28:
3939:
3949:
508:
sections in a longer sequence of organum. Clausulae represent brief sections of longer polyphonic settings of chant with a note-against-note texture. In some cases, these sections were composed independently and "substituted" for existing setting. These clausulae could then be "troped," or given new
539:
elaborate on, even in cases where the upper voices are secular in content. Most medieval motets are anonymous compositions and significantly re-use music and text. They are transmitted in a number of contexts, and were most popular in northern France. The largest surviving collection is in the
1277:
were important composers of this sort of motet. Their motets often included parts for soloists as well as choirs; they were longer, including multiple movements in which different soloist, choral, or instrumental forces were employed. Lully's motets also continued the
Renaissance tradition of
538:
The texts of upper voices include subjects as diverse as courtly love odes, pastoral encounters with shepherdesses, political attacks, and many
Christian devotions, especially to the Virgin Mary. In many cases, the texts of the upper voices are related to the themes of the chant passage they
112:
was also used. If the word is from Latin, the name describes the movement of the different voices against one another. Today, however, the French etymology is favoured by reference books, as the word "motet" in 13th-century French had the sense of "little word". In fact, the
80:
believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts".
990:, often found in the medieval secular motet, was banished from the Renaissance motet. Ceremonial motets are characterised by clear articulation of formal structure and by clear diction, because the texts would be novel for the audience.
1836:, edited and translated by Constant J. Mews, John N. Crossley, Catherine Jeffreys, Leigh McKinnon, and Carol J. Williams; TEAMS Varia (Kalamazoo, MI: Medieval Institute Publications, 2011): 85 .
667:
76:, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond. The late 13th-century theorist
983:, "spiritual madrigals". These Renaissance motets developed in episodic format with separate phrases of the text given independent melodic treatment and contrapuntal development.
894:
2319:
473:
1537:
1454:
41:
1692:
2407:
1682:
1578:
1399:
and catalogued BWV 225â230 are relatively long pieces combining German hymns with biblical texts, several of them composed for funerals. Mostly written in
1500:
2011:
2572:
1445:
3110:
1390:
1363:(70 grands motets) were also important composers. In Germany, too, pieces called motets were written in the new musical languages of the Baroque.
887:
929:
to greater lengths compared to the surrounding multi-voice counterpoint, adopting a technique of contemporary 'tenor masses'. This obscured the
3602:
1590:
1513:
is an arrangement of a movement from Bach's
Cantata 28, and the authenticity of the arrangement is not certain. For a few more motets, such as
2464:
2374:
2350:
2307:
2283:
2031:
1970:
1949:
1488:
2602:
1662:
1507:
986:
Secular motets, known as "ceremonial motets", typically set a Latin text to praise a monarch, music or commemorate a triumph. The theme of
466:
171:
535:
on a single word or phrase. It is also increasingly argued that the term "motet" could in fact include certain brief single-voice songs.
3444:
2936:
1584:
1235:" by Thomas Tallis serves the demand of the Church of England for English texts, and a focus on understanding the words, beginning in
880:
1415:, several of them composed for funerals. The first five, for double chorus, are almost certainly composed by Bach and are written in
1849:
1841:
1820:
1514:
963:
for a motet and the vernacular for a madrigal. The relationship between the forms is clearest in composers of sacred music, such as
948:, sometimes with an imitative counterpoint, for a chorus singing a Latin and usually sacred text. It is not connected to a specific
2322:
1660:
In the 20th century, composers of motets have often consciously imitated earlier styles. In 1920, Ralph
Vaughan Williams composed
3784:
2597:
1175:
964:
781:
179:
1680:
three verses from different psalms as motets, first performed in 1930. Francis
Poulenc set several Latin texts as motets, first
3979:
3065:
1529:
459:
3984:
1928:
1471:
2931:
2190:
1105:
663:
937:
created by the interplay of voices and the absence of an obvious beat distinguish medieval and renaissance motet styles.
3050:
2965:
2565:
1356:
1251:, especially in France where the motet was very important, there were two distinct, and very different types of motet:
919:
was a transitional figure in this regard, writing one of the last important motets in the medieval, isorhythmic style,
2228:
1994:
1463:
1049:
3989:
3929:
3794:
2592:
1600:
1557:
716:
638:
297:
167:
2083:"The French Motet as Trope: Multiple Levels of Meaning in Quant florist la violete / El mois de mai / Et gaudebit"
3826:
3789:
3464:
3459:
3105:
1892:
1707:
1637:
1549:
1479:
1200:
1195:
796:
1332:
1324:
1274:
1270:
1190:
1059:
3942:
3816:
3806:
3637:
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3020:
2558:
1897:
1772:
1606:
1546:
1165:
1135:
721:
711:
558:
was one of the earliest composers to use this technique, and his work evidently had an influence on that of
144:
53:
27:
3974:
3952:
3293:
2980:
2673:
1731:
1625:
1352:
977:'s poems could be performed in a church. Religious compositions in vernacular languages were often called
1140:
3893:
3208:
2916:
2773:
2545:
2382:
1870:
1620:
1497:
1396:
1280:
691:
250:
175:
3355:
3060:
2985:
2911:
3994:
3705:
3700:
3607:
3424:
3411:
3360:
3329:
3278:
3169:
3015:
2845:
2830:
2815:
2758:
2708:
2668:
2625:
2394:
2210:
Edgar H. Sparks, Cantus Firmus in Mass and Motet 1420–1520 (New York: Da Capo Press, 1975), 86.
1812:
1780:
1553:
1340:
979:
921:
559:
377:
372:
322:
292:
277:
204:
3908:
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3534:
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3154:
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2713:
2703:
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2637:
2620:
1561:
1368:
1360:
1285:
1266:
1090:
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motets. These were two- to four-part compositions in which different texts, sometimes in different
414:
287:
199:
77:
3948:
3862:
3852:
3821:
3632:
3612:
3454:
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3258:
3243:
3159:
3010:
2921:
2693:
2173:
2165:
2118:
2110:
1784:
1641:
1069:
1019:
907:
The compositional character of the motet changed entirely during the transition from medieval to
801:
761:
546:
Increasingly in the 14th and 15th centuries, motets made use of repetitive patterns often termed
1687:
1364:
1029:
3734:
3622:
3592:
3552:
3499:
3434:
3345:
3340:
3288:
3248:
3185:
3164:
3070:
3055:
3005:
2866:
2825:
2753:
2663:
2460:
2370:
2346:
2303:
2279:
2241:
2157:
2102:
2027:
2023:
2007:
1966:
1945:
1924:
1845:
1837:
1816:
1804:
1615:
1573:
1316:
1208:
1160:
1155:
1125:
1064:
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908:
751:
686:
646:
604:
598:
555:
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399:
327:
317:
312:
221:
69:
1905:
3811:
3746:
3494:
3417:
3370:
3334:
3304:
3283:
2975:
2960:
2719:
2149:
2094:
2063:
2019:
1776:
1739:
1719:
1372:
1120:
1074:
999:
956:
786:
776:
766:
741:
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586:
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409:
332:
307:
117:
1506:(1736â37?) is regarded as a motet, though it has independent instrumental parts. The motet
3999:
3898:
3801:
3722:
3627:
3587:
3523:
3479:
2871:
2850:
2835:
2781:
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1763:
1747:
1715:
1703:
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1344:
1336:
1115:
1100:
1039:
1024:
991:
969:
916:
756:
746:
616:
532:
394:
282:
2406:
Three motets (Pater Noster; Ave Maria; Ave Verum), published with A coeur joie editions:
1629:
1348:
2082:
1331:(grands & petits motets), Marc-Antoine Charpentier (206 different types of motets),
3857:
3831:
3727:
3717:
3597:
3528:
3489:
3469:
3449:
3179:
3149:
3122:
3035:
2891:
2861:
2730:
2612:
2581:
2054:
Peraino, Judith (2001). "Monophonic Motets: Sampling and
Grafting in the Middle Ages".
1611:
1435:
1407:
1256:
1170:
1110:
1095:
1079:
1034:
859:
592:
510:
389:
337:
152:
101:
61:
1002:
are prominent composers of ceremonial motets from the first half of the 16th century.
944:
and the
Renaissance period marked the flowering of the form. The Renaissance motet is
3968:
3663:
3562:
3429:
3397:
3253:
3174:
3000:
2820:
2698:
2681:
2224:
2194:
2177:
2122:
1990:
1711:
1698:
1533:
1289:
1265:, which included massed choirs and instruments up to and including a full orchestra.
1261:
1248:
1232:
1219:
of singers (or instruments) alternated. This style of motet was sometimes called the
1185:
1180:
1150:
1130:
1054:
934:
866:
771:
622:
550:; that is, they employed repeated rhythmic patterns in all voices—not only the
523:
256:
114:
73:
36:
3888:
3695:
3658:
3617:
3582:
3557:
3542:
3040:
2876:
2651:
1768:
1743:
1735:
1727:
1723:
1676:
1671:
1649:
1542:
1328:
1044:
995:
987:
838:
791:
706:
404:
367:
357:
60:
is mainly a vocal musical composition, of highly diverse form and style, from high
1758:
2262:
1886:
17:
3883:
3878:
3673:
3075:
3045:
2990:
2952:
2896:
2744:
2515:
The Motet around 1500: On the
Relationship between Imitation and Text Treatment.
1864:
1422:
1412:
1377:
1145:
925:, in 1436. During the second half of the fifteenth century Motets stretched the
233:
215:
3474:
3144:
2840:
2806:
2801:
2768:
2153:
1645:
1417:
1401:
1212:
518:
501:
302:
228:
65:
32:
2161:
2106:
3685:
3547:
3365:
3100:
2541:
1236:
945:
547:
509:
text in the upper part(s), creating motets. From these first motets arose a
362:
238:
89:
In the early 20th century, it was generally believed the name came from the
2763:
554:—which did not necessarily coincide with repeating melodic patterns.
497:
2067:
3847:
3767:
3690:
3653:
3136:
2926:
2906:
2881:
2494:
Hearing the Motet: Essays on the Motet of the Middle Ages and
Renaissance
1667:
1319:
is bathed in the sacred font, and the
Christian is dedicated to Christ.")
974:
941:
833:
430:
244:
1367:
wrote many motets in series of publications, for example three books of
3761:
3739:
3710:
3668:
3439:
3095:
2643:
2630:
2114:
1255:, sacred choral or chamber compositions whose only accompaniment was a
949:
827:
528:
514:
488:
424:
382:
209:
2169:
2137:
1572:
In the 19th century, some German composers continued to write motets.
1315:("Rejoice and sing, France: the lily is bathed with heavenly dew. The
3484:
3406:
2901:
1965:, edited by Alison Latham (New York: Oxford University Press, 2001).
1670:
for a four-part choir, organ, brass, and percussion, called a motet.
1633:
973:
are among the most lush and madrigal-like, while his madrigals using
821:
2522:
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing.
2246:
Palestrina: Canticum canticorum, Motets Book IV; Spiritual madrigals
2098:
1944:, eighth edition (New York: W. W. Norton & Company, 2010): 102.
2389:(2017), motet for choir a cappella SSAATTBB, lyrics from a poem by
1985:
Ernest H. Sanders and Peter M. Lefferts, "Motet, §I: Middle Ages",
3680:
1923:, second edition (Cambridge, MA: Harvard University Press, 1969).
1771:(Motet: Harmonies of the World, with rules from Johannes Kepler),
1216:
960:
562:, one of the most famous named composers of late medieval motets.
521:
languages, were sung simultaneously over a (usually Latin-texted)
90:
2550:
2501:
Saint Cecilia in the Renaissance: The Emergence of a Musical Icon
2529:
The Monstrous New Art: Divided Forms in the Late Medieval Motet.
2219:
Leeman L. Perkins and Patrick Macey, "Motet, §II: Renaissance",
1940:
James Peter Burkholder, Donald Jay Grout, and Claude V. Palisca
1430:
911:, as most composers abandoned the use of a repeated figure as a
2554:
120:
that were the forerunner of the motet were originally called
2367:
Cantica nova. Zeitgenössische Chormusik fĂŒr den Gottesdienst
2343:
Cantica nova. Zeitgenössische Chormusik fĂŒr den Gottesdienst
2300:
Cantica nova. Zeitgenössische Chormusik fĂŒr den Gottesdienst
1863:
933:
rhythm more than in medieval isorhythmic motets. Cascading,
1421:
style, though strings and oboes appear to have accompanied
2506:
RodrĂguez-Garcia, Esperanza, and Daniele V. Filippi, eds,
2473:
The Latin Motet: Indexes to Printed Collections, 1500â1600
2381:(2017), motet for choir and instruments. Dedicatet to the
2442:
Le Motet Ă grand chĆur (1660â1792): Gloria in Gallia Deo.
2201:, Volume 2 (New York: Barnes and Noble, Inc., 1965), 85.
486:
The earliest motets arose in the 13th century from the
2263:
Music History During the Renaissance Period, 1520â1550
2428:
St. Anne in Renaissance Music: Devotion and Politics.
2266:(Westport, CT, Praeger Publishers: 2004), pp. 451â54.
1811:, edited by Tess Knighton and David Fallows, 114â19 (
1014:. Important composers of Renaissance motets include:
64:
to the present. The motet was one of the pre-eminent
2248:(Virgin Classics, 1994; sound recording liner notes)
49:
Vocal musical composition in Western classical music
3871:
3840:
3777:
3646:
3575:
3516:
3395:
3317:
3271:
3236:
3216:
3207:
3134:
3121:
2951:
2800:
2742:
2729:
2611:
2393:. Dedicated to Matthias GrĂŒnert, the cantor of the
100:("word", or "phrase") had also been suggested. The
1885:
1652:'s three motets Op. 2, are accompanied by organ.
2369:. Choirbook of the ACV, Regensburg/Passau 2012,
2345:. Choirbook of the ACV, Regensburg/Passau 2012,
2302:. Choirbook of the ACV, Regensburg/Passau 2012,
2487:Ritual Meanings in the Fifteenth-Century Motet.
2320:Kammerchor Hannover "Bach vs. Sandström" (2014)
2221:The New Grove Dictionary of Music and Musicians
1987:The New Grove Dictionary of Music and Musicians
1528:Later 18th-century composers wrote few motets.
1211:and other composers developed a new style, the
96:(to move), though a derivation from the French
1815:: University of California Press, 1992): 114.
2566:
2508:Mapping the Motet in the Post-Tridentine Era.
1809:Companion to Medieval & Renaissance Music
1632:. In English similar compositions are called
1381:, on which he also based a mass composition.
1010:The motet was one of the preeminent forms of
888:
467:
8:
2531:Cambridge: Cambridge University Press, 2015.
2489:Cambridge: Cambridge University Press, 2012.
2482:Cambridge: Cambridge University Press, 1995.
2451:Cambridge: Cambridge University Press, 2020.
2437:Cambridge: Cambridge University Press, 1999.
2430:Cambridge: Cambridge University Press, 2014.
2503:Chicago: University of Chicago Press, 2022.
1961:Jerome Roche and Elizabeth Roche. "Motet".
1284:, written to celebrate the baptism of King
1278:semi-secular Latin motets in works such as
959:and the language of the text was decisive:
3513:
3392:
3388:
3314:
3268:
3233:
3213:
3204:
3200:
3131:
3127:
2948:
2797:
2739:
2735:
2573:
2559:
2551:
2256:
2254:
2138:"The Compilation of the Montpellier Codex"
1981:
1979:
1598:composed three motets on biblical verses,
895:
881:
633:
474:
460:
139:
1702:in 1977. Other examples include works by
2496:. Oxford: Oxford University Press, 1997.
1683:Quatre motets pour un temps de pénitence
1636:. Some later English composers, such as
1541:, combining Baroque techniques with the
1207:In the latter part of the 16th century,
967:, whose "motets" setting texts from the
570:Other medieval motet composers include:
26:
3111:List of Galician-Portuguese troubadours
2524:New York: Oxford University Press, 2021
2457:A Critical Companion to Medieval Motets
2024:10.1093/gmo/9781561592630.article.05897
1796:
1693:Quatre Motets sur des thÚmes grégoriens
1391:List of motets by Johann Sebastian Bach
652:
645:
158:
151:
952:, making it suitable for any service.
31:The first page from the manuscript of
2276:19 motets for mixed voices a cappella
2231:(London: Macmillan Publishers, 2001).
1997:(London: Macmillan Publishers, 2001).
1624:. French composers of motets include
1455:Der Geist hilft unser Schwachheit auf
619:(fl. second half of the 13th century)
128:, "word"), soon replaced by the term
42:Der Geist hilft unser Schwachheit auf
7:
1906:participating institution membership
1874:. New York: Robert Appleton Company.
1862:William Henry Grattan Flood (1913).
1371:, some in Latin and some in German.
2937:Other troubadours and trobairitz...
940:Motet frequently used the texts of
2475:Institute of Medieval Music, 1993.
2365:(2012), motet for choir SATB. In:
1585:Denn er hat seinen Engeln befohlen
25:
1644:. Most of these compositions are
1502:O Jesu Christ, meins Lebens Licht
3947:
3938:
3937:
2480:J. S. Bach and the German Motet.
1868:. In Herbermann, Charles (ed.).
1520:, Bach's authorship is debated.
1176:Giovanni Pierluigi da Palestrina
965:Giovanni Pierluigi da Palestrina
504:. The motet probably arose from
1761:has composed motets, including
1538:Wachet auf, ruft uns die Stimme
1530:Johann Christoph Friedrich Bach
1446:Singet dem Herrn ein neues Lied
1310:Et christianus Christo dicatur.
2435:The Motet in the Age of Dufay.
2323:Verband Deutscher Konzertchöre
1:
2932:William IX, Duke of Aquitaine
2459:. Woodbridge: Boydell, 2018.
1963:The Oxford Companion to Music
1618:, mainly in Latin, including
1604:. Josef Rheinberger composed
1579:Jauchzet dem Herrn, alle Welt
1306:Sacro Delphinus fonte lavatur
1302:Rore caelesti rigantur lilia,
492:tradition exemplified in the
2278:. Boosey & Hawkes 2014,
2223:, second edition, edited by
2081:Hoekstra, Gerald R. (1998).
1989:, second edition, edited by
1489:Lobet den Herrn, alle Heiden
1384:
1215:motet, in which two or more
2603:List of musical instruments
2018:. Oxford University Press.
1921:Harvard Dictionary of Music
1666:, a setting of verses from
1509:Sei Lob und Preis mit Ehren
1411:, with instruments playing
1223:to distinguish it from the
1050:Johannes Vodnianus Campanus
577:(1237?â1288? or after 1306)
4016:
2335:Gott hat uns nicht gegeben
2136:Wolinski, Mary E. (1992).
1942:A History of Western Music
1564:also wrote grands motets.
1388:
1333:Michel-Richard de La Lande
1231:motet written elsewhere. "
3919:
3465:Matheus de Sancto Johanne
3460:Johannes Symonis Hasprois
3391:
3203:
3130:
3106:Galician-Portuguese lyric
3051:Jehan le Cuvelier d'Arras
2966:Andrieu Contredit d'Arras
2738:
2588:
2510:Abingdon: Routledge, 2019
2154:10.1017/S0261127900001248
1893:Oxford English Dictionary
1708:Charles Villiers Stanford
1638:Charles Villiers Stanford
1395:Six motets attributed to
1385:J. S. Bach's compositions
1357:Louis-Nicolas Clérambault
1271:Michel Richard de Lalande
3495:Antonio Zacara da Teramo
2517:Turnhout: Brepols, 2012.
2426:Anderson, Michael Alan.
1591:Mitten wir im Leben sind
1552:(K. 618) is this genre.
1375:composed motets such as
1275:Marc-Antoine Charpentier
1060:Jacobus Clemens non Papa
3021:Gillebert de Berneville
2598:List of music theorists
1898:Oxford University Press
1805:The Late-Medieval Motet
1601:Fest- und GedenksprĂŒche
1166:Lucrezia Orsina Vizzana
527:usually adapted from a
54:Western classical music
3980:Classical music styles
3294:Gherardello da Firenze
2981:Le Chastelain de Couci
2774:Philippe le Chancelier
2455:Hartt, Jared C., ed.,
2449:Renaissance Polyphony.
1832:Johannes de Grocheio,
1732:F. Melius Christiansen
1353:Charles-Hubert Gervais
1321:
1196:TomĂĄs Luis de Victoria
601:(fl. mid-13th century)
46:
3985:Medieval music genres
3603:Johannes de Garlandia
2917:Raimbaut de Vaqueiras
2546:University of Florida
2542:Motet online database
2492:Pesce, Dolores, ed.,
2383:Westminster Cathedral
2363:Veni Creator Spiritus
1919:Willi Apel, âMotetâ,
1871:Catholic Encyclopedia
1532:composed an extended
1397:Johann Sebastian Bach
1298:Plaude laetare Gallia
1294:
1281:Plaude Laetare Gallia
1006:Renaissance composers
680:Movements and schools
668:Transition to Baroque
193:Movements and schools
30:
3924:Also music theorist*
3608:Johannes de Grocheio
3425:Conradus de Pistoria
3412:Philippus de Caserta
3361:Philippus de Caserta
3330:Antonello da Caserta
3279:Andreas de Florentia
3170:Guillaume de Machaut
2831:Bernart de Ventadorn
2816:Aimeric de Peguilhan
2759:Albertus Parisiensis
2709:Adam of Saint Victor
2669:Saint Martial school
2626:Notker the Stammerer
2478:Melamed, Daniel R.,
2444:Paris: Fayard, 2009.
2395:Frauenkirche Dresden
2339:Komm, Heiliger Geist
1813:Berkeley, California
1773:Sven-David Sandström
1516:Ich lasse dich nicht
1355:(42 grands motets),
1339:(20 grands motets),
1335:(70 grands motets),
1327:(24 grands motets),
1288:'s son; its text by
1136:CristĂłbal de Morales
980:madrigali spirituali
922:Nuper rosarum flores
630:Renaissance examples
560:Guillaume de Machaut
39:era motet, entitled
3535:Contenance angloise
3325:Bartolino da Padova
3224:Marchetto da Padova
3155:Magister Franciscus
3031:Guillaume le Vinier
3026:Gontier de Soignies
2971:Audefroi le Bastart
2857:Folquet de Marselha
2714:Wulfstan the Cantor
2704:Hildegard of Bingen
2674:Adémar de Chabannes
2659:Fulbert of Chartres
2621:Abbey of Saint Gall
2613:Early (before 1150)
2527:Zayaruznaya, Anna,
2379:With Hearts Renewed
2142:Early Music History
2068:10.1093/mq/85.4.644
1896:(Online ed.).
1626:Camille Saint-Saëns
1267:Jean-Baptiste Lully
1086:Eustache Du Caurroy
970:Canticum Canticorum
955:Motets were sacred
717:English Virginalist
702:Florentine Camerata
611:Marchetto da Padova
447:Renaissance music â
78:Johannes de Grocheo
3863:Neo-Medieval music
3853:Medieval folk rock
3633:Berno of Reichenau
3613:Iacobus de Ispania
3455:Petrus de Goscalch
3356:NiccolĂČ da Perugia
3351:Grazioso da Padova
3299:Lorenzo da Firenze
3259:Vincenzo da Rimini
3244:Giovanni da Cascia
3076:Other trouvĂšres...
3061:Perrin d'Angicourt
3011:Gautier de Dargies
2986:Chrétien de Troyes
2922:Raimon de Miravalh
2912:Raimbaut d'Aurenga
2471:Lincoln, Harry B.
2433:Cumming, Julie E.
2260:Blanche Gangwere,
2199:A History of Music
2016:Grove Music Online
2008:Flotzinger, Rudolf
1785:Pierre Pincemaille
1648:and some, such as
1614:composed about 40
1472:FĂŒrchte dich nicht
1464:Jesu, meine Freude
1106:Francisco Guerrero
1070:Thomas Crecquillon
1020:Alexander Agricola
566:Medieval composers
108:, and the Italian
47:
3990:Renaissance music
3962:
3961:
3930:Renaissance music
3638:Aurelian of RĂ©ĂŽme
3623:Johannes de Muris
3593:Franco of Cologne
3571:
3570:
3553:Arnold de Lantins
3512:
3511:
3508:
3507:
3435:Johannes Cuvelier
3387:
3386:
3383:
3382:
3379:
3378:
3346:Giovanni Mazzuoli
3341:Matteo da Perugia
3313:
3312:
3289:Francesco Landini
3267:
3266:
3249:Jacopo da Bologna
3232:
3231:
3199:
3198:
3195:
3194:
3186:Philippe de Vitry
3165:Jehan de Lescurel
3086:
3085:
3071:Raoul de Soissons
3016:Gautier d'Espinal
3006:Gautier de Coincy
2947:
2946:
2867:Giraut de Bornelh
2846:CerverĂ de Girona
2826:Arnaut de Mareuil
2796:
2795:
2792:
2791:
2754:Notre-Dame school
2664:Heriger of Lobbes
2593:List of composers
2513:Schmidt, Thomas,
2465:978-1-78327-307-2
2440:Favier, Thierry,
2385:Choir of London.
2375:978-3-00-039887-2
2351:978-3-00-039887-2
2308:978-3-00-039887-2
2284:978-1-78454-028-9
2242:Hilliard Ensemble
2056:Musical Quarterly
2033:978-1-56159-263-0
1971:978-0-19-866212-9
1950:978-0-393-93125-9
1904:(Subscription or
1781:Ludger StĂŒhlmeyer
1767:in 2006, as have
1663:O clap your hands
1574:Felix Mendelssohn
1369:Symphoniae sacrae
1341:François Couperin
1209:Giovanni Gabrieli
1161:Andreas Pevernage
1156:Johannes Ockeghem
1126:Orlande de Lassus
1012:Renaissance music
909:Renaissance music
905:
904:
647:Renaissance music
605:Jacopo da Bologna
599:Franco of Cologne
556:Philippe de Vitry
541:Montpellier Codex
494:Notre-Dame school
484:
483:
222:Notre-Dame school
136:Medieval examples
124:(from the French
70:Renaissance music
18:Isorhythmic motet
16:(Redirected from
4007:
3951:
3941:
3940:
3747:Liturgical drama
3514:
3421:
3418:Johannes Ciconia
3393:
3389:
3371:Zacara da Teramo
3335:Johannes Ciconia
3315:
3305:Paolo da Firenze
3284:Donato da Cascia
3269:
3234:
3214:
3205:
3201:
3189:
3132:
3128:
3123:Late (1300â1400)
3066:Philippe de RĂ©mi
2996:Conon de BĂ©thune
2976:Blondel de Nesle
2961:Adam de la Halle
2949:
2887:Peire d'Alvernha
2798:
2785:
2740:
2736:
2731:High (1150â1300)
2720:Wipo of Burgundy
2685:
2655:
2647:
2638:Stephen of LiĂšge
2575:
2568:
2561:
2552:
2520:Zazulia, Emily,
2468:
2447:Fitch, Fabrice,
2414:
2404:
2398:
2360:
2354:
2332:
2326:
2317:
2311:
2293:
2287:
2273:
2267:
2258:
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2217:
2211:
2208:
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2188:
2182:
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2133:
2127:
2126:
2078:
2072:
2071:
2051:
2045:
2044:
2042:
2040:
2004:
1998:
1983:
1974:
1959:
1953:
1938:
1932:
1917:
1911:
1909:
1901:
1889:
1882:
1876:
1875:
1867:
1859:
1853:
1830:
1824:
1803:Margaret Bent, "
1801:
1777:Enjott Schneider
1740:Michael Finnissy
1720:Morten Lauridsen
1550:Ave verum corpus
1480:Komm, Jesu, komm
1373:Hans Leo Hassler
1361:François Giroust
1243:Baroque examples
1141:Ătienne MouliniĂ©
1121:Pierre de La Rue
1091:Antoine de FĂ©vin
1075:Josquin des Prez
1000:Cipriano de Rore
897:
890:
883:
860:â Medieval music
722:English Madrigal
655:
634:
587:Guillaume Du Fay
581:Johannes Ciconia
575:Adam de la Halle
476:
469:
462:
410:Liturgical drama
308:Adam de la Halle
140:
21:
4015:
4014:
4010:
4009:
4008:
4006:
4005:
4004:
3965:
3964:
3963:
3958:
3957:
3934:
3915:
3867:
3836:
3773:
3723:Gregorian chant
3642:
3628:Walter Odington
3588:Guido of Arezzo
3567:
3524:Johannes Alanus
3504:
3480:Jacob Senleches
3416:
3375:
3309:
3263:
3228:
3191:
3184:
3117:
3082:
2943:
2872:Guiraut Riquier
2851:Comtessa de Dia
2836:Bertran de Born
2804:
2788:
2782:Petrus de Cruce
2780:
2725:
2689:Notker Physicus
2680:
2650:
2642:
2607:
2584:
2579:
2538:
2499:Rice, John A.,
2485:Nosow, Robert,
2454:
2423:
2421:Further reading
2418:
2417:
2405:
2401:
2391:Edgar Allan Poe
2361:
2357:
2333:
2329:
2318:
2314:
2296:Da pacem Domine
2294:
2290:
2274:
2270:
2259:
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2239:
2235:
2218:
2214:
2209:
2205:
2189:
2185:
2135:
2134:
2130:
2099:10.2307/2886871
2080:
2079:
2075:
2053:
2052:
2048:
2038:
2036:
2034:
2006:
2005:
2001:
1984:
1977:
1960:
1956:
1939:
1935:
1918:
1914:
1903:
1884:
1883:
1879:
1861:
1860:
1856:
1831:
1827:
1802:
1798:
1793:
1764:Da pacem Domine
1756:
1748:Igor Stravinsky
1716:Lennox Berkeley
1704:Richard Strauss
1688:Maurice Duruflé
1658:
1642:motets in Latin
1596:Johannes Brahms
1570:
1526:
1427:Lobet dem Herrn
1393:
1387:
1365:Heinrich SchĂŒtz
1345:Nicolas Bernier
1343:(motets lost),
1337:Henry Desmarest
1313:
1308:
1304:
1300:
1245:
1205:
1116:Claude Le Jeune
1101:Nicolas Gombert
1040:Antoine Busnois
1030:Antoine Boësset
1025:Gilles Binchois
1008:
992:Adrian Willaert
917:Guillaume Dufay
901:
870:
867:Baroque music â
863:
850:
849:
848:
816:
808:
807:
806:
736:
728:
727:
726:
681:
671:
670:
653:
632:
617:Petrus de Cruce
613:(fl. 1305â1319)
607:(fl. 1340â1385)
568:
533:Gregorian chant
480:
438:
437:
436:
395:Gregorian chant
352:
344:
343:
342:
272:
264:
263:
262:
194:
184:
183:
138:
104:for "motet" is
87:
72:. According to
50:
23:
22:
15:
12:
11:
5:
4013:
4011:
4003:
4002:
3997:
3992:
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3896:
3891:
3881:
3875:
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3869:
3868:
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3865:
3860:
3858:Medieval metal
3855:
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3728:Pope Gregory I
3720:
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3643:
3641:
3640:
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3630:
3625:
3620:
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3605:
3600:
3598:Johannes Cotto
3595:
3590:
3585:
3579:
3577:
3573:
3572:
3569:
3568:
3566:
3565:
3560:
3555:
3550:
3545:
3540:
3539:
3538:
3529:John Dunstaple
3526:
3520:
3518:
3510:
3509:
3506:
3505:
3503:
3502:
3497:
3492:
3490:Johannes Susay
3487:
3482:
3477:
3472:
3470:Gacian Reyneau
3467:
3462:
3457:
3452:
3450:Martinus Fabri
3447:
3442:
3437:
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3409:
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3368:
3363:
3358:
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3348:
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3327:
3321:
3319:
3318:3rd generation
3311:
3310:
3308:
3307:
3302:
3296:
3291:
3286:
3281:
3275:
3273:
3272:2nd generation
3265:
3264:
3262:
3261:
3256:
3251:
3246:
3240:
3238:
3237:1st generation
3230:
3229:
3227:
3226:
3220:
3218:
3211:
3197:
3196:
3193:
3192:
3190:
3182:
3180:Jehan Vaillant
3177:
3172:
3167:
3162:
3157:
3152:
3150:Denis Le Grant
3147:
3142:
3140:
3125:
3119:
3118:
3116:
3115:
3114:
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3103:
3098:
3093:
3087:
3084:
3083:
3081:
3080:
3079:
3078:
3068:
3063:
3058:
3056:Moniot d'Arras
3053:
3048:
3043:
3038:
3036:Guiot de Dijon
3033:
3028:
3023:
3018:
3013:
3008:
3003:
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2993:
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2899:
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2892:Peire Cardenal
2889:
2884:
2879:
2874:
2869:
2864:
2862:Gaucelm Faidit
2859:
2854:
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2828:
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2640:
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2628:
2617:
2615:
2609:
2608:
2606:
2605:
2600:
2595:
2589:
2586:
2585:
2582:Medieval music
2580:
2578:
2577:
2570:
2563:
2555:
2549:
2548:
2537:
2536:External links
2534:
2533:
2532:
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2250:
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2212:
2203:
2191:Alec Robertson
2183:
2128:
2073:
2062:(4): 644â680.
2046:
2032:
1999:
1975:
1954:
1933:
1912:
1910:entry "Motet".
1877:
1854:
1825:
1795:
1794:
1792:
1789:
1755:
1752:
1657:
1654:
1612:Anton Bruckner
1569:
1566:
1525:
1522:
1494:
1493:
1484:
1475:
1467:
1459:
1450:
1436:basso continuo
1408:basso continuo
1389:Main article:
1386:
1383:
1295:
1257:basso continuo
1244:
1241:
1221:Venetian motet
1204:
1203:
1201:Manuel Cardoso
1198:
1193:
1188:
1183:
1178:
1173:
1171:Martin Peerson
1168:
1163:
1158:
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1148:
1143:
1138:
1133:
1128:
1123:
1118:
1113:
1111:Heinrich Isaac
1108:
1103:
1098:
1096:Carlo Gesualdo
1093:
1088:
1082:
1080:John Dunstaple
1077:
1072:
1067:
1065:Loyset CompĂšre
1062:
1057:
1052:
1047:
1042:
1037:
1035:Antoine Brumel
1032:
1027:
1022:
1016:
1007:
1004:
935:passing chords
931:cantus firmus'
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596:
595:(c. 1390â1453)
593:John Dunstaple
590:
584:
583:(c. 1370â1412)
578:
567:
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548:panisorhythmic
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102:Medieval Latin
86:
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62:medieval music
48:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4012:
4001:
3998:
3996:
3993:
3991:
3988:
3986:
3983:
3981:
3978:
3976:
3975:Baroque music
3973:
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3647:Musical forms
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3446:
3443:
3441:
3438:
3436:
3433:
3431:
3430:Baude Cordier
3428:
3426:
3423:
3419:
3415:
3413:
3410:
3408:
3405:
3404:
3402:
3400:
3399:
3398:Ars subtilior
3394:
3390:
3372:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3336:
3333:
3331:
3328:
3326:
3323:
3322:
3320:
3316:
3306:
3303:
3300:
3297:
3295:
3292:
3290:
3287:
3285:
3282:
3280:
3277:
3276:
3274:
3270:
3260:
3257:
3255:
3254:Maestro Piero
3252:
3250:
3247:
3245:
3242:
3241:
3239:
3235:
3225:
3222:
3221:
3219:
3215:
3212:
3210:
3206:
3202:
3187:
3183:
3181:
3178:
3176:
3175:P. des Molins
3173:
3171:
3168:
3166:
3163:
3161:
3158:
3156:
3153:
3151:
3148:
3146:
3143:
3141:
3139:
3138:
3133:
3129:
3126:
3124:
3120:
3112:
3109:
3108:
3107:
3104:
3102:
3099:
3097:
3094:
3092:
3089:
3088:
3077:
3074:
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3072:
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3067:
3064:
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3037:
3034:
3032:
3029:
3027:
3024:
3022:
3019:
3017:
3014:
3012:
3009:
3007:
3004:
3002:
2999:
2997:
2994:
2992:
2989:
2987:
2984:
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2979:
2977:
2974:
2972:
2969:
2967:
2964:
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2910:
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2905:
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2900:
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2880:
2878:
2875:
2873:
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2863:
2860:
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2849:
2847:
2844:
2842:
2839:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2821:Arnaut Daniel
2819:
2817:
2814:
2813:
2811:
2808:
2803:
2799:
2783:
2779:
2775:
2772:
2770:
2767:
2765:
2762:
2760:
2757:
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2755:
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2751:
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2747:
2746:
2741:
2737:
2734:
2732:
2728:
2721:
2718:
2715:
2712:
2710:
2707:
2705:
2702:
2700:
2699:Peter Abelard
2697:
2695:
2692:
2690:
2687:
2683:
2682:Odo of Arezzo
2679:
2675:
2672:
2671:
2670:
2667:
2665:
2662:
2660:
2657:
2653:
2649:
2645:
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2639:
2636:
2632:
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2619:
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2420:
2413:
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2403:
2400:
2396:
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2384:
2380:
2376:
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2356:
2352:
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2321:
2316:
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2309:
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2285:
2281:
2277:
2272:
2269:
2265:
2264:
2257:
2255:
2251:
2247:
2243:
2237:
2234:
2230:
2226:
2225:Stanley Sadie
2222:
2216:
2213:
2207:
2204:
2200:
2196:
2195:Denis Stevens
2192:
2187:
2184:
2179:
2175:
2171:
2167:
2163:
2159:
2155:
2151:
2147:
2143:
2139:
2132:
2129:
2124:
2120:
2116:
2112:
2108:
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2100:
2096:
2092:
2088:
2084:
2077:
2074:
2069:
2065:
2061:
2057:
2050:
2047:
2035:
2029:
2025:
2021:
2017:
2013:
2009:
2003:
2000:
1996:
1992:
1991:Stanley Sadie
1988:
1982:
1980:
1976:
1972:
1968:
1964:
1958:
1955:
1951:
1947:
1943:
1937:
1934:
1930:
1926:
1922:
1916:
1913:
1907:
1899:
1895:
1894:
1888:
1881:
1878:
1873:
1872:
1866:
1865:"Motet"
1858:
1855:
1851:
1850:9781580441650
1847:
1843:
1842:9781580441643
1839:
1835:
1829:
1826:
1822:
1821:9780520210813
1818:
1814:
1810:
1806:
1800:
1797:
1790:
1788:
1786:
1782:
1778:
1774:
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1766:
1765:
1760:
1753:
1751:
1749:
1745:
1741:
1737:
1733:
1729:
1725:
1721:
1717:
1713:
1712:Edmund Rubbra
1709:
1705:
1701:
1700:
1696:in 1960, and
1695:
1694:
1689:
1685:
1684:
1679:
1678:
1673:
1669:
1665:
1664:
1655:
1653:
1651:
1647:
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1622:
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1597:
1593:
1592:
1587:
1586:
1581:
1580:
1575:
1567:
1565:
1563:
1559:
1555:
1551:
1548:
1544:
1540:
1539:
1535:
1534:chorale motet
1531:
1523:
1521:
1519:
1518:, BWV Anh 159
1517:
1512:
1510:
1505:
1503:
1499:
1491:
1490:
1485:
1482:
1481:
1476:
1474:
1473:
1468:
1466:
1465:
1460:
1457:
1456:
1451:
1448:
1447:
1442:
1441:
1440:
1438:
1437:
1432:
1428:
1424:
1420:
1419:
1414:
1410:
1409:
1404:
1403:
1398:
1392:
1382:
1380:
1379:
1374:
1370:
1366:
1362:
1358:
1354:
1350:
1346:
1342:
1338:
1334:
1330:
1326:
1325:Pierre Robert
1320:
1318:
1312:
1311:
1307:
1303:
1299:
1293:
1291:
1290:Pierre Perrin
1287:
1283:
1282:
1276:
1272:
1268:
1264:
1263:
1262:grands motets
1258:
1254:
1253:petits motets
1250:
1249:Baroque music
1242:
1240:
1238:
1234:
1233:If Ye Love Me
1230:
1226:
1222:
1218:
1214:
1210:
1202:
1199:
1197:
1194:
1192:
1191:Robert Carver
1189:
1187:
1186:John Taverner
1184:
1182:
1181:Thomas Tallis
1179:
1177:
1174:
1172:
1169:
1167:
1164:
1162:
1159:
1157:
1154:
1152:
1151:Jacob Obrecht
1149:
1147:
1144:
1142:
1139:
1137:
1134:
1132:
1131:Jean Maillard
1129:
1127:
1124:
1122:
1119:
1117:
1114:
1112:
1109:
1107:
1104:
1102:
1099:
1097:
1094:
1092:
1089:
1087:
1083:
1081:
1078:
1076:
1073:
1071:
1068:
1066:
1063:
1061:
1058:
1056:
1055:Pierre Certon
1053:
1051:
1048:
1046:
1043:
1041:
1038:
1036:
1033:
1031:
1028:
1026:
1023:
1021:
1018:
1017:
1015:
1013:
1005:
1003:
1001:
997:
993:
989:
984:
982:
981:
976:
972:
971:
966:
962:
958:
953:
951:
947:
943:
938:
936:
932:
928:
927:cantus firmus
924:
923:
918:
914:
913:cantus firmus
910:
898:
893:
891:
886:
884:
879:
878:
876:
875:
869:
868:
862:
861:
856:
855:
854:
853:
845:
842:
840:
837:
835:
832:
830:
829:
825:
823:
820:
819:
812:
811:
803:
800:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
773:
770:
768:
765:
763:
760:
758:
755:
753:
750:
748:
745:
743:
740:
739:
735:Major figures
732:
731:
723:
720:
718:
715:
713:
710:
708:
705:
703:
700:
698:
695:
693:
690:
688:
685:
684:
677:
676:
669:
665:
661:
660:
659:
658:
651:
648:
644:
640:
636:
635:
629:
624:
623:W. de Wycombe
621:
618:
615:
612:
609:
606:
603:
600:
597:
594:
591:
588:
585:
582:
579:
576:
573:
572:
571:
565:
563:
561:
557:
553:
552:cantus firmus
549:
544:
542:
536:
534:
530:
526:
525:
524:cantus firmus
520:
516:
513:tradition of
512:
507:
503:
499:
495:
491:
490:
477:
472:
470:
465:
463:
458:
457:
455:
454:
449:
448:
444:
443:
442:
441:
433:
432:
428:
426:
423:
421:
418:
416:
413:
411:
408:
406:
403:
401:
398:
396:
393:
391:
388:
384:
381:
379:
376:
374:
371:
370:
369:
366:
364:
361:
359:
356:
355:
348:
347:
339:
336:
334:
331:
329:
326:
324:
321:
319:
316:
314:
311:
309:
306:
304:
301:
299:
296:
294:
291:
289:
286:
284:
281:
279:
276:
275:
271:Major figures
268:
267:
259:
258:
257:Ars subtilior
254:
252:
249:
247:
246:
242:
240:
237:
235:
232:
230:
227:
223:
220:
219:
218:
217:
213:
211:
208:
206:
205:Saint Martial
203:
201:
198:
197:
190:
189:
181:
177:
173:
169:
165:
164:
163:
162:
157:
154:
150:
146:
142:
141:
135:
133:
131:
127:
123:
119:
116:
111:
107:
103:
99:
95:
92:
84:
82:
79:
75:
74:Margaret Bent
71:
67:
63:
59:
55:
44:
43:
38:
37:Baroque music
34:
29:
19:
3928:
3894:Architecture
3766:
3756:
3718:Geisslerlied
3696:Formes fixes
3618:Notker Labeo
3583:Anonymous IV
3558:Leonel Power
3543:Thomas Fabri
3533:
3396:
3217:Predecessors
3135:
3041:Jehan Bretel
2877:Jaufre Rudel
2743:
2652:Odo of Cluny
2528:
2521:
2514:
2507:
2500:
2493:
2486:
2479:
2472:
2456:
2448:
2441:
2434:
2427:
2410:A coeur joie
2409:
2402:
2386:
2378:
2366:
2362:
2358:
2342:
2341:(2002). In:
2338:
2334:
2330:
2315:
2299:
2298:(2006). In:
2295:
2291:
2275:
2271:
2261:
2245:
2236:
2229:John Tyrrell
2220:
2215:
2206:
2198:
2186:
2145:
2141:
2131:
2093:(1): 32â57.
2090:
2086:
2076:
2059:
2055:
2049:
2037:. Retrieved
2015:
2002:
1995:John Tyrrell
1986:
1962:
1957:
1941:
1936:
1920:
1915:
1891:
1880:
1869:
1857:
1833:
1828:
1808:
1799:
1769:Dave Soldier
1762:
1757:
1754:21st century
1744:Karl Jenkins
1736:Ernst Krenek
1728:Hugo Distler
1724:Edward Elgar
1697:
1691:
1681:
1677:Tre Motetter
1675:
1672:Carl Nielsen
1661:
1659:
1656:20th century
1650:Edward Elgar
1630:CĂ©sar Franck
1619:
1605:
1599:
1589:
1583:
1577:
1571:
1568:19th century
1543:galant style
1536:
1527:
1524:18th century
1515:
1508:
1501:
1496:The funeral
1495:
1487:
1478:
1470:
1462:
1453:
1444:
1434:
1426:
1416:
1406:
1400:
1394:
1376:
1349:André Campra
1329:Henry Dumont
1322:
1314:
1309:
1305:
1301:
1297:
1296:
1279:
1260:
1252:
1246:
1228:
1224:
1220:
1206:
1045:William Byrd
1009:
996:Ludwig Senfl
988:courtly love
985:
978:
968:
954:
939:
930:
926:
920:
912:
906:
865:
858:
843:
826:
666: /
569:
551:
545:
537:
522:
487:
485:
445:
429:
419:
390:Geisslerlied
368:Formes fixes
255:
243:
214:
174: /
170: /
129:
125:
121:
109:
105:
97:
93:
88:
57:
51:
40:
3995:Vocal music
3884:Middle Ages
3879:Early music
3841:Derivations
3674:Chansonnier
3046:Jehan Erart
2991:Colin Muset
2897:Peire Vidal
2745:Ars antiqua
2408:Website of
2337:(2007) and
2148:: 263â301.
2039:17 November
1558:Mondonville
1423:colla parte
1413:colla parte
1378:Dixit Maria
1323:In France,
1225:Netherlands
1146:Jean Mouton
815:Major forms
625:(fl. 1270s)
589:(1397-1474)
531:passage of
351:Major forms
216:Ars antiqua
172:Instruments
3969:Categories
3909:Philosophy
3904:Literature
3872:Background
3778:Traditions
3145:F. Andrieu
3001:Gace Brulé
2841:Castelloza
2807:Trobairitz
2802:Troubadour
2694:St. Godric
2012:"Clausula"
1929:0674375017
1908:required.)
1834:Ars Musice
1791:References
1699:Notre PĂšre
1646:a cappella
1621:Locus iste
1418:a cappella
1402:a cappella
1213:polychoral
946:polyphonic
802:Monteverdi
782:Palestrina
687:Burgundian
529:melismatic
519:vernacular
229:Troubadour
200:Saint Gall
66:polyphonic
33:J. S. Bach
3822:Lithuania
3686:Conductus
3576:Theorists
3548:Roy Henry
3475:Rodericus
3366:Sant Omer
3101:Minnesang
2178:193246052
2162:0261-1279
2123:162143719
2107:0038-7134
1844:(cloth);
1759:Arvo PĂ€rt
1690:composed
1607:Abendlied
1576:composed
1511:, BWV 231
1504:, BWV 118
1286:Louis XIV
1237:homophony
1084:François-
957:madrigals
942:antiphons
762:Tinctoris
664:Composers
363:Conductus
338:Dunstaple
288:Hildegard
239:Minnesang
180:Theorists
168:Composers
118:clausulas
85:Etymology
68:forms of
3943:Category
3848:Bardcore
3827:Portugal
3795:Scotland
3768:Planctus
3752:Madrigal
3691:Estampie
3654:Antiphon
3209:Trecento
3137:Ars nova
3096:Goliards
2953:TrouvĂšre
2927:Sordello
2907:Perdigon
2882:Marcabru
2412:editions
2197:, eds.,
2087:Speculum
2010:(2001).
1686:(1938).
1668:Psalm 47
1640:, wrote
1547:Mozart's
1486:BWV 230
1477:BWV 229
1469:BWV 228
1461:BWV 227
1452:BWV 226
1443:BWV 225
1405:style,
1292:begins:
975:Petrarch
834:Madrigal
797:Victoria
752:Ockeghem
747:Binchois
712:Venetian
697:Colorist
654:Overview
639:a series
637:Part of
511:medieval
506:clausula
431:Planctus
415:Madrigal
251:Trecento
245:Ars nova
234:TrouvĂšre
159:Overview
145:a series
143:Part of
110:mottetto
106:motectum
45:(BWV226)
3812:Germany
3790:England
3762:Organum
3740:Tydorel
3711:Virelai
3706:Rondeau
3701:Ballade
3669:Chanson
3445:Egidius
3440:Egardus
3160:Grimace
3091:Casella
2769:PĂ©rotin
2644:Hucbald
2631:Tuotilo
2544:at the
2115:2886871
1887:"motet"
1674:set in
1634:anthems
1562:Giroust
1498:cantata
1483:(1730?)
1429:is for
1317:Dauphin
1229:Flemish
950:liturgy
828:Chanson
777:Zarlino
767:Josquin
757:Busnois
515:secular
502:PĂ©rotin
489:organum
425:Organum
383:Virelai
378:Rondeau
373:Ballade
333:Ciconia
328:Landini
323:Machaut
303:PĂ©rotin
298:Walther
293:Bernart
210:Goliard
122:motelli
4000:Motets
3953:Portal
3899:Poetry
3807:France
3802:Cyprus
3517:Others
3500:Trebor
3485:Solage
3407:Borlet
2902:Peirol
2805:&
2764:LĂ©onin
2463:
2373:
2349:
2306:
2282:
2176:
2170:853818
2168:
2160:
2121:
2113:
2105:
2030:
1969:
1948:
1927:
1852:(pbk).
1848:
1840:
1819:
1616:motets
1554:Rameau
1458:(1729)
1449:(1726)
1259:; and
1217:choirs
998:, and
822:Anthem
772:Tallis
742:Du Fay
498:LĂ©onin
313:Franco
278:Notker
176:Theory
130:moteti
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