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June (magazine)

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302: 1170:, or "standing reading", the practice of browsing a magazine in a store without purchasing it. The story in each "Secret Bunko" was billed as the "hottest" in each issue, though academic Sandra Buckley notes that the stories were typically "only marginally 'hotter' than those in the rest of the magazine". Buckley notes that stories in the "Secret Bunko" were typically more violent than other stories in 442:. As the dispute arose while printing for the third issue had already begun, an "E" was hastily added at the end of the magazine's title at the suggestion of the president of Sun Publishing. As sales forecasts were not undertaken for early issues, more than 100,000 copies of the first issue were printed, resulting in many returns and unsold copies. Though sales gradually improved, low sales forced 42: 461:, Sun Publishing received an influx of letters from readers indicating that they were willing to pay up to 1,000 yen for issues of the magazine. In response, Sun Publishing relaunched the magazine in October 1981, cutting its circulation by half and doubling its price to 760 yen. The first relaunched issue was published as a special issue of 1123:; Sagawa stated that he believed the section was so popular because while many readers had ideas for stories, the majority were likely unable to draw manga. The section is credited with helping to establish male-male romance as a literary genre in Japan, and launched the careers of male-male romance writers 1078:
in January 1982. The first occurrence of the section detailed how to draw men's lips, while the second detailed how to draw men's hands. From the January 1985 issue of the onwards, the section began publishing submissions from readers, which Takemiya would edit and provide feedback on. Submissions
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debuted as a monthly section of the magazine in the January 1984 issue. In the section, Nakajima explained literary devices, her process as a writer, and gave brief reviews to submissions from readers. In her reviews, Nakajima assigned a grade to each submission based on its quality, with a
1092:, which had a similar editorial practice of publishing submissions from novice artists for the purpose of education and talent development. Keiko Nishi, who would go on to become a professional manga artist, was published for the first time as an amateur in "Kēko-tan no Oekaki Kyōshitsu". 1163:
was a story whose pages were bound and sealed into the outer edge and spine of the magazine, such that it could not be read unless the reader purchased the magazine and tore the relevant pages out. The section was designed in part as a sales gimmick to combat
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broadly felt a lack of social belonging, and in some cases had experienced specific trauma or abuse, and specifically sought stories of idealized male-male romance to serve a "therapeutic" function in ameliorating that trauma.
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According to Sagawa, as the magazine approached its cessation in 1995, it received an influx of letters from longtime readers who felt increasingly shortchanged by tragic endings, given their long-term investment in the
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targeted a readership of women in their late teens and early twenties, and at its peak had a circulation of approximately 80,000 copies. In addition to publishing established manga artists and writers such as
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relative to other manga magazines aimed at women. After Takemiya stepped down as cover illustrator, the cover was created on a rotating basis by artists serialized in the magazine, including Yuko Kishi,
3336: 340:, and submitted a proposal to Sun Publishing for a "mildly pornographic magazine for women". The proposal was accepted, and the first issue of the magazine launched under the title 911:
were also common, especially in early issues of the magazine. The regular section "Junetopia" published articles and illustrations submitted by readers, as well as interviews with
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reader was a girl in high school or university who was intellectual, literary, and cultured. Both Sagawa and Keiko Takemiya indicated their belief that many of the readers of
1321:('June things') remained in use to designate male-male romance works that depicted tragedy, aestheticism, and other themes and subjects reminiscent of the works published in 530:
consequently began to decline beginning in the 1990s, and the magazine ceased publication with its 85th issue in November 1995. Sagawa stated that he initially believed that
941:. According to Takemiya, an understanding was made with Sagawa that even heterosexual romance stories could be published in the magazine, so long as they conformed to the " 191:
and prose fiction, but also published articles on films and literature, as well as contributions from readers. The magazine spawned multiple spin-off publications, notably
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had a circulation of 65,000 from 1985 to 1987, 80,000 from 1988 to 1989, and 100,000 from 1990 to 2004. However, according to Sagawa, the circulation figures published in
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had tragic endings, with common themes and subjects including heartbreak, accidental death, and forced separation; ten of the eleven works published in the first issue of
437: 1174:, depicting "sexual contact in a more sinister or threatening way" compared to the "highly stylized romanticism" typical of the magazine's other editorial output. 526:(self-published manga and books) grew rapidly in popularity, and in the 1990s "boys' love" (BL) was established as a commercial male-male romance genre. Sales of 471:('Novel June'), which primarily published prose fiction and serial novels, began to be published as a sister publication beginning with the October 1982 issue of 1185:
targeted an audience of women in their late teens to early twenties, though its readership extended as far as women in their forties, many of whom began reading
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would have been a success without Takemiya's cover illustrations. Takemiya initially felt that her artistic style was not suited to the editorial material of
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edited by Keiko Takemiya focused on instructing amateur artists in writing and illustrating manga, debuted in the second issue of the relaunched edition of
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style. Each of Takemiya's covers contains a simple self-contained narrative, such as an image of a crying boy, which Takemiya stated was a style unique to
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magazine for girls and young women that focused on manga and articles on films, it later became a general interest magazine about gay culture in 1982.
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meant that it was able to publish works that were more experimental relative to its male-male romance magazine contemporaries: works that were less
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Media scholar Akiko Mizoguchi divides the history of Japanese male-male romance fiction for women into three periods: the "genesis period", the "
3346: 926:). The magazine contained few advertisements, but did print reproductions of advertisements featuring attractive men or gay subject material. 3356: 3326: 3306: 3206: 3141: 3118: 3070: 3038: 2884: 1794: 1325:. Further, the magazine's coverage of gay culture is credited with influencing the gay community in Japan, with Sandra Buckley crediting 316:
was conceived by Toshihiko Sagawa, then a part-time worker at Sun Publishing. An avid manga reader, Sagawa was intrigued by depictions of
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sought to have an underground, "cultish, guerilla-style" feeling – most of its contributors were new and amateur talent – with writer
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as it relates to an ideal of male beauty defined by fragility, sensitivity, and delicateness. Sagawa was specifically inspired by the
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became popular generic terms to designate works depicting male homosexuality, which influenced the later male-male romance genres of
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Buckley, Sandra (1991). "'Penguin in Bondage': A Graphic Tale of Japanese Comic Books". In Penley, Constance; Ross, Andrew (eds.).
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Xu, Yanrui; Yang, Lin (2019). "BLとスラッシュのはざまで:現代中国の「耽美」フィクション、文化越境的媒介、変化するジェンダー規範" [Between BL and Slash: Contemporary Chinese
67: 784:. Keiko Takemiya contributed original manga and illustrations, while Azusa Nakajima contributed essays relating to the topic of 861: 850: 280:) became popular generic terms for works depicting male homosexuality, which influenced the later male-male romance genres of 1344:
played a crucial role in producing a field of professional BL creators; the magazine launched the careers of manga artists
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never exceeded 80,000 copies, and averaged in the range of 40,000 to 60,000. Miki Eibo, who served as editor-in-chief of
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at the time. Nakajima was a senior member of the Waseda Mystery Club, to which Sagawa belonged when he was a student at
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Feng, Jin (Fall 2009). "'Addicted to Beauty': Consuming and Producing Web-based Chinese 'Danmei' Fiction at Jinjiang".
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Mizoguchi, Akiko (2003). "Male-Male Romance by and for Women in Japan: A History and the Subgenres of Yaoi Fictions".
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published no more than four to five stories depicting romance between women during the entirety of its editorial run.
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with "play a role in the construction of a collective gay identity" in Japan, and academic Ishida Hitoshi describing
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Mori, Yoko (2020). "BLはどのように議論されてきたのか" [How Has BL Been Discussed?]. In Hori, Akiko; Mori, Yoko (eds.).
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as a nationally distributed commercial magazine, the genre was rapidly disseminated and systemized across Japan.
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magazine, and one of the only commercial magazines dedicated to this genre in the 1970s and 1980s. Previously,
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and BL magazines in the 1990s that published commissioned stories by professional writers. The contributors to
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acknowledged its gay readership with a gradual increase in its coverage of both Japanese and international
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developed as a unique comic and literary genre in China, and later spread to Taiwan, Korea, and Vietnam.
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in their youth and continued doing so into adulthood. Sagawa stated that his impression of the average
385: 80: 2909:, BL: The Establishment and Development of Each Designation]. In Hori, Akiko; Mori, Yoko (eds.). 672:
was subtitled with the slogan "Aesthetic Magazine For Gals", and the gravure photo section was titled
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The founding editor of the magazine was Tetsuro Sakuragi, who had previously served as the editor of
244: 2987:, the Boom in Magazine Launches, and the Boys' Love Genre]. In Hori, Akiko; Mori, Yoko (eds.). 983:, that were not obliged to feature sex scenes, and which featured female and supporting characters. 878: 2876: 1841: 1799: 1065: 1010:
stories in the 1990s, such as the confirmation of mutual love or the beginning of a life together.
696: 374:, meaning "purity". The first issue was priced at 380 yen, a high price for magazines at the time. 1804: 1527:
running shoes featuring male runners standing in the rain, and a French anti-AIDS campaign poster.
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entered China in the late 1990s, leading to the development of a male-male romance genre known as
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beginning with its third issue in February 1979 due to a conflict with the Japanese fashion brand
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exclusively, it gradually widened to include young men and middle-aged men; by the early 1990s,
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because it was bright and did not depict shadows, so she consciously drew shadows to match the
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and prose fiction, but also published articles on films, reading guides, and interviews with
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Fiction, Transcultural Mediation, and Changing Gender Norms]. In Welker, James (ed.).
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and recurring themes of beauty and aestheticism in works by the Year 24 Group. While the
597:. Sun Publishing also sold a variety of paperback manga books, audio cassettes, CDs, and 540:
and BL genres, though this was ultimately not the case. Following the discontinuation of
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began to eclipse the popularity of magazines as a medium for male-male romance fiction.
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was 60,000 from 1983 to 1987, 70,000 from 1988 to 1989, and 100,000 from 1990 to 1995;
819: 395: 391: 390:, a gay men's magazine also published by Sun Publishing. Sagawa recruited manga artist 243:
in Japan, a genre which had largely been confined to relatively narrow outlets such as
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depicted male-male romance, though the magazine occasionally depicted romance between
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stories. Media scholar Akiko Mizoguchi notes how the "semi-amateurish" quality of
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It has been speculated that the name was chosen as a reference to French writer
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as a "queer contact zone" between the gay community and female manga readers.
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was such that the term "June" and the magazine's central editorial concept of
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began to steadily decline in the late 1990s, after its popular serialization
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being the highest grade. The section was among the most popular features in
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Keiko Takemiya served as cover illustrator for roughly the first decade of
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and other avenues with relatively limited reach, but with the creation of
760:), a model that it maintained even after the emergence of more formalized 2269: 2257: 1567: 908: 791: 619: 416: 3093: 2934:: Magazine Media in the 1970s]. In Hori, Akiko; Mori, Yoko (eds.). 2859: 1086:
The section was conceived by Sagawa and inspired by the manga magazine
777: 756:(a magazine which mainly publishes unsolicited manuscripts for a small 626:
ceased publication with its 153rd issue published in April 2004, while
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was used broadly to refer to works that depicted male homosexuality.
222:, the magazine launched the careers of artists and novelists such as 173:
aimed at a female audience. It was the first commercially published
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s publication. In an interview, Sagawa stated that he doubted that
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as "a kind of 'readers' magazine, created by and for the readers."
256:). The term "June" and the magazine's central editorial concept of 2232:
Kuramochi, Kayoko (27 April 2018). "少年愛、耽美さ貫いた 少女向け雑誌「JUNE」" [
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as contributors. Takemiya stated that she chose to participate in
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Ishida, Miki (2020). "少年愛と耽美の誕生:1970年代の雑誌メディア" [The Birth of
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to cease publication after the release of its August 1979 issue.
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were primarily manga artists associated with the Year 24 Group,
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Sun Publishing later spun off its women's division, including
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from 1993 to 2004, concurred that the circulation figures for
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from submissions curated and edited by Takemiya and Nakajima.
2236:, a girl's magazine with a passion for boys and beauty]. 577:
launched as a general interest magazine focused on gravures (
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Nishihara, Mari (2020). "同人誌と雑誌創刊ブーム、そして「ボーイズラブ」ジャンルへ" [
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published by the Media Research Center, the circulation of
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as "aesthetic and serious". Many early works published in
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photography), reader contributions, and information about
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in October 1978. "Jun" was derived from the manga series
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also had a minority of male readers, including gay men.
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period", and the "BL period". According to Mizoguchi,
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Kuramochi, Kayoko (2020). "JUNE「お絵描き教室」が果たした役割" [
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were exaggerated, but that the figure of 100,000 for
548:, while manga content was split into two magazines: 179:
magazine, launching in October 1978 under the title
1216:, 'General Tabulation of Magazines and Newspapers') 1079:
were accepted so long as the subject material was "
129: 121: 109: 101: 93: 76: 66: 58: 2128: 2126: 2124: 2122: 1844:& Fantasista Inc. 26 June 2020. Archived from 1250:from 1992 to 1993 was close to the actual figure. 877:oversaw the literature section, while illustrator 233:As a nationally distributed commercial magazine, 2135:"Interview with Mr. Sagawa, A Founder of 'June'" 570:published primarily sexually explicit BL manga. 309:, with the tagline "Aesthetic Magazine for Gals" 3301:] (in Japanese). Seidosha. pp. 29–46. 1473:was published only once, as a special issue of 1444:were the subject of praise, but also criticism. 689:. In the context of male-male romance fiction, 465:, a magazine also published by Sun Publishing. 237:is credited with disseminating and systemizing 2270:Kono Manga ga Sugoi! Editorial Department 2016 2258:Kono Manga ga Sugoi! Editorial Department 2016 1211: 1156: 1103: 1059: 678: 649: 367: 3337:Bi-monthly manga magazines published in Japan 2897:(2020). "少年愛・JUNE/やおい・BL:それぞれの呼称の成立と展開" [ 8: 2227: 2225: 1585:was published by Minori Shobo. Founded as a 32: 2955:]. In Hori, Akiko; Mori, Yoko (eds.). 2725: 2541: 2473: 2293: 2216: 1999: 1953: 1932: 1828: 1826: 1824: 1822: 1777: 1396:convention in Japan, derives its name from 655: 491:" ('Big June'). Ironically, circulation of 329: 263: 1795:"The Erotic Antagonism of Gengoroh Tagame" 1788: 1786: 183:and ceasing publication in November 1995. 40: 31: 3222:Dreamland Japan: Writings on Modern Manga 3049:Kono Manga ga Sugoi! Editorial Department 2785: 2773: 2713: 2701: 2689: 2641: 2517: 2502: 2437: 2386: 2204: 2041: 1635: 1100:Edited by Azusa Nakajima, "Shōsetsu Dōjō" 2797: 2461: 2449: 2401: 2374: 2362: 2350: 2338: 1970: 1723: 1706: 3033:] (in Japanese). Rakuhoku Shuppan. 2867:Hori, Akiko; Mori, Yoko, eds. (2020). 2761: 2665: 2653: 2326: 1604: 1409: 668:from its inception; the first issue of 2749: 2737: 2677: 2604: 2589: 2577: 2565: 2553: 2529: 2490: 2425: 2413: 2305: 2192: 2168: 2083: 1987: 1917: 1905: 1868:"Digital Manga Names New Yaoi Imprint" 1756: 1735: 1694: 1677: 1662: 1650: 1620: 1043:, Mutsumi Inomata, and Akimi Yoshida. 945:style". The magazine did publish some 507:Discontinuation and spin-off magazines 3244:Shiramine, Ayako (2007). "June-kei". 3136:] (in Japanese). Gentosha Shobō. 2848:Modern Chinese Literature and Culture 1440:Overt depictions of homosexuality in 1261:was the first commercially published 1230:were exaggerated: the circulation of 780:, and artists who had contributed to 664:to describe the editorial concept of 630:ceased publication in February 2013. 154: 7: 3342:Defunct magazines published in Japan 3162:] (in Japanese). Chikuma Shobo. 3006:[JUNE and Sabu in Numbers]. 2995:] (in Japanese). pp. 40–56. 2976:] (in Japanese). pp. 77–93. 2963:] (in Japanese). pp. 35–39. 2942:] (in Japanese). pp. 18–34. 2281: 2180: 1386:made his debut as a manga artist in 888:contributed an illustration column. 593:was published as a special issue of 544:, prose fiction was integrated into 361:, as well as from the Japanese word 2917:] (in Japanese). pp. 2–17. 1515:, for example, contained an ad for 684: 402:to provide "covering fire" for her 297:First issue to temporary suspension 161:was a Japanese magazine focused on 2624:California State University, Chico 2140:California State University, Chico 1570:and letters from gay male readers. 1273:had been confined to the realm of 25: 1876:. 7 February 2006. Archived from 715:initially referred to adolescent 3352:Magazines disestablished in 1995 3160:Communication Imperfect Syndrome 2617:Toku, Masami (22 January 2003). 1305:and boys' love (BL). Even after 1289:The popularity and influence of 949:content; according to Nakajima, 794:. Regular contributors included 503:became a bimonthly publication. 414:, which was being serialized in 3332:1995 disestablishments in Japan 3025:Secret Education: A History of 2619:"Interview with Keiko Takemiya" 1566:, including advertisements for 3065:] (in Japanese). TJ Mook. 1309:ceased publication, the terms 1056:"Kēko-tan no Oekaki Kyōshitsu" 973:engendered by its status as a 824:. Other contributors included 499:; beginning in February 1984, 1: 3347:Magazines established in 1978 3134:Moto Hagio and Keiko Takemiya 2821:University of Minnesota Press 2238:Asahi Shimbun Evening Edition 2103:(in Japanese). Archived from 2061:(in Japanese). Archived from 2019:(in Japanese). Archived from 1793:Randle, Chris (31 May 2013). 990:describes works published in 907:. Articles on literature and 457:After ceasing publication of 347:Jun: Shotaro no Fantasy World 332:"beautiful boys", a term for 3357:Pornographic manga magazines 3327:1978 establishments in Japan 3266:Keiko Takemiya's Manga Class 3021:密やかな教育 : 〈やおい・ボーイズラブ〉前史 2133:Toku, Masami (6 June 2002). 2015:[June Shinsengumi]. 1052:Kēko-tan no Oekaki Kyōshitsu 3289: 3188:Manga We Were Excited About 3184: 3059: 3027: 2983: 2930: 2924: 2905: 2899: 1587: 1488: 1392: 1317: 1311: 1301: 1295: 1276: 1269: 1263: 1166: 975: 922: 914: 786: 772: 762: 752: 723: 717: 711: 701: 691: 583: 558: 536: 520: 513: 404: 322: 282: 258: 246: 239: 175: 163: 3378: 3128:Nakagawa, Yuuske (2020). 3101:Mizoguchi, Akiko (2015). 3082:U.S.-Japan Women's Journal 965:appeared in some in later 495:quickly surpassed that of 3002:Ishida, Hitoshi (2012). 2951:: The Role Played by the 1244:Zasshi Shinbun Sōkatarogu 1228:Zasshi Shinbun Sōkatarogu 1212: 1207:Zasshi Shinbun Sōkatarogu 1157: 1104: 1060: 790:and novels under various 687:'Aesthetic Photo Studio') 679: 650: 599:original video animations 552:('June Fresh Group') and 427:The magazine was renamed 368: 171:male-male romance fiction 150: 39: 3294: 3261: 3178: 3155: 3129: 3102: 3052: 3020: 3014:(15). Seidosha: 159–171. 3003: 2988: 2969: 2956: 2935: 2910: 2868: 1536:Nakajima estimated that 1178:Audience and circulation 929:Most works published in 483:" ('Little June') while 252:(events for the sale of 50:, with cover artwork by 3252:(7). Seidosha: 151–152. 1511:The July 1989 issue of 953:appeared in some early 27:Japanese manga magazine 3019:Ishida, Miki (2008). 1459:Japanese pronunciation 310: 305:The original logo for 46:January 1982 issue of 3268:] (in Japanese). 3190:] (in Japanese). 3177:Office J.B. (2021). 3109:] (in Japanese). 2875:] (in Japanese). 2839:10.5749/j.ctttsdkh.11 697:Japanese aestheticism 643:Sagawa used the word 556:. In contrast to the 336:men) in manga by the 304: 288:and boys' love (BL). 18:June (manga magazine) 3362:Yaoi manga magazines 3229:. pp. 120–123. 2823:. pp. 163–195. 2668:, pp. 174, 181. 1006:were more common in 920:(groups that create 899:primarily published 254:self-published media 187:primarily published 3217:Schodt, Frederik L. 3107:BL Evolution Theory 2877:Yuhikaku Publishing 2272:, pp. 110–111. 2101:Media Arts Database 2059:Media Arts Database 2017:Media Arts Database 1848:on 25 December 2022 1842:Dai Nippon Printing 1579:From 1980 to 1984, 1161:, 'Secret Library') 1068:'s Drawing School') 511:In the late 1980s, 195:('Novel June') and 36: 3227:Stone Bridge Press 3192:Tatsumi Publishing 2207:, pp. 55, 62. 2193:Xu & Yang 2019 1315:('June-type') and 1153:The "Secret Bunko" 1047:Recurring sections 1002:ended in tragedy. 776:artists active at 740:Frederik L. Schodt 695:broadly refers to 620:paperback editions 417:Shūkan Shōjo Comic 359:Shotaro Ishinomori 311: 3308:978-4-7917-7225-4 3208:978-4-7778-2720-6 3143:978-4-344-98586-5 3120:978-4-7783-1441-5 3072:978-4-8002-5154-1 3040:978-4-903127-08-8 2886:978-4-641-17454-2 2644:, pp. 54–55. 2631:on 10 March 2007. 2532:, pp. 30–31. 2476:, pp. 30–31. 2171:, pp. 26–27. 2107:on 9 October 2022 2065:on 9 October 2022 2023:on 9 October 2022 1880:on 6 January 2023 1807:on 1 January 2023 1665:, pp. 24–25. 1442:Kaze to Ki no Uta 1422:Magazine Magazine 1205:According to the 639:Editorial concept 422:Waseda University 411:Kaze to Ki no Uta 156:[d͡ʑu͍ne] 137: 136: 81:Magazine Magazine 16:(Redirected from 3369: 3312: 3299:BL Opening Doors 3292: 3283: 3253: 3240: 3212: 3200: 3187: 3173: 3147: 3124: 3097: 3076: 3062: 3044: 3030: 3015: 2996: 2986: 2977: 2964: 2943: 2933: 2927: 2918: 2908: 2902: 2895:Fujimoto, Yukari 2890: 2863: 2842: 2801: 2795: 2789: 2783: 2777: 2771: 2765: 2759: 2753: 2747: 2741: 2735: 2729: 2726:Office J.B. 2021 2723: 2717: 2711: 2705: 2699: 2693: 2687: 2681: 2675: 2669: 2663: 2657: 2651: 2645: 2639: 2633: 2632: 2627:. Archived from 2614: 2608: 2602: 2593: 2587: 2581: 2575: 2569: 2563: 2557: 2551: 2545: 2542:Office J.B. 2021 2539: 2533: 2527: 2521: 2515: 2506: 2500: 2494: 2488: 2477: 2474:Office J.B. 2021 2471: 2465: 2459: 2453: 2447: 2441: 2435: 2429: 2423: 2417: 2411: 2405: 2399: 2390: 2384: 2378: 2372: 2366: 2360: 2354: 2348: 2342: 2336: 2330: 2324: 2309: 2303: 2297: 2294:Office J.B. 2021 2291: 2285: 2279: 2273: 2267: 2261: 2255: 2246: 2245: 2229: 2220: 2217:Office J.B. 2021 2214: 2208: 2202: 2196: 2190: 2184: 2178: 2172: 2166: 2157: 2156: 2154: 2152: 2143:. Archived from 2130: 2117: 2116: 2114: 2112: 2093: 2087: 2081: 2075: 2074: 2072: 2070: 2051: 2045: 2039: 2033: 2032: 2030: 2028: 2009: 2003: 2000:Office J.B. 2021 1997: 1991: 1985: 1974: 1968: 1957: 1954:Office J.B. 2021 1951: 1936: 1933:Office J.B. 2021 1930: 1921: 1915: 1909: 1903: 1890: 1889: 1887: 1885: 1864: 1858: 1857: 1855: 1853: 1830: 1817: 1816: 1814: 1812: 1803:. Archived from 1790: 1781: 1778:Office J.B. 2021 1775: 1760: 1754: 1739: 1733: 1727: 1721: 1710: 1704: 1698: 1692: 1681: 1675: 1666: 1660: 1654: 1648: 1639: 1633: 1624: 1618: 1592: 1590: 1577: 1571: 1557: 1551: 1547: 1541: 1534: 1528: 1519:featuring actor 1509: 1503: 1491: 1484: 1478: 1471:June Shinsengumi 1468: 1462: 1451: 1445: 1438: 1432: 1430: 1414: 1395: 1377: 1366: 1356:, and novelists 1320: 1314: 1304: 1298: 1279: 1272: 1266: 1217: 1215: 1214: 1169: 1162: 1160: 1159: 1144: 1133: 1113: 1107: 1106: 1069: 1063: 1062: 978: 925: 917: 887: 876: 865: 854: 823: 812: 789: 775: 765: 755: 726: 720: 714: 704: 694: 688: 686: 682: 681: 674:Tanbi Sashin-kan 663: 657: 653: 652: 615:Fujimi Orchestra 588: 575:Visualtambi June 561: 550:June Shinsengumi 539: 525: 518: 441: 407: 389: 373: 371: 370: 355: 331: 327: 287: 279: 276: 271: 268: 265: 261: 249: 242: 178: 168: 160: 158: 152: 97:Toshihiko Sagawa 89: 44: 37: 21: 3377: 3376: 3372: 3371: 3370: 3368: 3367: 3366: 3317: 3316: 3315: 3309: 3296: 3286: 3280: 3263: 3258:Takemiya, Keiko 3256: 3248:(in Japanese). 3243: 3237: 3215: 3209: 3194: 3180: 3176: 3170: 3157: 3156:コミュニケーション不完全症候群 3152:Nakajima, Azusa 3150: 3144: 3131: 3127: 3121: 3111:Ohta Publishing 3104: 3100: 3079: 3073: 3054: 3047: 3041: 3022: 3018: 3010:(in Japanese). 3005: 3001: 2990: 2980: 2971: 2967: 2958: 2946: 2937: 2921: 2912: 2893: 2887: 2870: 2866: 2845: 2831: 2819:. Vol. 3. 2814: 2810: 2805: 2804: 2796: 2792: 2784: 2780: 2772: 2768: 2760: 2756: 2748: 2744: 2736: 2732: 2724: 2720: 2712: 2708: 2700: 2696: 2688: 2684: 2676: 2672: 2664: 2660: 2652: 2648: 2640: 2636: 2616: 2615: 2611: 2603: 2596: 2588: 2584: 2576: 2572: 2564: 2560: 2552: 2548: 2540: 2536: 2528: 2524: 2516: 2509: 2501: 2497: 2489: 2480: 2472: 2468: 2460: 2456: 2448: 2444: 2436: 2432: 2424: 2420: 2412: 2408: 2400: 2393: 2385: 2381: 2373: 2369: 2361: 2357: 2349: 2345: 2337: 2333: 2325: 2312: 2304: 2300: 2292: 2288: 2280: 2276: 2268: 2264: 2256: 2249: 2231: 2230: 2223: 2215: 2211: 2203: 2199: 2191: 2187: 2179: 2175: 2167: 2160: 2150: 2148: 2132: 2131: 2120: 2110: 2108: 2095: 2094: 2090: 2082: 2078: 2068: 2066: 2053: 2052: 2048: 2040: 2036: 2026: 2024: 2011: 2010: 2006: 1998: 1994: 1986: 1977: 1969: 1960: 1952: 1939: 1931: 1924: 1916: 1912: 1904: 1893: 1883: 1881: 1866: 1865: 1861: 1851: 1849: 1834:"What is JUNE?" 1832: 1831: 1820: 1810: 1808: 1792: 1791: 1784: 1776: 1763: 1755: 1742: 1734: 1730: 1722: 1713: 1705: 1701: 1693: 1684: 1676: 1669: 1661: 1657: 1649: 1642: 1634: 1627: 1619: 1606: 1601: 1596: 1595: 1578: 1574: 1558: 1554: 1548: 1544: 1535: 1531: 1510: 1506: 1485: 1481: 1469: 1465: 1452: 1448: 1439: 1435: 1424: 1415: 1411: 1406: 1384:Gengoroh Tagame 1371: 1360: 1256: 1209: 1180: 1154: 1151: 1138: 1127: 1125:Akira Tatsumiya 1101: 1098: 1070:, a section of 1057: 1054: 1049: 1016: 988:Yukari Fujimoto 981:heteronormative 957:stories, while 937:characters, or 894: 881: 870: 868:Tomoyo Kurihara 859: 857:Michio Hisauchi 848: 846:Akemi Matsuzaki 826:Mutsumi Inomata 817: 806: 733: 676: 647: 641: 636: 608:Circulation of 509: 487:was nicknamed " 479:was nicknamed " 455: 435: 383: 365: 349: 299: 294: 277: 272: 269: 266: 144: 116: 111: 83: 54: 28: 23: 22: 15: 12: 11: 5: 3375: 3373: 3365: 3364: 3359: 3354: 3349: 3344: 3339: 3334: 3329: 3319: 3318: 3314: 3313: 3307: 3284: 3278: 3254: 3241: 3236:978-1933330952 3235: 3213: 3207: 3179:私たちがトキめいた美少年漫画 3174: 3168: 3148: 3142: 3125: 3119: 3098: 3077: 3071: 3045: 3039: 3031:and Boys' Love 3016: 2999: 2998: 2997: 2993:Textbook of BL 2978: 2974:Textbook of BL 2965: 2961:Textbook of BL 2953:Drawing School 2944: 2940:Textbook of BL 2919: 2915:Textbook of BL 2885: 2873:Textbook of BL 2864: 2843: 2829: 2811: 2809: 2806: 2803: 2802: 2790: 2786:Mizoguchi 2015 2778: 2774:Mizoguchi 2015 2766: 2764:, p. 181. 2754: 2752:, p. 122. 2742: 2740:, p. 204. 2730: 2718: 2716:, p. 356. 2714:Mizoguchi 2015 2706: 2702:Mizoguchi 2015 2694: 2690:Mizoguchi 2003 2682: 2680:, p. 160. 2670: 2658: 2656:, p. 173. 2646: 2642:Mizoguchi 2003 2634: 2609: 2607:, p. 340. 2594: 2592:, p. 123. 2582: 2580:, p. 222. 2570: 2558: 2556:, p. 243. 2546: 2534: 2522: 2518:Kuramochi 2020 2507: 2503:Kuramochi 2020 2495: 2478: 2466: 2464:, p. 227. 2454: 2452:, p. 226. 2442: 2438:Nishihara 2020 2430: 2428:, p. 165. 2418: 2416:, p. 166. 2406: 2391: 2387:Mizoguchi 2003 2379: 2377:, p. 239. 2367: 2365:, p. 255. 2355: 2353:, p. 212. 2343: 2341:, p. 236. 2331: 2329:, p. 174. 2310: 2308:, p. 162. 2298: 2286: 2274: 2262: 2260:, p. 111. 2247: 2221: 2209: 2205:Mizoguchi 2003 2197: 2185: 2173: 2158: 2147:on 8 July 2015 2118: 2088: 2086:, p. 121. 2076: 2046: 2044:, p. 355. 2042:Mizoguchi 2015 2034: 2004: 1992: 1990:, p. 167. 1975: 1958: 1937: 1922: 1920:, p. 333. 1910: 1908:, p. 164. 1891: 1859: 1818: 1782: 1761: 1759:, p. 205. 1740: 1728: 1726:, p. 332. 1711: 1709:, p. 210. 1699: 1682: 1680:, p. 332. 1667: 1655: 1653:, p. 120. 1640: 1638:, p. 151. 1636:Shiramine 2007 1625: 1603: 1602: 1600: 1597: 1594: 1593: 1572: 1552: 1542: 1529: 1504: 1479: 1463: 1446: 1433: 1408: 1407: 1405: 1402: 1255: 1252: 1179: 1176: 1150: 1147: 1097: 1094: 1053: 1050: 1048: 1045: 1015: 1012: 986:Manga scholar 893: 890: 879:Chiyo Kurihara 750:operated as a 732: 729: 709:conception of 640: 637: 635: 632: 618:concluded and 591:Comic Bishōnen 508: 505: 454: 448: 396:Azusa Nakajima 392:Keiko Takemiya 298: 295: 293: 290: 212:Azusa Nakajima 208:Keiko Takemiya 135: 134: 131: 127: 126: 123: 119: 118: 113: 107: 106: 103: 99: 98: 95: 91: 90: 78: 74: 73: 70: 64: 63: 60: 56: 55: 52:Keiko Takemiya 45: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 3374: 3363: 3360: 3358: 3355: 3353: 3350: 3348: 3345: 3343: 3340: 3338: 3335: 3333: 3330: 3328: 3325: 3324: 3322: 3310: 3304: 3300: 3291: 3285: 3281: 3279:4-480-88803-9 3275: 3271: 3270:Chikuma Shobō 3267: 3259: 3255: 3251: 3247: 3242: 3238: 3232: 3228: 3224: 3223: 3218: 3214: 3210: 3204: 3198: 3193: 3189: 3186: 3175: 3171: 3169:4-480-03134-0 3165: 3161: 3153: 3149: 3145: 3139: 3135: 3126: 3122: 3116: 3112: 3108: 3099: 3095: 3091: 3088:(25): 49–75. 3087: 3083: 3078: 3074: 3068: 3064: 3061: 3057:The World of 3050: 3046: 3042: 3036: 3032: 3029: 3017: 3013: 3009: 3000: 2994: 2985: 2979: 2975: 2966: 2962: 2954: 2950: 2945: 2941: 2932: 2926: 2920: 2916: 2907: 2901: 2896: 2892: 2891: 2888: 2882: 2878: 2874: 2865: 2861: 2857: 2853: 2849: 2844: 2840: 2836: 2832: 2830:9780816619306 2826: 2822: 2818: 2817:Technoculture 2813: 2812: 2807: 2799: 2798:Fujimoto 2020 2794: 2791: 2788:, p. 33. 2787: 2782: 2779: 2776:, p. 21. 2775: 2770: 2767: 2763: 2758: 2755: 2751: 2746: 2743: 2739: 2734: 2731: 2728:, p. 32. 2727: 2722: 2719: 2715: 2710: 2707: 2704:, p. 32. 2703: 2698: 2695: 2692:, p. 50. 2691: 2686: 2683: 2679: 2674: 2671: 2667: 2662: 2659: 2655: 2650: 2647: 2643: 2638: 2635: 2630: 2626: 2625: 2620: 2613: 2610: 2606: 2601: 2599: 2595: 2591: 2586: 2583: 2579: 2574: 2571: 2568:, p. 31. 2567: 2562: 2559: 2555: 2550: 2547: 2544:, p. 44. 2543: 2538: 2535: 2531: 2526: 2523: 2520:, p. 37. 2519: 2514: 2512: 2508: 2505:, p. 35. 2504: 2499: 2496: 2493:, p. 30. 2492: 2487: 2485: 2483: 2479: 2475: 2470: 2467: 2463: 2462:Takemiya 2001 2458: 2455: 2451: 2450:Takemiya 2001 2446: 2443: 2440:, p. 55. 2439: 2434: 2431: 2427: 2422: 2419: 2415: 2410: 2407: 2404:, p. 13. 2403: 2402:Fujimoto 2020 2398: 2396: 2392: 2389:, p. 62. 2388: 2383: 2380: 2376: 2375:Nakajima 1995 2371: 2368: 2364: 2363:Nakajima 1995 2359: 2356: 2352: 2351:Takemiya 2001 2347: 2344: 2340: 2339:Nakajima 1995 2335: 2332: 2328: 2323: 2321: 2319: 2317: 2315: 2311: 2307: 2302: 2299: 2296:, p. 43. 2295: 2290: 2287: 2284:, p. 80. 2283: 2278: 2275: 2271: 2266: 2263: 2259: 2254: 2252: 2248: 2243: 2242:Asahi Shimbun 2239: 2235: 2228: 2226: 2222: 2219:, p. 38. 2218: 2213: 2210: 2206: 2201: 2198: 2195:, p. 29. 2194: 2189: 2186: 2182: 2177: 2174: 2170: 2165: 2163: 2159: 2146: 2142: 2141: 2136: 2129: 2127: 2125: 2123: 2119: 2106: 2102: 2098: 2092: 2089: 2085: 2080: 2077: 2064: 2060: 2056: 2050: 2047: 2043: 2038: 2035: 2022: 2018: 2014: 2008: 2005: 2002:, p. 40. 2001: 1996: 1993: 1989: 1984: 1982: 1980: 1976: 1972: 1971:Fujimoto 2020 1967: 1965: 1963: 1959: 1956:, p. 31. 1955: 1950: 1948: 1946: 1944: 1942: 1938: 1935:, p. 30. 1934: 1929: 1927: 1923: 1919: 1914: 1911: 1907: 1902: 1900: 1898: 1896: 1892: 1879: 1875: 1874: 1869: 1863: 1860: 1847: 1843: 1839: 1835: 1829: 1827: 1825: 1823: 1819: 1806: 1802: 1801: 1796: 1789: 1787: 1783: 1780:, p. 37. 1779: 1774: 1772: 1770: 1768: 1766: 1762: 1758: 1753: 1751: 1749: 1747: 1745: 1741: 1738:, p. 24. 1737: 1732: 1729: 1725: 1724:Nakagawa 2020 1720: 1718: 1716: 1712: 1708: 1707:Takemiya 2001 1703: 1700: 1697:, p. 26. 1696: 1691: 1689: 1687: 1683: 1679: 1674: 1672: 1668: 1664: 1659: 1656: 1652: 1647: 1645: 1641: 1637: 1632: 1630: 1626: 1623:, p. 25. 1622: 1617: 1615: 1613: 1611: 1609: 1605: 1598: 1589: 1584: 1583: 1576: 1573: 1569: 1565: 1561: 1556: 1553: 1546: 1543: 1539: 1533: 1530: 1526: 1522: 1518: 1514: 1508: 1505: 1501: 1497: 1496: 1490: 1483: 1480: 1476: 1475:Shōsetsu June 1472: 1467: 1464: 1460: 1456: 1450: 1447: 1443: 1437: 1434: 1428: 1423: 1419: 1413: 1410: 1403: 1401: 1399: 1394: 1389: 1385: 1381: 1375: 1370: 1364: 1359: 1355: 1354:Marimo Ragawa 1351: 1347: 1343: 1339: 1334: 1332: 1328: 1324: 1319: 1313: 1308: 1303: 1297: 1292: 1287: 1285: 1281: 1278: 1271: 1265: 1260: 1253: 1251: 1249: 1248:Shōsetsu June 1245: 1241: 1237: 1233: 1229: 1225: 1224:Shōsetsu June 1221: 1208: 1203: 1201: 1196: 1192: 1188: 1184: 1177: 1175: 1173: 1168: 1148: 1146: 1142: 1137: 1131: 1126: 1122: 1118: 1111: 1096:Shōsetsu Dōjō 1095: 1093: 1091: 1090: 1084: 1082: 1077: 1073: 1067: 1051: 1046: 1044: 1042: 1037: 1033: 1029: 1025: 1021: 1014:Cover artwork 1013: 1011: 1009: 1005: 1004:Happy endings 1001: 997: 993: 989: 984: 982: 977: 972: 968: 964: 960: 956: 952: 951:sadomasochism 948: 944: 940: 939:between women 936: 932: 927: 924: 919: 916: 910: 906: 902: 898: 891: 889: 885: 880: 874: 869: 866:. Translator 863: 858: 852: 847: 843: 842:Fumiko Takano 839: 838:Akimi Yoshida 835: 834:Suehiro Maruo 831: 827: 821: 816: 810: 805: 801: 800:Yasuko Sakata 797: 793: 788: 783: 779: 774: 769: 764: 759: 754: 749: 745: 741: 737: 730: 728: 725: 719: 713: 708: 703: 698: 693: 675: 671: 667: 661: 646: 638: 633: 631: 629: 625: 624:Shōsetsu June 621: 617: 616: 611: 610:Shōsetsu June 606: 604: 600: 596: 595:Shōsetsu June 592: 587: 586: 580: 576: 571: 569: 565: 560: 555: 551: 547: 546:Shōsetsu June 543: 538: 533: 529: 524: 523: 517: 516: 506: 504: 502: 501:Shōsetsu June 498: 494: 493:Shōsetsu June 490: 486: 482: 478: 477:Shōsetsu June 474: 470: 469:Shōsetsu June 466: 464: 460: 453: 452:Shōsetsu June 450:Relaunch and 449: 447: 445: 439: 434: 430: 425: 423: 419: 418: 413: 412: 408:manga series 406: 401: 397: 393: 387: 382: 381: 375: 364: 360: 356: 353: 348: 343: 339: 338:Year 24 Group 335: 326: 325: 319: 318:homoeroticism 315: 308: 303: 296: 291: 289: 286: 285: 275: 260: 255: 251: 248: 241: 236: 231: 229: 228:Marimo Ragawa 225: 221: 217: 216:Akimi Yoshida 213: 209: 204: 200: 198: 194: 193:Shōsetsu June 190: 186: 182: 177: 172: 169:, a genre of 167: 166: 157: 148: 143: 142: 132: 128: 124: 120: 115:November 1995 114: 108: 104: 100: 96: 92: 87: 82: 79: 75: 72:80,000 (peak) 71: 69: 65: 61: 57: 53: 49: 43: 38: 35: 30: 19: 3298: 3265: 3249: 3245: 3220: 3182: 3159: 3133: 3106: 3085: 3081: 3056: 3024: 3011: 3007: 3004:数字で見るJUNEとさぶ 2992: 2973: 2960: 2952: 2948: 2939: 2914: 2872: 2851: 2847: 2816: 2808:Bibliography 2800:, p. 7. 2793: 2781: 2769: 2762:Buckley 1991 2757: 2745: 2733: 2721: 2709: 2697: 2685: 2673: 2666:Buckley 1991 2661: 2654:Buckley 1991 2649: 2637: 2629:the original 2622: 2612: 2585: 2573: 2561: 2549: 2537: 2525: 2498: 2469: 2457: 2445: 2433: 2421: 2409: 2382: 2370: 2358: 2346: 2334: 2327:Buckley 1991 2301: 2289: 2277: 2265: 2244:. p. 4. 2237: 2233: 2212: 2200: 2188: 2183:, p. 4. 2176: 2149:. 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201: 196: 192: 184: 180: 140: 139: 138: 105:October 1978 47: 33: 29: 3195: [ 2854:(2): 1–41. 2750:Schodt 1996 2738:Ishida 2008 2678:Ishida 2012 2605:Ishida 2008 2590:Schodt 1996 2578:Ishida 2008 2566:Ishida 2020 2554:Ishida 2008 2530:Ishida 2020 2491:Ishida 2020 2426:Ishida 2012 2414:Ishida 2012 2306:Ishida 2012 2169:Ishida 2020 2084:Schodt 1996 1988:Ishida 2012 1918:Ishida 2008 1906:Ishida 2012 1757:Ishida 2008 1736:Ishida 2020 1695:Ishida 2020 1678:Ishida 2008 1663:Ishida 2020 1651:Schodt 1996 1621:Ishida 2020 1564:gay culture 1425: [ 1372: [ 1361: [ 1358:Koo Akizuki 1346:Keiko Nishi 1139: [ 1128: [ 1041:Keiko Nishi 976:tōkō zasshi 959:necrophilia 947:fetishistic 935:androgynous 882: [ 871: [ 860: [ 849: [ 830:Fumi Saimon 818: [ 807: [ 753:tōkō zasshi 742:describing 463:Gekiga Jump 436: [ 384: [ 350: [ 334:androgynous 250:conventions 220:Fumi Saimon 110:Final issue 102:First issue 84: [ 68:Circulation 3321:Categories 3262:竹宮惠子のマンガ教室 2151:10 January 2097:"COMIC美少年" 2055:"COMIC美少年" 1811:3 February 1599:References 1521:Hugh Grant 1461:of "June". 1455:Jean Genet 1280:convention 1117:black belt 815:Yuko Kishi 758:honorarium 634:Publishing 628:Comic June 601:under the 568:Comic June 554:Comic June 197:Comic June 3260:(2001). 3154:(1995). 3130:萩尾望都と竹宮惠子 3063:Magazines 3051:(2016). 2984:Doujinshi 2925:Shōnen-ai 2900:Shōnen-ai 2282:Mori 2020 2181:Feng 2009 2111:1 January 2069:1 January 2027:1 January 2013:"June新鮮組" 1884:6 January 1852:1 January 1550:magazine. 1486:The term 1393:doujinshi 1380:Gay manga 1369:Eda Yuuri 1318:June-mono 1277:doujinshi 1270:shōnen-ai 1264:shōnen-ai 1213:雑誌新聞総かたろぐ 1167:tachiyomi 1136:Yuuri Eda 1108:, 'Novel 1000:Comic Jun 923:doujinshi 915:doujinshi 792:pen names 787:shōnen-ai 773:doujinshi 670:Comic Jun 585:doujinshi 573:In 1996, 559:shōnen-ai 522:doujinshi 405:shōnen-ai 400:Comic Jun 342:Comic Jun 307:Comic Jun 247:doujinshi 240:shōnen-ai 181:Comic Jun 176:shōnen-ai 165:shōnen-ai 77:Publisher 62:Bimonthly 59:Frequency 3219:(1996). 3185:Bishōnen 3094:42771903 3060:Bishōnen 2903:, June, 2860:41491008 1838:Futekiya 1568:gay bars 1312:June-kei 1158:シークレット文庫 1064:, 'Keko- 909:fine art 804:Aiko Itō 718:bishōnen 702:bishōnen 489:Dai-June 324:bishōnen 147:Japanese 133:Japanese 130:Language 1800:Hazlitt 1382:artist 918:circles 892:Content 778:Comiket 685:transl. 605:brand. 481:Ko-June 292:History 267:  122:Country 94:Founder 3305:  3295:BLが開く扉 3276:  3246:Eureka 3233:  3205:  3166:  3140:  3117:  3092:  3069:  3053:美少年の世界 3037:  3008:Eureka 2989:BLの教科書 2970:BLの教科書 2957:BLの教科書 2936:BLの教科書 2911:BLの教科書 2883:  2869:BLの教科書 2858:  2837:  2827:  1517:L'Uomo 1500:Danmei 1495:danmei 1352:, and 1254:Impact 963:incest 855:, and 813:, and 579:pin-up 218:, and 117:no. 85 112:Number 3297:[ 3290:Tanbi 3264:[ 3199:] 3181:[ 3158:[ 3132:[ 3105:[ 3103:BL進化論 3090:JSTOR 3055:[ 3023:[ 2991:[ 2972:[ 2959:[ 2938:[ 2931:Tanbi 2913:[ 2871:[ 2856:JSTOR 2835:JSTOR 1588:tanbi 1582:Allan 1489:tanbi 1429:] 1404:Notes 1376:] 1365:] 1296:tanbi 1143:] 1132:] 1020:June' 905:idols 901:manga 886:] 875:] 864:] 853:] 822:] 811:] 724:tanbi 712:tanbi 692:tanbi 680:耽美写真館 645:tanbi 440:] 388:] 354:] 259:tanbi 189:manga 125:Japan 88:] 3303:ISBN 3274:ISBN 3231:ISBN 3203:ISBN 3164:ISBN 3138:ISBN 3115:ISBN 3067:ISBN 3035:ISBN 3028:Yaoi 2949:June 2928:and 2906:Yaoi 2881:ISBN 2825:ISBN 2234:June 2153:2023 2113:2023 2071:2023 2029:2023 1886:2023 1873:ICv2 1854:2023 1813:2021 1560:June 1538:June 1525:Nike 1513:June 1418:June 1398:June 1388:June 1367:and 1342:June 1338:June 1331:June 1327:June 1323:June 1307:June 1302:yaoi 1291:June 1284:June 1259:June 1240:June 1236:June 1232:June 1220:June 1200:June 1195:June 1191:June 1187:June 1183:June 1172:June 1134:and 1121:June 1110:Dojo 1105:小説道場 1081:June 1076:June 1072:June 1036:June 1032:June 1028:June 1024:June 1008:June 996:June 992:June 971:June 967:June 961:and 955:June 943:June 931:June 897:June 782:Sabu 768:June 763:yaoi 748:June 744:June 736:June 707:June 666:June 656:lit. 603:June 564:June 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Index

June (manga magazine)
A magazine cover featuring an illustration of blonde male adolescent in historical European clothing staring forlornly out a window.
Keiko Takemiya
Circulation
Magazine Magazine
ja
Japanese
[d͡ʑu͍ne]
shōnen-ai
male-male romance fiction
manga
Keiko Takemiya
Azusa Nakajima
Akimi Yoshida
Fumi Saimon
Masami Tsuda
Marimo Ragawa
doujinshi conventions
self-published media
aestheticism
yaoi
A logo reading "Comic Jun" in stylized cursive Latin script, with "Aesthetic Magazine for Gals" in smaller text printed over the "U" of "Jun"
homoeroticism
bishōnen
androgynous
Year 24 Group
Jun: Shotaro no Fantasy World
ja
Shotaro Ishinomori
Sabu

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