244:, claimed that the dean had warned the chief plaintiff, Donna Zahorik, not to pursue litigation because the university would "destroy her emotionally and financially." After five years of litigation and the expense of $ 2.5 million in legal fees by the university, the suit was settled out of court for a derisory sum. Livingston later stated that the members of the class action suit were embarrassed to have her as one of the litigants and told her to "stop photographing nudes." In 2009 she has her last exhibition in National Museum in Gdansk (Poland) titled "Family Album. Spaces of Intimacy".
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in her work as "a way to overcome the distance she felt from the male body" producing a serious of images including naked images of her son, husband, and father-in-law. Livingston's goal was to create a series that addresses the gender imbalance in nude photos as well as empowering her own sexuality
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was nothing to be ashamed of. The images you're looking at are a grid of nine photographs of her young son sitting cross-legged. His head has been cropped and the focal point is his torso. As
Livingston was taking these her son began to masturbate spontaneously, a sight, I'm sure, not unfamiliar to
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Of all her images, though, it was this series of her then six-year-old son masturbating which caused her the most trouble. Like many photographers, Livingston was in the habit of photographing her child since birth. Thus, by the time he reached six, he was completely comfortable with the camera.
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until she was fired by the university in the summer of 1978 because of publicity over a series of photographs of her son in nude and masturbatory poses. Upon inquiring as to the cause of her dismissal, Livingston reported she was supposedly told by the chair of the art faculty, "You can't be a
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and expect to be on this campus - furthermore, you can't photograph male genitalia." Demonstrating, the issue of censorship and cultural repression of transgressive photographic works, which was common within the 1900s because of the introduction of pornography laws.
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influenced my thinking about child rearing. According to Reich, being raised in sexual freedom (i.e. masturbation is healthy, premarital sex and sex education are a person's human right) is the first step in structuring personalities who will not follow
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Livingston's photographs reverse, or at least equalize, the usual relationship of male dominance and female submission; they also invert the method of traditional extended portrait, in which the male photographer focuses on the nude
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Samaras, Connie (1993). "'Feminism, Photography, Censorship, and
Sexually Transgressive Imagery: The Work of Robert Mapplethorpe, Joel-Peter Witken, Jacqulyn Livingston, Sally mann and Catherine Obie'".
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Samaras, Connie (1993). "'Feminism, Photography, Censorship, and
Sexually Transgressive Imagery: The Work of Robert Mapplethorpe, Joel-Peter Witken, Jacqulyn Livingston, Sally mann and Catherine Obie'".
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Samaras, Connie (1993). "'Feminism, Photography, Censorship, and
Sexually Transgressive Imagery: The Work of Robert Mapplethorpe, Joel-Peter Witken, Jacqulyn Livingston, Sally Mann and Catherine Obie'".
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legislation that took effect in the late seventies. She was threatened with prosecution under child pornography laws, and was investigated by the U.S. Department of Social
Services for alleged
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Livingston viewed her work as a means to change prescriptive notions about women's sexuality and women's artistic production, not as a vehicle to transcend an unalterable material world.
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by creating “sexy” images that appeal to her heterosexuality, challenging the social perception women's sexuality and art production. She was a
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any parent. Rather than shaming her son into stopping or shaming herself into not taking pictures, Livingston continued to photograph.
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American
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Moreover, Livingston and his father tried to provide a climate for their son in which
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on the ASU campus in the mid-1960s, spearheading the major SDS activities of
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Between 1980 and 1985, she was part of a lengthy class-action lawsuit (
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Jonathan Green, "The
Political Reconstruction of Photography,
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Models of
Integrity: Art and Law in Post-Sixties America
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Models of
Integrity: Art and Law in Post-Sixties America
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Black & White & Noir: America's Pulp
Modernism
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Heresies: A Feminist Publication on Art and Politics
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96:(August, 1943 – June 21, 2013) was an American
364:. university of California press. p. 169.
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143:In the mid-1970s, Livingston began exploring
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218:In 1982 Livingston opened a gallery in
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318:Swenson, Jill (2013-07-02).
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23:Jacqueline Louise Livingston
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911:Lee Krasner
901:Lila Katzen
876:Suzi Ferrer
825:Where We At
778:(1972–1977)
770:(1977–1992)
717:(1974–1978)
213:child abuse
150:photography
32:August 1943
1006:Categories
961:June Wayne
698:Womanhouse
564:Precursors
474:p.211. In
326:2014-07-30
302:References
203:authority.
172:, writes:
82:Occupation
57:2013-06-22
896:Eva Hesse
170:UC Irvine
931:Yoko Ono
785:" (1971)
496:My Story
349:: 86–87.
294:and the
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273:writes:
198:'s book
159:feminist
102:intimacy
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278:female.
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725:(1979)
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579:(1889)
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179:nudity
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447:: 88.
387:: 87.
112:Born
423:ISBN
403:ISBN
265:Work
220:SoHo
50:Died
29:Born
286:in
228:FBI
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