872:"Hobart Artist Migrates. Mr. Jack Cato, recently of Hobart, commenced his Melbourne career by an amount of publicity many another artist might envy. Dame Melba came, made a speech, and posed for her photograph with a lovely bouquet, in the centre of which was an orchid, which won her admiration; helped to hand round tea, then told the scribblers anything they did not know about Mr. Cato, and left, only when satisfied that she had successfully launched her protégé. In her characteristic speech she said: "I was walking along the streets of Hobart when my attention was attracted by a window in which were some wonderful photographs. In my impertinent way I said, 'I must see into this.' I marched inside, and discovered Mr. Cato. There is always room in the world for great artists, and I regard Mr. Cato as a really great one." The dame then declared the exhibition of pictures, many of which have already appeared in "The Illustrated Tasmanian Mail", open." "The Mainland Day by Day". (7 October 1927).
1430:"An outstanding one-man exhibition of photographic studies by Mr. Jack Cato, F.R.P.S., of Melbourne, will be on view at the art gallery of the Queen Victoria Museum today. This is the second of a series of temporary exhibitions recently inaugurated at the art gallery, and will be open until 16 December. The first exhibition, consisting of nine early sketches and drawings lent by Mr. H. S. East, will also remain on view till that date. Mr. Cato, who lived in Hobart for some years, is at present one of the best known photographers in Melbourne, and his exhibition is probably the finest ever seen in Launceston. It consists of 35 photographs; portraits in monochrome, colour, and tone prints, landscapes, seascapes, and commercial art. It is difficult to select any one photograph from the display, as all are almost perfect examples of the photographer's art. Photographs of
518:
982:"Throughout the 1930s, and into the 1940s, he continued to use the stylistic conventions of pictorialism, particularly soft focus lenses, to create complimentary portraits. His custom built lenses enabled him to flatter his subjects. He explained : "I had a lens made in which the turn of a screw drew the two central lenses apart, giving a soft-focus diffused image, softening the features and all lines, giving soft edges to the hair and a blurring of all outlines. It was tremendously popular. The greater the age of the sitter, the more diffusion was needed to produce the desired result." Van Wyk, Susan &
184:
1577:
33:
1438:, among the best known of Australian artists, are out standing, and there are a number of exquisite examples of hand tinting and two fine paper negatives. All the photographs were taken in Australia, England and Africa, and the work was done entirely on Australian-made paper and plates. The display is being exhibited by courtesy of Kodak (Australasia) Ply. Ltd." "Rare display of photos". (2 December 1938).
1589:
823:"Mr Cato started by telling the members all about his experiences and engagements both in England and Africa and finally dealt with his tour right to Northern Rhodesia, made as photographer to Professor Cory, who has made a special study of the native races of the African continent." "Savage South Africa". (18 June 1923).
1565:
1313:, whose fortnightly letters over a period of four years advised, suggested, and criticised this work as it developed; who generously placed a number of historical items at my disposal, and brought the resources of Kodak (Australia) Pty. Ltd. to my assistance–to him, and to them, my grateful thanks." Cato, Jack (1955).
1261:
was published, the first historical survey of the field written by a former professional photographer-turned-historian, Jack Cato. Cato's book, published long before the institutionalisation of photography as an art form, was concerned with creating a lineage for professional photographers. Cochrane,
353:
So one night I sat down with a blank sheet of paper and scribbled a precis. It went something like this: —first beginnings with the wet-plate, when we sensitised all our materials from chemicals which we had to prepare ourselves. —coming of the dry-plate—my years as a landscape photographer climbing
273:
In 1920 Cato, still convalescing, returned to
Tasmania, where he operated his own portrait-studio in Hobart, and there married Mary Boote Pearce (d.1970) on 24 December 1921. He was President of the Tasmanian Photographers' Association in 1923. In 1926 their son John was born and in 1927 they moved
386:. —return to Australia – twenty-five years portraiture, pictorial, commercial, architectural, medical – ballet, theatre, royalty, beggars, bishops, prime ministers, weddings, banquets, criminals, generals, corpses, millionaires, nudes, lunatics, models, artists. Faces repaired, ego's exalted. "
1220:
was premised on the belief that photography 'as no other medium, literary or graphic', was best placed to record and reveal the history of the young nation. Cato's chronology favoured biography, technological developments, and professional genealogies and networks. His inadvertent nod to early
900:
Howey Place
Building. The building of Thos. Webb and Sons Pty. Ltd., in Howey place, and the adjoining building in Collins street, will soon be demolished, and a 12-story building (Howey Court) will be erectod on the site. Illustrated is the rear elevation (facing Howey place) of the proposed
969:"He was also a singer, he loved the stage. I think that was more behind Jack Cato than anything: he was a performer, he loved performing, during the African years he was a member of a Pierrot troupe." Narkiewicz, Ewa (2000). "Jack Cato's Melbourne: an interview with John Cato", in
412:(1955), though it is more populist than academic, is acknowledged as the first Australian national history of the medium, and was premised on his belief that photography "as no other medium, literary or graphic", recorded and would reveal the history of the young nation.
1242:"It is unlikely that new research will alter substantially the outlines of the story which Cato set down, although these might be filled in by pursuing more material outside the Sydney-Melbourne axis." Humphrey McQueen in "The Story Behind the Lens". (5 November 1977).
354:
the mountains, trudging around the lakes and rivers of
Tasmania. —my first studio in Hobart. Work in Paris. Excitements in Italy. A year with the camera through Europe. —five years in London. State and theatrical photography under the friendly patronage of
813:
Murphy, Shane & Hurley, Frank, 1885–1962 (2000). Shackleton's photographer: the annotated diaries of Frank Hurley, expedition photographer, Imperial Trans-Antarctic
Expedition, 1914–17 : a book (2nd electronic ed). Shane Murphy, Scottsdale,
198:, son of Albert Cox Cato, salesman, and his wife Caroline Louise, née Morgan. At the age of 12 years he did an apprenticeship, and studied arts in night school. His father arranged for him to have lessons from a friend who was a metallurgist at
274:
to
Melbourne. Again with the patronage of Dame Nellie Melba, and through her introductions to society and to theatrical circles, he set up a society portrait studio, first at 244 Collins Street, then permanently in Marcus R. Barlow's (1930)
1201:
326:. He maintained links with professional associations and amateur clubs through occasional exhibitions of his best work, and was senior vice-president (1938) and a life member of the Professional Photographers' Association.
1216:"If one leaves aside the glossy monographs on particular individuals or collections, the list of Australian photographic histories is short. Australia's first major national history of photography, Jack Cato's 1955
1375:
Clark, Julia, 1949- & National
Library of Australia & National Portrait Gallery (Australia) (1995). High society : society portraiture & photographers 1920–1960. National Library of Australia,
449:
picture and newspaper collections in
Melbourne, making only one visit to Sydney and Canberra institutions. Cato also relied on regular personal correspondence with experts, such as (the 100 or so) letters from
334:
Cato retired from his
Melbourne studio in 1946 to begin a career as an author In addition to a large number of articles in photographic, philatelic and other magazines, as well as serving as chronicler for the
661:
646:
857:
bade farewell to
Rotarian Jack Cato, the representative of. the photographic profession in the club, who is leaving Hobart for Melbourne and starting a new business there." Personal. (4 August 1927).
425:
That the memory of these early photographers has not been allowed to die is due very largely to Jack Cato, a
Melbourne portrait photographer with a talent for journalism. His book,
458:
in Sydney, a photography historian and campaigner for the recognition of photography as a historical resource and who was engaged in 1964 as consultant to the collections at the
1033:
Peeps behind the scenes of the Melba-Williamson grand opera season are given in a special article by Mr. Jack Cato, F.R.P.S., in "The Illustrated Tasmanian Mail" this week.
999:"Jack Cato, photographer and raconteur, who, not long ago, produced a most readable book of reminiscences..." Clive Turnbull, in "Portrait of a City". (15 October 1949).
281:
at 259 Collins Street. There, he was conveniently located for clients, close to Melbourne's photographic community and the best department stores and boutiques around
1649:
1654:
1045:
reviews "an exhibition of photographs by Mr. Jack Cato opened at the Athenaeum Gallery by the Prime Minister (Mr. Lyons)"; Art Photographs. (31 May 1932).
1609:
1639:
206:, a Scottish landscape photographer and also the son of a photographer, introduced young Jack to the medium in 1896. He was further trained in art by
32:
289:
style, natural gregariousness, love of theatre and technical knowledge to effect in becoming a leader of the trade in Melbourne for two decades.
242:, the fashionable society and vice-regal portraitist, and theatre photographer Claude Harris. Through the latter, and with encouragement from
1629:
1134:
723:
564:
504:
1294:(Deluxe ed). Georgian House, Melbourne p. vii, thanks 'the late Harold Cazneaux' for over 100 'long letters' giving him information on the
442:
1624:
710:
306:
227:
294:
210:
at Launceston Technical School. From 1901 Cato worked under Percy Whitelaw and John Andrew, both local portrait photographers.
171:
style, operating in the first half of the twentieth century. He was the author of the first history of Australian photography;
1659:
1634:
950:" 'Jack Cato is not only a brilliant photographer; he is a born raconteur.' 'The natives called him "Granddad-long-legs
715:
1147:
497:
459:
445:), Cato was able to sell his stamps for about ÂŁ10,000 in 1954 to finance six years of research for this book. He used the
45:
1555:
937:
522:
267:
382:, etc., etc., etc. —next six years in Africa: hunting, scientific and geographic expeditions in the valley of the
1431:
1309:
1163:
1068:
1020:
769:"The Great Lindt; a compilation based on research by Jack Cato, R. J. Barcham and Keast Burke". (1955-10-01). In
515:
446:
345:
292:
His society, theatre and advertising photographs were frequently published in magazines and newspapers including
282:
1440:
1417:
1402:
666:/ by Betty Ayrey ; colour photography by John Cato for Athol Shmith Studios. Melbourne: Georgian House.
183:
1644:
477:
250:
and, seeking the relief of a warm climate, Cato left England in 1914 to photograph on the expeditions in
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1111:
1001:
908:
336:
300:
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1455:
1277:
874:
859:
840:
825:
676:
Ennis, Helen & National Library of Australia & National Portrait Gallery (Australia) (1996).
417:
199:
195:
66:
1385:"Arts & Entertainment – Australia's high society recalled in photographs". (11 February 1995).
1096:
577:
371:
1387:
1366: : 6 September until 20 October 2002 : . Monash Gallery of Art, Wheelers Hill, Victoria
1332:"A Story of the Story: Correspondence between Jack Cato and Keast Burke. Originally published in
1244:
430:
316:
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1331:
737:
729:
719:
626:
379:
255:
243:
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207:
203:
188:
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1226:
1059:
956:
748:
Newton, G. (1986) "A Story of the Story: Correspondence between Jack Cato and Keast Burke".
705:
550:
322:
238:. Cato travelled that year in Europe finding work with photographers in London, among them
1581:
1484:
1435:
1359:
1307:
First in his Acknowledgements, Cato gives prominent credit to Keast Burke, "editor of the
1042:
983:
931:
546:
451:
359:
222:
premises and set up his own studio. Later he applied to be official photographer to (Sir)
167:(4 April 1889 – 14 August 1971) was a significant Australian portrait photographer in the
1167:. Vol. 54, no. 12. Sydney: Baker and Rouse. 1 December 1947. pp. 679–681.
1222:
434:
223:
1264:
Remarkable Occurrences: The National Library of Australia's First 100 Years, 1901–2001
570:
1937 group show of early Kodachromes at Kodak (Australasia), 45 Elizabeth St., Hobart.
1603:
375:
363:
231:
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1923 group show of the Professional Photographers' Association of Tasmania, Hobart.
542:
367:
355:
286:
263:
259:
247:
235:
168:
37:
800:
Narkiewicz, Ewa (2000). 'Jack Cato's Melbourne: an interview with John Cato'. In
683:
Narkiewicz, Ewa (2000). "Jack Cato's Melbourne: an interview with John Cato". In
1327:
854:
701:
690:
576:
1934 group show Centenary International Exhibition of Professional Photography,
455:
429:, discloses something of the work and character of such men as Fauchery, Kerry,
278:
554:
194:
John Cyril (Jack) Cato (1889–1971), photographer, was born on 4 April 1889 at
1129:
733:
630:
390:” Then I secured a lot more paper and began to fill in names and incidents...
1295:
903:
750:
741:
481:
85:
1072:. Vol. 55, no. 10. Sydney: Baker & Rouse. nla.obj-452934986
508:
275:
251:
164:
776:
Van Wyk, Susan & Shmith, Michael & Whitfield, Danielle (2006).
472:
387:
383:
246:, he pursued freelance work in the theatrical world. Having contracted
1229:
set the tone for numerous amateur histories." Sheehan, Tanya, (2015).
1063:
538:, Monash Gallery of Art, Wheelers Hill, 6 September – 20 October 2002.
219:
1081:
441:
A keen stamp-collector from childhood (also 1935 president of the
182:
986:, Whitfield, Danielle & National Gallery of Victoria (2006).
901:
building. The architect of the building is Mr. Marcus R. Barlow.
573:
1936 group show Kodak (A'Asia) Gallery, Collins Street, Melbourne
678:
The reflecting eye : portraits of Australian visual artists
421:
in 1964, Albert Brown, founder of Group M photographers, notes;
398:(1949). before he set out on producing a history of his medium.
343:(1947), the writing of which he described in an article in the
1487:; "Photographs, Drawings, and Pottery". (13 November 1934).
586:
1925 solo show of landscapes, The Bookshelf Gallery, Hobart.
853:"At their weekly gathering yesterday members of the Hobart
202:, where he learnt the properties of metals in photography.
936:
The Paris End : Photography, Fashion & Glamour.
714:. Vol. 13. Canberra: National Centre of Biography,
647:
I can take it : the autobiography of a photographer
603:(3rd ed). Institute of Australian Photography, Melbourne
580:, Melbourne. Awarded Silver Medal in Commercial section.
988:
The Paris End : Photography, Fashion & Glamour
778:
The Paris End : Photography, Fashion & Glamour
615:
Some early Australian Commonwealth postage stamp essays
796:
794:
1553:
1094:"Reviewed: Tale of a Cameraman." (22 November 1947).
476:
newspaper in Melbourne. He died on 14 August 1971 at
470:
From 1960 to 1963 Cato was photography columnist for
135:
Mary Boote Pearce (24 December 1921 – 1970; deceased)
1517:
reviewed by Harold Herbert in 'ART' (11 June 1932).
1290:
Cato, in his Acknowledgements in Cato, Jack (1955).
990:. National Gallery of Victoria, Melbourne. pp. 54–55
838:"Hobart Photographic Exhibition}. (31 August 1923).
492:
Collections of Jack Cato's photographs are held by:
142:
128:
117:
109:
101:
93:
74:
52:
23:
1415:"Exhibitions at Art Gallery". (14 December 1938).
887:"Dame Nellie Melba Opens Show". (7 October 1927).
266:photography earned him a fellowship (1917) of the
1233:. Hanover, New Hampshire, Dartmouth College Press
1138:(1st ed.). Perth. 6 December 1947. p. 5
559:High Society: Society Portraiture and Photographs
599:Cato, J. & Institute of Photography (2009).
557:in National Portrait Gallery curated exhibition
1502:"Awards to photographers". (15 November 1934).
1275:Albert Brown (1964) "Pioneers and Wet Plates,"
673:(M.A. prelim thesis, University of Melbourne).
394:Cato’s next book was a pictorial documentary,
1317:(Deluxe ed). Georgian House, Melbourne p. vii
218:In 1906, aged 17, Cato joined Beattie in his
8:
663:Australian wildflowers and their arrangement
16:Australian photographer and photo historian
1400:Special Art Displays. (23 November 1938).
920:– via National Library of Australia.
780:. National Gallery of Victoria, Melbourne.
680:. National Library of Australia, Canberra.
31:
20:
1266:. Canberra: National Library of Australia
1453:"Huonville Bivouac". (18 January 1937).
454:, the celebrated pictorialist, and from
1560:
912:. Melbourne. 7 February 1930. p. 5
790:
660:Ayrey, Cato, & Cato, Jack. (1950).
623:The Story of the Camera in Australia.
1650:20th-century Australian photographers
1468:"Camera Studies". (29 October 1936).
1195:
1193:
1064:"sec. v. : ill. ; 24–25 cm"
758:Professional Photography in Australia
706:"Cato, John Cyril (Jack) (1889–1971)"
230:. However, Mawson passed him up, and
7:
1655:20th-century Australian male writers
1543:"Current Topics". (31 August 1923).
1315:The Story of the Camera in Australia
1292:The Story of the Camera in Australia
1281:, vol. 30, no. 7, 1 July 1964, p. 29
1259:The Story of the Camera in Australia
1206:(1st ed.). Georgian, Melbourne.
1203:The Story of the Camera in Australia
443:Royal Philatelic Society of Victoria
427:The Story of the Camera in Australia
410:The Story of the Camera in Australia
403:The Story of the Camera in Australia
173:The Story of the Camera in Australia
123:The Story of the Camera in Australia
934:& Whitfield, Danielle, (2006).
760:, 23, no. 5, August–September 1971
711:Australian Dictionary of Biography
484:, and a daughter, Paula Lawrence.
480:, survived by a son, photographer
14:
1610:Australian portrait photographers
1530:"Amusements". (1 December 1925).
583:1932 solo show, Athenaeum Gallery
565:Queen Victoria Museum Art Gallery
339:, he published an autobiography,
258:. He enlisted for war service in
228:Australasian Antarctic Expedition
1640:People from Launceston, Tasmania
1587:
1575:
1563:
1231:Photography, History, Difference
1218:Story of the Camera in Australia
541:1995 Included posthumously with
1177:reviewed by Clive Turnbull, in
1115:(Melbourne), p. 10 supplement:
960:(Brisbane) 27 December 1947: 2.
1109:"He Takes It!". (4 May 1951).
716:Australian National University
312:The Illustrated Tasmanian Mail
1:
1362:& Matthews, Emma (2002).
1148:National Library of Australia
498:National Gallery of Australia
460:National Library of Australia
295:The Australian Women's Weekly
46:National Library of Australia
1630:Photographers from Melbourne
1547:(Launceston, Tasmania), p. 4
1444:(Launceston, Tasmania), p. 7
1421:(Launceston, Tasmania), p. 3
1406:(Launceston, Tasmania), p. 6
1161:"Sorry of 'I Can Take It'".
1018:Annual". (30 October 1929).
938:National Gallery of Victoria
617:. Review Pubs, Dubbo, N.S.W.
534:2002 Included in exhibition
523:National Gallery of Victoria
437:, Merlin, Wagner and others.
1130:"A cameraman captures life"
1117:The Argus Week-End Magazine
650:. Georgian House, Melbourne
641:. Georgian House, Melbourne
625:Melbourne: Georgian House.
1676:
415:Writing of Cato's work in
268:Royal Photographic Society
1625:Historians of photography
1534:(Hobart, Tasmania), p. 8.
1459:(Hobart, Tasmania), p. 5.
1310:Australasian Photo-Review
1164:Australasian Photo-Review
1069:Australasian Photo-Review
878:(Hobart, Tasmania), p. 8.
863:(Hobart, Tasmania), p. 6.
844:(Hobart, Tasmania), p. 8.
516:State Library of Victoria
505:National Portrait Gallery
346:Australasian Photo-Review
187:Jack Cato (1924): artist
146:Paula Lawrence, John Cato
30:
829:(Hobart, Tasmania), p. 3
608:Philately from Australia
285:, Melbourne. He put his
766:, 4, no. 1, Autumn 1986
113:Photographer and author
904:"Howey Place Building"
478:Sandringham, Melbourne
439:
392:
256:Grahamstown University
191:
1660:Australian historians
1635:Writers from Tasmania
1181:. (15 October 1949).
930:Van Wyk, Susan &
594:Selected bibliography
423:
351:
254:of Professor Cory of
186:
88:, Victoria, Australia
1340:www.photo-web.com.au
529:Selected exhibitions
196:Launceston, Tasmania
67:Launceston, Tasmania
1521:(Melbourne), p. 14.
1187:(Melbourne), p. 10.
1097:The West Australian
1005:(Melbourne), p. 10.
891:(Melbourne), p. 13.
644:Cato, Jack (1947).
637:Cato, Jack (1949).
621:Cato, Jack (1955).
613:Cato, Jack (1963).
360:Covent Garden Opera
1493:(Melbourne), p. 5.
1474:(Melbourne), p. 4.
1388:The Canberra Times
1245:The Canberra Times
1179:Portrait of a City
1062:(1 October 1948).
1049:(Melbourne), p. 8.
1024:(Adelaide), p. 24.
940:, Melbourne. p. 54
669:Cosier, I. (1980)
653:Dow, D. M. (1947)
317:The Hobart Mercury
270:of Great Britain.
192:
1508:(Melbourne), p. 5
1221:historiographers
1200:Cato, J. (1955).
725:978-0-522-84459-7
655:Melbourne Savages
601:Charles Nettleton
578:Athenaeum Gallery
388:Vanitas Vanitatum
356:Dame Nellie Melba
244:Dame Nellie Melba
240:H. Walter Barnett
208:Lucien Dechaineux
204:John Watt Beattie
189:Lucien Dechaineux
150:
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1519:The Australasian
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1227:Giovanni Morelli
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957:The Courier-Mail
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802:La Trobe Journal
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685:La Trobe Journal
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606:Cato, J. (1971)
551:Laurence Le Guay
447:La Trobe Library
323:The Australasian
102:Other names
81:
62:
60:
35:
21:
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1485:Arthur Streeton
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1436:Arthur Streeton
1432:Charles Wheeler
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1360:Shmith, Michael
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1043:Arthur Streeton
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994:
984:Shmith, Michael
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932:Shmith, Michael
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837:
833:
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808:
799:
792:
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773:. 4 (7), 54(1).
726:
700:
695:Silver and Grey
620:
596:
547:Harold Cazneaux
531:
490:
468:
452:Harold Cazneaux
406:
332:
264:anthropological
234:, in favour of
216:
181:
138:
105:John Cyril Cato
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83:
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58:
56:
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26:
17:
12:
11:
5:
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1352:
1336:, Autumn 1986"
1319:
1300:
1283:
1268:
1250:
1235:
1223:Giorgio Vasari
1209:
1189:
1170:
1153:
1135:The Daily News
1121:
1102:
1087:
1051:
1035:
1026:
1021:The Advertiser
1007:
992:
975:
962:
943:
923:
893:
880:
865:
846:
831:
816:
806:
804:. (65), 17–27.
789:
788:
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782:
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767:
761:
755:
746:
724:
698:
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687:. (65), 17–27.
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489:
488:In collections
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467:
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405:
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331:
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283:Collins Street
224:Douglas Mawson
215:
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180:
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148:
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118:Known for
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91:
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84:
82:(aged 85)
78:14 August 1971
76:
72:
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65:
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44:, circa 1955.
36:
28:
27:
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6:
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2:
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1645:Pictorialists
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1364:Just Married!
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754:, Autumn 1986
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376:Marie Corelli
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342:
341:I Can Take It
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232:Henri Mallard
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110:Occupation(s)
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68:
55:
51:
47:
43:
39:
34:
29:
22:
19:
1545:The Examiner
1544:
1539:
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1526:
1518:
1513:
1503:
1498:
1488:
1483:Reviewed by
1479:
1469:
1464:
1454:
1449:
1441:The Examiner
1439:
1426:
1418:The Examiner
1416:
1411:
1403:The Examiner
1401:
1396:
1386:
1381:
1371:
1363:
1355:
1343:. Retrieved
1339:
1333:
1328:Newton, Gael
1322:
1314:
1308:
1303:
1291:
1286:
1276:
1271:
1263:
1258:
1253:
1243:
1238:
1230:
1225:and perhaps
1217:
1212:
1202:
1182:
1178:
1173:
1162:
1156:
1146:– via
1140:. Retrieved
1133:
1124:
1116:
1110:
1105:
1095:
1090:
1080:– via
1074:. Retrieved
1067:
1060:Burke, Keast
1054:
1046:
1038:
1029:
1019:
1015:
1010:
1000:
995:
987:
978:
973:(65), 17–27.
970:
965:
955:
946:
935:
926:
914:. Retrieved
907:
896:
888:
883:
873:
868:
858:
849:
839:
834:
824:
819:
809:
801:
777:
770:
763:
757:
749:
709:
702:Newton, Gael
694:
684:
677:
670:
662:
654:
645:
638:
622:
614:
607:
600:
567:, Launceston
558:
549:, John Lee,
543:Athol Shmith
536:Just Married
535:
491:
471:
469:
440:
426:
424:
416:
414:
409:
407:
402:
395:
393:
372:Bernard Shaw
352:
344:
340:
333:
321:
315:
311:
305:
299:
293:
291:
287:pictorialist
272:
260:South Africa
248:tuberculosis
236:Frank Hurley
217:
193:
172:
169:pictorialist
160:
156:
152:
151:
122:
80:(1971-08-14)
63:4 April 1889
41:
38:Athol Shmith
18:
1620:1971 deaths
1615:1889 births
1532:The Mercury
1456:The Mercury
1345:30 December
875:The Mercury
860:The Mercury
855:Rotary Club
841:The Mercury
826:The Mercury
610:, Sept 1971
456:Keast Burke
337:Savage Club
279:Howey House
94:Nationality
69:, Australia
1604:Categories
1262:P. (2001)
1142:1 December
1016:Table Talk
916:3 December
785:References
691:Newton, G.
555:Max Dupain
507:, both in
466:Later life
307:Table Talk
200:Queenstown
179:Early life
153:John Cyril
97:Australian
59:1889-04-04
1594:Australia
1570:Biography
1505:The Argus
1490:The Argus
1471:The Argus
1334:Photofile
1298:movement.
1296:pictorial
1278:Walkabout
1257:"In 1955
1184:The Argus
1112:The Argus
1076:21 August
1047:The Argus
1002:The Argus
909:The Argus
889:The Argus
764:Photofile
751:Photofile
734:1833-7538
671:Jack Cato
639:Melbourne
631:557556364
482:John Cato
418:Walkabout
396:Melbourne
380:Churchill
301:The Argus
86:Melbourne
42:Jack Cato
25:Jack Cato
1582:The arts
1391:, p. 51.
1376:Canberra
1330:(1986).
1248:, p. 12.
742:70677943
704:(1993).
697:(Sydney)
509:Canberra
276:Art Deco
252:Rhodesia
226:'s 1911
165:F.R.P.S.
143:Children
121:author;
1556:Portals
814:Arizona
693:(1980)
473:The Age
408:Cato's
384:Zambesi
368:Pavlova
175:(1955)
740:
732:
722:
657:(Melb)
629:
364:Caruso
330:Author
320:, and
262:. The
220:Hobart
214:Career
129:Spouse
1082:Trove
771:Image
563:1938
435:Caire
431:Lindt
1434:and
1347:2020
1144:2014
1078:2021
918:2014
738:OCLC
730:ISSN
720:ISBN
627:OCLC
553:and
514:The
503:the
496:The
161:Cato
157:Jack
75:Died
53:Born
954:",
500:and
1606::
1338:.
1192:^
1132:.
1066:.
906:.
793:^
736:.
728:.
718:.
708:.
545:,
462:.
433:,
378:,
374:,
370:,
366:,
362:,
358:,
349:;
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310:,
304:,
298:,
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40:,
1558::
1349:.
1150:.
1119:.
1084:.
1014:"
952:'
744:.
633:.
511:,
155:"
61:)
57:(
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