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modern
Russian literature, "Russian Flowers of Evil" (1997). Her first collection of stories in German "Vergiss Tarantino" (tr: Forget Tarantino) was published in 2005, the same year as her childrenâs book "Milin und der Zauberstift" (tr: Milin and the Magic Pencil). Her style, characterized by whimsical humor, precise observations of social conflicts and a distinct sense of the absurd, can be described as auto-fictional fabulism. An essential theme of her work is "civilization and its discontents". Despite intertextual experiments with words and subjects, her books are intricately plotted. Her novel "FrĂŒhling auf dem Mond" (2013, tr: Springtime on the Moon) draws from her childhood in the 1970s Kyiv, exploring the tragic dynamic between surreal perception and bureaucratic despotism. Written in a similar style, her novel "Elephantinas Moskauer Jahre" (2016, tr: Elephantinaâs Moscow Years) is a coming-of-age story about a young woman who moves to Moscow to explore the depths of the artistic underground in search of true poetry.
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Julia
Kissina herself is a marvellous hybrid creature: internationally acting artist with an oeuvre of installations, photography and performances on the one hand and one of the most unconventional contemporary Russian writers on the other. Her literary archeology of late socialism seems not at all
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Kissina breaks open metaphors and puts them together anew, so that you have to laugh out loud or marvel at the sheer originality of it all. The colorful, grotesque, poetic images of «Elephantina» do not portray the well-known Moscow of the eighties, but evoke something quite different: a wild,
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literature journals, "Obscuri Viri" and "Mitin
Journal". Her début short novel "Of the Dove's Flight Over the Mud of Phobia" (1992), became a cult hit of "Samizdat". Kissina's poetry and prose subsequently appeared in numerous journals and anthologies, including the much-translated anthology of
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A true odyssey through the cold and strange city â James Joyce could not have described it more radically or more closely. Julia
Kissina's language is a linguistic firework. It does not bore for a single moment, and despite the often bitter "gutter" story, a defiant humor flourishes
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Her unflinching will to see grotesque in the ugly, the supernatural in beauty, and the thread of the absurd running through it all, is a victory over the hardness of reality. That is what art, every art, can do. But it is rarely shown as inspiringly as
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reactionary but highly topical, as it does with EsterhĂĄzy, CÄrtÄrescu or
Tellkamp: because itâs the influences and mentalities of that time that cause the grotesques and tragedies in the Eastern European present.
348:, Berlin, in 2003 and performed in a German prison. In 2006 she created The Dead Artist's Society, which held séances to conduct "Dialogues with Classics" such as Duchamp and Malevich.
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Julia
Kissina was born in 1966 in Kyiv, Ukraine, to a Jewish family, and studied dramatic writing at the Gerasimov Institute of Cinematography in Moscow, also known as
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Julia
Kissina is also known as a visual artist, having devoted herself to conceptual photography in the 1990s. In 2000, she herded an actual flock of sheep into the
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There is hardly another book that illuminates the connexion of tyranny and subversion, of submission and autonomy, better than this novel.
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and one of the best known authors of
Russian literary avant-garde, Kissina had been a regular contributor to the two of Russia's
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562:, Summer, 2018; curator. URBAN DICTIONARY brought together writers and poets from Berlin and New York.
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423:"A Thousand Poets, One Language", Anthology, A Mohammed bin Rashid al Maktoum Foundation, Dubai, 2009
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388:"Simple Desires", Alethea Press, St. Petersburg, 2001 (Nominated for the Andrei Bely Prize)
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364:"Springtime on the Moon", novel, Azbuka Publishers, St. Petersburg, 2012; German.
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as part of a performance. She also co-curated the Art & Crime
Festival at the
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Eagles and
Partridges â from Russian by Steven Volynets â Jewish Fiction journal
607:. Contentious material about living people that is unsourced or poorly sourced
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Contentious material about living persons that is unsourced or poorly sourced
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394:"The Dove's Flight Over the Mud of Phobia", novel, Obscuri viri, Moscow, 1997
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410:"Dead Artists Society", The Library of Moscow Conceptualism, Russia, 2011
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378:"The Smile of the Ax", Colonna Publications, St. Petersburg/Prague, 2007
361:, Berlin, 2016; Zvezda, St. Petersburg, 2015; Fabula, Ukraine, 2017
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404:"Dead Artists Society", Verlag fĂŒr moderne Kunst, Nuremberg, 2010
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Fairies â Photographs by Julia Kissina â Sensitive Skin Magazine
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from the article and its talk page, especially if potentially
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Edited and Introduced by Julia Kissina; Printed in the USA
391:"The Devil's Childhood", novel, Obscuri viri, Moscow, 1993
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Berlin / New York = URBAN DICTIONARY literature festival
517:/ Revolution Noir â Autoren der russischen »neuen Welle«
407:"When Shadows Cast People", Peperoni Books, Berlin, 2010
450:"I fiori del male russi", Anthology, Voland, Roma, 2001
447:"Les fleurs du mal", Anthology, A. Michel, Paris, 1997
444:"Ruské kvety zla", Belimex, Anthology, Slovakia, 2001
539:, Youlia Belomlinskaja etc. translated into German.
453:"Cuentos rusos", Anthology, Siruela, Madrid, 2006
335:Museum of Modern Art in Frankfurt Frankfurt 2000
93:but its sources remain unclear because it lacks
456:"Tema lesarva", Anthology, Gabo, Budapest, 2005
381:"Milin and the Magic Pencil", children's book,
299:), is a German and Russian artist and writer.
459:"Contemporary Russian Prose", Anthology, ed.
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505:Mitin Journal, Petersburg/ Praha, Annually â
502:Magazine "Via Regia", No. 48/49, Berlin,1997
492:Magazine "New Literature", Bucharest, 4/1994
53:Learn how and when to remove these messages
482:, Julia Kissina), Voland Press, Rome, 2003
181:about living persons that is unsourced or
671:Learn how and when to remove this message
270:Learn how and when to remove this message
252:Learn how and when to remove this message
132:Learn how and when to remove this message
368:, Berlin, 2013; Fabula, Ukraine, 2016
7:
741:/ Barbara Raudszus, EGOTRIP, Germany
357:"Elephantinas Moscow Years", novel,
433:"Russian flowers of the evil", ed.
813:21st-century Russian women writers
478:, Valentino Zaichen, Renzo Paris,
420:"Artenol" Magazine, New York, 2016
14:
545:In Riga - A Memoir by Boris Lurie
426:"21 new storytellers" Anthology,
342:Museum of Modern Art in Frankfurt
34:This article has multiple issues.
767:Julia Kissina â Harpers Magazine
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42:or discuss these issues on the
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313:Academy of Fine Arts in Munich
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320:Moscow Conceptualist movement
589:biography of a living person
159:biography of a living person
104:, especially if potentially
76:biography of a living person
609:must be removed immediately
564:https://nyb-festival.de/en/
415:Anthologies and collections
186:must be removed immediately
102:must be removed immediately
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318:A longtime member of the
16:German and Russian artist
719:/ Andreas Breitenstein,
707:anarchic counterculture.
108:or harmful. Please help
489:", N-71, Budapest, 2008
116:more precise citations.
603:Please help by adding
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173:Please help by adding
732:Frankfurter Rundschau
598:references or sources
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730:/ Katarina Granzin,
688:/ Alexander Camman,
487:Lettre International
385:/Berlin Verlag, 2005
371:"Forget Tarantino",
179:Contentious material
818:Artists from Berlin
711:Berliner Morgenpost
700:SĂŒddeutsche Zeitung
698:/ Meike Fessmann,
587:This section of a
510:Editor and curator
470:"Il casualitico" (
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81:list of references
709:/ Elisa von Hof,
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553:978-0-578-51209-9
537:Pavel Pepperstein
529:978-3-518-42766-8
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485:Magazine "
383:Bloomsbury
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39:improve it
734:, Germany
713:, Germany
702:, Germany
692:, Germany
661:June 2017
592:does not
495:Magazine
399:Art books
303:Biography
242:June 2017
164:citations
122:June 2017
45:talk page
690:Die Zeit
519:German.
324:Samizdat
190:libelous
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309:VGIK
297:Kyiv
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