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270:. There he exhibited and shared a studio with Picasso. He returned to Barcelona in 1900. At the beginning of 1901, he made paintings of women, such as gypsy and working-class women, and still lifes. He exhibited in the Sala París in Barcelona twice, in 1902 and 1903. The reaction to his works of poor gypsy women was very hostile.
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expressed in a new way. Thick strokes layered one after another do not quite mix colors in the eye, leaving a directness of emotion. His subjects, most often women, were the overlooked and marginalized—poor women (often with children), gypsies, wounded soldiers repatriated from the
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161:. His parents, Isidre Nonell i Torras de Arenys de Mar and Àngela Monturiol i Francàs of Barcelona, owned a small but prosperous factory which made soup noodles. Together with his childhood friend,
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149:; 30 November 1872 – 21 February 1911) was a Catalan artist known for his expressive portrayal of socially marginalized individuals in late 19th-century Barcelona.
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with whom he developed an interest in landscape painting, studying light. The study of sunlight and its effects on color were a main part of
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to work at the spa run by
Vallmitjana's family. There, he saw a large number of people suffering from the illness of
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Cleveland Museum of Art in association with Yale
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in the old part of town in
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In 1896, Nonell went with Ricard Canals and Juli
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Barcelona and
Modernity: Picasso, Gaudí, Miró, Dalí
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430:. Barcelona: Museu d'Art Modern. pp. 269–286.
217:. He later drew for other periodicals, including
125:Isidre Nonell with two women subjects, about 1904
273:He died of typhoid fever in Barcelona, aged 38.
211:In 1894, he began producing illustrations for
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535:Isidre Nonell on Google Arts & Culture
109:Learn how and when to remove this message
281:The oil paintings show the influence of
266:In February 1897, he went to Paris with
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406:Still-Life
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310:Drawing
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