181:, Jennifer Kornreich writes, "This successor to the Marquis de Sade's identically titled novel says nothing new about the nature of pleasure and pain. What it more ably accomplishes is a depiction of the ghoulish transformation of a nameless London art collector from creepy predator to humble captive after he meets twin sisters who bear an uncanny likeness to the portrait of his ideal woman" and she concludes "Ultimately, however, he discovers that the dainty object of his unhinged affection is even more depraved than he is. Justine's pseudo-feminist rationale for her cruelty isn't convincing, but it is amusing, particularly when directed toward a narrator whose moral compass, guided by esthetics alone, is so horrible that we can't regret his violent end."
167:, becomes obsessed by "Justine", a portrait. Later he sees the woman herself at his mother's funeral, but she disappears, and he begins a desperate search for her. He finds her twin sister Juliette, who promises to aid him in his increasingly desperate search for her elusive sister...
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Gorgons or Fantastic Chimeras? Re-shaping Myth and Tradition: Alice Thompson's Justine
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Fiction Book Review: Justine by Alice
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