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344:, released in November 2002, features a very long list of guest artists. Bajofondo Tango Club won the prestigious Premio Gardel as the "Best Electronica Music Album" in Argentina –where the sales reached Triple Platinum- and a Latin Grammy award as the "Best Instrumental Pop Album". The album has sold more than 300,000 copies all over the world. Bajofondo evolved from a producer's concept into a full touring band of eight members (including Santaolalla and Campodónico) that traveled the world. The Bajofondo team launched the solo effort of pianist and composer Luciano Supervielle in 2005. In 2007 they released their second album called
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516:", from Bajofondo's Mar Dulce. The song "Los Tangueros", reached number 2 on the Club Playlist on the Dance Chart in Billboard magazine in the United States. The song "Mi Corazón" included in Bajofondo Tango Club, has been played in many parts of the world in both commercials, on television programs and in an
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Campodónico along with
Gustavo Santaolalla created Bajofondo in 2001, with the idea of bringing together a collective of Argentine and Uruguayan artists dedicated to creating “contemporary music of the Rio de la Plata". The project, which appeared under the name Bajofondo Tango Club, initially was an
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The
Uruguayan musician Jorge Drexler with Luciano Supervielle (left on keyboards) and John Campodónico (center guitar), giving a concert on the stage of the gaucho (intersection of Calle 18 de Julio and Constituyente, Montevideo), during the Bicentennial celebrations in Uruguay on 10 October
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Born in
Uruguay in 1971, at an early age Campodónico and his family were exiled to Mexico after the 1973 coup. In 1984, back in Montevideo, he began to be part of several rock and pop bands, like Públicas Virtudes, played with different songwriters as a sideman and made music for theatre and
372:, among others. In 2011, he developed a musical project and band under the same name, built upon the instrumental spine of Bajofondo's musicians and a group of composers and performers from different genres and different locations such as songwriter Martin Rivero, Swedish singer
314:. They also incorporated concepts that became popular in the 90s but still maintained a unique Uruguayan dimension. The band was very popular in Uruguay, influencing other bands and getting adequate circulation. They caught the attention of
404:" for Virgin / EMI Spanish which was recorded in Uruguay, entirely on a PC. The album was received by the Spanish press with countless accolades, emphasizing the new sound aesthetics of Drexler. Campodónico also produced Drexler's albums
318:, one of the most important Latin rock professionals, producer of Divididos, Café Tacuba and Molotov, among others. In Los Angeles Santaolalla produced Peyote's second CD entitled
384:, sound engineer of The Strokes, The Shins and The White Stripes. The independent released album, was nominated for a European MTV Europe award, the Grammys, and Latin Grammys.
400:, who was in Madrid and had significant experience there, called him to work and Campodónico along with Carlos Casacuberta (another former member of Peyote) produced his album "
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alliance of producers, musicians and singers that took shape in the recording studio, and the release of their first album was the culmination of this process. The album
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When Peyote
Asesino split up in 1999, Campodónico found refuge in music production, working with several Uruguayan bands. At that time
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and Pablo
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Campodónico developed his role as a DJ and remixer, under the name
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for his work as a producer, as well as with many golden records.
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from the article and its talk page, especially if potentially
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musician, producer, composer, creator and former member of
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155:Background information
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412:(2004) and
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931:Pa' Bailar
674:References
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514:Pa' Bailar
509:A Favorita
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161:Birth name
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710:and the
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526:Shrek II
490:(2011).
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482:(2010),
456:Mediocre
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408:(2001),
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