260:, used various elements to explore the "changing nature of knowledge systems." With the help of other art students, Clark influenced traditional educational materials as illustrated books to portray the "in-congruence of an idealized world view with the failure and realities of our contemporary world." Three of her solo exhibitions act as a trilogy, looking into the fleeting nature of knowledge systems.
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Clark has worked as an artist and curator, and has been featured in international exhibitions with works that range from lit-up suitcases to clothing to large wall installations. Her exhibits use the gallery floor, walls and ceiling as a canvas for her art. Often using found objects, her materials
271:(2010) focused on growth, with plants made of paper cut-outs that acted as a space for Clark and her family to relax with the audience. The final piece of the trilogy focused directly on science and education, featuring installations that allude to concepts in physics and philosophy.
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include children's toys, old boxes and paper cutouts. Clark describes her work altering these objects as a "device for coping with an overload of information or emotion". Her 2004-2005 exhibition,
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In addition to her solo exhibitions, Clark has been featured in numerous group exhibitions and collaborations. She has also curated and co-curated numerous shows including
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in Cape Town a variety of classes including lower and upper-level print-media, painting and drawing classes. She has also acted as a lecturer at the
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219:(born 1975) is a South African contemporary artist and educator known for her "graphically complex, textually coded and colour-rich paper
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I Want To Carry
Everything With Me, For Always Michaelis School of Fine Art & IDASA Spin Street Gallery (1997)
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267:(2007) focused on "response cycles of addition and destruction", (2007). Her following exhibition,
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Clark lectures at numerous South
African universities. Clark has taught at her alma mater
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Booty – a selection, whatiftheworld gallery: Volta 8 Art Fair, Basel, Switzerland (2012)
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A Million
Trillion Gazillion João Ferreira Gallery, Liste 05, Basel, Switzerland (2005)
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Wasla
Workshop Residency, Nuweiba Egypt (2003) (Triangle Arts Trust)
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A Million
Trillion Gazillion João Ferreira Gallery, Cape Town (2004)
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Hypocrite's Lament whatiftheworld gallery, Joburg Art Fair (2008)
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from the article and its talk page, especially if potentially
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Hypocrite's Lament João
Ferreira Gallery, Cape Town (2007)
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Paradise
Apparatus whatiftheworld gallery, Cape Town (2010)
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Hypocrite's Lament
Ferreira Projects, London (2008)
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Two works, whatiftheworld gallery, Cape Town (2015)
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514:"Student Review: Julia Rosa Clark's 'Two Works'"
337:Fever Jubilee blank projects, Cape Town (2007)
322:Booty whatiftheworld gallery, Cape Town (2012)
235:, South Africa in 1975. She graduated with a
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368:Glasgow School of Fine Art Exchange (1995)
310:, and other art specialized high-schools.
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55:about living persons that is unsourced or
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126:Learn how and when to remove this message
552:21st-century South African women artists
282:(2009) at the whatiftheworld gallery in
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362:Finalist in MTN New Contemporary (2005)
308:Cape Peninsula University of Technology
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557:Michaelis School of Fine Art alumni
489:. What if the World. Archived from
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387:"All The Love In The World Tonight"
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435:"Cape Town with Julia Rosa Clark"
433:O'Toole, Sean (September 2011).
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304:Cape Town School of Photography
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258:A Million Trillion Gazillion
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60:must be removed immediately
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227:Early life and education
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357:Awards and residencies
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445:on 17 September 2018
284:Woodstock, Cape Town
263:Another exhibition,
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493:on 1 February 2014
413:"What do we know?"
280:Sing into my Mouth
265:Hypocrite's Lament
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278:(2008) and
202:, Cape Town
188:Nationality
536:Categories
516:. Artthrob
497:27 January
471:27 January
439:Art Review
373:References
166:1975-08-24
86:newspapers
465:"Art Bio"
391:Sotheby's
247:in 2004.
233:Cape Town
196:Education
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