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105:), whom Frederick Sr. had married in 1876. During the composer's childhood years, he demonstrated his musical talent, composing short pieces at the piano and playing tunes from contemporary musical comedies by ear. In these years the family traveled each summer to visit relatives in New York City. The scenery of those cross-country train rides later provided the themes of a number of Jacobi's nature-inspired compositions.
20:
149:. It was during that time, on April 19, 1917, that he married Irene Schwarcz, a friend of many years, who, at the time, was studying piano at the New York Institute of Musical Art (which later became Juilliard). Irene would go on to become an accomplished concert pianist and would play piano parts in many performances and recordings of Jacobi's works.
152:
Jacobi enlisted in the army shortly after marrying Irene, where he served as a saxophone player in the
Alcatraz Army Band. He was discharged in 1919, at which time he moved to New York to be in closer contact with the American composers of the time. His first large orchestral work,
254:, described Jacobi's style as having "a sense of the drama which is always aristocratic, introspective, and personal, and never allowed to become theatrical. Harmonically ... his is a language of extreme chromaticism, one, however, which always appears to be tonally oriented."
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When
Frederick Sr. died in 1911, Frederick Jr. inherited the estate, which provided him enough wealth that he could devote his entire livelihood to music. In his twenties Jacobi studied music and composition under such masters as
647:
1939 Ave Rota: (Hail to the Wheel ) Three Pieces in
Multiple Style for Small Orchestra and Piano (“The Swing” , “The Merman” and “May-Dance;” written for the Juilliard Alumni). (14 min. The same for large orchestra and
613:
1934 Piano Pieces for
Children (includes A Lovely Little Movie Actress, Once Upon a Time, A Charming Prince, There Was a Wicked Fairy and Six Caprices) A Lovely Little Movie Actress and Once Upon a Time published
347:: Three Biblical Narratives for String Quartet and Piano. Irene Jacobi, piano; with the Coolidge Quartet: William Kroll, 1st violin; Nicolai Berezowsky, 2nd violin; Nicholas Moldavan, viola; Victor Gottlieb, cello
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influenced all of his music, secular and liturgical. He even taught himself Hebrew. Although Jacobi's secular work is performed only infrequently today, his liturgical works continue to receive performances in
781:
1946 Two Pieces in
Sabbath Mood (Kaddish and Oneg Shabbat) (for orchestra, 2 min. and 9 min. Originally composed as two separate works for organ solo: Kaddish and Toccata; transcribed for small orchestra,
410:: Three Biblical Narratives for String Quartet and Piano. Irene Jacobi, piano; with the Claremont String Quartet: Mark Gottlieb and Vladimir Weisman, violins; Scot Nickrenz, viola; Irving Klein, cello.
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Two pieces for Flute and
Orchestra: Night Piece and Dance. Francis Stoefs, flute and the Orchestra of the Institut Nationale Belge de Radiodiffusion, Franz Andre, conductor.
157:, debuted the following year in New York. For the remainder of his life he published and performed new works nearly every year—sometimes several in the same year (see
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Concertino for Piano and String
Orchestra. Irene Jacobi, piano and the Orchestra of the Institut Nationale Belge de Radiodiffusion, Franz Andre, conductor.
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In works from what has become known as Jacobi's Indian period (late 1920s and early 1930s), he incorporated rhythms and other elements from indigenous
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for a sabbath evening service. Although he had not been religiously educated as a child, this experience affected him permanently, and thereafter the
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Jacobi is also known and best remembered as a composer of works with Judaic themes. His interest in this genre began with a 1930 commission from
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1920 Three Songs, for high voice with piano (words by
Sarojini Naidu; “Palanquin-Bearers,” “In a Time of Flowers,” “From a Latticed Balcony”)
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Concerto for Violin and
Orchestra. Andre Gertler and the Orchestra of the Institut Nationale Belge de Radiodiffusion, Franz Andre, conductor.
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for String
Quartet and Piano. Brian Krinke, violin; Perrin Yang, violin; George Taylor, viola; Stefan Reuss, cello; Joseph Werner, piano.
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Jacobi was the son of San Francisco wholesale wine merchant, Frederick Jacobi Sr. and Flora Brandenstein (daughter of tobacco wholesaler
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1916 Three Songs to Poems by Sarojini Naidu (“The Faery Isle of Janjira,” “Love and Death,” “In the Night,” for high voice and piano)
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1948 Three Songs to Words by Philip Freneau (for medium voice and piano). (“On the Sleep of Plants” , “Elegy” , “Ode to Freedom” )
317:"I am a great believer in melody; a believer, too, that music should give pleasure and not try to solve philosophical problems."
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1939 Dunam Po (“A Dunam Here”) Palestinian folk song arrangement published in Hans Nathan, ed. Folk Songs of the New Palestine.
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Concerto for Cello and Orchestra. Guido Vecchi with members of the Oslo Philharmonic Orchestra, William Strickland, conductor.
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1922 Three Songs to Poems by Chaucer (for voice and piano) “Roundel” and “Ballade” published as Two Poems by Geoffrey Chaucer
41:. His works include symphonies, concerti, chamber music, works for solo piano and for solo organ, lieder, and one opera.
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Hear full recording of Fantasy for Viola and Piano performed by violist, Cathy Basrak, and pianist, William Koehler
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550:(Soprano or Tenor and chamber orchestra, 12 min. French text by Rebecca Godchaux. “To Ishtar” and “To Bel-Marduk”)
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music he had heard in his travels through the American southwest. Indeed, he spent the winter of 1927 with the
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1942 From the Prophet Nehemiah: Three Excerpts for Voice and Two Pianos (5, 4 and 6 minutes respectively)
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1926 Nocturne (for flute and small orchestra; 5 min.) Rewritten second movement of Symphony No. 1, 1922)
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1946 Contemplation (to a poem by William Blake, for mixed voices with piano accompaniment; 5:30 min.)
320:"The surest way to kill whatever originality one possesses within himself is to try to be original!"
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699:: Opera in Three Acts based on Four Early American Prints. Text by Herman Voaden. (Full orchestra,
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264:, described the aesthetics of Jacobi's music as "not so much of the 20th as of the 19th century."
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1952 Serenade (Revised Ballade/Symphonie Concertante; arrangement for two pianos by the composer)
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1936 Scherzo for Flute, Oboe, Clarinet, Bassoon and Horn (5 min.) (Scherzo for Wind Instruments)
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studying their music. In 1942-1944 Jacobi collaborated with Canadian playwright and librettist,
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1932 Concerto (Three Psalms) for Cello and Orchestra (16 min.) Reduction for Piano and Cello,
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Irene was in a box near the Metropolitan Opera stage one evening when Frederick Jacobi was the
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1951 Two Pieces for Flute and Orchestra: Night Piece and Dance (Nocturne in Nineveh and Dance
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1941 Night Piece for Flute and Small Orchestra (5 min.) (Rewritten Nocturne in Niniveh, 1926)
327:. After the performance she said, "Darling, you were wonderful. I heard every word you said!"
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1949 Fanfare, in Memory of James Whitcomb Riley: Born 1849 (wind instruments and percussion)
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1951 Night Piece and Dancefor Flute and Piano (Nocturne in Niniveh, for flute and piano)
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849:(arrangement for mixed voices and string orchestra of a Zionist song by Mordecai Zaira)
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1933 Six Pieces for the Organ for Use in the Synagogue. One piece published as Prelude.
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Jacobi's work largely rejects the polytonality and atonality that was popular with the
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symphonies performed Jacobi's orchestral compositions during the years of his life.
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min.) ( Buffalo Dance, Butterfly Dance, War Dance, Corn Dance; Suite for Orchestra)
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836:: Nocturne for String Orchestra (“From the the String Quartet on Indian Themes”)
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1952 Serenade for Piano and Orchestra (Revised Ballade/Symphonie Concertante)
880:(Friday Evening Service No. 2) for organ, baritone solo/cantor, mixed voices
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From 1913 to 1917 he worked as a vocal coach and assistant conductor at the
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1950 Ballade Concertante (Symphonie Concertante) for piano and orchestra
829:(Yébiché): Variations for Orchestra on an American Indian Theme (9 min.)
762:(three pieces for violin and piano; “Ulysses,” “Penelope,” “The Return”)
563:(after the poem by C.E.S. Wood, for orchestra, chorus and baritone solo)
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1948 Ode to Zion (text by Jehuda Halevi) for mixed voices and two harps
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1941 Cadenza for Mozart’s Concerto for Piano and Orchestra in C Minor (
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Ballade for Violin and Piano. Fredell Lack, violin; Irene Jacobi, piano
38:
465:. Cantor Robert Bloch; New York Cantorial Choir; Aaron Miller, organ;
208:, which debuted at the American Opera Society of Chicago in May 1945.
743:(Ahavat Olam; 3 min.) (For tenor solo/cantor mixed voices and organ)
436:
NAXOS AMERICAN CLASSICS: Milken Archive of American Jewish Music (CD)
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1944 Music for Monticello (Trio for Flute, Cello and Piano, 20 min.)
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1944 Night Piece for Flute, Oboe, Clarinet, String Quintet and Piano
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Fantasy for Viola and Piano. Louise Rood, viola; Irene Jacobi, piano
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1951 Violin Pieces (with piano; “Alpha,” “Ad Astram,” “Bärentanz”)
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1924 String Quartet (Based) on (American) Indian Themes (18 min.)
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Concerto for Violincello, and Orchestra. Alban Gerhardt, cello;
72:. He also served as the director of the American section of the
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194? Variations on a Theme by Moussorgsky (for cello and piano)
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1924 Three Preludes for Violin, with orchestral accompaniment
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Two Pieces in Sabbath Mood. Slovak Radio Symphony Orchestra;
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Sabbath Evening Service (excerpts). Patrick Mason, baritone;
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composers of his time. Instead he finds his influence in the
755:
1945 Prelude in E Minor, for piano From Prelude and Toccata.
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Hear and see full recording of Fantasy for Viola and Piano
720:(arrangement for viola and piano from the 1921 Vocalises.)
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1927-28 Indian Dances/Danses Indiennes/Indianische Tänze (
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Correspondence with Fritz Jacobi (Frederick Jacobi's son)
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Source: Anton Wagner, Frederick Jacobi and Herman Voaden
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1946 Concertino for Piano and String Orchestra (17 min.)
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1942 Hymn for Men’s Chorus (text by Saadia Gaon; 5 min.)
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1937 Cadenza to Mozart’s Rondo for Piano and Orchestra (
517:(25 min. Symphonic prelude after the poem of John Keats)
430:, with the exception of the Fantasy for Viola and Piano.
23:
Frederick Jacobi as musician in the Alcatraz Army Band.
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1945 Toccata for piano solo. From Prelude and Toccata.
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1940 Rhapsody for Harp and String Orchestra (8 min.)
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1936-37 Concerto for Violin and Orchestra (16 min.)
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RCA Victor Red Seal, M 782, 1-5 (78rpm, late 1930s)
661:(based on a Palestinian Folk Song) Cello and Piano
610:1934-35 Concerto for Piano and Orchestra (26 min.)
444:Barcelona Symphony/National Orchestra of Catalonia
819:(arranged for piano, four hands by the composer)
589:1930-31 Sabbath Evening Service According to the
533:1922 Symphony No. 1 (Subtitled Assyrian, 22 min.)
527:(for two violins and string orchestra with piano)
822:1948 Music Hall: Overture for Orchestra (6 min.)
683:1941 Night Piece and Dance, for flute and piano.
727:Arranged for Two Pianos, Four Hands (10 min.)
788:1946 Introduction and Toccata, for piano solo
282:Society for the Publication of American Music
218:Congregation Emanu-El of the City of New York
48:from 1936 to 1950, where his pupils included
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1067:Hear audio sample of Frederick Jacobi's work
800:1947 Symphony in C (Symphony No. 2, 21 min.)
74:International Society for Contemporary Music
778:1946 Kaddish (for cantor, chorus and organ)
686:1942 Ballade for Violin and Piano (11 min.)
312:Quotes on musical composition and anecdotes
920:Dictionary of American Classical Composers
667:1941 Fantasy for Viola and Piano (9 min.)
384:String Quartet No. 3. Lyric Art Quartet:
161:). Major American orchestras such as the
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520:1921 Three Preludes for Violin and Piano
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855:1950 Ballade Concertante for two pianos
530:1921 A Festival Prelude (for orchestra)
30:(May 4, 1891 – October 24, 1952) was a
803:1947 Meditation for Trombone and Piano
791:1946 Prelude in E Minor for piano solo
765:1945 Fantasy Sonata for Piano (9 min.)
641:for String Quartet and Piano (26 min.)
639:Hagiographa: Three Biblical Narratives
1062:Milken Archive: American Jewish Music
852:1950 Three Quiet Preludes (for organ)
644:1938 Preludes on Traditional Melodies
446:, Karl Anton Rickenbacher, conductor.
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1153:20th-century American male musicians
947:Frederick Jacobi and Herman Voaden:
280:Two-time winner of the award of the
1148:Classical musicians from California
1108:Jewish American classical composers
867:1951 Capriccio for Violin and Piano
736:1945 String Quartet No. 3 (26 min.)
601:1933 String Quartet No. 2 (23 min.)
569:1926 Marsyas (for violin and piano)
451:Academy of St. Martin in the Fields
80:. He died on October 24, 1952, in
1089:, and pianist, Axel Gremmelspacher
1053:Works by or about Frederick Jacobi
861:1950-51 Sonata for Cello and Piano
14:
1133:American male classical composers
507:1918 Psalmody (piano vocal score)
504:1918 Nocturne, for string quartet
453:Chorus, Joseph Cullen, conductor.
422:Digitally remastered contents of
158:
76:and was a founding member of the
1103:20th-century classical composers
806:1947 Suite Fantasque (for piano)
670:1941 Ode for Orchestra (12 min.)
525:Morning and Evening at Blue Hill
1143:20th-century American composers
607:1933 Three Preludes for Organ.
1:
392:, viola; Marion Davies, cello
388:and George Bennett, violins;
1138:American classical composers
1118:Composers from San Francisco
1040:obituaries, October 25, 1952
760:Impressions from the Odyssey
109:Musical training and career
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1158:20th-century American Jews
1113:Jewish classical musicians
922:. Routledge. p. 231.
918:Butterworth, Neil (2013).
887:for organ and mixed voices
294:The American Opera Society
275:Elizabeth Sprague Coolidge
273:Honorable mention in the
46:Juilliard School of Music
975:obituaries, May 30, 1984
797:1946 Toccata (for organ)
749:1945 Toccata (for organ)
746:1945 Kaddish (for organ)
204:, to produce the opera,
1085:performed by violist,
785:1946 Moods (for piano)
768:1945 Four Dances From
561:The Poet in the Desert
515:The Eve of Saint Agnes
306:Source: New York Times
167:Philadelphia Orchestra
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839:1949 Music Hall Suite
815:1948 Two Dances From
163:New York Philharmonic
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772:(orchestra, 18 min.)
548:Two Assyrian Prayers
541:Two Assyrian Prayers
355:Saratoga Springs, NY
159:compositions section
155:The Eve of St. Agnes
1087:Julia Rebekka Adler
543:(piano vocal score)
103:Joseph Brandenstein
78:League of Composers
58:Julia Frances Smith
997:2007-09-27 at the
634:(violin and piano)
499:A California Suite
147:Metropolitan Opera
120:Paris Conservatory
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1026:The Baltimore Sun
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723:1944 Dances From
592:Union Prayer Book
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277:Competition, 1924
268:Awards and honors
138:in New York, and
16:American composer
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481:Compositions
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469:, conductor.
467:Samuel Adler
462:
457:Hagiographia
456:
435:
427:
423:
416:CRI 703 (CD)
415:
408:Hagiographia
407:
398:CRI 174 (LP)
397:
390:Wayne Crouse
386:Fredell Lack
371:
352:
345:Hagiographia
344:
337:
305:
303:
297:
255:
245:
231:
215:
205:
183:
154:
151:
144:
132:Ernest Bloch
112:
100:
66:John Verrall
43:
27:
26:
1128:1952 deaths
1123:1891 births
741:Ahavas Olom
614:separately.
476:, conductor
463:Ahavat Olam
332:Discography
292:awarded by
262:Olin Downes
234:avant-garde
142:in Berlin.
70:Robert Ward
1097:Categories
906:References
227:synagogues
198:New Mexico
169:, and the
97:Early life
50:Mark Bucci
827:Yeibichai
632:Swing Boy
244:periods.
238:classical
140:Paul Juon
92:Biography
995:Archived
876:1951-52
718:Penelope
695:1942-44
677:No. 491)
627:No. 386)
325:prompter
260:critic,
250:critic,
242:romantic
35:composer
1083:YouTube
1055:at the
1001:at the
713:hours).
708:⁄
659:Shemesh
581:⁄
428:CRI 174
424:CRI 146
175:Chicago
118:of the
39:teacher
963:vol. 9
926:
832:1949?
675:Köchel
648:piano)
625:Köchel
559:1925
212:Legacy
194:Pueblo
190:Navajo
177:, and
171:Boston
165:, the
68:, and
883:1952
845:1949
834:Tuari
825:1949
782:1946)
758:1945
739:1945
716:1943
657:1940
637:1938
630:1937
546:1923
539:1923
523:1921
513:1920
497:1917
487:1915
290:Medal
222:Bible
924:ISBN
426:and
296:for
240:and
192:and
134:and
37:and
1081:on
196:of
84:of
1099::
1009:^
980:^
938:^
574:16
229:.
173:,
130:,
126:,
122:,
88:.
64:,
60:,
56:,
52:,
932:.
710:2
706:1
703:+
701:2
583:2
579:1
576:+
300:.
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