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is out of style"), "Same Old South" ("It's a regular children's heaven / Where they don't start to work until they're seven" and "I got a
Passport from Georgia (And I'm Going to The USA)" ("Goodbye Jim / And I do mean Crow").
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The production team received protestations and death threats. Duke
Ellington described it later in his life as "the first 'social significance' show".
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considered buying the show, but were refused, as the show was collaborative in nature and the writers did not want it to be owned.
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revues of the time, it was very outspoken on racial matters, with the songs "Jump for Joy" ("Fare thee well, land of cotton /
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A Century of
Musicals in Black and White: An Encyclopedia of Musical Stage Works By, About, Or Involving African Americans
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http://indianapublicmedia.org/nightlights/jump-for-joy-duke-ellingtons-celebratory-musical/
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Despite the original success, "it never made it to
Broadway, but it made it to history".
188:"Jump For Joy: Duke Ellington’s Celebratory Musical", David Johnson, February 6, 2008,
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63:, Al Guster, the Hi-Hatters, Lawrence Harris, Suzette Johnson, William Lewis, "
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of Los
Angeles; and ran for nine weeks (122 performances).
47:" and the title track, "Jump for Joy." The cast included
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39:It included many songs by Ellington, including the
79:, Paul White, and the Duke Ellington Orchestra.
206:, Mark Tucker, Oxford University Press, 1995,
141:. Rowman & Littlefield. pp. 108–109.
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138:The Complete Book of 1940s Broadway Musicals
87:The musical received rave reviews, and both
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295:African-American history in Los Angeles
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32:that opened on July 10, 1941, at the
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233:. You can help Knowledge (XXG) by
208:preview available on Google Books.
45:I Got It Bad (and That Ain't Good)
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290:Compositions by Duke Ellington
192:, consulted on 26 March 2017.
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162:Peterson, Bernard L. (1993).
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204:The Duke Ellington Reader
106:Contrary to other all-
305:Musical theatre stubs
229:related article is a
65:Pot, Pan, and Skillet
190:Indiana Public Media
135:Dietz, Dan (2015).
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235:expanding it
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18:Jump for Joy
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274:Categories
122:References
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69:Otis Renee
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83:Reception
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