Knowledge (XXG)

James Laver

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passions, possibly in reaction against his upbringing. In 1938 he succeeded Martin Hardie as Keeper of the department, a post he held until his retirement in 1958. Despite his significant contributions to object-centred dress history, he was never Keeper of Textiles for the Museum, or part of the Textiles section.
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and was shown as part of his department. It showcased work by all the leading European designers of the time, and the Museum purchased several designs and models, which became the basis of the Museum's Theatre Collection. Laver was put in charge of this collection. Stage design became one of his
527:-supping, enviable but slightly disreputable character, hobnobbing with chorus girls and hanging round stage doors. To Gertrude Lawrence and her friends I was something 'in a museum', engaged in mysterious and apparently useless activities quite outside their comprehension; a character out of 1187: 537:
Laver continued to write fiction and work for the theatre and film on a less ambitious scale, but did not attempt becoming a full-time writer. His work on films included acting as historical advisor for
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was an attempt to compress the complex cycle of fashion change and the general attitude towards any certain style or period into a simple timeline. It first appeared in
253:, a six-part series, was so successful that in 1938, Laver and Binder reunited to present a revised re-tread (in three parts) of the programme, this time called 235:, which emerged through a desire to date images accurately through the clothing depicted within. Laver defined the relationships between dress design and other 33: 115:
between 1938 and 1959. He was also an important and pioneering fashion historian described as "the man in England who made the study of costume respectable".
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set in modern times, successfully captured public attention, and led to Laver's popularity as a fashionable party guest. A sequel in 1929 followed,
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Profile of James Laver by Doris Langley Moore, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2007
1172: 1054: 1019: 996: 546: 239:, and discussed the influence of economic and social factors upon the development of fashionable taste. In 1962, Laver received a 1167: 1147: 1127: 852: 1112: 1137: 603:(1903–1971), a Roman Catholic in 1928. The couple had two children, a son and a daughter. They first lived in a flat in 1192: 1162: 240: 96: 112: 294: 1157: 1122: 232: 305:'s views trivialised women's behaviour, role within the family, and their contributions to society and culture. 576: 428:
To supplement his pay whilst at the Victoria & Albert Museum, Laver dedicated his free time to writing
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in recognition of his work in the field of fashion history. In 1937 Laver, with
210:, Design and Painting at the Victoria & Albert Museum where he worked under 171: 140: 568:. As a result, he became an expert in the field, writing a book on the prophet 968: 561: 219: 203: 163: 132: 124: 55: 607:, which proved convenient for their theatrical friends, and later moved to 575:
Between 1926 and 1938, James Laver was the Director of Art Classes at the
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degree second class in modern history 1921. The next year, he earned a
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who acted as Keeper of Prints, Drawings and Paintings for the
103:(14 March 1899 – 3 June 1975) was an English author, critic, 293:
In the 1980s and 1990s, feminist fashion historians such as
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People educated at Liverpool Institute High School for Boys
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Laver died on 3 June 1975 following a fire at his home in
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Taste and Fashion; from the French Revolution until today
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English author, critic, art historian, and museum curator
875:"Edwardian Promenade" (1958) (pub Edward Hulton, London) 1143:
People associated with the Victoria and Albert Museum
730:"Vulgar Society": The Romantic Career of James Tissot 178:. At Oxford, he contributed to the student magazine 135:, and his wife, Florence Mary (née Barker), strict 79: 62: 42: 23: 931:, 4 June 1975 (reproduced on the V&A website)" 822:Museum Piece; or, The Education of an Iconographer 482:, who went astray along the way and ended up in a 587:and also re-organised the art class, introducing 301:found these problematic, arguing that Laver and 277:– dressing to indicate one's position in society 1049:(1854–1954) p.166, Routledge Kegan Paul, 1954; 147:. His academic progress was put on hold by the 858:The First Decadent: Being the Strange Life of 1118:Commanders of the Order of the British Empire 489:. It was an instant best-seller and in 1933, 8: 467:, the two poems being published together as 550:(1936), and he co-wrote the screenplay for 736:French Painting and the Nineteenth Century 31: 20: 1006: 1004: 718:A History of British and American Etching 560:, he determined to read all the books on 202:In 1922, Laver entered the Department of 198:Laver at the Victoria & Albert Museum 983: 981: 979: 977: 322: 964: 962: 960: 958: 956: 954: 952: 921: 919: 917: 915: 913: 911: 909: 907: 905: 884: 800:' series) (1968), revised and retitled 541:The Amorous Adventures of Moll Flanders 289:– dressing to attract the opposite sex. 1047:A History of the Working Men's College 802:Costume and Fashion: A Concise History 436:. One of the plays he translated was 86:(m. 1928–1971; her death); 2 children 7: 644:The Young Man Dances and Other Poems 511:. Laver felt as if he was leading a 218:was transferred to the V&A from 158:In 1919 he resumed his residency at 845:Nostradamus, or the Future Foretold 139:who brought up their children in a 891:Gibbs-Smith, Charles, Obituary in 776:Clothes (Pleasures of Life Series) 766:Fashions and Fashion Plates (1943) 533:, hardly fit to be let out alone." 14: 1183:20th-century English male writers 283:– dressing for warmth and comfort 750:Ward Lock Limited, London, 1970) 599:Laver married the Irish actress 478:, about a girl returning to her 216:International Theatre Exhibition 214:. He arrived shortly before the 262:Laver followed the theories of 1178:20th-century English novelists 1075:film of men's fashions in 1952 523:I had become a cigar-smoking, 474:In 1932 he published a novel, 1: 1153:Alumni of New College, Oxford 1012:Understanding Fashion History 687:Winter Wedding – A Decoration 256:Clothes Through The Centuries 1108:Accidental deaths in England 1034:, chapter 18, (London, 1937) 971:; accessed 10 February 2009. 794:A Concise History of Costume 782:Dandies (Pageant of History) 712:Portraits in Oil and Vinegar 170:in theology for a thesis on 1133:English non-fiction writers 241:Neiman Marcus Fashion Award 1209: 1173:20th-century English poets 989:Establishing Dress History 493:turned it into a musical, 444:from the original German. 151:, in which he served as a 113:Victoria and Albert Museum 1071:– James Laver in a short 748:English Sporting Prints ( 417:150 years after its time 409:100 years after its time 329:10 years before its time 231:Laver had an interest in 37:James Laver (around 1950) 30: 872:"Victorian Vista" (1954) 798:The World of Art Library 742:Adventures in Monochrome 401:70 years after its time 393:50 years after its time 385:30 years after its time 377:20 years after its time 369:10 years after its time 337:5 years before its time 143:manner. He attended the 123:James Laver was born in 345:1 year before its time 1168:English male novelists 1148:Writers from Liverpool 1128:English art historians 1079:James Laver Collection 535: 530:The Old Curiosity Shop 361:1 year after its time 275:Hierarchical Principle 991:, (Manchester, 2004) 835:Design in the Theatre 583:. He ran a course on 577:Working Men's College 547:The Amateur Gentleman 519:"To my colleagues at 517: 499:, featuring songs by 424:Non-curatorial career 303:C. Willett Cunnington 1113:British art curators 893:Costume (Journal of 699:Panic Among Puritans 693:Background for Venus 461:The Rape of the Lock 162:, where he earned a 1138:English art critics 1083:Harry Ransom Center 895:The Costume Society 627:Select bibliography 595:Marriage and family 556:(1948). During the 442:The Circle of Chalk 308: 287:Seduction Principle 160:New College, Oxford 145:Liverpool Institute 1193:Fashion historians 1163:British male poets 1010:Cumming, Valerie, 621:Blackheath, London 605:Piccadilly, London 585:English literature 553:Warning to Wantons 491:Charles B. Cochran 137:Congregationalists 73:Blackheath, London 1044:J. F. C. Harrison 1032:Taste and Fashion 839:George Sheringham 810:978-0-500-20348-4 601:Veronica Turleigh 515:. He once stated: 505:Gertrude Lawrence 430:magazine articles 421: 420: 318:Taste and Fashion 281:Utility Principle 227:Laver and fashion 184:and won the 1921 153:second lieutenant 90: 89: 84:Veronica Turleigh 1200: 1158:Deaths from fire 1123:English curators 1069:"Men About Town" 1057: 1041: 1035: 1028: 1022: 1014:(London, 2004); 1008: 999: 985: 972: 966: 947: 946: 944: 942: 933:. Archived from 923: 900: 889: 788:Modesty in Dress 770:Style in Costume 662:Ladies' Mistakes 650:A Stitch in Time 558:Second World War 521:South Kensington 480:finishing school 469:Ladies' Mistakes 449:A Stitch in Time 353:Current fashion 323: 295:Elizabeth Wilson 264:Thorstein Veblen 188:for his poem on 69: 52: 50: 35: 21: 1208: 1207: 1203: 1202: 1201: 1199: 1198: 1197: 1088: 1087: 1065: 1060: 1042: 1038: 1029: 1025: 1009: 1002: 986: 975: 967: 950: 940: 938: 925: 924: 903: 890: 886: 882: 831: 818: 757: 708: 677: 656:Love's Progress 634: 629: 617: 597: 465:Love's Progress 447:His 1927 poem, 426: 342:Outré (Daring) 311: 233:fashion history 229: 200: 186:Newdigate Prize 149:First World War 121: 71: 67: 54: 48: 46: 38: 26: 17: 12: 11: 5: 1206: 1204: 1196: 1195: 1190: 1185: 1180: 1175: 1170: 1165: 1160: 1155: 1150: 1145: 1140: 1135: 1130: 1125: 1120: 1115: 1110: 1105: 1100: 1090: 1089: 1086: 1085: 1076: 1064: 1063:External links 1061: 1059: 1058: 1036: 1030:Laver, James, 1023: 1000: 973: 948: 937:on 25 May 2009 901: 883: 881: 878: 877: 876: 873: 870: 864: 860:J. 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Huysmans 855: 842: 830: 827: 826: 825: 817: 814: 813: 812: 791: 785: 779: 773: 767: 764: 756: 753: 752: 751: 745: 739: 733: 727: 721: 715: 707: 704: 703: 702: 696: 690: 684: 676: 673: 672: 671: 668: 665: 659: 653: 647: 641: 633: 630: 628: 625: 616: 613: 596: 593: 566:London Library 457:Alexander Pope 425: 422: 419: 418: 415: 411: 410: 407: 403: 402: 399: 395: 394: 391: 387: 386: 383: 379: 378: 375: 371: 370: 367: 363: 362: 359: 355: 354: 351: 347: 346: 343: 339: 338: 335: 331: 330: 327: 310: 307: 299:Amanda Vickery 291: 290: 284: 278: 228: 225: 199: 196: 120: 117: 109:museum curator 88: 87: 81: 77: 76: 70:(aged 76) 64: 60: 59: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1205: 1194: 1191: 1189: 1186: 1184: 1181: 1179: 1176: 1174: 1171: 1169: 1166: 1164: 1161: 1159: 1156: 1154: 1151: 1149: 1146: 1144: 1141: 1139: 1136: 1134: 1131: 1129: 1126: 1124: 1121: 1119: 1116: 1114: 1111: 1109: 1106: 1104: 1101: 1099: 1096: 1095: 1093: 1084: 1080: 1077: 1074: 1073:British Pathé 1070: 1067: 1066: 1062: 1056: 1055:0-415-43221-9 1052: 1048: 1045: 1040: 1037: 1033: 1027: 1024: 1021: 1020:0-7134-8875-1 1017: 1013: 1007: 1005: 1001: 998: 997:0-7190-6639-5 994: 990: 987:Taylor, Lou, 984: 982: 980: 978: 974: 970: 965: 963: 961: 959: 957: 955: 953: 949: 936: 932: 930: 927:"Obituary in 922: 920: 918: 916: 914: 912: 910: 908: 906: 902: 898: 896: 888: 885: 879: 874: 871: 868: 865: 862: 861: 856: 854: 850: 846: 843: 840: 836: 833: 832: 828: 823: 820: 819: 816:Autobiography 815: 811: 807: 804:(1995, 2003) 803: 799: 795: 792: 789: 786: 783: 780: 777: 774: 771: 768: 765: 762: 759: 758: 754: 749: 746: 743: 740: 737: 734: 731: 728: 725: 722: 719: 716: 713: 710: 709: 705: 700: 697: 694: 691: 688: 685: 682: 679: 678: 674: 669: 666: 663: 660: 657: 654: 651: 648: 645: 642: 639: 636: 635: 631: 626: 624: 622: 614: 612: 610: 606: 602: 594: 592: 590: 589:living models 586: 582: 578: 573: 571: 567: 563: 559: 555: 554: 549: 548: 543: 542: 534: 532: 531: 526: 522: 516: 514: 510: 506: 502: 498: 497: 492: 488: 485: 481: 477: 472: 470: 466: 462: 458: 454: 450: 445: 443: 439: 435: 431: 423: 416: 413: 412: 408: 405: 404: 400: 397: 396: 392: 389: 388: 384: 381: 380: 376: 373: 372: 368: 365: 364: 360: 357: 356: 352: 349: 348: 344: 341: 340: 336: 333: 332: 328: 325: 324: 321: 319: 315: 306: 304: 300: 296: 288: 285: 282: 279: 276: 273: 272: 271: 269: 265: 260: 258: 257: 252: 251: 246: 242: 238: 234: 226: 224: 221: 217: 213: 212:Martin Hardie 209: 205: 197: 195: 193: 192: 187: 183: 182: 177: 176:Lawrence Holt 173: 169: 165: 161: 156: 154: 150: 146: 142: 138: 134: 130: 126: 118: 116: 114: 110: 106: 105:art historian 102: 98: 94: 85: 82: 78: 74: 65: 61: 57: 53:14 March 1899 45: 41: 34: 29: 22: 19: 1046: 1039: 1031: 1026: 1011: 988: 939:. Retrieved 935:the original 928: 899:no 10 (1976) 892: 887: 866: 857: 844: 834: 821: 801: 793: 787: 781: 775: 769: 760: 747: 741: 735: 729: 723: 717: 711: 698: 692: 686: 681:Nymph Errant 680: 661: 655: 649: 643: 637: 618: 598: 574: 551: 545: 539: 536: 528: 518: 509:leading lady 496:Nymph Errant 494: 476:Nymph Errant 475: 473: 468: 464: 448: 446: 441: 427: 317: 313: 312: 292: 286: 280: 274: 261: 254: 250:Clothes-Line 248: 245:Pearl Binder 237:applied arts 230: 215: 208:Illustration 201: 189: 179: 157: 131:printer and 122: 92: 91: 68:(1975-06-03) 18: 1103:1975 deaths 1098:1899 births 867:Oscar Wilde 706:Art history 581:Camden Town 570:Nostradamus 544:(1965) and 513:double life 501:Cole Porter 434:light verse 374:Ridiculous 314:Laver's Law 309:Laver's Law 268:John Flügel 172:John Wesley 141:puritanical 93:James Laver 66:3 June 1975 25:James Laver 1092:Categories 880:References 853:0704102021 414:Beautiful 334:Shameless 119:Early life 49:1899-03-14 929:The Times 638:Cervantes 562:occultism 471:in 1933. 406:Romantic 398:Charming 326:Indecent 220:Amsterdam 204:Engraving 191:Cervantes 133:stationer 125:Liverpool 75:, England 58:, England 56:Liverpool 941:18 March 841:) (1927) 724:Whistler 453:pastiche 382:Amusing 366:Hideous 320:(1937): 129:maritime 1081:at the 847:(1942) 755:Fashion 675:Fiction 609:Chelsea 564:in the 507:as the 484:Turkish 438:Klabund 390:Quaint 1053:  1018:  995:  869:(1968) 863:(1954) 851:  837:(with 824:(1964) 808:  790:(1969) 784:(1968) 778:(1953) 772:(1949) 763:(1937) 744:(1941) 738:(1937) 732:(1936) 726:(1930) 720:(1928) 714:(1925) 701:(1936) 695:(1935) 689:(1935) 683:(1933) 664:(1933) 658:(1929) 652:(1927) 646:(1925) 640:(1921) 632:Poetry 358:Dowdy 350:Smart 168:B.Litt 107:, and 80:Spouse 829:Other 615:Death 525:Savoy 487:harem 1051:ISBN 1016:ISBN 993:ISBN 943:2009 849:ISBN 806:ISBN 503:and 451:, a 297:and 266:and 181:Isis 101:FRSA 63:Died 43:Born 459:'s 455:of 440:'s 97:CBE 1094:: 1003:^ 976:^ 951:^ 904:^ 796:(' 623:. 611:. 591:. 579:, 572:. 259:. 206:, 194:. 164:BA 155:. 99:, 95:, 945:. 897:) 51:) 47:(

Index

James Laver (around 1950)
Liverpool
Blackheath, London
Veronica Turleigh
CBE
FRSA
art historian
museum curator
Victoria and Albert Museum
Liverpool
maritime
stationer
Congregationalists
puritanical
Liverpool Institute
First World War
second lieutenant
New College, Oxford
BA
B.Litt
John Wesley
Lawrence Holt
Isis
Newdigate Prize
Cervantes
Engraving
Illustration
Martin Hardie
Amsterdam
fashion history

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