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front of the troupe, makes a cut on Julie's hand, and sucks some of her blood, so that he can truthfully claim that he has mixed blood in him. Nevertheless, the couple is obliged to leave the show boat because law at the time made it illegal for
African-Americans to act on the stage with whites. After some years have past, Magnolia, now eighteen, becomes the new leading lady on the showboat. Many years after, just before being deserted in Chicago by her gambler husband
321:, despondent because Steve has ultimately left her. Magnolia, who has been abandoned by Ravenal, winds up auditioning at the same nightclub, without knowing that Julie is the featured singer. Julie, backstage, overhears the audition and deliberately (and secretly) quits her job so that Magnolia can have it. Magnolia goes on to become a great star, never learning of Julie's sacrifice. The ultimate fate of Julie remains a mystery, as in the novel, but
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When Pete, a coarse engineer who works on the boat, makes unwanted advances toward Julie, Steve engages him in a fistfight. Pete knows that Julie is mixed and Steve white so he goes to the local sheriff and exposes the couple. Before the sheriff arrives, however, Steve takes out a pocket knife in
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s Julie is perhaps the first truly tragic character depicted in a musical. Most of what happens to her in the novel remains exactly the same in the show—she is still a biracial woman who is married to a white man and is forced to leave the show because of racist laws, an element once considered
499:, in 1946, but MGM was reluctant to cast her in a true film version of the show because they feared that audiences would not welcome a black actress playing a romantic role in a film featuring both blacks and whites, so they gave the role to Gardner in the 1951 film
427:, who made the role her own until her untimely death and reprised it in the 1932 stage revival, the 1936 film version of the show, and a 1940 Los Angeles revival. In the 1946 stage revival, the first U.S. revival after Morgan's death, Julie was played by
454:, was not biracial. In this version, Parthy orders her and Steve to leave the boat out of jealousy over Magnolia's affection for Julie. Later in the film Julie becomes not a mere prostitute in a whorehouse as in the novel, but the actual whorehouse
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The scenes with Julie on the show boat occur when
Magnolia, Julie's best friend in the musical, is eighteen rather than still a child, and Magnolia becomes the troupe's leading lady immediately after Julie and Steve are forced to leave the
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of it, which opened on
Broadway on December 27, 1927, her stage name (or alias) is Julie La Verne. She is exposed as Julie Dozier in Act I. In Act II, Julie has changed her name, this time to Julie Wendel.
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to ten-year-old
Magnolia Hawks, daughter of Cap'n Andy Hawks, the show boat's owner. Andy is married to the shrewish Parthy Ann, who has disdain for all actors, especially Julie.
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While the usual custom in the past was to have a white actress play the role, it is now far more common to cast a biracial actress, despite the fact that the audience watching
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Cotton
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is supposedly unaware that Julie is biracial until the sheriff reveals it. The first biracial actress to play Julie was
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Years later, Julie, rather than becoming a prostitute, becomes an alcoholic
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Julie is married to Steve Baker, and both are actors on the
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629:Can't Help Lovin' Dat Man
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