223:, one of America's first successful African American Artists, was a close friend of J. S. Carpenter. How they met is unknown, but it probably was on a buying trip to New York or while Carpenter studied art in France, based on anecdotal evidence. The friendship started as a business relationship. Carpenter wanted a Tanner canvas for the Association of Fine Arts. Carpenter was enthralled with Tanner's works in general. Carpenter wanted to place as many Tanner's works in Des Moines as possible. Part was his love of the style and part the appeal to the consumer. Carpenter brokered paintings for Tanner at a 25% commission. Carpenter often begged Tanner to send more paintings to Des Moines for placement. The best example of their true friendship came in 19** when Carpenter was shopping for art in New Youk City. Carpenter came upon a large Tanner canvas at a gallery. The price was not what Tanner would usually receive. Carpenter believed the canvas was acquired by nefarious means. Carpenter contacted Tanner, who was then living in France, to ask if the canvas was stolen. Carpenter discovered that Tanner stored six pictures with an art warehouse. The business closed and the owner took the pictures to another storage area. The owner died with his widow auctioning the paintings off and keeping the money for herself. Carpenter took it upon himself to seek out the auctioned Tanner canvases and recover as many as possible. Carpenter expended his own funds for the entire recovery process at a cost of $ ?. The ordeal started in 19** and by 19** the cost of recovery totaled. Tanner paid him back from the proceeds of the sales 19**. The letters that followed this misadventure revealed a trusting friendship. Tanner assisted Carpenter in acquiring the Hand of Rodan for $ 1,000.00 along with provenance for the Fine Arts Association. A bronze that is still in the Des Moines Art Center collection. Tanner also bid at auctions for Carpenter's friends and for Carpenter. Carpenter gave Tanner free rein to bid on, "a large work, from a big artist at a small price." In Tanner's final year of life he confided in Carpenter that many canvases were in the studio but he had not the strength to complete the work. Tanner referenced a new Tempera mix for which he was very excited. In Carpenter's final letter to Tanner, 1936, Carpenter noted two weeks in Chicago for medical treatment and the stagnant art market. Carpenter and Tanner demonstrated a true and trusted friendship to their final days of life.
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middle of the dining room but has since been covered by a brass plate. There is a servant's staircase on the east. After a fire nearly claimed the
Carpenters' collection in the 1920s, a fireproof art room was constructed on the North. The fire of November 24, 1922, reported in the Des Moines Tribune, as, "Fire today almost totally destroyed the home of J. S. Carpenter at East Thirty-third street and Cleveland Avenue. Mr. Carpenter had one of the finest art collections in the United States. It is thought that many of these fine oil paintings have been ruined." The room is separated from the house by about three feet of concrete and a double bank vault door. The 17 by 13 foot art room with 11 foot ceilings has 10 inch concrete floors and ceiling. Two windows on the North had bars that were removed at an unknown date, after the carpenter occupation. On humid days, with a strong Northeast wind, the smell of charred wood is present in the second story. The estate was 13 acres during the Carpenter period. The original address of Summit street was changed to 1525 East 33rd street and again changed by development to 3320 Kinsey Avenue. The property was placed on the National Historic Register in 1998 and declared a local Des Moines Landmark by the Des Moines City Council ordinance 2001.
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collections of etchings and lithographs in
America. The house held the Carpenter collection of 125 paintings and 350 etchings. J. S. Carpenter was also known as Sannie or Sandy after his oddly spelled middle name. J. S. Carpenter, a bridge building magnet, founded the Des Moines Association of Fine Arts in 1916. The Association members each contributed $ 100.00 annually for the purchase of paintings and sculptures. The members also received a 25% discount on art purchased at Association events. Carpenter was known as the Guru of fine arts by the Des Moines community. Visiting artists and dignitaries came to Des Moines to sell their art and often stayed with the Carpenter's at Oakwood. Carpenter was president of the Association from its inception until his death of heart disease in 1939. The Association transformed into the Edmundson Art Museum in 1940 under the auspices of Association Executive member, and Carpenter's close friend Jay N. (Ding) Darling. Darling as President of the Edmundson Art Foundation merged the original collection into the present day Des Moines Art Center.
262:, circa 1912. The subject was Miller's wife and daughter. Miller's daughter died shortly after the painting was completed. The painting was inherited by Carpenter's niece. In 1990 the niece offered Goldfish to the Des Moines Art Center. With little research, the Art Center rejected the offer. The Art Center already had an example of Richard Miller's work. The Art Center failed to recognize the importance of the painting in that it depicted the artist's last painting of his daughter. Carpenter's niece donated the painting to her alma mater Simpson College, Indianola, Iowa with full knowledge of the painting's value. Simpson college sent Goldfish to Sotheby's auction house for sale in New York 1992.
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Drive and East 34th st, Des Moines Iowa. In 1973 the
Hawkeye Development Company purchased Oakwood Estate's remaining five acres and subdivided the land into 11 lots. Houses and duplexes were built around the mansion. One lot to the west, commonly known as 1515 East 33rd street, Des Moines Iowa, was left undeveloped for 23 years and acquired for the estate. A low-income-housing duplex to the west commonly known as 1525 East 33rd St was demolished in 2011, with the lot added to the estate in 2012.
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Avenue, Des Moines Iowa. There, the white cloaked KKK members would burn their cross. There is no information indicating this as a warning to
Carpenter for selling a "Negro's" paintings. Nothing in the news or Carpenter's correspondence indicate he was distracted from selling Tanner paintings. To the contrary, Carpenter was an aggressive promoter of Tanner works.
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panels and dentil cove molding all of quarter-sawn oak. The living room is 17 feet by 33 feet with an oak colonial revival fireplace on the north. The fireplace has matte green Grueby like three inch square tiles. The ceiling of the great room or living room is molded plaster tiles identical to the ceiling of the historic
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House. Florence
Carpenter, a member of the Des Moines Women's club, was on the Hoyt-Sherman building committee in 1923 when the club auditorium was first dedicated. The formal dining room also has wood wall panels and cove molding all of African Teak wood. A servant's call button was present in the
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Carpenter house, built 1890, extensively renovated in the 1920s, is a colonial revival with two and one half stories. It has six bedrooms with a formal front staircase on the west made of quarter-sawn oak and rectilinear panels with square stair spokes. The library has oak built in bookcases, wall
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The grounds originally consisted of 13 acres. A servant's house is located to the north, still standing and under private ownership. The servant's quarters were sold off the estate in the 1960s. The land to the east was also sold in the 1960s to development and is now commonly known as
Eastwood
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in the 1920s just three blocks south of
Carpenter's Oakwood Estate. The Ku Klux Klan would ride their steel shod horses East down the brick paved East University Street and then turn North toward Carpenter's house to a horse pasture on the highest hill near today's East 34th street and Dubuque
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was significant to Des Moines cultural history from 1906 to 1939. The 13 acre property named
Oakwood estate by its owners J. S. Carpenter and his Spouse Florence L. Carpenter because of the old growth oak forestation. The Carpenters' collection was deemed by art critics as one of the finest
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J. N. "Ding" Darling Papers Series V - Correspondence
Subseries 1 - chronological, numbered, indexed items MsC 170, Series II, Box 1, The University of Iowa Libraries, Iowa City, Iowa
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and his wife visited Des Moines and stayed with the
Carpenter's at Oakwood. Extensive correspondence exists between J. S. Carpenter and Leon Kroll at the Archives of American Art.
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Louise Rosenfield Noun Papers, Iowa Women's Archives, University of Iowa Libraries, Iowa City, Iowa, Noun was an original member of the Des Moines Association of Fine Arts
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Interview July 22, 2001, Fran Koontz, Des Moines Iowa resident who lived near the Oakwood Estate in the 1920s. Transcript at 3320 Kinsey Ave. Des Moines Iowa.
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Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution, Carpenter letter to H.O. Tanner March 8, 1927
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Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution, J. S. Carpenter letter
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Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution, Box 1 Folder 20.
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Leon Kroll papers, 1905-1974. Archives of American Art, Smithsonian Institution, Box 1 folders 67 and 68.
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December 28, 1994, Des Moines Register, J. S. Carpenter Was Visited by King of Sweden to See Art
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Banger, Linda (28 December 1994). "J. S. Carpenter Was Visited By King Of Sweden To See Art".
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Meiners, Pat (November 24, 1922). "CARPENTER HOME WITH FINE ARTS COLLECTION BURNS".
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Book, An Uncommon Vision, the Des Mines Art Center, 1998 p. 26, Hudson Hills Press,
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University and college buildings listed on the National Register of Historic Places
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Des Moines Tribune, April 7, 1939, J. S. Carpenter's Art Delighted A Prince.
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List of jails and prisons on the National Register of Historic Places
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Abstract of title, 3320 Kinsey Avenue, Des Moines, Polk County, Iowa
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National Register of Historic Places listings in Polk County, Iowa
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Seibert, Mark (5 May 1992). "Too Big Art to Net Big Bucks".
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Houses on the National Register of Historic Places in Iowa
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Lowry W. and Hattie N. Goode First North Des Moines House
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National Register of Historic Places in Des Moines, Iowa
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Mrs. Marian D. Vail-Prof. Charles Noyes Kinney House
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The Carpenters owned a very rare painting by artist
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History of the National Register of Historic Places
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392:. New York: Hudson Hills Press. 1998. p. 26.
1214:Jay Norwood and Genevieve Pendleton Darling House
660:List of U.S. National Historic Landmarks by state
1357:F. F. Odenweller-James P. and Nettie Morey House
1052:National Register of Historic Places portal
538:A Bright Oasis: The Paintings of Richard Miller
1321:Richard T.C. Lord and William V. Wilcox House
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216:The Carpenters and artist Henry Ossawa Tanner
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452:Travers, Mrs. Frank C. (1923). "President".
390:An Uncommon Vision, The Des Mines Art Center
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247:The Carpenters' Richard E. Miller painting,
1503:List of National Historic Landmarks in Iowa
1119:William W. and Elizabeth J. Ainsworth House
349:Library of congress Catalog Number 98-72941
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600:U.S. National Register of Historic Places
38:U.S. National Register of Historic Places
1296:Capt. Nicholas W. and Emma Johnson House
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1429:Samuel A. and Margaret Stevenson House
481:National Historic Register Application
279:"National Register Information System"
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16:Historic house in Iowa, United States
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1439:Dr. Richard and Paulina Stuart House
1306:Rev. R.W. and Fannie E. Keeler House
1255:Dr. John B. and Anna M. Hatton House
284:National Register of Historic Places
235:The Carpenters and artist Leon Kroll
1480:Charles H. and Lena May Weitz House
1347:Minnie Y. and Frank P. Mattes House
1224:Edward B. and Nettie E. Evans House
226:Of note is eye witness accounts of
202:Photo of Carpenter House circa 1914
1015:National Historic Preservation Act
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1129:William H. and Alice Bailey House
1409:Mary A. and Caleb D. Scott House
1219:Professor Charles O. Denny House
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1144:William A. and Etta Baum Cottage
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490:Des Moines Municipal Code, 2001.
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1139:Walter M. Bartlett Double House
1316:Nellie and Thomas Knotts House
1275:Home of Marshall's Horseradish
968:Federated States of Micronesia
614:Architectural style categories
456:. Dedication Program, 1923: 2.
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1454:Susie P. Turner Double House
1169:James Sansom Carpenter House
207:The grounds and outbuildings
181:James Sansom Carpenter House
30:James Sansom Carpenter House
19:United States historic place
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1534:Houses in Des Moines, Iowa
1189:Albert Baird Cummins House
1154:Hill McClelland Bell House
1020:Historic Preservation Fund
999:American Legation, Morocco
536:Kane, Mary Louise (1997).
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1164:Byron and Ivan Boyd House
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961:Lists by associated state
157:NRHP reference
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1311:Francis M. Kirkham House
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942:Northern Mariana Islands
149:Architectural style
1378:Anson O. Reynolds House
1250:F.E. Haley Double House
1134:C.H. Baker Double House
560:The Des Moines Register
540:. Jordan Volpe Gallery.
454:Des Moines Women's Club
427:Des Moines Women's Club
304:The Des Moines Register
1434:Thomas I. Stoner House
1404:Julius Scheibe Cottage
1260:William B. Hayes House
937:Minor Outlying Islands
920:Lists by insular areas
634:Keeper of the Register
1424:John P. Simmons House
1149:Byron A. Beeson House
639:National Park Service
619:Contributing property
289:National Park Service
117:41.60722°N 93.55056°W
1373:George B. Peak House
1179:Chaffee-Hunter House
1124:Josiah Andrews House
994:District of Columbia
423:"Hoyt Sherman Place"
1475:Henry Wallace House
1383:Ralph Rollins House
1103:Historic houses in
433:on 22 November 2012
221:Henry Ossawa Tanner
122:41.60722; -93.55056
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1449:Trent-Beaver House
1414:Hoyt Sherman Place
1280:Hoyt Sherman Place
1240:Rees Gabriel House
1174:Larnerd Case House
469:Des Moines Tribune
136:less than one acre
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256:Richard E. Miller
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901:West Virginia
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806:New Hampshire
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170:Added to NRHP
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1485:West Chester
1444:Terrace Hill
1392:Houses S-T-U
1366:Houses P-Q-R
1352:Naylor House
1337:Mahnke House
1330:Houses M-N-O
1289:Houses J-K-L
1265:Herndon Hall
1233:Houses G-H-I
1207:Houses D-E-F
1168:
1112:Houses A-B-C
866:South Dakota
856:Rhode Island
851:Pennsylvania
831:North Dakota
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1342:Maish House
987:Other areas
947:Puerto Rico
781:Mississippi
696:Connecticut
188:The mansion
120: /
96:Coordinates
1518:Categories
1463:Houses V-W
896:Washington
816:New Mexico
811:New Jersey
686:California
266:References
241:Leon Kroll
105:41°36′26″N
906:Wisconsin
871:Tennessee
776:Minnesota
751:Louisiana
108:93°33′2″W
1062:Category
891:Virginia
841:Oklahoma
821:New York
796:Nebraska
786:Missouri
771:Michigan
761:Maryland
746:Kentucky
726:Illinois
701:Delaware
691:Colorado
681:Arkansas
260:Goldfish
249:Goldfish
164:98000379
84:Location
1008:Related
911:Wyoming
886:Vermont
791:Montana
731:Indiana
711:Georgia
706:Florida
676:Arizona
666:Alabama
437:6 March
258:titled
239:Artist
846:Oregon
801:Nevada
741:Kansas
716:Hawaii
671:Alaska
607:Topics
396:
345:
978:Palau
876:Texas
756:Maine
721:Idaho
141:Built
932:Guam
881:Utah
836:Ohio
736:Iowa
439:2011
394:ISBN
343:ISBN
179:The
144:1890
133:Area
159:No.
1520::
546:^
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381:^
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281:.
1096:e
1089:t
1082:v
662::
592:e
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402:.
306:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
