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the unpredictable and capricious life and fate. They are often incomplete sketches of symbolic figures, wearing masks and living in their own world of feelings and emotions. They are small people blind to the enormity of life passing by. Many characters openly display sexual desires breaking another taboo in
Lithuanian literature. The plot usually revolves around unexpected promising meetings, painful separations, or failure of grand ideas, intentions, and intrigues. Irony, prevalent in Savickis' works, is used to contrast moral and existential, banal and mystical. His narrator is an observer who maintains a certain emotional distance and does not pass judgement, not an omniscient moralizing narrator typical of
705:. He was a poor orator and disliked ceremonies and public events, but could start a warm and sincere conversation with a poor farmer or a foreign dignitary equally well. In general, Savickis avoided joining organizations or societies and never belonged to any political party. He was not governed by stereotypes and exhibited inner freedom and intelligence. He developed his artistic taste in Western Europe among wealthy bourgeois. Such traits were also reflected in his works which made them difficult to understand and foreign to a more narrow-minded Lithuanian reader. Lithuanians were more used to sentimental, moralized, or patriotic literature while Savickis' works do not neatly fit into any literary movement.
349:
281:, they were not well received by contemporary critics who thought his works were too foreign and too removed from Lithuanian realities. Savickis, having lived abroad for most of his life, reflected aesthetics of modern Western European bourgeois. His works feature sharp and playful wit and irony and succinct and finely tuned sentences. His works were influenced by his interest in painting (abundance of colors, character sketches), theatre (characters as actors, stage setting), and film (dynamic montage of fragments). His
734:
529:. He earned a living from his farm and devoted time to writing. He decorated his villa with works of Lithuanian artists. Not being a very practical farmer, he struggled financially. He died in December 1952 and was buried in the local cemetery. His remains were later relocated to the more central and prestigious part of the cemetery by the Lithuanian Writers' Society of the United States. The villa was sold by the government and later demolished.
28:
426:, concentrated his attention on the main powers in Europe and paid a lot less interest to the Scandinavian countries and the legation in Finland was closed on 1 July 1927. The decision was hastened by a local scandal when Savickis was criticized by a local metal workers' union and he vowed to pursue legal action against them. Savickis was reassigned to
725:(By the High Throne). Savickis leaves it to up the reader to finish the character sketches, to complete what is not said. His works are ambiguous, open to interpretations, not governed by traditional moral values. His works are not self-explanatory lectures, but riddles requiring active involvement from the reader.
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to be with his Jewish wife and was shot in 1943. Ida
Trakiner was hiding with Savickis' brother, but hung herself. Augustinas sympathized with communists and retreated into Russia. He returned to Lithuania with the 50th (Lithuanian) Reserve Riffle Division and became a well known painter, awarded the
716:
Most of
Savickis' works take place in cities outside of Lithuania. In a few works that are set in rural Lithuania, the main character is an outsider – such a visiting city dweller, an artist, or aristocrat. His characters, conflicted and struggling with their passions, often seem like dolls played by
316:
stock and the family took pride in this heritage, on occasion referring to their farm as a manor. Savickis was the oldest of twelve children, but only five of them reached adulthood. There is no information available on his childhood, but researchers believe that he received education in
Ariogala and
708:
Savickis developed a unique personal style. His works often feature sharp and playful wit and irony, elegant and light writing, succinct and finely tuned sentences (he disliked verbose writers and chatty people). He used many international words and references to other works and employed symbols,
774:
Savickis married Inge
Geisler, a Danish woman who worked as his secretary, in December 1936. They adopted an Italian boy, but separated in 1948. They were not officially divorced and Savickis lived the last year of his live with Mary Albine Koh (or Maria Kock), a Dutch woman who burned Savickis'
392:
recognized
Savickis as the official representative of Lithuania to Denmark. Lithuania suffered severe financial difficulties and allotted very limited funds for its representatives abroad. Therefore, Savickis incurred personal debts and could not organize more active representation. In turn, the
457:
to Sweden, Norway, and
Denmark. The Scandinavian countries showed little interest in Lithuanian politics or economy and Savickis concentrated on cultural exchanges. He prepared and publish an album of Lithuanian art in Swedish (1931) and French (1934) as well as a collection of Lithuanian short
630:, received more positive reviews, but was still criticized for being too urban and too detached from Lithuanian realities. The last collection received critical acclaim. It features works with simpler form and style, but with depth and human warmth as well as nostalgia for Lithuania and
673:(Travels, 1938). These are not typical travel books that describe nature or events. Instead, Savickis described various fragments and details of impressions, psychological nuances, curious situations. Therefore, Savickis not as much describes his destinations as creates them. In
653:(Earth on Fire) was published posthumously in 1956. It is more similar to works of fiction than a diary: it observes the chaos and destruction of war, but focuses on everyday life and the farm where nature brings back harmony and stability. He also published four travel books:
696:
Savickis was a cosmopolitan person with an aristocratic disposition. He enjoyed moving around and a luxurious lifestyle, but would not become attached to property. He was known for some large impulsive and impractical purchases, including plots of land and houses in
709:
metaphors, contrasts. His works were also influenced by his interest in art and theater: plenty of colors, interplay between light and darkness, contours and sketches instead of detailed pictures, purposefully constructed sets and locations (nature is more a
221:
to
Denmark to care for Lithuanian POWs in Germany. After the war, he was recognized as the official Lithuanian representative in Denmark and later in Norway and Sweden. In 1923–1927, he was posted in Finland. In 1927–1929, he worked in
379:
to organize the relief efforts for
Lithuanian POWs in Germany. He also promoted the Lithuanian cause for independence by writing articles for the Danish press and publishing books and postcards. In October 1917, he attended the
333:), but dropped out after a few months and returned to Moscow to study art. His family disapproved this decision and ceased providing financial support to Savickis. From November 1913 to summer 1914, Savickis attended the
762:. Their marriage was not happy and after a prolonged process they finally divorced in 1935 or 1936. Both sons were interested in painting and attended art schools. During World War II, Algirdas voluntarily entered the
649:– a contrast to Lithuania depicted as unnaturally ideal or holy by other nostalgic Lithuanian authors. Critics regarded it as the weakest work of Savickis, more a draft than a complete work. His war-time diary
325:
where he attended the 6th
Gymnasium. He was not a great student and received "satisfactory" grades in most of his classes. In fall 1911, he continued his studies at the higher agrarian courses in
458:
stories in Swedish (1940). He traveled across Europe via car and visited northern Africa; he published three travel books. In 1935, he started the construction of a villa, which he named after
434:. Savickis was not particularly interested in running the theatre and was a hands-off manager. Nevertheless, he managed to improve its financial condition, recruit talented actors, and stage
1096:
1034:
751:
Savickis was married twice. In 1916, Savickis married Ida Trakiner, a dentist, daughter of a wealthy Jewish factory owner in Saint Petersburg. They had two sons, Algirdas and
680:
Svickis did not leave an autobiography – he started it, but decided it was too egocentric and destroyed it. He also started other works, including a collection of stories
364:
218:
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768:
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to become director of the Law and Administration Department of the Ministry in September 1927. At the same time, he was appointed as director of the troubled
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than something to be worshiped and admired), characters as actors in a play. His works feature a series of fragments creating a dynamic, film-like montage.
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as the legitimate representative of the Lithuanian nation and reiterated Lithuania's desire for full independence. On 1 January 1919, the newly established
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that treated fiction as pure art instead of a semi-ethnographic treatise or a tool to promote some noble cause. It received negative reviews from
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227:
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257:
During his life, Savickis published three collections of short stories, one novel, and four travel books. He was one of the first to introduce
506:
239:
936:
624:
was published a decade earlier than Lithuanian readers were ready. The second collection, published after the modernist literary magazine
395:
1038:
688:(Charlatan), but the manuscripts were lost after his death. His collected works were published in six volumes in 1990–1999 in Vilnius.
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487:
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439:
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552:(Day's Suffering) describing loneliness when a loved one chose to be with a wealthier man. Until 1914, he also published works in
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and Savickis was again offered a diplomatic position abroad. He accepted a position in the reestablished Lithuanian legation in
348:
312:
to a family of well-off Lithuanian farmers who owned about 80 hectares (200 acres) of land. His paternal grandmother was of
1379:
1292:
Baliuytė, Elena (2011). "Forms of Self-Awareness in Lithuanian Documentary Literature". In Kvietkauskas, Mindaugas (ed.).
510:
294:
1009:(in Lithuanian). Lietuvių literatūros ir tautosakos institutas, Vilniaus universiteto Filologijos ir Istorijos fakultetai
234:. He returned to the diplomatic service and represented Lithuania in Sweden (1930–1937), Latvia (1937–1938), and the
1404:
642:
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in Switzerland and moving Savickis to Kaunas. He was offered a position in the Propaganda Department, but refused.
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356:
231:
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archives and manuscripts after his death. She claimed that it was done according to the last wishes of Savickis.
609:
352:
522:
906:
677:, Savickis expressively renders Lithuanian cultural landscape and sketches the Lithuanian national identity.
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Ministry complained of Savickis' lax bookkeeping practices. In January 1922, he was officially recognized as
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is an observer from a certain emotional distance that leaves it up to the reader to finish what is not said.
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which continued to represent independent Lithuania, but he was visited by Lithuanian diplomats, including
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407:. In December 1923, the legation was closed due to financial difficulties and Savickis was reassigned to
176:
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463:
423:
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243:
88:
598:
194:(4 May 1890 – 22 December 1952) was a Lithuanian short story writer and diplomat representing interwar
165:
747:(left) visits Savickis (middle) in Stockholm around 1932. Savickis' wife, Ida Trakiner, sits in front.
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He returned to his native Pagausantys. In fall 1915, he evacuated to Saint Petersburg and joined the
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in June 1940, Savickis was resting in his villa in Roquebrune-Cap-Martin. He did not join the
483:
235:
66:
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Gaigalaitė, Aldona; Skirius, Juozas; Kasparavičius, Algimantas; Veilentienė, Audronė (1999).
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563:
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326:
278:
170:
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471:
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251:
626:
1295:
Transitions of Lithuanian Postmodernism: Lithuanian Literature in the Post-Soviet Period
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494:(Memelland) in March 1939. At the end of 1939, two Lithuanian legations in Geneva and
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Born to a family of well-off Lithuanian farmers, Savickis attended a gymnasium in
1177:(Europos kraštovaizdžio transformacijos: savo ir svetimo susitikimai): 421–422.
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During his lifetime, Savickis published three collections of short stories:
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27:
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478:, Latvia, where he served for a little less than a year before moving to
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309:
273:, though his works don't neatly fit any particular literary movement) to
562:. These early works were similar to the earlier Lithuanian literature –
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1167:"Travels of Lithuanians from Scandinavia: Searching for The Other"
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657:(A Journey Through Lithuania, 1919, in Danish, with foreword by
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as the director of the Law and Administration Department of the
1271:"Pro memoria Augustinas Savickas: "Noriu įtikti savo širdžiai""
482:, Switzerland, to work as the Lithuanian representative to the
445:
In September 1929, Minister Voldemaras was ousted by President
375:, a neutral country. Savickis was tasked with working with the
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stories of social inequality, injustice, life's sufferings.
1196:
Bédé, Jean Albert; Edgerton, William Benbow, eds. (1980).
969:. Vol. I. Vilnius: Versus aureus. pp. 490–491.
1097:"Jurgio Savickio krikštasūnio prancūziški orientyrai"
944:(in Lithuanian). Kaunas: Šviesa. pp. 416–418.
641:(Holy Lithuania), about Lithuania after the failed
161:
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133:
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41:
18:
365:Lithuanian Society for the Relief of War Sufferers
341:. His studies were interrupted by the outbreak of
219:Lithuanian Society for the Relief of War Sufferers
1202:Columbia Dictionary of Modern European Literature
1099:(in Lithuanian). Lietuvos žinios. Archived from
1037:(in Lithuanian). Lietuvos žinios. Archived from
905:(in Lithuanian). Lietuvos žinios. Archived from
455:Envoy Extraordinary and Minister Plenipotentiary
1001:Žvirgždas, Manfredas; Šeina, Viktorija (2014).
242:in June 1940, Savickis retired in his villa in
938:Lietuvos užsienio reikalų ministrai: 1918–1940
769:Lithuanian National Prize for Culture and Arts
721:. This distance is alluded to in the title of
8:
359:(sitting), and Savickis in Stockholm in 1918
1090:
1088:
1081:. Mokslo ir enciklopedijų leidybos centras.
1035:"Didįjį europietį Jurgį Savickį prisiminus"
1028:
1026:
1024:
542:His first work of fiction was published in
474:. At the end of 1937, he was reassigned to
1204:. Columbia University Press. p. 481.
967:Lietuvos diplomatijos istorija (1925–1940)
331:Saint Petersburg State Agrarian University
26:
15:
1133:""Raudoni batukai", arba Jurgis Savickis"
1342:(in Lithuanian). Tyto alba. p. 18.
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785:List of Lithuanian diplomats (1918–1940)
1415:Jan Matejko Academy of Fine Arts alumni
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1095:Klusas, Mindaugas (29 September 2017).
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422:, the new Minister of Foreign Affairs,
1033:Klusas, Mindaugas (18 November 2011).
645:. It is a satirical work verging on a
637:In 1952, he published his only novel,
548:in 1910. It was a lyrical short story
367:which sent him as a representative to
198:mostly in the Scandinavian countries.
293:Savickis was born on 4 May [
7:
669:(A Little bit of Africa, 1934), and
1269:Kiaušas, Vidmantas (28 June 2012).
217:, he was sent as a delegate of the
1309:Selčinskaja, Danutė (2017-10-01).
1230:"Ironija Jurgio Savickio raštuose"
1165:Radzevičienė, Sigutė (2010–2011).
851:Pociutė, Aurelija (20 June 2015).
573:(The Sonnets of Holy Days, 1922),
382:Lithuanian conference in Stockholm
14:
1131:Miškinas, Leonas (January 1952).
321:. In 1902, his uncle took him to
1317:. Vilna Gaon State Jewish Museum
1078:Visuotinė lietuvių enciklopedija
620:. Leonas Miškinas surmised that
585:was one of the first modernist (
577:(By the High Throne, 1928), and
490:forced Lithuania to give up the
399:in Denmark and a month later in
1385:20th-century Lithuanian writers
1311:"Algirdas Savickis (1917–1943)"
855:(in Lithuanian). Bernardinai.lt
453:. On 1 January 1930, he became
297:22 April] 1890 in the
1410:Lithuanian emigrants to France
1390:Lithuanian short story writers
1071:Žėkaitė, Janina (2012-06-11).
507:Soviet occupation of Lithuania
240:Soviet occupation of Lithuania
1:
1420:People from Kovno Governorate
1336:Savickas, Augustinas (2002).
903:"Kilnios sielos aristokratas"
901:Lukšas, Aras (27 June 2014).
511:Lithuanian Diplomatic Service
396:chargés d'affaires ad interim
120:School of Fine Arts in Kraków
420:coup d'état in December 1926
205:and studied painting at the
1243:: 12, 17, 27 (in the PDF).
1228:Viliūnas, Giedrius (1999).
1171:Acta litteraria comparativa
498:were consolidated, leaving
390:Ministry of Foreign Affairs
228:Ministry of Foreign Affairs
1436:
643:Russian Revolution of 1905
432:Kaunas State Drama Theatre
232:Kaunas State Drama Theatre
1395:Lithuanian travel writers
610:Vincas Mykolaitis-Putinas
608:, reserved comments from
25:
965:Žalys, Vytautas (2007).
440:Vincas Krėvė-Mickevičius
277:. As his works departed
1400:Lithuanian male writers
1198:"Lithuanian literature"
675:En rejse gennem Litauen
655:En rejse gennem Litauen
581:(The Red Shoes, 1951).
384:, which recognized the
357:Juozas Tumas-Vaižgantas
238:(1938–1940). After the
230:and as director of the
1298:. Rodopi. p. 229.
748:
360:
111:J. Rimošius (pen name)
736:
591:Lithuanian literature
523:Stasys Antanas Bačkis
486:. During his tenure,
464:Roquebrune-Cap-Martin
424:Augustinas Voldemaras
351:
275:Lithuanian literature
244:Roquebrune-Cap-Martin
89:Roquebrune-Cap-Martin
1380:Lithuanian diplomats
738:Valentinas Gustainis
684:(Dream) and a novel
622:Šventadienio sonetai
583:Šventadienio sonetai
571:Šventadienio sonetai
525:, as well as writer
386:Council of Lithuania
329:(predecessor of the
140:Šventadienio sonetai
665:(Vacations, 1928),
505:At the time of the
335:School of Fine Arts
314:Lithuanian nobility
207:School of Fine Arts
177:Augustinas Savickas
1315:Story of the Month
749:
692:Style and features
616:, and praise from
519:Edvardas Turauskas
466:, located next to
361:
261:(with elements of
259:literary modernism
156:Literary modernism
1405:Modernist writers
1239:(in Lithuanian).
1173:(in Lithuanian).
1139:(in Lithuanian).
1073:"Savickis Jurgis"
853:"Jurgis Savickis"
723:Ties aukštu sostu
599:Vytautas Bičiūnas
575:Ties aukštu sostu
488:Germany ultimatum
484:League of Nations
236:League of Nations
189:
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166:Algirdas Savickis
67:Kovno Governorate
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719:literary realism
667:Truputis Afrikos
639:Šventoji Lietuva
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327:Saint Petersburg
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279:literary realism
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129:Writer, diplomat
108:Other names
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81:22 December 1952
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34:Lithuanian Album
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1103:on 12 June 2018
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909:on 12 June 2018
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538:Published works
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492:Klaipėda Region
472:South of France
447:Antanas Smetona
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192:Jurgis Savickis
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116:Alma mater
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