Knowledge (XXG)

Juldarigi

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339:, the contest begins, to the shouts and cheers of the celebrants. The actual competition is short, with victory usually decided after a single pull (although some contests are played to best of three). Because of the association of the Western direction with the concept of fertility and fecundity, the match is often fixed to ensure that the West team win (and thus ensure a bounteous harvest). After celebrating at the house of their team's captain, the winners will then proceed to the house of the losing team's captain to offer their commiserations; this often resembles a funeral procession. Both ropes are taken by the winning team, dissected and sold; the straw taken from them is believed to have unusual protective or nourishing properties. 1533: 304:). During this time, the teams guard their ropes against tampering, as well as preventing members of the opposing team from stepping over it (it is believed that a woman who steps over the rope at this time will conceive a male heir). Punishments can be severe; there are records of a woman being stoned to death in the early 20th century for such an infraction. The teams then gather at the festival site and perform further prayers, this time for the safety and prosperity of the village; sacrifices are also offered to 29: 160:. It has a ritual and divinatory significance to many agricultural communities in the country, and is performed at festivals and community gatherings. The sport uses two huge rice-straw ropes, connected by a central peg, which are pulled by teams representing the East and West sides of the village (the competition is often rigged in favour of the Western team). A number of religious and traditional rituals are performed before and after the actual competition. 392:. In Gijisi, where the sport has been practiced for at least 500 years, the traditional East/West divide is replaced with a division of teams into upriver and downriver. The centipede-like shape of the rope is said to resemble the way in which the villages of the region are arranged. Gijisi is also home to a museum devoted to the practice of 332:). At dawn, after the completion of these ceremonies, the two teams fetch their ropes to the site; this involves a procession with flags and costumes, accompanied by percussion music. There is then a staged debate over the connection of the two ropes, which has a symbolic sexual aspect; innuendo and bawdy taunts of the other team are common. 221:
or similar tug-of-war ceremonies have also historically been staged during periods of drought. The connection of the two ropes used (with one rope's smaller loop being placed through the other's larger loop) is reminiscent of sexual intercourse, which also gives rise to the sport's association with
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As with many Korean rural folk traditions, the sport is regarded as a predictor of future events, specifically harvests. The outcome of a ritualised contest between the two sides of a village (East and West) was seen as an indicator of the abundance (or otherwise) of that year's rice crop, which
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are immense, up to 200m in length and 1m in diameter. They can weigh as much as 40 tons. They are constructed of twisted rice straw; this choice of material is symbolic, since rice is the staple grain in the areas where
272:"female rope"). Because of the ropes' great size, they cannot be grasped directly; players attached smaller side-ropes to the main rope to act as handles and fray its ends to provide additional hand-holds. 239:
is practiced. The construction process is a communal event, reflecting the communal nature of rice cultivation. Two ropes are used, one for each team; they are connected by a wooden beam or stump known as a
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The ceremony leading up to the tug of war begins at around midnight on the eve of the festival. Both teams repair to their respective ropes and offer prayers for victory; this rite is known as
668: 864: 515: 1572: 377: 380:. The Yeongsan ceremony is held later in the year than elsewhere, having been moved from the lunar festival to March 1 in the mid-twentieth century (to commemorate the 766: 1135: 676: 641: 183: 880: 175: 417:) or "crab tug-of-war", which is unique to Miryang. In this version, participants are tied by ropes to a central ring, and pull in all directions. 209:
and similar folk sports are predominant in the rice-growing areas of the South. This is due to the common association in Southeast Asia between
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is an important part of several agricultural celebrations, and is a common event at the
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Korean Intangible Cultural Properties: . Folk dramas, games, and rites
1522: 1482: 1367: 1325: 1290: 1160: 1060: 210: 630:"Gijisijuldarigi, A Tug-Of-War Held to Pray for A Bountiful Harvest" 1285: 1230: 1205: 1100: 1065: 935: 323: 295: 153: 115: 1512: 1255: 1180: 1140: 940: 913: 421: 388:
20000 coin was minted in South Korea commemorating the Yeongsan
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Several areas of Korea have their own distinct variations of
308:, the earth goddess. These communal rituals are called 881:
UNESCO Representative List of the Intangible Cultural
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National Intangible Cultural Heritage of South Korea
698:Myǒng-jong Yu; Ji-Hye Lee; Sung-young Jeon (2008). 556:"Tug-of-War: Pulling the Rope for a Bumper Harvest" 111: 106: 90: 79: 69: 59: 54: 46: 806: 335:Once the two ropes are lashed together around the 738:. Hollym International Corporation. p. 102. 378:Important Intangible Cultural Properties of Korea 420:Similar communal tug-of-war games take place in 16:A traditional Korean sport similar to tug of war 217:are thought to resemble) and rain; as a result 205:would be harvested in the autumn; as a result, 865: 8: 473: 471: 469: 467: 465: 463: 461: 412: 403:features a unique form of this sport called 351: 327: 317: 299: 289: 267: 253: 141: 21: 732:Korea (South). Munhwajae Kwalliguk (2001). 258:"male rope") and the Western team hold the 872: 858: 850: 27: 20: 624: 622: 620: 589: 587: 585: 549: 547: 545: 543: 541: 539: 537: 535: 533: 184:South Korean Intangible Cultural Property 1573:Intangible Cultural Heritage of Humanity 669:"Republic of Korea: Folk games and rite" 663: 661: 659: 176:UNESCO Intangible Cultural Heritage List 457: 805:John H. T. Harvey; Sydney Kim (2005). 701:One hundred cultural symbols of Korea 479:"Encyclopedia of Korean Folk Culture" 7: 14: 1531: 1358:Pahlevani and zoorkhaneh rituals 1151:Jeju Chilmeoridang Yeongdeunggut 342:A children's version, known as 413: 352: 328: 318: 300: 290: 268: 254: 142: 50:Known since at least 1500 C.E. 1: 483:National Folk Museum of Korea 941:Baul tradition of Bangladesh 508:100 Icons of Korean Culture 1589: 815:Korea Tourism Organization 1529: 1468:Tugging rituals and games 1216:Ladkah Buddhist chantings 1076:Gangneung Danoje Festival 890: 595:"Gijisi Juldarigi Museum" 401:Miryang Baekjung Festival 180:Tugging rituals and games 41:at the Hi! Seoul Festival 26: 1398:Royal ballet of Cambodia 809:Korean cultural insights 675:. UNESCO. Archived from 230:The straw ropes used in 213:(which the ropes of the 1191:Koshikijima no Toshidon 1016:Chinese shadow puppetry 842:Gijisi Juldarigi Museum 771:Collector Coin Database 1463:Thathera utensil craft 1408:Royal Ancestral Ritual 1011:Chinese seal engraving 996:Chinese block printing 554:Kim, Kwang-on (1995). 384:). In 2009, a special 112:Country or region 86:, traditional, outdoor 37:rope knotted around a 1051:Durga Puja in Kolkata 1006:Chinese paper cutting 190:Cultural significance 1443:Songkran in Thailand 1348:Oku-noto no Aenokoto 1041:Dragon Boat Festival 991:Chinese architecture 883:Heritage of Humanity 605:on 23 September 2015 504:"Yeongsan juldarigi" 376:, are recognised as 1246:Manipuri Sankirtana 1001:Chinese calligraphy 704:. Discovery Media. 570:on 16 December 2013 566:(4). Archived from 360:Regional variations 174:It is inscribed in 152:) is a traditional 23: 1251:Mangal Shobhajatra 1056:Epic of King Gesar 909:Akiu no Taue Odori 644:on 3 February 2022 634:Ancestral Legacies 382:March 1st Movement 1540: 1539: 1266:Mibu no Hana Taue 1126:Hitachi Furyumono 1031:Dainichido Bugaku 885:/Asia and Pacific 745:978-1-56591-164-2 711:978-89-956091-6-3 599:Energetic Dangjin 156:sport similar to 129: 128: 1580: 1535: 1236:Longquan celadon 1121:Hayachine Kagura 1046:Drametse Ngacham 874: 867: 860: 851: 846: 830: 829: 827: 825: 812: 802: 796: 795: 788: 782: 781: 779: 777: 763: 757: 756: 754: 752: 729: 723: 722: 720: 718: 695: 689: 688: 686: 684: 679:on 6 August 2014 665: 654: 653: 651: 649: 640:. Archived from 626: 615: 614: 612: 610: 601:. Archived from 591: 580: 579: 577: 575: 551: 528: 527: 525: 523: 514:. 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Index


Non-contact
Mixed-sex
Team sport
ropes
Korea
Dangjin
Yeongsang
Korean
Korean
tug of war
Southeast Asia
UNESCO Intangible Cultural Heritage List
Tugging rituals and games
South Korean Intangible Cultural Property
Daeboreum
dragons
Korean
Korean
Korean
Hanja
Teojushin
Korean
Hanja
Korean
Dangjin
Yeongsang
Important Intangible Cultural Properties of Korea
March 1st Movement

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