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trademark "three and a half dimensions" style applies observation as the additional dimension. To an untrained observer, this approach might be characterized as artistic flamboyance known by the use of giant brushes and stadium-sized canvases - or, as in the large 1990 Beijing installation, by
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Yoshikawa's work has been presented throughout Japan, China, and the Middle East, and he is the author of a 1993 French publication on his form,
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overlaid with sensual calligraphy and ink-seepage creations by
Yoshikawa. A full-color edition, originally published by
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almost completely covering the 5,000 square metres of
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from the article and its talk page, especially if potentially
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in 1997, was fully color-enhanced and re-printed in 2008 by
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He has collaborated several times with the lyricist,
16:Japanese calligraphist, or sho artist (born 1943)
169:artist, who studied calligraphy formally under
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294:Embassy of Japan in the United Arab Emirates
56:about living persons that is unsourced or
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203:Shake the Whole World To Its Foundations
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345:21st-century Japanese calligraphers
340:20th-century Japanese calligraphers
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262:World Shorinji Kempo Organization
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200:. The first collection,
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267:2009-10-06 at the
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