36:
310:
was a gripping one. Kidnapped by Native
Americans, Parker was raised by Comanche, eventually marrying a chief and raising three children of her own. She was found by Texas Rangers and returned to white society, but was unhappy there and eventually committed suicide. Smith plays up the differences
89:
1018:
Holdridge L. (2012) Visual
Representation as a Method of Discourse on Captivity, Focused on Cynthia Ann Parker. In: Carocci M., Pratt S. (eds) Native American Adoption, Captivity, and Slavery in Changing Contexts. Studies of the Americas. Palgrave Macmillan, New
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of New York, a women's orchestra. During this time, she also gave concerts of mostly
American music in Latin America, Europe, and throughout the United States. As a performer, she became particularly associated with the works of
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1108:
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963:
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Contemporary
Authors. A bio-bibliographical guide to current writers in fiction, general nonfiction, poetry, journalism, drama, motion pictures, television, and other fields,
311:
between Native and settler cultures by using stereotypical "Indian" tropes for the
Comanche and familiar and popular folk music for the white colonists of the American West.
1022:
Katie R. Buehner, Accessibility and authenticity in Julia Smith's “Cynthia Parker”. MM thesis, University of North Texas, ProQuest
Dissertations Publishing, 2007. 1451995.
866:
1143:
1133:
1058:
213:
1113:
639:
Holdridge, Lin (2012). "Chapter 9: Visual
Representation as a Method of Discourse on Captivity, Focused on Cynthia Ann Parker". In Carocci, M. (ed.).
57:
44:
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333:. Many of her manuscripts, including those of her operas, are held by the Music Library at the University of North Texas in Denton.
1083:
589:
408:
314:
Smith was the recipient of several commissions and awards and was active in several music organizations, especially the
1005:
566:, May 3, 1989, wrongly assume her year of birth as 1911; some references cite January 25, 1911 as her date of birth
343:
575:
Note that the date of death shown on Julia Smith
Vielehr's grave marker (April 18, 1989) differs from that of the
49:
412:
281:
751:
290:
229:
837:
434:
318:, for which she chaired the Decade of Women Committee (1970–79). As a writer her publications include
306:
was Smith's first opera. She had long been determined to write an opera on a Texas story, and that of
228:
earning a master's degree in 1933 and a PhD in 1952. From 1932 to 1939, she served as pianist for the
1073:
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895:
995:
280:. Her compositional style has an appealing directness and although tonal, makes interesting use of
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Contemporary
Concert Music by Women: A Directory of the Composers and Their Works, p. 118-9
444:
242:
1000:
980:
968:
956:
944:
665:
485:
Directory of
American women composers, with selected music for senior & junior clubs
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1042:
920:
The Concise Baker's Biographical Dictionary of Musicians, Eighth edition, revised by
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816:
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502:
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216:(1930) and then continued with graduate studies in piano and composition at the
532:
On April 23, 1938, Julia Smith married Oscar Albert Vielehr (b. Aug. 4, 1892,
415:
396:
273:
265:
194:
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675:
508:
517:, where she founded and served as head of the Department of Music Education
35:
560:
Several publications, including a reference to her age in her obituary in
907:
775:
Baker's Biographical Dictionary of Twentieth-Century Classical Musicians,
296:
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works, which have all been performed. Her music incorporates elements of
253:, an instructional series for violin, viola, cello, and bass. She joined
182:
820:
300:, which employ folk music within a generally conservative tonal idiom.
277:
186:
641:
Native American Adoption, Captivity, and Slavery in Changing Contexts
261:
190:
224:
from 1932 to 1939, earning a diploma. She simultaneously studied at
288:, which uses irregular metres and driving rhythms, and the operas
667:
Accessibility and authenticity in Julia Smith's "Cynthia Parker"
269:
29:
744:
Baker's Biographical Dictionary of Musicians, Eighth edition,
765:
Baker's Biographical Dictionary of Musicians, Ninth edition,
501:
1935: Smith began part-time teaching at the Hamlin School,
475:
Aaron Copland, his work and contribution to American music
320:
Aaron Copland: his Work and Contribution to American Music
27:
American composer, pianist and musicologist (1905–1989)
181:( January 25, 1905 – April 18, 1989) was an American
981:
The ASCAP Biographical Dictionary, 4th ed., p. 472-3
957:
The ASCAP Biographical Dictionary, 2nd ed., p. 467-8
710:
Sarah Moore, College to Present Dentonite's Operas,
451:
Prairie Kaleidoscope: five songs for voice and piano
945:
The ASCAP Biographical Dictionary, 1st ed. , p. 345
161:
153:
120:
95:
79:
969:The ASCAP Biographical Dictionary, 3rd ed., p. 688
643:. New York: Palgrave Macmillan. pp. 167–183.
544:, an Army ordnance plant. They met at a concert.
1089:University of North Texas College of Music alumni
457:Minnick; 1909–2001), music by Julia Smith (1981)
540:), an engineer and inventor who worked for the
670:(Masters thesis). Denton, TX. pp. 21–49.
423:, opera in 2 acts; libretto by Bertita Harding
326:(Chicago, 1970), of which she was the editor.
590:"Julia Smith, 78, Composer and Pianist, Dies"
433:; text from the poem "Blessing the House" by
8:
1109:Central Connecticut State University faculty
888:The New Grove Dictionary of Women Composers,
1099:University of Hartford Hartt School faculty
402:Concerto in E minor for piano and orchestra
260:As a composer, Smith is best known for her
214:University of North Texas College of Music
87:
76:
798:edited by Laura Diane Kuhn (born 1953),
767:edited by Laura Diane Kuhn (born 1953),
359:, opera; libretto by John William Rogers
60:of all important aspects of the article.
728:Who's Who in American Music: Classical,
553:
237:. From 1941 to 1946, she taught at the
487:, compiled and edited by Julia Smith,
441:Five pieces, for Double Bass and Piano
241:, where she founded the department of
56:Please consider expanding the lead to
1144:20th-century American women composers
834:The New American Dictionary of Music,
324:Directory of American Women Composers
7:
1134:20th-century American women pianists
377:for two pianos, four hands (c. 1957)
754:, New York (1992), p. 1734-5,
859:The New Grove Dictionary of Opera,
489:National Federation of Music Clubs
397:for Violin, Cello and Piano (1966)
316:National Federation of Music Clubs
25:
1059:American women classical pianists
890:edited by Julie Anne Sadie &
785:, New York (1997), p. 1275,
615:"Julia Smith Vielehr (1905-1989)"
245:. She collaborated with composer
1114:20th-century classical composers
998:(born 1945) & Karen Famera,
34:
1139:20th-century American composers
1119:20th-century classical pianists
522:Teachers College of Connecticut
251:The Work and Play String Method
48:may be too short to adequately
1129:20th-century American pianists
1124:American women opera composers
1104:Classical musicians from Texas
58:provide an accessible overview
1:
867:Grove's Dictionaries of Music
453:, poems by Ona Mae Ratcliff (
443:, double bass part edited by
1049:American classical composers
796:Baker's Dictionary of Opera,
697:Obituary: Oscar A. Vielehr,
688:WWII Draft Registration Card
409:Glory to the Green and White
1054:American classical pianists
924:(1894–1995), New York, NY:
577:Social Security Death Index
1165:
1094:New York University alumni
1033:Interview with Julia Smith
664:Buehner, Katie R. (2007).
390:for viola and piano (1966)
344:Allegiance: Patriotic Song
1079:People from Denton, Texas
413:University of North Texas
380:Remember the Alamo (with
220:with Reuben Goldmark and
169:
146:
86:
1149:American women academics
1064:American opera composers
861:four volumes, edited by
752:Macmillan Publishing Co.
429:from the American opera
276:and 20th-century French
1084:Juilliard School alumni
712:Denton Record-Chronicle
699:Denton Record-Chronicle
513:1941–46: taught at the
404:(1938 ; rev. 1971)
322:(New York, 1955) and a
371:, one-act opera (1953)
284:. Among her works are
230:Orchestrette Classique
928:(1994), p. 953,
838:Philip David Morehead
815:Volume 128. Detroit:
619:Find A Grave Memorial
461:Suite for Wind Octet,
435:Anna Hempstead Branch
337:Selected compositions
996:Zaimont, Judith Lang
896:Macmillan Publishers
427:God Bless This House
375:American Dance Suite
363:Characteristic Suite
848:, New York (1991),
802:, New York (2000),
733:, New York (1983),
536:; d. Nov 30, 1975,
520:1944–46: taught at
507:1940–42: taught at
365:for piano (c. 1949)
357:Stranger of Manzano
226:New York University
212:She graduated from
179:Julia Frances Smith
81:Julia Frances Smith
18:Julia Frances Smith
902:, New York (1994)
594:The New York Times
563:The New York Times
496:Teaching positions
286:The String Quartet
922:Nicolas Slonimsky
840:(born 1942) with
779:Nicolas Slonimsky
771:, New York (2001)
748:Nicolas Slonimsky
650:978-1-137-01052-0
542:Gyroscope Company
481:, New York (1955)
468:Selected writings
353:, opera (c. 1939)
176:
175:
157:Composer, pianist
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74:
16:(Redirected from
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1004:, Westport, CT:
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222:Frederick Jacobi
218:Juilliard School
205:She was born in
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30:
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579:(April 1, 1989)
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445:Homer R. Mensch
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243:music education
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201:Life and career
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106:25 January 1905
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1028:
1027:External links
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926:Schirmer Books
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885:
856:
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800:Schirmer Books
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783:Schirmer Books
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769:Schirmer Books
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351:Cynthia Parker
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308:Cynthia Parker
304:Cynthia Parker
291:Cynthia Parker
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171:Musical artist
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148:Musical career
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128:(aged 84)
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52:the key points
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1035:, May 3, 1987
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1014:0-313-22921-X
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934:0-02-872416-X
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916:0-333-51598-6
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893:
889:
886:
884:
883:1-56159-228-5
880:
876:
875:0-333-73432-7
872:
868:
865:(1930–2005),
864:
863:Stanley Sadie
860:
857:
855:
854:0-525-93345-X
851:
847:
843:
839:
835:
832:
830:
829:0-8103-7770-5
826:
822:
818:
817:Gale Research
814:
811:
809:
808:0-02-865349-1
805:
801:
797:
794:
792:
791:0-02-871271-4
788:
784:
781:(1894–1995),
780:
776:
773:
770:
766:
763:
761:
760:0-02-872415-1
757:
753:
750:(1894–1995),
749:
745:
742:
740:
739:0-8352-1725-6
736:
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534:Rochester, NY
527:
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512:
510:
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504:
503:Fair Lawn, NJ
500:
499:
495:
490:
486:
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473:Julia Smith,
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394:Trio-Cornwall
392:
389:
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383:
382:Cecile Vashaw
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331:New York City
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247:Cecile Vashaw
244:
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235:Aaron Copland
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207:Denton, Texas
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154:Occupation(s)
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140:United States
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132:New York City
124:18 April 1989
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114:United States
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110:Denton, Texas
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53:
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37:
32:
31:
19:
999:
979:
967:
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943:
892:Rhian Samuel
887:
869:, New York.
858:
842:Anne MacNeil
833:
812:
795:
774:
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706:
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634:
623:. Retrieved
621:. 1905-01-15
618:
609:
598:. Retrieved
596:. 1989-05-03
593:
584:
576:
571:
561:
556:
538:New York, NY
531:
515:Hartt School
484:
474:
460:
454:
450:
440:
430:
426:
420:
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387:
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342:
329:She died in
328:
323:
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313:
303:
302:
295:
289:
285:
259:
250:
239:Hartt School
211:
204:
178:
177:
147:
126:(1989-04-18)
63:
47:
45:lead section
1074:1989 deaths
1069:1905 births
900:W.W. Norton
746:revised by
731:R.R. Bowker
1043:Categories
898:, London;
625:2019-08-22
600:2019-08-22
548:References
416:alma mater
388:Two Pieces
282:dissonance
274:folk music
266:orchestral
195:musicology
162:Instrument
102:1905-01-25
66:March 2019
676:229446800
509:Juilliard
447:(c. 1985)
437:(c. 1974)
347:(c. 1918)
257:in 1945.
50:summarize
1008:(1998),
908:31761482
823:(1990),
384:) (1965)
369:Cockcrow
297:Cockcrow
183:composer
136:New York
978:(1980)
966:(1966)
954:(1952)
942:(1948)
821:Detroit
722:Sources
278:harmony
187:pianist
1012:
988:
932:
914:
906:
881:
873:
852:
846:Dutton
827:
806:
789:
758:
737:
674:
647:
528:Family
491:(1970)
479:Dutton
463:(1980)
262:operas
191:author
189:, and
976:ASCAP
964:ASCAP
952:ASCAP
940:ASCAP
431:Daisy
421:Daisy
255:ASCAP
165:Piano
1019:York
1010:ISBN
986:ISBN
930:ISBN
912:ISBN
904:OCLC
879:ISBN
877:and
871:ISBN
850:ISBN
825:ISBN
804:ISBN
787:ISBN
756:ISBN
735:ISBN
672:OCLC
645:ISBN
294:and
270:jazz
264:and
121:Died
96:Born
836:by
777:by
455:née
411:",
249:on
193:on
1045::
984:,
910:,
894:,
844:,
819:,
617:.
592:.
477:,
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197:.
185:,
138:,
134:,
112:,
992:.
972:.
960:.
948:.
936:.
678:.
653:.
628:.
603:.
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104:)
100:(
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64:(
54:.
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