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Nairn joined the New
Zealand Academy of Fine Arts soon after settling in Wellington and was elected to the council from 1890 to 1903. He also formed the Wellington Art Club which met regularly at Nair's Pumpkin Cottage. The cottage became a gathering point for Wellington artists. Nairn's influence
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111:" where his visible brushstrokes capture the effect of the afternoon sun on the water. He painted this landscape en plein air to more truthfully capture the effect of light on water.
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in Paris. During the 1880s Nairn exhibited work at the
Glasgow Institute of Fine Arts and the Royal Scottish Academy and was associated with the
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28:. James Nairn and Mabel Hill at far left. Woman posing with skeleton's arm around her shoulder is Mary Elizabeth Tripe.
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He married Ellen Smith on 17 March 1898 and they had two daughters, Mari Bhan and Ellen May
Victoria.
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Nairn's
Impressionist style is conveyed in his many paintings of Wellington harbour, especially in "
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was felt throughout New
Zealand as he regularly sent works for exhibition in other centres.
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80:. He lectured on art and conducted classes for the study of the nude figure. He introduced
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Works by James M. Nairn in the collection of the Museum of New
Zealand Te Papa Tongarewa
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of the
Glasgow school to New Zealand and influenced other New Zealand artists such as
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painting in the late 19th century. He believed in en plein air or painting outdoors.
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35:(18 November 1859 – 22 February 1904) was a New Zealand painter who (along with
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Winter morning, Wellington
Harbour, circa 1900, Wellington, by James Nairn
155:. Bequest from the estate of Miss S Leatham, 1939. Te Papa (1939-0009-6)
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He died at his home in
Wellington on 22 February 1904, probably of
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for four years from 1879 before enrolling as a student at the
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Group portrait of students at the
Wellington School of Design
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in 1891, where he was appointed as an art instructor at the
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Treasures from the Museum of New Zealand Te Papa Tongarewa
65:- a group of Scottish artist interested in Impressionism.
170:. Gift of Miss Mary Newton, 1939. Te Papa (1939-0009-7)
140:. Gift of Miss Mary Newton, 1939. Te Papa (1939-0009-2)
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Wellington Harbour, 1894, Wellington, by James Nairn
198:Museum of New Zealand Te Papa Tongarewa (2005).
245:James McLauchlan Nairn: the New Zealand years
16:Scottish-born New Zealand painter (1859–1904)
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153:Evans Bay, 1893, Wellington, by James Nairn
222:Colin McCahon, Auckland City Art Gallery.
318:Museum of New Zealand Te Papa Tongarewa
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347:New Zealand people of Scottish descent
367:19th-century New Zealand male artists
224:Catalog: James Nairn, Edward Fristrom
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72:for his health in 1890. He moved to
285:Dictionary of New Zealand Biography
280:"Nairn, James McLauchlan 1859–1904"
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362:19th-century New Zealand painters
290:Ministry for Culture and Heritage
372:British emigrants to New Zealand
247:(MA). University of Canterbury.
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68:Nairn emigrated from Glasgow to
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202:. Te Papa Press. p. 54.
272:Encyclopaedia of New Zealand
78:Wellington Technical School
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229:23 September 2015 at the
109:Wellington Harbour, 1894
310:The Wellington Art Club
270:Biography in the 1966
90:Maud Winifred Sherwood
39:) strongly influenced
33:James McLauchlan Nairn
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320:James Nairn biography
243:Hearnshaw, Victoria.
86:Dorothy Kate Richmond
53:Glasgow School of Art
51:Nairn studied at the
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377:New Zealand painters
304:Notes by Una Platts
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293:. Retrieved
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278:Vial, Jane.
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233:August 1964.
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102:Mollie Tripe
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62:Glasgow Boys
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357:1904 deaths
352:1859 births
123:peritonitis
98:Maude Burge
41:New Zealand
37:G. P. Nerli
341:Categories
253:10092/7955
176:References
94:Mabel Hill
74:Wellington
227:Archived
295:9 April
264:Sources
70:Dunedin
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297:2011
204:ISBN
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