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231:. Curators are also expected to have contributed to their academic field, for example, by delivering public talks, publishing articles, or presenting at specialist academic conferences. It is important that curators have knowledge of the current collecting market for their area of expertise, and are aware of current ethical practices and laws that may impact their organisation's collecting. The increased complexity of many museums and cultural organisations has prompted the emergence of professional programs in fields such as public history,
350:
placed on such questions by others". This would change the role of curator from teacher to "facilitator and assistor". In this sense, the role of curator in the United States is precarious, as digital and interactive exhibits often allow members of the public to become their own curators, and to choose their own information. Citizens are then able to educate themselves on the specific subject they are interested in, rather than spending time listening to information they have no desire to learn.
147:(e.g., curator of ancient art, curator of prints and drawings, etc.) and often operating under the direction of a head curator. In such organizations, the physical care of the collection may be overseen by museum collections-managers or by museum conservators, with documentation and administrative matters (such as personnel, insurance, and loans) handled by a museum registrar.
63:, meaning "to take care") is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. The term "curator" may designate the head of any given division, not limited to
146:
In larger institutions, the curator's primary function is that of a subject specialist, with the expectation that he or she will conduct original research on objects and guide the organization in its collecting. Such institutions can have multiple curators, each assigned to a specific collecting area
846:
The 92nd Street Y announces the departure of Karl
Kirchwey, longtime director of the 92nd Street Y Unterberg Poetry Center. Mr. Kirchwey will become Director of Creative Writing and Senior Lecturer in the Arts at Bryn Mawr College starting next fall. The Poetry Center is a program of the 92nd Street
291:
Community members involved in community curation are likely not trained as museum professionals, but have vested interests in the outcomes of curatorial projects. Community curation is a response to the 19th century "information transmission" model of learning, in which museums are sources of expert
349:
As US museums have become increasingly more digitized, curators find themselves constructing narratives in both the material and digital worlds. Historian Elaine Gurian has called for museums in which "visitors could comfortably search for answers to their own questions regardless of the importance
184:
The title "curator" identifies someone who selects and often interprets works for an exhibit. In addition to selecting works, the curator is often responsible for writing labels, catalog essays, and other content supporting exhibitions. Such curators may be permanent staff members, "guest curators"
295:
Community curation practices are varied. Organizations have conducted community outreach at the beginning of exhibition projects, and convenes community advisory committees at various stages in the curatorial process. or have accepted exhibit proposals from community members and trained them in
166:). These curators are selected by competitive examination and attend the INP (Institut National du Patrimoine). The "conservateurs du patrimoine" are civil servants or work in the public service; the use of the title by private workers is not possible.
142:
of object for transportation, and shares research with the public and community through exhibitions and publications. In very small, volunteer-based museums, such as those of local historical societies, a curator may be the only paid staff-member.
331:
Technology curators are people who are able to disentangle the science and logic of a particular technology and apply it to real-world situations and society, whether it is for social change, commercial advantage, or other purposes. The first U.K.
2613:
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knowledge and visitors are the recipients of that expertise. Community curation seeks not to abandon expertise, but to broaden definitions of expertise to "include broader domains of experience" that visitors bring to museums.
320:
More recently, advances in new technologies have led to a further widening of the role of curator. This has been a focus in major art institutions internationally and has become an object of academic study and research.
805:"Listening Intently: Can StoryCorps Teach Museums How to Win the Hearts of New Audiences?" in Bill Adair, Benjamin Filene, and Laura Koloski, eds., Letting Go? Sharing Historical Authority in a User-Generated World
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of heritage material including historical artifacts. A collections curator's concern necessarily involves tangible objects of some sort—artwork, collectibles, historic items, or scientific collections.
3062:
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780:"Community as Curator: A Case Study at the Brooklyn Historical Society" in Bill Adair, Benjamin Filene, and Laura Koloski, eds., Letting Go? Sharing Historical Authority in a User-Generated World
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Conference had a test lab, where an independent curator selected technology that showcased radical technology advancements and their impact on society, such as the ability to design and
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138:. A curator makes decisions regarding what objects to select, oversees their potential and documentation, conducts research based on the collection and its history, provides proper
612:"Public Curation: From Trend to Research-Based Practice" in Bill Adair, Benjamin Filene, and Laura Koloski, eds., Letting Go? Sharing Historical Authority in a User-Generated World
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Education and outreach play an important role in some institutions. It has led to the emergence of titles such as "Curator of
Education" and "Curator of Public Practice".
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In the same way that a museum curator may acquire objects of relevance or an art curator may select or interpret a work of art, the injection of technology and impact of
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734:"Whose Questions, Whose Conversations?" in Bill Adair, Benjamin Filene, and Laura Koloski, eds., Letting Go? Sharing Historical Authority in a User-Generated World
709:"Whose Questions, Whose Conversations?" in Bill Adair, Benjamin Filene, and Laura Koloski, eds., Letting Go? Sharing Historical Authority in a User-Generated World
684:"Whose Questions, Whose Conversations?" in Bill Adair, Benjamin Filene, and Laura Koloski, eds., Letting Go? Sharing Historical Authority in a User-Generated World
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curatorial skills to co-create exhibits. Such efforts to allow communities to participate in curation can require "more not less expertise from museum staff".
83:
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The late-20th century saw an explosion of artists organizing exhibitions. The artist-curator has a long tradition of influence, notably featuring Sir
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Curators hold a high academic degree in their subject, typically a Doctor of
Philosophy or a master's degree in subjects such as history, art,
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346:(such as a fully working violin) or the ability to model and represent accurate interactive medical and molecular models in stereoscopic 3D.
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In the United
Kingdom, the term "curator" also applies to government employees who monitor the quality of contract archaeological work under
2638:
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432:
1848:
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501:
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Combatting
Illicit Trade: Due diligence guidelines for museums, libraries and archives on collecting and borrowing cultural material.
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and manage the cultural resource of a region. In a museum setting, a curator in the United
Kingdom may also be called a "keeper".
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162:) with five specialities (archeology, archives, museums, historical monuments, natural science museums), and librarian curators (
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Community curation— also known as "co-curation", "public curation" or "inclusive curation"—is a movement in museums,
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2240:
1868:
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In
Australia and New Zealand, the term also applies to a person who prepares a sports ground for use (especially a
288:
field to involve community members in various curatorial processes, including exhibit development and programming.
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2125:
2120:
1102:
Winbladh, M.-L., Adventures of an archaeologist. Memoirs of a museum curator, AKAKIA Publications, London 2020,
261:
is a professional scientist who curates, collects, annotates, and validates information that is disseminated by
39:
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1907:
1900:
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1501:
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from 1912 to 1937, shown here during reconstruction of the gallery dedicated to
Spanish and Italian paintings,
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The term "literary curator" has been used to describe persons who work in the field of poetry, such as former
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from an affiliated organization or university, or "freelance curators" working on a consultancy basis.
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In smaller organizations, a curator may have sole responsibility for acquisitions and even for
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Kuoni, Carin. (2001) Words of Wisdom: A Curator's Vade Mecum on
Contemporary Art. New York:
359:
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68:
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Lord, G. and B. Lord. (1997) The Manual of Museum
Management. Lanham, MD: Altamira Press.
582:
561:
525:
200:
181:
An "exhibitions curator" is a person in charge of conceiving and organising exhibitions.
974:
Burcaw, G. (1997) Introduction to Museum Work, 3rd edition. Lanham, MD: Altamira Press.
3005:
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2411:
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In Scotland, the term "curator" is also used to mean the guardian of a child, known as
216:
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516:
3137:
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2431:
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1136:– geared towards children, an interactive guide to how an exhibition is put together.
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1142:
1122:'Hang it all', article on contemporary curating and the rise of curating degrees
339:
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1419:
1322:
1317:
1029:
Marincola, P. (2002) Curating Now: Imaginative Practice/Public Responsibility
654:
343:
285:
258:
107:
17:
984:
Ferguson, B., Greenburg, R. and Nairne, S. (1996) Thinking About Exhibitions
379:
Obsolete terms referring to a female curator are "curatrix" and "curatress".
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into every aspect of society has seen the emergence of technology curators.
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1216:
1092:
Graham, B. and Cook S. (2010) Rethinking Curating. Cambridge: MIT Press.
228:
1081:
Thea, C. (2009) On Curating: Interviews with Ten International Curators
782:. Philadelphia: The Pew Center for Arts and Heritage. pp. 113–114.
2025:
1334:
1211:
1196:
1070:
Sullivan, L. and Childs, S. (2003) Curating Archaeological Collections
995:
Glaser, J. and A. Zenetou. (1996) Museums: A Place to Work. Routledge.
902:
Best of Both Worlds: Museums, Libraries and Achieves in the Digital Age
422:. Vol. 7 (11th ed.). Cambridge University Press. p. 636.
119:
115:
686:. Philadelphia: The Pew Center for Arts and Heritage. pp. 71–72.
614:. Philadelphia: The Pew Center for Arts and Heritage. pp. 71–72.
2235:
2225:
1392:
1344:
1339:
1258:
170:
111:
64:
31:
27:
Content specialist charged with managing an institution's collections
67:. Curator roles include "community curators", "literary curators", "
807:. Philadelphia: The Pew Center for Arts and Heritage. p. 189.
2270:
2175:
1253:
736:. Philadelphia: The Pew Center for Arts and Heritage. p. 71.
711:. Philadelphia: The Pew Center for Arts and Heritage. p. 70.
82:
2035:
102:
A "collections curator", a "museum curator", or a "keeper" of a
1958:
1146:
1060:
Richter, D. and Drabble, B (2007) Curating Critique. Revolver.
1050:
Rugg, J. and Segdwick, M (2007) Issues in Curating. Intellect.
211:
Education and training for collections and exhibitions curators
847:
Y Tisch Center for the Arts, the Y's arts presenting division.
411:
171:
Planning Policy Guidance 16: Archaeology and Planning (PPG 16)
2051:
Conservation and restoration of immovable cultural property
830:"POETRY CENTER DIRECTOR KARL KIRCHWEY LEAVES 92nd STREET Y"
188:
In France, the term "exhibitions curator" is translated as
150:
In France, the term "collections curator" is translated as
447:
L'invention du curateur. Mutations dans l'art contemporain
2056:
Conservation and restoration of movable cultural property
1128:'Career Curating' article on curating contemporary design
637:
Inclusive curating in contemporary art: a practical guide
2442:
Digital repository audit method based on risk assessment
122:) is a content specialist charged with an institution's
3090:
Conservation-restoration of the Sistine Chapel frescoes
957:
944:
450:(in French). Paris: Presses Universitaires de France.
585:
October 2005, Department for Culture, Media and Sport
564:
2009, American Alliance of Museums Curators Committee
3039:
2852:
2581:
2525:
2392:
2294:
1996:
1789:
1658:
1596:
1460:
1385:
1184:
3095:Conservation-restoration of the Statue of Liberty
2231:Mold control and prevention (library and archive)
2046:Conservation and restoration of cultural property
1130:, the Guardian newspaper, Saturday July 14, 2001.
3118:Preservation Metadata: Implementation Strategies
3108:Conservation response to flood of Arno, Florence
3072:Conservation-restoration of Leonardo da Vinci's
496:
494:
3113:Modern and Contemporary Art Research Initiative
3085:Conservation-restoration of the Shroud of Turin
1650:Timeline of 20th century printmaking in America
1124:, the Observer newspaper, Sunday March 9, 2003.
87:Emile Theodore (center), museum curator of the
3049:Conservation issues of Pompeii and Herculaneum
2206:Integrated pest management (cultural property)
1039:Obrist, H. (2008) A Brief History of Curating
1970:
1158:
8:
924:"The Cordon – Cricket Blogs – ESPN Cricinfo"
433:fr:Institut national du patrimoine (France)
2614:Books, manuscripts, documents and ephemera
1977:
1963:
1955:
1165:
1151:
1143:
667:: CS1 maint: location missing publisher (
243:, and curating/curatorial practice. (See
2161:Disaster preparedness (cultural property)
473:"Curateur, le plus jeune métier du monde"
2061:Conservation science (cultural property)
1017:Independent Curators International (ICI)
203:(1723-1792), inaugural president of the
38:
399:
884:: CS1 maint: archived copy as title (
877:
660:
610:Morrissey, Kris; Satwicz, Tom (2011).
471:Lequeux, Emmanuelle (June 19, 2013).
372:). This job is equivalent to that of
249:for further information on courses.)
43:Curator and exhibit designer dress a
7:
245:
3154:Education and training occupations
2246:Preservation (library and archive)
1749:Index of painting-related articles
945:https://en.wiktionary.org/curatrix
764:Pew Center for Arts & Heritage
376:in some other cricketing nations.
25:
503:How do I become a museum curator?
273:Engagement and community curation
3100:Conservation-restoration of the
2976:Indigenous intellectual property
2211:Inventory (library and archive)
2111:Cultural property documentation
832:. 92nd Street Y. Archived from
828:Alix Friedman (June 13, 2000).
757:Chinn, Cassie (June 22, 2012).
540:How to become a museum curator.
506:December 22, 2006, Times Online
164:conservateurs des bibliothèques
2609:Bone, horn, and antler objects
2151:Digital photograph restoration
554:A code of ethics for curators.
284:organizations, and within the
89:Palais des Beaux-Arts de Lille
1:
2794:South Asian household shrines
2492:Reconstruction (architecture)
2422:Cultural property radiography
2379:Registrar (cultural property)
2131:Cultural resources management
2091:Collections management system
92:
3063:Conservation-restoration of
3054:Conservation-restoration of
2427:Detachment of wall paintings
2201:Intangible cultural heritage
2116:Cultural property exhibition
2101:Cultural heritage management
1688:Museum collection management
1611:Art history (academic study)
1490:alternative exhibition space
528:American Alliance of Museums
444:Glicenstein, JĂ©rĂ´me (2015).
2507:Transfer of panel paintings
1849:Colossal sculptures in situ
1553:Artist-in-residence program
910:The Smithsonian Institution
600:March 9, 2003, The Observer
581:September 27, 2010, at the
207:, London, founded in 1768.
160:conservateurs du patrimoine
3180:
2971:Heritage language learning
2241:Optical media preservation
1859:Contemporary art galleries
1754:Outline of the visual arts
778:Schwartz, Deborah (2011).
29:
3011:Oral history preservation
2126:Cultural property storage
2121:Cultural property imaging
1929:
803:Filene, Benjamin (2011).
732:McLean, Kathleen (2011).
707:McLean, Kathleen (2011).
682:McLean, Kathleen (2011).
518:Day in the life: curator.
154:. There are two kinds of
3058:by ElĂas GarcĂa MartĂnez
2276:Sustainable preservation
1913:Most expensive paintings
1700:Conservation-restoration
1502:Contemporary art gallery
524:August 24, 2012, at the
267:model organism databases
190:commissaire d'exposition
30:Not to be confused with
3164:Visual arts occupations
3149:Visual arts exhibitions
3016:Preservation of meaning
3001:Language revitalization
2669:Illuminated manuscripts
2447:Historic paint analysis
2339:Conservation technician
2141:Deaccessioning (museum)
2081:Collections maintenance
2006:Agents of deterioration
1921:works by living artists
1683:Classificatory disputes
639:(New ed.). Leeds.
419:Encyclopædia Britannica
342:physical objects using
3026:Tradition preservation
2679:Iron and steel objects
2568:Outdoor bronze objects
2512:UVC-based preservation
2369:Photograph conservator
2334:Conservation scientist
2086:Collections management
2016:Archaeological science
899:Clough, Wayne (2013).
316:Technology and society
126:and involved with the
99:
60:
48:
3031:Traditional knowledge
2996:Language preservation
2604:Ancient Greek pottery
2502:Textile stabilization
2364:Paintings conservator
2251:Preservation metadata
2136:Database preservation
1990:historic preservation
1558:Artist-run initiative
1445:Visual arts education
960:. September 21, 2020.
635:French, Jade (2020).
560:May 17, 2017, at the
543:July 6, 2009, Edubook
537:Stephanie A. Harper,
205:Royal Academy of Arts
158:: heritage curators (
86:
42:
2819:Time-based media art
2629:Copper-based objects
2543:Archaeological sites
2472:Mass deacidification
2417:Cradling (paintings)
2329:Conservator-restorer
2156:Digital preservation
1854:Contemporary artists
1717:Destination painting
1514:Single-artist museum
1403:Conservator-restorer
934:on December 4, 2010.
263:biological databases
3123:World Heritage Site
2986:Indigenous language
2886:Endangered language
2784:Shipwreck artifacts
2764:Photographic plates
2714:Musical instruments
2467:Lining of paintings
2384:Textile conservator
2359:Objects conservator
2349:Exhibition designer
2256:Preservation survey
2181:Found in collection
2071:Collection (museum)
2041:Calendar (archives)
2011:Archival processing
1844:Art reference books
1638:History of painting
1222:Fine-art photograph
866:on January 14, 2012
759:"Push Me, Pull You"
389:Curatorial platform
177:Exhibitions curator
106:institution (e.g.,
79:Collections curator
3159:Museum occupations
2981:Indigenous culture
2324:Collection manager
2221:Media preservation
2216:Inventory (museum)
2076:Collection catalog
1939:Visual arts portal
1869:National galleries
1722:Eclecticism in art
1677:Catalogue raisonné
1548:Artist cooperative
1134:The Exhibitionists
100:
49:
3131:
3130:
3080:Pompeian frescoes
2966:Heritage language
2856:cultural heritage
2644:Flags and banners
2589:cultural property
2553:Heritage railways
2533:cultural property
2482:Paleo-inspiration
2166:Film preservation
2106:Cultural property
2096:Cultural heritage
1986:Cultural heritage
1952:
1951:
1543:Artist collective
1357:Site-specific art
1207:Cultural artifact
1108:978-1-912935-29-1
1066:978-3-86588-451-0
1056:978-1-84150-162-8
1001:978-0-415-12724-0
980:978-0-7619-8926-4
836:on April 13, 2022
814:978-0-9834803-0-3
789:978-0-9834803-0-3
743:978-0-9834803-0-3
718:978-0-9834803-0-3
693:978-0-9834803-0-3
646:978-1-64189-265-0
621:978-0-9834803-0-3
515:Valarie Kinkade,
500:Carly Chynoweth,
457:978-2-13-065318-9
354:Other definitions
300:Literary curation
282:public humanities
233:public humanities
104:cultural heritage
16:(Redirected from
3171:
3067:by Thomas Eakins
3065:The Gross Clinic
2961:Folklore studies
2871:Applied folklore
2844:Wooden furniture
2839:Wooden artifacts
2834:Woodblock prints
2814:Tibetan thangkas
2674:Insect specimens
2563:Outdoor artworks
2558:Historic gardens
2191:Heritage science
1979:
1972:
1965:
1956:
1908:Stolen paintings
1776:Sociology of art
1727:Economics of art
1578:Sculpture garden
1563:Artist-run space
1362:Social sculpture
1232:Installation art
1167:
1160:
1153:
1144:
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2931:Folk instrument
2906:Family folklore
2896:Ethnomusicology
2891:Ethnochoreology
2858:
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2769:Plastic objects
2754:Performance art
2739:Panel paintings
2734:Painting frames
2699:Leather objects
2619:Ceramic objects
2591:
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2585:and restoration
2584:
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2528:
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1934:Painting portal
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1712:Cultural policy
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1583:Sculpture trail
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2592:by item type
2583:Conservation
2536:by item type
2527:Conservation
2477:Overpainting
2437:Display case
2343:
2266:Repatriation
1827:most visited
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1227:Found object
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2649:Fur objects
2587:of movable
2517:VisualAudio
2462:Leafcasting
2407:Anastylosis
2354:Mount maker
2314:Art handler
2171:Finding aid
2021:Archaeology
1944:Arts portal
1817:Art museums
1732:art finance
1533:Arts centre
1497:Art gallery
1480:Art commune
1470:Art auction
1313:Printmaking
1242:Mixed media
1237:Kinetic art
1174:Visual arts
958:"Curatress"
840:October 15,
479:(in French)
344:3D printers
286:biocuration
253:Biocuration
221:archaeology
124:collections
96: 1920
73:biocurators
3138:Categories
2941:Folk music
2921:Folk dance
2854:Intangible
2452:Inpainting
2319:Auctioneer
2309:Art dealer
2261:Provenance
2066:Collecting
1999:and issues
1917:sculptures
1771:Provenance
1666:Art market
1573:Commission
1521:Art school
1509:Art museum
1475:Art colony
1463:and events
1323:street art
1318:Public art
655:1184460562
395:References
374:groundsman
259:biocurator
3056:Ecce Homo
2951:Folk play
2804:Taxidermy
2749:Parchment
2729:Paintings
2304:Archivist
1896:Sculptors
1802:Art media
1764:sculpture
1705:paintings
1626:Criticism
1408:paintings
1398:Collector
1330:Sculpture
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1178:art world
663:cite book
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3144:Curators
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1874:Painters
1759:painting
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1568:Biennale
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1264:graffiti
1217:Fine art
1176:and the
928:Cricinfo
880:cite web
579:Archived
558:Archived
522:Archived
483:July 16,
477:Le Monde
383:See also
362:ad litem
360:curator
229:classics
194:curateur
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3040:Notable
2744:Papyrus
2689:Judaica
2548:Frescos
2393:Methods
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2026:Archive
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1643:outline
1425:Curator
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1350:tallest
1335:carving
1286:virtual
1281:digital
1276:history
1212:Drawing
1197:Collage
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340:"print"
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116:library
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