593:978-84-600-2213-8
252:flying buttresses
143:Catholic Monarchs
84:Catholic Monarchs
60:Isabelline Gothic
16:(Redirected from
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1525:Related articles
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1164:Casona montañesa
1099:Andalusian patio
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80:Crown of Castile
68:Gótico Isabelino
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116:
112:
108:
104:
100:
95:
93:
89:
85:
81:
77:
73:
69:
65:
61:
57:
49:
44:
38:, Valladolid.
37:
32:
19:
1610:
1598:
1586:
1426:
1397:Brick Gothic
930:Neoclassical
884:
746:
731:
722:
710:
700:
690:Foundation,
682:
675:
667:
655:
650:
638:. Retrieved
634:the original
629:
619:
609:
602:
582:
575:
409:View of the
379:The defunct
320:Royal Chapel
275:Enrique Egas
233:
217:syncretistic
213:
209:
201:
167:
132:
96:
71:
59:
55:
53:
50:, Valladolid
1442:Sondergotik
1422:High Gothic
1039:Royal sites
1034:Monasteries
1024:Lighthouses
984:Roman sites
955:Neo-Mudéjar
950:Noucentisme
905:Renaissance
900:Plateresque
855:Repoblación
825:Celtiberian
654:Maroto, J.
383:of Zaragoza
360:Guadalajara
272:Egas Cueman
175:Plateresque
170:Reconquista
123:Plateresque
103:Renaissance
1628:Categories
1427:Isabelline
1417:Flamboyant
1291:By country
1139:Artesonado
1094:Architects
1073:structures
1014:Cathedrals
940:Modernisme
885:Isabelline
870:Romanesque
835:Visigothic
810:Megalithic
658:, Casals,
518:in Burgos.
475:in Segovia
413:in Toledo.
306:Valladolid
248:Romanesque
236:Italianate
159:epigraphic
135:flamboyant
101:and early
56:Isabelline
34:Facade of
1437:Rayonnant
1432:Manueline
1369:Catalonia
1344:Lithuania
1293:or region
1129:Alhóndiga
1044:Windmills
994:Alcazabas
974:Buildings
915:Herrerian
850:Mozarabic
714:newspaper
533:in Madrid
473:Juan Guas
268:Juan Guas
240:pinnacles
225:Juan Guas
147:Manueline
90:and King
1588:Category
1537:Gargoyle
1390:By style
1379:Valencia
1359:Portugal
1320:Southern
1242:Category
1189:Hacienda
1184:Estipite
1134:Alqueria
1064:Stadiums
1049:Airports
989:Alcázars
895:Cisneros
845:Andalusi
840:Asturian
555:See also
188:, Toledo
155:heraldic
151:Portugal
129:Overview
119:Eclectic
1600:Commons
1569:Tracery
1562:Swedish
1552:English
1374:Levante
1310:England
1305:Czechia
1300:Belarus
1224:Yeseria
1204:Palloza
1199:Mirador
1174:Cortijo
1149:Baserri
1144:Azulejo
1059:Museums
1029:Llotjes
1019:Hórreos
1009:Castros
1004:Castles
920:Baroque
860:Mudéjar
815:Iberian
670:, 1526.
324:Granada
139:Mudéjar
111:Mudéjar
107:Flemish
78:of the
64:Spanish
1612:Voyage
1557:French
1509:Poland
1504:Canada
1451:By use
1354:Poland
1337:Venice
1315:France
935:Rococo
910:Purism
875:Gothic
820:Celtic
803:Styles
753:
662:
640:6 June
590:
375:Madrid
351:Burgos
315:Toledo
109:, the
99:Gothic
70:), or
1364:Spain
1332:Milan
1327:Italy
1194:Masia
1179:Finca
1087:Other
830:Roman
366:Baeza
342:Ávila
1214:Real
1209:Pazo
1071:and
751:ISBN
660:ISBN
642:2022
588:ISBN
242:and
157:and
54:The
389:in
373:in
358:in
349:in
322:of
313:in
304:in
1630::
730:.
709:.
628:.
393:,
207:.
177:.
86:,
66::
1464:)
1460:(
1413:)
1409:(
1403:)
1399:(
1276:e
1269:t
1262:v
788:e
781:t
774:v
736:.
716:.
694:.
644:.
596:.
503:.
62:(
20:)
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