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His pictures made their mark by their sincere feeling for nature and their excellent drawing, especially of trees. Three of his pictures, 'A Lane in
Berwickshire,' 'Cotherstone, Yorkshire,' and 'Pont-y-pant, Wales,' are in the Laing Art Gallery, Newcastle, where a loan exhibition of his works was
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Among his early work were full-sized copies of Wilkie's 'Blind
Fiddler' and 'The Village Festival,' in the National Gallery, as well as portraits and miniatures. Eventually he confined himself wholly to landscape painting, in which he exhibited at the
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and other artists he was an organiser of "free" exhibitions like those of the Dudley
Gallery and of the Portland Gallery, of which the latter ended disastrously. Working to the end, he died at his residence, Elms Lodge, Oxford Road,
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55:, the antiquary. Alexander Dalziel (1781 - 1832), father of the wood engravers the Dalziel Brothers, first taught him drawing, and in 1840 he came to London to paint portraits.
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held in 1907. Several were bought for other provincial galleries at
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100:, on 28 January 1906. Peel married at Darlington, on 30 May 1849, Sarah Martha, eldest daughter of Thomas Blyth, and left children.
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24:(1 July 1811 – 28 January 1906) was an English landscape painter.
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from 1848 to 1857, when he again settled in London.
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83:In 1861 he was admitted a member of the
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43:Born on 1 July 1811 in Westage Road,
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187:45 artworks by or after James Peel
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237:19th-century English male artists
222:Artists from Newcastle upon Tyne
176:. London: Smith, Elder & Co.
172:Dictionary of National Biography
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138:. London: Smith, Elder & Co.
134:Dictionary of National Biography
85:Royal Society of British Artists
70:Royal Society of British Artists
37:Sheep in the Scottish highlands
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217:19th-century English painters
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227:English landscape painters
28:Early life and education
53:John Collingwood Bruce
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232:English male painters
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128:"Peel, James"
72:from 1845 onwards.
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93:William Bell Scott
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45:Newcastle-on-Tyne
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