196:, a phenolic resin invented by Westinghouse. Mostly women were employed in this enterprise, which yielded some 13 million helmet liners over the course of the war. The slogan "We Can Do It!" was probably not interpreted by the factory workers as empowering to women alone; they had been subjected to a series of paternalistic, controlling posters promoting management authority, employee capability and company unity, and the workers would likely have understood the image to mean "Westinghouse Employees Can Do It", all working together. The upbeat image served as gentle propaganda to boost employee morale and keep production from lagging. The badge on the "We Can Do It!" worker's collar identifies her as a Westinghouse Electric plant floor employee; the pictured red, white and blue clothing was a subtle call to patriotism, one of the frequent tactics of corporate war production committees.
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157:. He painted posters during World War II in support of the war effort, among them the famous "We Can Do It!" poster. Aside from the iconic poster, Miller remains largely unknown. For many years, little had been written about Miller's life, with uncertainty extending to his birth and death dates. In 2022, Professor James J. Kimble uncovered more of Miller's personal information, setting the birth year at 1898, and the death at 1985. Miller was married to Mabel Adair McCauley. Their marriage was childless; surviving family members are related through Miller's siblings.
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164:, graduating in 1939. He lived in Pittsburgh during the war. His work came to the attention of the Westinghouse Company (later, the Westinghouse War Production Co-Ordinating Committee), and he was hired to create a series of posters. The posters were sponsored by the company's internal War Production Co-Ordinating Committee, one of the hundreds of labor-management committees organized under the supervision of the national War Production Board. Aside from his commercial work, Miller painted landscapes and studies in
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questions to management, and to lower the likelihood of labor unrest or a factory strike. Each of the more than 42 posters designed by Miller was displayed in the factory for two weeks, then replaced by the next one in the series. Most of the posters featured men; they emphasized traditional roles for men and women. One of the posters pictured a smiling male manager with the words "Any
Questions About Your Work? ... Ask your Supervisor."
298:. Feminists saw in the image an embodiment of female empowerment. The "We" was understood to mean "We Women", uniting all women in a sisterhood fighting against gender inequality. This was very different from the poster's 1943 use to control employees and to discourage labor unrest. History professor Jeremiah Axelrod commented on the image's combination of femininity with the "masculine (almost macho) composition and body language."
251:. Following the war, the Rockwell painting gradually sank from public memory because it was copyrighted; all of Rockwell's paintings were vigorously defended by his estate after his death. This protection resulted in the original painting gaining value—it sold for nearly $ 5 million in 2002. Conversely, the lack of protection for the "We Can Do It!" image is one of the reasons it experienced a rebirth.
228:, May 29, 1943. The Westinghouse poster was not associated with any of the women nicknamed "Rosie" who came forward to promote women working for war production on the home front. Rather, after being displayed for two weeks in February 1943 to some Westinghouse factory workers, it disappeared for nearly four decades. Other "Rosie" images prevailed, often photographs of actual workers. The
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Although many publications have repeated Doyle's unsupported assertion that the wartime photograph inspired Miller's poster, Westinghouse historian
Charles A. Ruch, a Pittsburgh resident who had been friends with J. Howard Miller, said that Miller was not in the habit of working from photographs, but
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In 1942, Miller was hired by
Westinghouse Electric's internal War Production Coordinating Committee, through an advertising agency, to create a series of posters to display to the company's workers. The intent of the poster project was to raise worker morale, to reduce absenteeism, to direct workers'
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magazine and assumed the poster was an image of herself. Without intending to profit from the connection, Doyle decided that the 1942 wartime photograph had inspired Miller to create the poster, making Doyle herself the model for the poster. Subsequently, Doyle was widely credited as the inspiration
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mistakenly said that she was the subject of the poster. Doyle thought that she had also been captured in a wartime photograph of a woman factory worker, and she assumed that this photo inspired Miller's poster. Conflating her as "Rosie the
Riveter", Doyle was honored by many organizations including
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union, GM quickly produced a propaganda poster in 1942 showing both labor and management rolling up their sleeves, aligned toward maintaining a steady rate of war production. The poster read, "Together We Can Do It!" and "Keep 'Em Firing!" In creating such posters, corporations wished to increase
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After its rediscovery, observers often assumed that the image was always used as a call to inspire women workers to join the military war effort. However, during the war the image was strictly internal to
Westinghouse, displayed only during February 1943, and was not for recruitment but to exhort
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in
California, showing Parker and her sister working at their war jobs during March 1942. These images were published in various newspapers and magazines beginning in April 1942, during a time when Doyle was still attending high school in Michigan. In February 2015, Kimble interviewed the Parker
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claimed the poster was developed in 1942 by its precursor, the War
Advertising Committee, as part of a "Women in War Jobs" campaign, helping to bring "over two million women" into war production. In February 2012 during the Ad Council's 70th anniversary celebration, an interactive application
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sisters: Naomi Fern Fraley, 93, and her sister Ada Wyn
Morford, 91; he found out that they had known for five years about the incorrect identification of the photo, and had been rebuffed in their attempt to correct the historical record. Naomi died at age 96 on January 20, 2018.
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was called "Rosify
Yourself", referring to Rosie the Riveter; it allowed viewers to upload images of their faces to be incorporated into the "We Can Do It!" poster, then saved to be shared with friends. Ad Council President and CEO Peggy Conlon posted her own "Rosified" face on
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magazine which showed a wartime photograph of a young woman working at a lathe, and she assumed that the photograph was taken of her in mid-to-late 1942 when she was working briefly in a factory. Ten years later, Doyle saw the "We Can Do It!" poster on the front of the
136:, the U.S. government called upon manufacturers to produce greater amounts of war goods. The workplace atmosphere at large factories was often tense because of resentment built up between management and labor unions throughout the 1930s. Directors of companies such as
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photostream. In March 2011, Phoenix produced a color version which stated "She Did It!" in the lower right, then in
January 2012 he pasted "Too Sad" diagonally across the poster to represent his disappointment with developments in Australian politics.
113:, working in early 1942 before Doyle had graduated from high school. Doyle's notion that the photograph inspired the poster cannot be proved or disproved, so neither Doyle nor Parker can be confirmed as the model for "We Can Do It!".
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who used it in advertisements for household cleaners, the pictured woman provided in this instance with a wedding ring on her left hand. Parodies of the image have included famous women, men, animals and fictional characters. A
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already-hired women to work harder. People have seized upon the uplifting attitude and apparent message to remake the image into many different forms, including self empowerment, campaign promotion, advertising, and parodies.
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magazine in 1994 and was fashioned into a US first-class mail stamp in 1999. It was incorporated in 2008 into campaign materials for several American politicians, and was reworked by an artist in 2010 to celebrate the
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Today, the image has become very widely known, far beyond its narrowly defined purpose during World War II. It has adorned T-shirts, tattoos, coffee cups and refrigerator magnets—so many different products that
192:, and the midwestern U.S., where it was scheduled to be displayed for two five-day work weeks starting Monday, February 15, 1943. The targeted factories were making plasticized helmet liners impregnated with
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Working in tandem with the Office of War Information, the Ad Council created campaigns such as Buy War Bonds, Plant Victory Gardens, 'Loose Lips Sink Ships,' and Rosie the Riveter's 'We Can Do it.'
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rather live models. However, the photograph of Naomi Parker did appear in the Pittsburgh Press on July 5, 1942, making it possible that Miller saw it as he was creating the poster.
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No more than 1,800 copies of the 17-by-22-inch (559 by 432 mm) "We Can Do It!" poster were printed. It was not initially seen beyond several Westinghouse factories in
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638:
Kimble, James J.; Olson, Lester C. (Winter 2006). "Visual Rhetoric Representing Rosie the Riveter: Myth and Misconception in J. Howard Miller's 'We Can Do It!' Poster".
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professor Lester C. Olson researched the origins of the poster and determined that it was not produced by the Ad Council nor was it used for recruiting women workers.
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created a 33¢ stamp in February 1999 based on the image, with the added words "Women Support War Effort". A Westinghouse poster from 1943 was put on display at the
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called it the "most over-exposed" souvenir item available in Washington, D.C. It was used in 2008 by some of the various regional campaigners working to elect
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during the war, so the recent association with "Rosie the Riveter" was unjustified. Rather, it was targeted at women who were making helmet liners out of
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The poster was little seen during World War II. It was rediscovered in the early 1980s and widely reproduced in many forms, often mistakenly called "
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production by tapping popular pro-war sentiment, with the ultimate goal of preventing the government from exerting greater control over production.
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Kimble, James J. (Summer 2016). "Rosie's Secret Identity, or, How to Debunk a Woozle by Walking Backward through the Forest of Visual Rhetoric".
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medical workers in a similar style, initially to cope with the stress of her work but also to encourage others and support front line workers.
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262:. Reis joked that the woman in the image was more likely to have been named "Molly the Micarta Molder or Helen the Helmet Liner Maker."
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During World War II, the "We Can Do It!" poster was not connected to the 1942 song "Rosie the Riveter", nor to the widely seen
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355:, Professor James J. Kimble obtained the original photographic print, including its yellowed caption identifying the woman as
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magazine put the image on its cover in March 1994, to invite the viewer to read a featured article about wartime posters. The
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969:. New York: National Museum of American Art, Smithsonian Institution, in association with Harry N. Adams, Inc. p. 106.
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140:(GM) sought to minimize past friction and encourage teamwork. In response to a rumored public relations campaign by the
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66:", which is a different depiction of a female war production worker. The "We Can Do It!" image was used to promote
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geared up for a massive nationwide advertising campaign to sell the war, but "We Can Do It!" was not part of it.
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In 1982, the "We Can Do It!" poster was reproduced in a magazine article, "Poster Art for Patriotism's Sake", a
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calling himself Phoenix pasted Gillard's face into a new monochrome version of the "We Can Do It!" poster.
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A Riveting "Rosie": J. Howard Miller's We Can Do It! Poster and Twentieth Century American Visual Culture
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went ahead with their scheduled January–February 2011 cover image: a parody of "We Can Do It!" featuring
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raising her right hand in a fist. The editors of the magazine expressed regret at the passing of Doyle.
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showed a four-by-five-foot (1.2 by 1.5 m) replica made by artist Kristen Cumings from thousands of
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Ed Reis, a volunteer historian for Westinghouse, noted that the original image was not shown to female
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Sharp, Gwen; Wade, Lisa (January 4, 2011), "Sociological Images: Secrets of a feminist icon",
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in an article she wrote about the group's 70-year history. The staff of the television show
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109:. However, in 2015, the woman in the wartime photograph was identified as then 20-year-old
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211:
1024:"Work–Fight–Give: Smithsonian World War II Posters of Labor, Government, and Industry".
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image of "We Can Do It!" was created for the closing credits of the 2011 superhero film
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The poster continues to inspire artists such as Kate Bergen. She has painted images of
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for its 70th anniversary celebration, through a Facebook app called "Rosify Yourself".
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World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia
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and other political issues beginning in the 1980s. The image made the cover of the
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An example of commercial use on a pair of vending machines for bottled water at a
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A propaganda poster from 1942 encouraging unity between labor and management of
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2186:"Happy Birthday Ad Council! Celebrating 70 Years of Public Service Advertising"
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posted two "Rosified" images on their website, using the faces of news anchors
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448:
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381:
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1186:"Geraldine Hoff Doyle dies at 86; inspiration behind a famous wartime poster"
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452:
500:. The image served as the background for the title card of English actress
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873:"How a Seton Hall professor discovered the creator of 'Rosie the Riveter'"
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Another poster by J. Howard Miller from the same series as "We Can Do It!"
2216:"HelpsGood Develops 'Rosify Yourself' App for Ad Council's 70th Birthday"
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Tales of the Great American Victory: World War II in Politics and Poetics
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259:
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1463:"Treasures of American History: The Great Depression and World War II"
1293:
Brennan, Patricia (May 23, 1982). "Poster Art for Patriotism's Sake".
2009:
1978:
1947:
1916:
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1347:"The Noir War: American Narratives of World War II and Its Aftermath"
513:
470:
416:
1792:"Masterpieces of Jelly Bean Art Collection at the Children's Museum"
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Design for Victory: World War II posters on the American home front
2274:"How to deal with work stress — and actually recover from burnout"
1540:"Geraldine Doyle, inspiration for 'Rosie the Riveter,' dies at 86"
375:
321:
269:
179:
120:
2324:"We Can Do It!" poster at the National Museum of American History
1317:
American icons: an encyclopedia of the people, places, and things
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In subsequent years, the poster was re-appropriated to promote
1703:"Naomi Parker Fraley, the Real Rosie the Riveter, Dies at 96"
1381:. Richmond, California: Rosie the Riveter Trust. April 2003.
314:, part of the exhibit showing items from the 1930s and '40s.
85:. The poster is one of the ten most-requested images at the
1794:. Indianapolis, Illinois: Funcityfinder.com. Archived from
597:, another WWII poster that became famous only decades later
1602:"Michigan Woman Who Inspired WWII 'Rosie' Poster Has Died"
1571:"Geraldine Doyle, Iconic Face of World War II, Dies at 86"
59:
as an inspirational image to boost female worker morale.
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Ehrlich, David A.; Minton, Alan R.; Stoy, Diane (2007).
633:
631:
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was worked into the image by some attendees of the 2010
168:; Miller's family kept all of his works in their homes.
995:"Rosie the Riveter: Real Women Workers in World War II"
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359:. The photo is one of a series of photographs taken at
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recreated the poster in the music video for her song "
415:. The image has been employed by corporations such as
1257:
American Women during World War II: an encyclopedia
1103:
Agitate! Educate! Organize!: American Labor Posters
841:Susan Doyle; Jaleen Grove; Whitney Sherman (2018).
739:
American Women during World War II: An Encyclopedia
107:
Michigan Women's Historical Center and Hall of Fame
43:
J. Howard Miller's "We Can Do It!" poster from 1943
30:"We Can Do It" redirects here. For other uses, see
2243:"Plaza sign of the day: Matt as Rosie the Riveter"
1100:
902:The Art Institute of Pittsburgh Arcadia Publishing
817:World War II and the Postwar Years in America: A-I
711:
709:
1761:"Sociological Images: Trivializing Women's Power"
1349:. In Diederik Oostdijk, Markha G. Valenta (ed.).
1627:Schimpf, Sheila (1994). "Geraldine Hoff Doyle".
899:Fisher, Jacquelyn Felix; Goodman, E. W. (2009).
669:
667:
665:
1060:Search results for catalog number 1985.0851.05.
866:
864:
674:Bird, William L.; Rubenstein, Harry R. (1998).
287:article about posters in the collection of the
2072:. Utne Reader. January 3, 2011. Archived from
1132:
1130:
1128:
1126:
1124:
769:(M.A.). University of Maryland, College Park.
520:digital agency was linked to the Ad Council's
461:published a photograph of the poster taken on
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1488:
1486:
1484:
680:. Princeton Architectural Press. p. 78.
8:
1649:. National Park Service Museum Collections.
1436:. United States Postal Service. April 2003.
87:National Archives and Records Administration
1696:
1694:
1215:Young, William H.; Young, Nancy K. (2010).
380:The "We Can Do It!" poster was used by the
247:for use in posters and campaigns promoting
2218:. HelpsGood. February 2012. Archived from
1179:
1177:
932:. Hillcrest Publishing Group. p. 62.
2285:
2179:
2177:
1150:
814:William H. Young; Nancy K. Young (2010).
55:produced by J. Howard Miller in 1943 for
1099:Cushing, Lincoln; Drescher, Tim (2009).
351:for Miller's poster. From an archive of
38:
2361:American propaganda during World War II
1569:Williams, Timothy (December 29, 2010).
1465:. National Museum of American History.
1314:. In Dennis Hall, Susan G. Hall (ed.).
1196:from the original on September 20, 2012
763:Wong, Hannah Wai Ling (July 17, 2007).
607:
585:American propaganda during World War II
477:Geraldine Doyle died in December 2010.
2196:from the original on February 16, 2012
2016:from the original on December 18, 2013
1538:Chuck, Elizabeth (December 30, 2010).
1221:. Vol. 1. ABC-CLIO. p. 606.
1184:McLellan, Dennis (December 31, 2010).
1107:. ILR Press/Cornell University Press.
988:
986:
946:from the original on November 17, 2016
847:. Bloomsbury Academic. pp. 353–.
2107:from the original on January 25, 2013
1885:"Australian President, Julia Gillard"
1713:from the original on January 22, 2018
1608:from the original on January 19, 2012
1581:from the original on January 24, 2017
1469:from the original on October 19, 2012
1260:. Taylor & Francis. p. 399.
1086:from the original on October 25, 2012
1050:from the original on October 29, 2013
773:from the original on October 20, 2018
430:The Children's Museum of Indianapolis
7:
2097:"Captain America: The First Avenger"
2046:from the original on August 31, 2012
1923:from the original on October 7, 2012
1864:from the original on October 7, 2012
1833:from the original on October 3, 2012
1732:Coleman, Penny (December 30, 2010).
1005:from the original on January 1, 2011
53:American World War II wartime poster
27:American World War II wartime poster
2184:Conlon, Peggy (February 13, 2012).
1443:from the original on April 20, 2013
1431:"Women On Stamps (Publication 512)"
1385:from the original on March 28, 2012
1353:. VU University Press. p. 81.
413:Rally to Restore Sanity and/or Fear
312:National Museum of American History
2241:Veres, Steve (February 13, 2012).
2095:Landekic, Lola (August 30, 2011).
1985:from the original on June 23, 2013
1954:from the original on June 23, 2013
1883:Hellqvist, David (July 27, 2010).
1771:from the original on June 22, 2013
1736:. PennyColeman.com. Archived from
1653:from the original on March 7, 2016
1600:Memmot, Mark (December 31, 2010).
1411:from the original on June 23, 2013
1379:Rosie The Riveter Memorial Project
1320:. Vol. 1. Greenwood. p.
993:Harvey, Sheridan (July 20, 2010).
871:Raccuglia, Andrew (May 20, 2022).
497:Captain America: The First Avenger
218:that appeared on the cover of the
25:
2253:from the original on July 7, 2017
694:from the original on May 10, 2016
153:J. Howard Miller was an American
2310:
2272:Woolston, Chris (July 8, 2022).
2159:from the original on May 3, 2013
1407:. United States Postal Service.
1274:from the original on May 7, 2016
1235:from the original on May 1, 2016
1823:Jelly Belly Bean Art Collection
1759:Wade, Lisa (October 22, 2007).
1509:10.14321/rhetpublaffa.19.2.0245
1345:Axelrod, Jeremiah B.C. (2006).
797:Smithsonian American Art Museum
1790:Paul, Cindy (April 12, 2011).
553:professor James J. Kimble and
1:
2376:Westinghouse Electric Company
2127:"The Story of the Ad Council"
965:Heyman, Therese Thau (1998).
640:Rhetoric & Public Affairs
190:East Pittsburgh, Pennsylvania
32:We Can Do It (disambiguation)
2386:American advertising slogans
2334:J. Howard Miller (1918–2004)
2153:"Frequently Asked Questions"
2129:. Ad Council. Archived from
2004:Phoenix (January 23, 2012).
1911:Dama Design (July 8, 2010).
1673:"All This and Overtime, Too"
1310:Endres, Kathleen L. (2006).
1080:the same as 'We Can Do It!'"
2329:Library of Congress Webcast
1497:Rhetoric and Public Affairs
1254:Weatherford, Doris (2009).
1046:. Smithsonian Institution.
742:. Routledge. p. 1181.
445:prime minister of Australia
333:In 1984, former war worker
239:painting was loaned by the
162:Art Institute of Pittsburgh
83:prime minister of Australia
2407:
2070:Utne Reader editorial blog
1942:Phoenix (March 12, 2011).
1405:"Women Support War Effort"
736:Doris Weatherford (2009).
722:November 17, 2016, at the
337:came across an article in
203:
29:
2287:10.1146/knowable-070722-1
2042:. January–February 2011.
1852:Phoenix (June 29, 2010).
1734:"Rosie the Riveter Image"
1629:Michigan History Magazine
1544:Field Notes from NBC News
820:. ABC-CLIO. p. 528.
560:In 2010, American singer
361:Naval Air Station Alameda
230:Office of War Information
1973:Phoenix (July 2, 2010).
1675:. Corbis. Archived from
1647:"Ada Wyn Morford Papers"
1296:Washington Post Magazine
1152:10.1177/1536504211408972
1076:"'Rosie the Riveter' is
999:Journeys & Crossings
555:University of Pittsburgh
443:became the first female
428:toy have been produced.
284:Washington Post Magazine
245:U.S. Treasury Department
2006:"She Did It! (TOO SAD)"
1001:. Library of Congress.
929:Smokey, Rosie, and You!
905:. Arcadia. p. 16.
844:History of Illustration
656:Also available through
318:Wire service photograph
1701:Fox, Margalit (2018).
1375:"1999–2000 Highlights"
967:Posters American Style
715:Bird/Rubenstein 1998,
595:Keep Calm and Carry On
469:pointing to Phoenix's
463:Hosier Lane, Melbourne
385:
330:
278:
276:WWII Battleship Museum
235:Rockwell's emblematic
185:
160:Miller studied at the
134:attack on Pearl Harbor
129:
44:
2319:at Wikimedia Commons
1679:on September 29, 2015
551:Seton Hall University
379:
353:Acme news photographs
325:
273:
225:Saturday Evening Post
183:
172:Westinghouse Electric
124:
100:cover image in 1994,
57:Westinghouse Electric
42:
2249:. MSN Allday Today.
2133:on February 16, 2007
335:Geraldine Hoff Doyle
102:Geraldine Hoff Doyle
2222:on January 26, 2013
2036:"Table of Contents"
1312:"Rosie the Riveter"
392:The Washington Post
326:1942 photograph of
142:United Auto Workers
132:After the Japanese
2371:Propaganda posters
1817:Cumings, Kristen.
1707:The New York Times
1575:The New York Times
1550:on January 1, 2011
386:
331:
279:
186:
130:
96:After she saw the
45:
2315:Media related to
2278:Knowable Magazine
1798:on April 26, 2011
1740:on April 28, 2011
1360:978-90-5383-976-8
1331:978-0-275-98429-8
1267:978-0-415-99475-0
1228:978-0-313-35652-0
1190:Los Angeles Times
1114:978-0-8014-7427-9
976:978-0-8109-3749-9
939:978-1-934248-33-1
854:978-1-5013-4211-0
827:978-0-313-35652-0
803:on July 11, 2007.
749:978-1-135-20189-0
687:978-1-56898-140-6
308:US Postal Service
289:National Archives
237:Rosie the Riveter
216:Rosie the Riveter
206:Rosie the Riveter
200:Rosie the Riveter
64:Rosie the Riveter
16:(Redirected from
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2314:
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2366:Feminist art
2356:American art
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2317:We Can Do It
2309:
2291:. Retrieved
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2220:the original
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2131:the original
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1677:the original
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1198:. Retrieved
1189:
1145:(2): 82–83,
1142:
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1038:
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878:The Setonian
876:
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765:
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526:Facebook app
512:designed by
506:
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492:stereoscopic
489:
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390:
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357:Naomi Parker
346:
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111:Naomi Parker
97:
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2080:January 24,
2050:January 24,
2040:Utne Reader
1827:Jelly Belly
1775:January 24,
1744:January 24,
1717:January 23,
1612:January 23,
1473:January 24,
1447:January 24,
1415:January 24,
1389:January 24,
1200:January 24,
1090:January 23,
1009:January 23,
777:October 19,
549:. However,
480:Utne Reader
434:Jelly Belly
397:Sarah Palin
347:Smithsonian
303:Smithsonian
266:Rediscovery
98:Smithsonian
79:first woman
73:Smithsonian
2391:Motivation
2351:1943 works
2345:Categories
2066:"untitled"
2020:October 5,
1989:October 5,
1958:October 5,
1927:October 5,
1896:October 5,
1868:October 5,
1837:October 5,
1802:October 5,
602:References
543:Matt Lauer
524:page. The
509:Ad Council
422:bobblehead
382:Ad Council
117:Background
2293:August 4,
1525:147767111
1517:1094-8392
1169:145551064
1161:1536-5042
658:Highbeam.
547:Ann Curry
518:HelpsGood
453:Melbourne
436:candies.
249:war bonds
81:becoming
2251:Archived
2194:Archived
2157:Archived
2105:Archived
2044:Archived
2014:Archived
1983:Archived
1952:Archived
1921:Archived
1862:Archived
1831:Archived
1769:Archived
1711:Archived
1651:Archived
1635:: 54–55.
1606:Archived
1579:Archived
1467:Archived
1438:Archived
1409:Archived
1383:Archived
1278:July 15,
1272:Archived
1239:July 15,
1233:Archived
1194:Archived
1139:Contexts
1084:Archived
1048:Archived
1003:Archived
950:July 15,
944:Archived
884:June 29,
771:Archived
720:Archived
698:July 15,
692:Archived
652:41940102
579:See also
573:COVID-19
522:Facebook
401:Ron Paul
296:feminism
256:riveters
68:feminism
51:" is an
1604:. NPR.
1554:July 1,
1054:May 25,
260:Micarta
243:to the
194:Micarta
2010:Flickr
1979:Flickr
1948:Flickr
1917:Tumblr
1858:Flickr
1523:
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684:
650:
514:Animax
471:Flickr
439:After
417:Clorox
372:Legacy
2247:Today
1521:S2CID
1441:(PDF)
1434:(PDF)
1165:S2CID
717:p. 58
648:JSTOR
538:Today
2295:2022
2259:2012
2228:2012
2202:2012
2165:2012
2139:2012
2113:2012
2082:2012
2052:2012
2022:2012
1991:2012
1960:2012
1929:2012
1898:2012
1870:2012
1839:2012
1804:2012
1777:2012
1746:2012
1719:2018
1685:2016
1659:2016
1614:2012
1587:2017
1556:2015
1513:ISSN
1475:2012
1449:2012
1417:2012
1391:2012
1355:ISBN
1326:ISBN
1280:2016
1262:ISBN
1241:2016
1223:ISBN
1202:2012
1157:ISSN
1109:ISBN
1092:2012
1056:2012
1011:2012
971:ISBN
952:2016
934:ISBN
907:ISBN
886:2022
849:ISBN
822:ISBN
779:2018
744:ISBN
700:2016
682:ISBN
562:Pink
545:and
507:The
403:and
241:Post
105:the
2282:doi
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1322:601
1147:doi
1078:not
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