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War are with me, but I wanted to forget them and live a 'normal' life and adapt into society more fully. In the search for art, you have to separate what is emotional and what is logical. (...) I looked for anonymity of actions through non-referential, abstract art". In 2008, Stanczak designed a 364-foot mural made of painted metal rods for the exterior of a corporate building in downtown
Cincinnati. In 2013, Stanczak was awarded an honorary doctorate from
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506:, while many participating artists received substantial market recognition. According to art critic Christopher Bedford, "the egalitarian address of Op art to our basic optical faculties serves Stanczak well, making his paintings as generous conceptually as they are experientially demanding". Stanczak, however, preferred to call his style "perceptual art" rather than "optical".
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325:. Stanczak remained there for six years. He received his first art lessons during that period from another Polish refugee named Henryk Frudist. Stanczak would later state that the time in Uganda had an important visual and artistic influence on his work; in particular, he found inspiration in geometric patterns of local textiles used by Ugandan women to make clothing,
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417:, served as an important influence for Stanczak and his "work modeled the perceptual practices" of Stanczak. According to the American scholar Joe Houston, the investigation of color became the primary interest of Stanczak and Anuszkiewicz while at Yale. In particular, Stanczak was inspired by the 1954 book by
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Blog. During the interview, Stanczak recalled his experiences with war and the loss of his right arm and how both influenced his art. Stanczak explained: "The transition from using my left hand as my right, main hand, was very difficult. My youthful experiences with the atrocities of the Second World
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critic
Elizabeth Licata said that Stanczak's precise linear systems operate within the visual rigor and limits set out by Albers who, according to Stanczak, "taught by confrontation anxiety". In 1955, Stanczak's paintings of "an abstracted linear pattern" were included in an annual exhibition of new
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As the popularity of Op art diminished in the late 1970s, Stanczak remained active as a painter and continued to exhibit his work, but became progressively separated from mainstream contemporary art in the U.S. In addition to being a practicing artist, Stanczak served as a faculty member at the
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before stating that optical effects "are one thing, a narrow phenomenon, and color effects are another, a wide range. Op art". Critic Burton
Wasserman would later describe the exhibition as a "demonstration of lean plastic purity". In 1965, Stanczak's work was included in the
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during World War II where he lost the use of his right arm. He retrained himself to paint left-handed and emigrated to the United States in 1950, where he eventually became a citizen. In 1956, Stanczak received an M.F.A. from
517:. The mural was eventually restored in 2018 by artists participating in that year's FRONT Triennial exhibition in Cleveland. As the popularity of Op art began to diminish in the late 1970s, superseded by such movements as
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and his visual vocabulary had remained largely unchanged since the 1960s, consisting primarily of parallel lines, straight or curved, various grids, and basic geometric shapes such as circles or squares.
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magazine. In 1973, Stanczak designed a mural for a 12-story residential building in
Cleveland called Carter Manor, which would subsequently become badly damaged due to the contractor's decision to use
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in Perm, Siberia, where his right arm is seriously injured; he had been right-handed. In 1942, Stanczak and his family managed to escape the camp. Aged sixteen, Stanczak decided to join the
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movement in the U.S. during the 1960s and 1970s. Described as an artist whose work "evinced a tremendous geometric inventiveness", Stanczak is primarily known for his large-scale
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to receive food rations and medical help, becoming separated from his parents, sister, and brother. Realizing that he would permanently lose use of his right arm, Stanczak
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211:. The term "Op art", since used to describe a short-lived movement of 1960s and 1970s, originated from Stanczak's work when the Minimalist artist and sculptor
525:, Stanczak's work became progressively separated from mainstream American art. He continued to exhibit frequently until the end of his life, primarily in the
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with his wife, the sculptor
Barbara Stanczak, until his death in 2017. His work is included in permanent collections of museums in North America and Europe.
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curated by
William C. Seitz. Although the show was poorly received by the critics, it proved popular with the general public and helped establish
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where he joined his mother and siblings; his father had by that time gone missing. The family was then transported to a Polish refugee camp in
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Julian
Stanczak's works are held in permanent collections of museums in North America, Central and South America, and Europe. These include:
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in 1964. Judd described his paintings as "primarily fields of narrow, vibrating stripes" and compared them to the work of the
British artist
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who would later become one of the key artists associated with Op Art. Stanczak was a student of Albers for two years and was awarded a
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in New York. Stanczak achieved broader commercial recognition after being featured in the landmark 1965 exhibition
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Saletnik, Jeffrey (2015). "Juxtapositions and
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1188:"With All Due Respect: Cleveland-based Op-Art pioneer Julian Stanczak should have an honorary doctorate"
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During the early 1990s, Stanczak work was said to have influenced a new generation of artists including
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Julian
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Stanczak was one of the leaders of the short-lived Op art movement in the 1960s.
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a leading member of the Op Art movement and influential professor of art
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from 1964 to 1995. In 2013, he was awarded an honorary doctorate from
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Museo de Arte Contemporaneo de Buenos Aires, Buenos Aires, Argentina
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in Cleveland, Ohio. For most of his life, he lived and worked in
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806:"Julian Stanczak, Central Figure of Op Art Movement, Dies at 88"
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755:(University of Buffalo, Poetry and Rare Book Collection, 1990)
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used it in his critical review of the 1964 exhibition titled
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Julian Stanczak interviewed by Brian Sherwin- myartspace.com
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Albers, who had formerly served as a faculty member at the
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to the United States in 1950 and permanently relocated to
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Meyer, Ruth K. (February 2008). "Op Art on the Street".
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Intersecting Colors: Josef Albers and His Contemporaries
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theorist with strong connections to the Bauhaus, titled
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Geoform: An Interview with Artist Julian Stanczak, 2011
772:(exh. cat. by Gene Baro, Corcoran Gallery of Art, 1972)
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Julian Stańczak. Op Art and the Dynamics of Perception
778:(exh. cat. by Jacqueline Shinners and Rudolf Arnheim,
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Serigraphs and Drawings of Julian Stanczak 1970-1972
529:. Some critics have noted that Stanczak's medium of
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836:"Polish-American Artist Julian Stanczak Dead at 88"
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751:Arnheim, Rudolf, Harry Rand and Robert Bertholf.
701:, Museo de Arte Contemporaneo, Mexico City, Mexico
179:in which he explored the perceptual dimensions of
1243:"A Long-Lost Mural Returns to Downtown Cleveland"
207:, and was roommates with fellow abstract painter
1060:Francis, Henry S.; Milliken, William M. (1955).
883:"Julian Stanczak, Abstract Painter, Dies at 88"
294:, Poland in 1928. In 1940, at the beginning of
1011:. London: Merrell Publishers. pp. 45–49.
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427:Perception: A Psychology of the Creative Eye
1066:The Bulletin of the Cleveland Museum of Art
149:; November 5, 1928 – March 25, 2017) was a
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760:Julian Stanczak, Retrospective: 1948-1998
160:who is considered a central figure of the
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1009:Optic Nerve: Perceptual Art of the 1960s
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509:In 1966 he was named a "New Talent" by
348:Immigration to the United States (1950)
1160:Bedford, Christopher (December 2009).
662:Crystal Bridges Museum of American Art
548:, 1965, acrylic on canvas, 53 x 53 in.
313:He then traveled to a refugee camp in
253:in Ohio. Stanczak lived and worked in
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1265:"Art Space Talk: Julian Stanczak"
753:Julian Stanczak: Decades of Light
739:San Francisco Museum of Modern Art
473:Julian Stanczak: Optical Paintings
217:Julian Stanczak: Optical Paintings
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1603:Art Academy of Cincinnati faculty
1162:"Julian Stanczak. MOCA Cleveland"
1035:Licata, Elizabeth (Summer 1992).
457:was first coined by the American
357:Evening Walk in a Foreign Country
241:from 1957 to 1964 and, later, as
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1241:Barnett, David C. (2018-07-25).
1094:Istomina, Tatiana (2014-12-18).
923:. Warsaw: Muza S.A. p. 12.
804:Greenberger, Alex (2017-03-28).
764:Butler Institute of American Art
684:Los Angeles County Museum of Art
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386:in 1954, and then trained under
1288:"Collections (Julian Stanczak)"
951:"The Prints of Julian Stanczak"
613:Case Western Reserve University
406:from Yale University in 1956.
304:Polish Armed Forces in the West
251:Case Western Reserve University
1593:21st-century American painters
1583:20th-century American painters
949:Kramer, Linda Konheim (2018).
776:Julian Stanczak: Color = Form
398:, where he was roommates with
190:, Poland, Stanczak survived a
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1613:People from Seven Hills, Ohio
881:Smith, Roberta (2017-04-11).
834:Nazif, Perwana (2017-03-29).
784:Northwestern Michigan College
1558:21st-century Polish painters
1548:20th-century Polish painters
735:, Philadelphia, Pennsylvania
449:Op-art movement (1964-1970s)
16:Polish-born American painter
1186:Adams, Henry (2013-03-12).
1096:"Julian Stanczak From Life"
741:, San Francisco, California
561:Chromatic Fold, Acra Yellow
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1121:Wasserman, Burton (1969).
1062:"Review of the Exhibition"
733:Philadelphia Museum of Art
690:Metropolitan Museum of Art
650:Cleveland Institute of Art
591:Cleveland Institute of Art
377:Cleveland Institute of Art
247:Cleveland Institute of Art
92:Cleveland Institute of Art
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919:Smolińska, Marta (2014).
727:New Orleans Museum of Art
686:, Los Angeles, California
632:Albright-Knox Art Gallery
623:Select museum collections
585:from 1957 to 1964 and as
583:Art Academy of Cincinnati
569:Later career (1980s-2017)
563:, 1970, acrylic on canvas
363:The Stanczaks eventually
239:Art Academy of Cincinnati
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758:McClelland, Elizabeth.
729:, New Orleans, Louisiana
290:: Stańczak) was born in
199:, where he studied with
171:compositions made using
1292:The Stanczak Foundation
1247:Ideastream Public Media
721:Smithsonian Institution
717:National Gallery of Art
678:Smithsonian Institution
664:, Bentonville, Arkansas
656:Cleveland Museum of Art
492:'s landmark exhibition
438:Cleveland Museum of Art
1588:American male painters
1410:Gerhard von Graevenitz
638:Art Gallery of Ontario
477:Martha Jackson Gallery
413:and taught classes in
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221:Martha Jackson Gallery
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59:Second Polish Republic
1435:Arnold Alfred Schmidt
1007:Houston, Joe (2007).
373:Bachelor of Fine Arts
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118:geometric abstraction
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1598:American printmakers
1395:Richard Anuszkiewicz
780:Dennos Museum Center
713:, New York, New York
711:Museum of Modern Art
668:Dallas Museum of Art
646:, Brooklyn, New York
595:Educators of America
589:of Painting, at the
490:Museum of Modern Art
400:Richard Anuszkiewicz
276:Richard Anuszkiewicz
231:Museum of Modern Art
209:Richard Anuszkiewicz
151:Polish-born American
146:[ˈstaɲt͡ʂak]
705:Museum of Fine Arts
699:Museo Rufino Tamayo
634:, Buffalo, New York
404:Master of Fine Arts
342:Borough Polytechnic
261:Early life and work
245:of Painting at the
192:Siberian labor camp
1573:Modern printmakers
1568:Polish printmakers
1507:Hard-edge painting
1470:Jean-Pierre Yvaral
1455:Gregorio Vardanega
1269:2007-09-04 at the
887:The New York Times
495:The Responsive Eye
444:Career in the U.S.
392:Conrad Marca-Relli
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226:The Responsive Eye
205:Conrad Marca-Relli
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1445:Jesús Rafael Soto
1440:Francisco Sobrino
1415:Edwin Mieczkowski
1101:The Brooklyn Rail
993:978-1-943208-01-2
930:978-83-7758-819-2
658:, Cleveland, Ohio
652:, Cleveland, Ohio
640:, Toronto, Canada
286:Julian Stanczak (
255:Seven Hills, Ohio
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1380:Josef Albers
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1543:2017 deaths
1538:1928 births
1375:Yaacov Agam
840:Artnet News
617:Seven Hills
463:Donald Judd
436:art at the
421:, a German
213:Donald Judd
1532:Categories
1297:2024-04-15
1275:Myartspace
1252:2024-04-13
1197:2024-04-12
1107:2024-04-15
961:(1): 3–8.
900:2017-04-11
845:2024-04-17
817:2024-04-12
791:References
607:Myartspace
521:and later
519:Minimalism
459:Minimalist
365:immigrated
300:labor camp
158:printmaker
102:Occupation
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597:in 1970.
587:Professor
453:The term
381:Cleveland
292:Borownica
243:Professor
188:Borownica
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1267:Archived
1166:Artforum
1042:Artforum
481:New York
432:Artforum
308:deserted
169:abstract
142:Stańczak
110:Movement
1368:Artists
811:ARTnews
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461:artist
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114:Op art
338:flora
334:fauna
181:color
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