37:, to learn the trade of "ymaginería". According to historian José María Azcarate, by 1518 he was carving images for his master in wood and alabaster, being paid based on the size of the work. Although his main production of sculptures was done in the Aragon region, he undertook several jobs in the cathedral of
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and Juan de Salas. Salas executed the base of the altar and the sculptures of the epistles. In collaboration with the sculptor Yoly he was involved, although to a lesser extent, in carrying out the work of the high altar of Tauste in San Pedro and one of San Cosme and San Damian in Teruel. All these
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was a
Spanish Renaissance sculptor of the early sixteenth century. His father, with the same name and also a sculptor, was born in
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The first record of the artist is a contract dated 18 March 1515 for entry as an apprentice with the sculptor
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Between 1521 and 1523 he worked at the altar of the Chapel of St. Michael at the
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works were carried around the middle of the sixteenth century.
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directed the execution while the sculpture was done by
112:Escultura del siglo XVI; vol. XIII, Ars Hispaniae
41:, where he spread the influence of Forment.
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110:Azcárate y Ristori, José María (1958),
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129:16th-century Spanish sculptors
46:Cathedral of San Pedro de Jaca
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16:Spanish Renaissance sculptor
96:, Barcelona: Espasa Calpe,
94:Historia del Arte de Espasa
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134:Spanish male sculptors
26:and was a resident of
54:Gil Morlanes el Joven
114:, Madrid: Plus Ultra
39:Palma de Mallorca
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79:, p. 723.
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50:Juan de Moreto
35:Damián Forment
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20:Juan de Salas
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58:Gabriel Yoly
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123:Categories
65:References
77:DDAA 2004
48:, where
28:Zaragoza
24:Mallorca
86:Sources
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98:ISBN
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