Knowledge (XXG)

Jacques Goudstikker

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281: 684: 789:), on the subject. Subsequently, Goudstikker's heirs sued for possession of these works, but their claim was rejected by the State Secretary of Education, Culture and Science. Official investigations, however, later confirmed the mishandling of postwar restitutions, and as a result, the Dutch government created the Restitutions Committee to review claims to art treasures in the government's possession. On the recommendations of the 28: 804:, after eight years of legal battles, in 2006 the Dutch government returned 202 paintings to Goudstikker's sole surviving heir, his daughter-in-law, Marei von Saher (Goudstikker's wife, DĂ©si, and their only son, Edo, both having died in 1996). In 2007, Von Saher sold many, netting almost $ 10 million at auction. 773:
Following World War II, the Allied forces recovered this art from Germany and gave them to the Dutch government as part of 'amicable restitution of rights', with the intention of returning them to their rightful owners; however, instead of returning them to Goudstikker's wife Desi, who sought their
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by Cranach had been transferred by the government to another person (under a claim later found to be invalid) and in 2006 were in the United States, out of the control of the Dutch government. Von Saher sued unsuccessfully in U.S. court for their return.
280: 740:, for 550 thousand guilders. Through a series of transactions later deemed illegal, Miedl acquired title to the J. Goudstikker trade name, what little art remained in the collection, and Goudstikker's real estate (Nijenrode castle in 354:. In the introduction to his 1928 catalog, he wrote "e are happy as a logical development in our Italian department in having obtained the assistance of our compatriot Doctor Raimond van Marle", author of the influential 277:, had stated "We have become chauvinistic with regard to the field of art. This worship of our old school of painting, which started thirty years ago is still alive and appears not to let us appreciate any foreign art." 835: 1116: 424:
took their toll on the connoisseur art trade, as on other luxury businesses. Goudstikker was forced to economize on production of his catalogs, but he still managed to organize a
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of Berlin, much emulated in London, Paris, and New York City. Goudstikker's taste extended to the design of his catalogs, which were minor works of art in themselves.
172:, leaving three furnished properties and an extensive and significant art collection including over 1200 paintings, many of which had been previously catalogued as " 1151: 367: 192:. Despite efforts of Goudstikker's widow after the war to regain possession of the collection, it was not until after her death that the Dutch government finally 830: 193: 1146: 748:). Using Goudstikker's internationally renowned trade name as a marketing asset, Miedl went on to make a fortune selling art, particularly to Nazi Germany. 623: 1096: 472:
art or art of the 18th century. While his specialty was Dutch 17th-century painting, his specific interest was the more stylized painters such as
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recovery from 1946 to 1952, they were retained as part of the Netherlands' National Collection at the Rijksmuseum. Dutch
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Jacques Goudstikker's notebook at the Amsterdam City Archives, containing records of the works of art in his possession
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Some pieces were not returned to von Saher because the Dutch government no longer had them in 2006. In particular,
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exhibition in 1933, as well as what may have been his ultimate achievement, participating in the exhibition of
410: 336: 1017: 315:; in 1927 he moved to a larger gallery. Goudstikker rose above his contemporaries, presenting works from the 745: 699: 648: 529: 473: 363: 778: 332: 324: 308: 1055: 450: 80: 339:, mixing paintings, sculptures, carpets, and other works of art together, in the sophisticated style of 261: 240: 728:
was named director of the company, then, on 13 July, ten Broek and another of Goudstikker's employees,
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were paid 180 thousand guilders each to sell all paintings and works of art to Göring for two million
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in 2006. To finance efforts to reclaim more of the stolen art, a large portion of them were sold at
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in Washington, DC in 1942. Other American museum purchases from Goudstikker include a large
568: 517: 497: 433: 421: 398: 340: 328: 316: 27: 656: 576: 533: 394: 382: 248: 185: 177: 87: 978: 295:, was part of the large restitution agreement in 2006 and was subsequently loaned to the 1037: 1022: 644: 553: 525: 488:, and he was particularly attracted to the unusual. Artists in his collection included 320: 252: 233: 221: 1105: 763: 608: 505: 390: 386: 351: 347: 292: 710: 691: 618: 181: 169: 744:, the Herengracht 458 building in Amsterdam, and the country estate Oostermeer in 243:
with himself as the director and major shareholder, and introduced a notably more
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In 1919, he joined his father's Amsterdam gallery, restructured it as a public
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obtained the entire collection over the objections of Goudstikker's widow
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While escaping the Nazis in May 1940, Goudstikker fell in the hold of the
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talk about Jacques and his collection at the opening of the exhibition
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He staged an exhibit of Dutch and Flemish paintings, including five
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as the son of the art dealer Eduard Goudstikker. He studied at the
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Reclaimed - Paintings from the Collection of Jacques Goudstikker
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Reclaimed: Paintings from the Collection of Jacques Goudstikker
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Tobias and Sarah in Prayer with the Angel Raphael and the Demon
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The Assumption of the Virgin with Saints Michael and Benedict
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Parts of the Goudstikker collection were also taken over by
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Ferry Boat with cattle on the River Vecht near Nijenrode
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Goudstikker's main stock in trade were paintings by the
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in New York City in 1923, organized through the Dutch
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Other notable paintings owned by Goudstikker include
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THE HAGUE, The Netherlands: Prnewswire.co.uk 468:; he did not express much interest in Italian 831:2006 Goudstikker restitution of 202 paintings 8: 573:Extensive landscape with trees and a cottage 368:Heinrich Baron Thyssen-Bornemisza de Kászon 307:, Amsterdam once again became a centre of 26: 15: 724:: on 3 June 1940, Goudstikker's employee 698:After Goudstikker fled in 1940 the large 669:King David before the Ark of the Covenant 973: 971: 969: 967: 890: 888: 886: 770:, which declined a restitution in 2020. 860: 858: 856: 852: 512:. He kept several notable paintings by 346:Goudstikker maintained close ties with 1152:Dutch civilians killed in World War II 945: 943: 941: 939: 937: 935: 933: 430:Italian Paintings in Dutch Collections 667:in New York in 1929, and Pesellino's 150:(30 August 1897 – 16 May 1940) was a 7: 868:. Herkomstgezocht.nl. Archived from 643:, which was eventually purchased by 188:, executive director and CEO of the 1147:Subjects of Nazi art appropriations 14: 917:"Culture, Arts and Entertainment" 255:, and showing for the first time 200:in 2007 for almost $ 10 million. 413:and Cortland S. Van Rensselaer. 190:Bruce Museum of Arts and Science 135: 758:; one of these paintings, the 711:restitution of Nazi-looted art 459: 220:, and more intensely (?) with 1: 1142:Businesspeople from Amsterdam 546:Johannes Cornelisz Verspronck 257:Italian Renaissance paintings 999:Kennedy Grimsted, Patricia. 951:"Christie's - J.Goudstikker" 896:"Christie's - J.Goudstikker" 532:, his major interest was in 460:Goudstikker's artistic taste 953:. Christies.com. 2007-04-19 898:. Christies.com. 2007-04-19 673:Nelson-Atkins Museum of Art 548:, or subject painters like 247:; publishing catalogues in 32:Jacques Goudstikker in 1938 1173: 841:River Landscape with Ferry 542:Jan Antonisz van Ravesteyn 358:. His clients, including 180:himself, was subsequently 631:which now resides in the 624:Christ Carrying the Cross 25: 776:investigative journalist 633:Kunsthistorisches Museum 565:The entrance to a harbor 411:T. J. Oakley Rhinelander 208:Goudstikker was born in 919:. Telegraph. 1979-01-23 768:National Museum, GdaĹ„sk 766:, is on display at the 746:Ouderkerk aan de Amstel 637:Young Girl with a Flute 364:Daniel G. van Beuningen 166:invaded by Nazi Germany 700:Goudstikker collection 695: 309:international commerce 300: 273:, the director of the 1157:World War II refugees 1127:Jewish art collectors 793:Committee chaired by 760:Cottages by the canal 686: 597:The Judgment of Paris 283: 262:The Madonna and Child 241:besloten vennootschap 787:The Goudstikker Case 779:Pieter den Hollander 593:Jacopo del Casentino 585:Salomon van Ruysdael 510:Salomon van Ruysdael 403:Kamer van Koophandel 287:Marie Louise Gonzaga 267:Francesco Squarcione 783:De zaak Goudstikker 781:wrote a 1998 book, 675:in Kansas in 1932. 665:Metropolitan Museum 360:Jan Herman van Heek 245:international style 182:looted by the Nazis 148:Jacques Goudstikker 20:Jacques Goudstikker 1026:. 12 January 2020. 696: 679:Fate of collection 605:The Fritole Seller 514:Jan van der Heyden 504:painters, such as 494:Adriaen van Ostade 418:stock market crash 301: 1112:Dutch art dealers 1087:Goudstikker heirs 647:to donate to the 629:Hieronymous Bosch 614:Madonna and Child 289:, Queen of Poland 226:William Vogelsang 214:commercial school 145: 144: 113:Years active 1164: 1069: 1068: 1066: 1065: 1060: 1052: 1046: 1045: 1044:. 6 August 2007. 1034: 1028: 1027: 1014: 1008: 1007: 1005: 996: 990: 989: 987: 986: 975: 962: 961: 959: 958: 947: 928: 927: 925: 924: 913: 907: 906: 904: 903: 892: 881: 880: 878: 877: 862: 803: 791:Herkomst Gezocht 708: 649:National Gallery 601:François Boucher 569:Simon de Vlieger 530:National Gallery 518:Nijenrode Castle 498:Isaac van Ostade 454: 438:Queen Wilhelmina 434:Stedelijk Museum 422:Great Depression 399:Anderson Gallery 341:Wilhelm von Bode 337:Italian painters 317:Dutch Golden Age 139: 137: 84: 69: 47: 45: 30: 16: 1172: 1171: 1167: 1166: 1165: 1163: 1162: 1161: 1102: 1101: 1078: 1073: 1072: 1063: 1061: 1058: 1054: 1053: 1049: 1038:"Die Einpacker" 1036: 1035: 1031: 1016: 1015: 1011: 1003: 998: 997: 993: 984: 982: 977: 976: 965: 956: 954: 949: 948: 931: 922: 920: 915: 914: 910: 901: 899: 894: 893: 884: 875: 873: 864: 863: 854: 849: 826:DĂ©si von Halban 822: 797: 795:R. E. O. Ekkart 722:DĂ©si von Halban 702: 681: 657:Luca Signorelli 635:of Vienna, and 577:Philips Koninck 534:figure painters 502:tonal landscape 462: 448: 395:Philips Koninck 206: 186:Peter C. Sutton 178:Hermann Goering 141: 138: 1937) 133: 129: 127:DĂ©si von Halban 90: 88:English Channel 78: 71: 67: 58: 49: 43: 41: 33: 21: 12: 11: 5: 1170: 1168: 1160: 1159: 1154: 1149: 1144: 1139: 1134: 1129: 1124: 1119: 1114: 1104: 1103: 1100: 1099: 1094: 1084: 1077: 1076:External links 1074: 1071: 1070: 1047: 1029: 1023:New York Times 1009: 991: 963: 929: 908: 882: 851: 850: 848: 845: 844: 843: 838: 833: 828: 821: 818: 726:Arie ten Broek 718:Hermann Göring 680: 677: 645:Joseph Widener 554:Aert de Gelder 526:Jan van Huysum 524:, such as the 461: 458: 440:the exhibits. 348:art historians 222:Wilhelm Martin 205: 202: 143: 142: 131: 125: 124: 122: 118: 117: 114: 110: 109: 106: 102: 101: 96: 92: 91: 72: 70:(aged 42) 64: 60: 59: 50: 48:30 August 1897 39: 35: 34: 31: 23: 22: 19: 13: 10: 9: 6: 4: 3: 2: 1169: 1158: 1155: 1153: 1150: 1148: 1145: 1143: 1140: 1138: 1135: 1133: 1130: 1128: 1125: 1123: 1120: 1118: 1115: 1113: 1110: 1109: 1107: 1098: 1095: 1092: 1088: 1085: 1083: 1080: 1079: 1075: 1057: 1051: 1048: 1043: 1040:(in German). 1039: 1033: 1030: 1025: 1024: 1019: 1013: 1010: 1006:. p. 30. 1002: 995: 992: 980: 974: 972: 970: 968: 964: 952: 946: 944: 942: 940: 938: 936: 934: 930: 918: 912: 909: 897: 891: 889: 887: 883: 872:on 2015-09-24 871: 867: 861: 859: 857: 853: 846: 842: 839: 837: 834: 832: 829: 827: 824: 823: 819: 817: 814: 810: 805: 801: 796: 792: 788: 784: 780: 777: 771: 769: 765: 764:Jan van Goyen 761: 757: 754: 749: 747: 743: 739: 735: 731: 727: 723: 719: 714: 712: 706: 701: 693: 689: 685: 678: 676: 674: 670: 666: 662: 658: 654: 650: 646: 642: 638: 634: 630: 626: 625: 620: 616: 615: 610: 609:Pietro Longhi 606: 602: 598: 594: 590: 586: 582: 578: 574: 570: 566: 561: 559: 555: 551: 547: 543: 539: 535: 531: 527: 523: 519: 515: 511: 507: 506:Jan van Goyen 503: 499: 495: 491: 487: 483: 479: 475: 471: 467: 457: 455: 452: 447: 446:SS Bodegraven 441: 439: 435: 431: 427: 423: 419: 414: 412: 408: 404: 400: 396: 392: 388: 384: 380: 375: 373: 369: 365: 361: 357: 353: 349: 344: 342: 338: 334: 330: 326: 322: 318: 314: 310: 306: 298: 297:Jewish Museum 294: 293:Ferdinand Bol 290: 288: 282: 278: 276: 272: 268: 264: 263: 258: 254: 250: 246: 242: 237: 235: 231: 227: 223: 219: 215: 211: 203: 201: 199: 195: 191: 187: 183: 179: 175: 171: 167: 163: 160:who fled the 159: 156: 153: 149: 128: 123: 119: 115: 111: 107: 103: 100: 97: 93: 89: 85: 82: 77: 76:SS Bodegraven 73:On-board the 65: 61: 57: 53: 40: 36: 29: 24: 17: 1090: 1062:. Retrieved 1050: 1032: 1021: 1012: 994: 983:. Retrieved 955:. Retrieved 921:. Retrieved 911: 900:. Retrieved 874:. Retrieved 870:the original 866:"Collecties" 812: 808: 806: 790: 786: 782: 772: 759: 750: 715: 697: 692:Gouden Bocht 690:458, in the 668: 660: 636: 622: 619:Pacchiarotti 612: 604: 596: 588: 580: 572: 564: 562: 538:portraitists 463: 444: 442: 429: 415: 409:notables as 376: 355: 345: 313:Henri Douwes 302: 285:Portrait of 284: 260: 259:, including 251:rather than 238: 207: 170:World War II 164:when it was 147: 146: 74: 68:(1940-05-16) 1137:1940 deaths 1132:1897 births 1042:Der Spiegel 798: [ 738:Alois Miedl 703: [ 688:Herengracht 522:still lifes 478:Marco Zoppo 466:Old Masters 449: [ 407:upper class 383:van Dongens 305:World War I 275:Rijksmuseum 271:Adriaan Pit 174:Old Masters 162:Netherlands 95:Nationality 79: [ 66:16 May 1940 56:Netherlands 1122:Dutch Jews 1106:Categories 1064:2018-08-04 985:2014-01-23 957:2014-01-23 923:2014-01-23 902:2014-01-23 876:2014-01-23 847:References 756:Erich Koch 659:depicting 653:altarpiece 589:Saint Lucy 536:, whether 482:Squarcione 352:collectors 319:alongside 303:Following 158:art dealer 108:Art dealer 105:Occupation 44:1897-08-30 1093:2009-2010 753:Gauleiter 742:Breukelen 663:, by the 558:Jan Steen 490:Jan Steen 486:Pesellino 397:, at the 391:landscape 379:van Goghs 372:Otto Lanz 218:Amsterdam 210:Amsterdam 204:Biography 116:1919–1940 52:Amsterdam 820:See also 734:guilders 550:Hans Bol 540:such as 387:Mondrian 385:, and a 730:Jan Dik 671:by the 641:Vermeer 528:in the 474:Cranach 470:Baroque 432:at the 329:Flemish 234:Utrecht 198:auction 168:during 140:​ 132:​ 86:in the 621:, the 611:, the 587:, the 579:, the 500:, and 426:Rubens 381:, two 370:, and 333:German 321:panels 249:French 230:Leiden 152:Jewish 121:Spouse 1059:(PDF) 1004:(PDF) 802:] 707:] 556:, or 453:] 325:Dutch 253:Dutch 155:Dutch 134:( 130: 99:Dutch 83:] 811:and 809:Adam 607:by 508:and 484:and 420:and 416:The 350:and 335:and 232:and 224:and 63:Died 38:Born 813:Eve 762:by 655:by 639:by 627:by 617:by 599:by 591:by 583:by 575:by 567:by 544:or 516:at 393:by 291:by 265:by 236:. 228:at 216:in 1108:: 1020:. 966:^ 932:^ 885:^ 855:^ 800:nl 713:. 705:nl 603:, 595:, 571:, 560:. 552:, 496:, 492:, 480:, 476:, 451:nl 366:, 362:, 331:, 327:, 136:m. 81:nl 54:, 1067:. 988:. 960:. 926:. 905:. 879:. 785:( 299:. 46:) 42:(

Index


Amsterdam
Netherlands
SS Bodegraven
nl
English Channel
Dutch
DĂ©si von Halban
Jewish
Dutch
art dealer
Netherlands
invaded by Nazi Germany
World War II
Old Masters
Hermann Goering
looted by the Nazis
Peter C. Sutton
Bruce Museum of Arts and Science
restituted 202 paintings to the Goudstikker family
auction
Amsterdam
commercial school
Amsterdam
Wilhelm Martin
William Vogelsang
Leiden
Utrecht
besloten vennootschap
international style

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